English Church Music Volume 1: Anthems and Motets
Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music of the past five centuries. The first volume, dedicated to anthems and motets, presents both favourite and lesser-known works, from the exceptional Renaissance polyphony of Taverner, Tallis, and Byrd, through the Restoration led by Purcell, to the glorious works of the great nineteenth- and twentieth-century composers, including Wesley, Elgar, Stanford, Vaughan Williams, and Howells. The volume contains a number of more substantial works, including Mendelssohn's Hear my prayer, Stainer's I saw the Lord, and Naylor's Vox dicentis: Clama, as well as a wonderful selection of shorter pieces, from Gibbons's O Lord, in thy wrath to Walton's Set me as a seal upon thine heart. With the second companion volume of canticles and responses, this bipartite collection presents a comprehensive survey of English sacred music at its best.
Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music of the past five centuries. The first volume, dedicated to anthems and motets, presents both favourite and lesser-known works, from the exceptional Renaissance polyphony of Taverner, Tallis, and Byrd, through the Restoration led by Purcell, to the glorious works of the great nineteenth- and twentieth-century composers, including Wesley, Elgar, Stanford, Vaughan Williams, and Howells. The volume contains a number of more substantial works, including Mendelssohn's Hear my prayer, Stainer's I saw the Lord, and Naylor's Vox dicentis: Clama, as well as a wonderful selection of shorter pieces, from Gibbons's O Lord, in thy wrath to Walton's Set me as a seal upon thine heart. With the second companion volume of canticles and responses, this bipartite collection presents a comprehensive survey of English sacred music at its best.
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42<br />
Wisdom 3: 1–3<br />
<strong>English</strong> version by Robert King<br />
<br />
SOPRANO 1 <br />
Medius<br />
<br />
<br />
Ju - sto - rum a - ni - mae in ma - nu<br />
God holds the right - e - ous for ev - er<br />
SOPRANO 2 Superius<br />
<br />
<br />
<br />
Ju - sto - rum a - ni - mae in ma - nu De<br />
God holds the right - e - ous for ev - er in -<br />
ALTO Contratenor<br />
<br />
Ju - sto - rum a - ni - mae in ma - nu De -<br />
Tenor<br />
God holds the right - e - ous for ev - er in<br />
TENOR <br />
<br />
<br />
<br />
Ju - sto - rum a - ni - mae in ma - nu De - i<br />
God holds the right - e - ous for ev - er in his<br />
BASS Bassus<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Ju - sto - rum a - ni - mae<br />
in ma nu<br />
God holds the right - e - ous<br />
for ev - -<br />
er<br />
Adagio ma non troppo q = 72<br />
<br />
<br />
<br />
(for<br />
<br />
rehearsal<br />
p<br />
only) <br />
<br />
<br />
6<br />
<br />
<br />
<br />
De - i sunt, et non<br />
in<br />
his h<strong>and</strong>: they shall tan - get il - los, et non tan - get<br />
be de - li - vered, they shall be de-<br />
<br />
<br />
<br />
<br />
- - i sunt, et non tan - get il - los, et non tan - get<br />
his h<strong>and</strong>: they shall be de - li - vered, they shall be de -<br />
<br />
<br />
<br />
- - i sunt, et<br />
his h<strong>and</strong>: they non tan - get il - los, et non tan - get<br />
shall be<br />
de - li - vered, they shall be de -li<br />
il<br />
- -<br />
<br />
<br />
<br />
<br />
<br />
<br />
sunt, De - i sunt, et non tan - get il - los<br />
tor -<br />
h<strong>and</strong>, in his h<strong>and</strong>: they shall be de - li - vered<br />
from death’s<br />
men - tum<br />
dark<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
De<br />
in<br />
- his<br />
i<br />
h<strong>and</strong>:<br />
sunt,<br />
et non tan - get<br />
they shall be de -<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
cresc.<br />
mp<br />
<br />
<br />
<br />
<br />
<br />
<br />
7. Justorum animae<br />
(God holds the righteous)<br />
for online perusal only<br />
WILLIAM BYRD<br />
(c.1540–1623)<br />
<br />
<br />
<br />
© Oxford University Press 2010. Photocopying this copyright material is ILLEGAL.
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