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Launch! Advertising and Promotion in Real Time, 2009a

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Of course, the nature of the ad itself also plays a big role <strong>in</strong> determ<strong>in</strong><strong>in</strong>g whether we’ll remember it. We’re<br />

far more likely to remember spectacular magaz<strong>in</strong>e ads, <strong>in</strong>clud<strong>in</strong>g multipage spreads, three-dimensional<br />

pop-ups, scented ads, <strong>and</strong> ads with audio components. [15] Here are some other factors advertisers need to<br />

remember:<br />

<br />

State-dependent retrieval. We are better able to access <strong>in</strong>formation if our <strong>in</strong>ternal state is the same at<br />

the time of recall as when we learned the <strong>in</strong>formation. If, for example, we recreate the cues that were<br />

present when the <strong>in</strong>formation was first presented, we can enhance recall. That’s why Life cereal uses a<br />

picture of “Mikey” from its commercial on the cereal box, which facilitates recall of br<strong>and</strong> claims <strong>and</strong><br />

favorable br<strong>and</strong> evaluations. [16]<br />

<br />

Familiarity. Familiarity enhances recall. Indeed, this is one of the basic goals of marketers who try to<br />

create <strong>and</strong> ma<strong>in</strong>ta<strong>in</strong> awareness of their products. However, this sword can cut both ways: Extreme<br />

familiarity can result <strong>in</strong> <strong>in</strong>ferior learn<strong>in</strong>g <strong>and</strong> recall. When consumers are highly familiar with a br<strong>and</strong><br />

or an advertisement, they may pay less attention to the message because they do not believe that any<br />

additional effort will yield a ga<strong>in</strong> <strong>in</strong> knowledge. [17]<br />

<br />

Salience. The salience of a br<strong>and</strong> refers to its prom<strong>in</strong>ence or level of activation <strong>in</strong> memory. As we have<br />

already noted, stimuli that st<strong>and</strong> out <strong>in</strong> contrast to their environments are more likely to comm<strong>and</strong><br />

attention which, <strong>in</strong> turn, <strong>in</strong>creases the likelihood that we will recall them. This expla<strong>in</strong>s why unusual<br />

advertis<strong>in</strong>g or dist<strong>in</strong>ctive packag<strong>in</strong>g tends to facilitate br<strong>and</strong> recall. [18]<br />

<br />

Novelty. Introduc<strong>in</strong>g a surprise element <strong>in</strong> an ad can be particularly effective <strong>in</strong> aid<strong>in</strong>g recall, even if it<br />

is not relevant to the factual <strong>in</strong>formation the ad presents. [19] In addition, mystery ads, <strong>in</strong> which the ad<br />

doesn’t identify the br<strong>and</strong> until the end, are more effective at build<strong>in</strong>g associations <strong>in</strong> memory<br />

between the product category <strong>and</strong> that br<strong>and</strong>—especially <strong>in</strong> the case of relatively unknown br<strong>and</strong>s. [20]<br />

<br />

Pictorial versus verbal cues. Is a picture worth a thous<strong>and</strong> words? Indeed, we are more likely to<br />

recognize <strong>in</strong>formation presented <strong>in</strong> picture form at a later time. [21] Certa<strong>in</strong>ly, visual aspects of an ad<br />

are more likely to grab a consumer’s attention. In fact, eye-movement studies <strong>in</strong>dicate that about 90<br />

percent of viewers look at the dom<strong>in</strong>ant picture <strong>in</strong> an ad before they bother to view the copy. [22] But,<br />

while ads with vivid images may enhance recall, they do not necessarily improve comprehension. One<br />

study found that television news items presented with illustrations (still pictures) as a backdrop result<br />

Saylor URL: http://www.saylor.org/books<br />

Saylor.org<br />

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