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Launch! Advertising and Promotion in Real Time, 2009a

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8.5 The Creative Brief<br />

LEARNING OBJECTIVES<br />

After study<strong>in</strong>g this section, students should be able to do the follow<strong>in</strong>g:<br />

1. Create a creative brief that demonstrates the Big Idea <strong>and</strong> is applied to an advertis<strong>in</strong>g opportunity.<br />

2. Describe <strong>and</strong> evaluate the asymmetric communications brief.<br />

How do you communicate your strategy to your creative team?<br />

The fruits of your labor are now turn<strong>in</strong>g <strong>in</strong>to a real plan <strong>and</strong> a real document. After learn<strong>in</strong>g about<br />

the Four Ps <strong>and</strong> br<strong>and</strong><strong>in</strong>g, <strong>and</strong> after identify<strong>in</strong>g your current position<strong>in</strong>g <strong>and</strong> more desired<br />

position<strong>in</strong>g, you are ready to put words <strong>and</strong> actions <strong>in</strong>to motion.<br />

In this f<strong>in</strong>al section of this chapter, you will learn about SS+K’s <strong>and</strong> msnbc.com’s official plan:<br />

the creative brief. Prepar<strong>in</strong>g a creative brief is a collaborative process between the client (msnbc.com)<br />

<strong>and</strong> the agency (SS+K). Of course, a creative brief is never truly f<strong>in</strong>alized; it is a liv<strong>in</strong>g document that<br />

needs to be constantly reexam<strong>in</strong>ed for overall market appropriateness.<br />

The Brief<br />

The creative brief is a document that outl<strong>in</strong>es the <strong>in</strong>formation <strong>and</strong> objectives to <strong>in</strong>spire the creative idea.<br />

Creative briefs may take different forms <strong>and</strong> <strong>in</strong>clude a variety of elements, <strong>in</strong>clud<strong>in</strong>g describ<strong>in</strong>g what the<br />

advertis<strong>in</strong>g is try<strong>in</strong>g to achieve, identify<strong>in</strong>g the ma<strong>in</strong> idea to be communicated, <strong>and</strong> outl<strong>in</strong><strong>in</strong>g the target<br />

audience for that idea.<br />

Propos<strong>in</strong>g the Big Idea requires client agreement that the idea is right. Thus, both the advertis<strong>in</strong>g agency<br />

<strong>and</strong> the client must agree upon the f<strong>in</strong>al brief. The best briefs are written by account planners<br />

collaboratively with <strong>in</strong>put from the client, account team, <strong>and</strong> creative director. One of the key functions of<br />

the SS+K brief is to come up with a s<strong>in</strong>gle essential thought that summarizes the idea that will conv<strong>in</strong>ce<br />

consumers to do what it is that the communication aims to do. Every agency has a proprietary brief<br />

template it uses to spell out the types of content it will need to <strong>in</strong>clude, such as specify<strong>in</strong>g the audience,<br />

the product features, media placement ideas, <strong>and</strong> key po<strong>in</strong>t.<br />

Saylor URL: http://www.saylor.org/books<br />

Saylor.org<br />

248

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