Launch! Advertising and Promotion in Real Time, 2009a
Launch! Advertising and Promotion in Real Time, 2009a Launch! Advertising and Promotion in Real Time, 2009a
4.7 Culture, Globalization, and Advertising LEARNING OBJECTIVES After studying this section, students should be able to do the following: 1. Describe the advantages and disadvantages associated with standardization versus localization in global markets. 2. Explain the concept of semiotics and its impact on communication and marketing. Culture is the accumulation of shared meanings, rituals, norms, and traditions among the members of an organization or society. We can’t understand advertising unless we consider its cultural context: culture is the lens through which consumers make sense of marketing communications. Myths and Rituals In China eight is the luckiest number. The Chinese word for eight is ba, which rhymes with fa, the Chinese character for wealth. It was no coincidence that the Summer Olympics in Beijing opened on 8/8/08 at 8 p.m. [1] Virtually every culture believes in “lucky” or “unlucky” numbers (just try to find a thirteenth floor in an American hotel). Myths and rituals are the stories and practices that define a culture. A myth is a story with symbolic elements that represents a culture’s ideals. Each culture creates its own stories to help its members understand the world. Many companies (and perhaps most advertising agencies) are in a sense in the myth business; they tell us stories that we collectively absorb. Some marketers tell these stories more overtly than others: Disney stages about two thousand Cinderella weddings every year; the princess bride wears a tiara and rides to the park’s lakeside wedding pavilion in a horse-drawn coach, complete with two footmen in gray wigs and gold lamé pants. [2] And the Shrek movies remind us that even the ugliest suitor can land the princess if his heart is in the right place. To appreciate some more of the “popular culture gods” we worship, just tune in to next year’s Macy’s Thanksgiving Day Parade and observe the huge balloon figures floating by. A ritual is a set of multiple symbolic behaviors that occurs in a fixed sequence and is repeated periodically. [3] We all engage in private consumer rituals, whether this involves grooming activities that we perform the same way every morning or that obligatory trip to Starbucks on the way to school. And as members of a culture we share public rituals such as Thanksgiving, the Super Bowl, or even tuning in each week to vote on American Idol. Advertisers often create messages that tie in to these myths and rituals, Saylor URL: http://www.saylor.org/books Saylor.org 131
such as selling HDTVs for the Super Bowl and Doritos to share with your friends as you watch the game. Sometimes they deliberately create rituals among their customers, be it an evening cleansing ritual for a beauty product or a nine-step pouring ritual to pour a perfect beer, as Stella Artois showcases on its Web site,http://www.stellaartois.com. [4] Is the World Flat? Since a country’s culture is so complex and integral to how we make sense of the world, advertisers constantly grapple with a Big Question: does advertising “travel” from country to country? There are two viewpoints on this important issue. Yes: Standardize for Greater Efficiency Some advertisers say that advertising does travel from country to country. Proponents of this viewpoint argue that many cultures, especially those of industrialized countries, have become so homogenized that the same advertising will work throughout the world. By developing one approach for multiple markets, an advertiser benefits from economies of scale because it does not have to incur the substantial time and expense to develop a separate campaign for each culture. [5] The 2006 World Cup, which was broadcast in 189 countries to one of the biggest global television audiences ever, illustrates how a standardized approach looks. MasterCard ran ads that appeared in thirty-nine countries, so its ad agency came up with a spot called “Fever,” in which a hundred-odd cheering fans from thirty countries appear. There’s no dialogue, so it works in any language. At the end, the words, “Football fever. Priceless” appeared under the MasterCard logo. [6] No: Customize to Appeal to Local Tastes Other advertisers point to huge variations across cultures. They feel that each culture is unique, with its own value system, conventions, and regulations. This perspective argues that each country has a national character, a distinctive set of behavior and personality characteristics. [7] An advertiser must therefore tailor its strategy to the sensibilities of each specific culture. At a basic level, the need to customize is a no-brainer: Consumers speak many different languages, and intended meanings in one tongue don’t always translate seamlessly to another. It’s unlikely that Bimbo, a popular Mexican bread brand, or Super Piss, a Scandinavian product to unfreeze car locks, would go over well in the United States. Saylor URL: http://www.saylor.org/books Saylor.org 132
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4.7 Culture, Globalization, <strong>and</strong> <strong>Advertis<strong>in</strong>g</strong><br />
LEARNING OBJECTIVES<br />
After study<strong>in</strong>g this section, students should be able to do the follow<strong>in</strong>g:<br />
1. Describe the advantages <strong>and</strong> disadvantages associated with st<strong>and</strong>ardization versus localization <strong>in</strong> global<br />
markets.<br />
2. Expla<strong>in</strong> the concept of semiotics <strong>and</strong> its impact on communication <strong>and</strong> market<strong>in</strong>g.<br />
Culture is the accumulation of shared mean<strong>in</strong>gs, rituals, norms, <strong>and</strong> traditions among the members<br />
of an organization or society. We can’t underst<strong>and</strong> advertis<strong>in</strong>g unless we consider its cultural<br />
context: culture is the lens through which consumers make sense of market<strong>in</strong>g communications.<br />
Myths <strong>and</strong> Rituals<br />
In Ch<strong>in</strong>a eight is the luckiest number. The Ch<strong>in</strong>ese word for eight is ba, which rhymes with fa, the Ch<strong>in</strong>ese<br />
character for wealth. It was no co<strong>in</strong>cidence that the Summer Olympics <strong>in</strong> Beij<strong>in</strong>g opened on 8/8/08 at 8<br />
p.m. [1] Virtually every culture believes <strong>in</strong> “lucky” or “unlucky” numbers (just try to f<strong>in</strong>d a thirteenth floor<br />
<strong>in</strong> an American hotel).<br />
Myths <strong>and</strong> rituals are the stories <strong>and</strong> practices that def<strong>in</strong>e a culture. A myth is a story with symbolic<br />
elements that represents a culture’s ideals. Each culture creates its own stories to help its members<br />
underst<strong>and</strong> the world. Many companies (<strong>and</strong> perhaps most advertis<strong>in</strong>g agencies) are <strong>in</strong> a sense <strong>in</strong> the<br />
myth bus<strong>in</strong>ess; they tell us stories that we collectively absorb. Some marketers tell these stories more<br />
overtly than others: Disney stages about two thous<strong>and</strong> C<strong>in</strong>derella wedd<strong>in</strong>gs every year; the pr<strong>in</strong>cess bride<br />
wears a tiara <strong>and</strong> rides to the park’s lakeside wedd<strong>in</strong>g pavilion <strong>in</strong> a horse-drawn coach, complete with two<br />
footmen <strong>in</strong> gray wigs <strong>and</strong> gold lamé pants. [2] And the Shrek movies rem<strong>in</strong>d us that even the ugliest suitor<br />
can l<strong>and</strong> the pr<strong>in</strong>cess if his heart is <strong>in</strong> the right place. To appreciate some more of the “popular culture<br />
gods” we worship, just tune <strong>in</strong> to next year’s Macy’s Thanksgiv<strong>in</strong>g Day Parade <strong>and</strong> observe the huge<br />
balloon figures float<strong>in</strong>g by.<br />
A ritual is a set of multiple symbolic behaviors that occurs <strong>in</strong> a fixed sequence <strong>and</strong> is repeated<br />
periodically. [3] We all engage <strong>in</strong> private consumer rituals, whether this <strong>in</strong>volves groom<strong>in</strong>g activities that<br />
we perform the same way every morn<strong>in</strong>g or that obligatory trip to Starbucks on the way to school. And as<br />
members of a culture we share public rituals such as Thanksgiv<strong>in</strong>g, the Super Bowl, or even tun<strong>in</strong>g <strong>in</strong> each<br />
week to vote on American Idol. Advertisers often create messages that tie <strong>in</strong> to these myths <strong>and</strong> rituals,<br />
Saylor URL: http://www.saylor.org/books<br />
Saylor.org<br />
131