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Zine better days<br />
Something on your mind? Why not produce, publish, and<br />
distribute your own magazine about it? All that creativity is<br />
therapeutic, empowering, and fun<br />
Writing | Caroline Butterwick<br />
Lots of us love getting<br />
creative, as a way<br />
of supporting our<br />
wellbeing and<br />
expressing ourselves. And<br />
alongside more notable artistic<br />
outlets, such as painting and<br />
poetry, is the world of zines.<br />
In his fascinating book on zine<br />
culture, Notes from Underground,<br />
author Stephen Duncombe<br />
defines zines as “non-commercial,<br />
non-professional, smallcirculation<br />
magazines which their<br />
creators produce, publish, and<br />
distribute by themselves”.<br />
Zines often contain a mix<br />
of materials: poetry, collage,<br />
sketches, first person reflections,<br />
advice pieces, photos, lyrics –<br />
anything the maker feels like<br />
including. There’s no set way to<br />
produce them either, as zines<br />
may be handmade, with items<br />
glued or drawn directly on to the<br />
pages, photocopied, or created<br />
entirely digitally.<br />
Some people make zines just<br />
for themselves, or as gifts for<br />
friends. Others print copies<br />
to distribute more widely.<br />
Increasingly, zines are available<br />
to view or buy online on<br />
platforms such as Etsy.<br />
For decades, zines have been<br />
used to share interests and<br />
experiences, from the science<br />
fiction zines of the 1930s to the<br />
Riot Grrrl zines popular in the<br />
90s. They can be on literally any<br />
subject: there are zines available<br />
on everything from The Tiny<br />
Little Book of Bunny Behaviour to<br />
Doing Stuff Outside – a guide for<br />
anxious autistics.<br />
Being self-published, zines are<br />
a place where we can control<br />
the content. This makes them<br />
perfect for sharing a diverse<br />
range of experiences, such as<br />
experiences of marginalised<br />
communities.<br />
“We don’t need to fit into anyone<br />
else’s framework or rules when<br />
we have creative outlets such as<br />
zines,” explains counsellor Jane<br />
Fellowes. “If we feel passionate<br />
about sharing a part of our<br />
identity or story, we can then<br />
express this in a creative way.<br />
This gives us space to tell our<br />
own story in a way of our own<br />
choosing, not someone else’s.<br />
There is great therapeutic value<br />
in telling our story, and in this<br />
being welcomed and accepted<br />
by others.”<br />
Mental health is a common<br />
theme in contemporary zines.<br />
Author and journalist Erica<br />
Crompton started Hopezine after<br />
losing two childhood friends to<br />
suicide. “I wanted to use my own,<br />
and others’, experiences to give<br />
hope to all people feeling low or<br />
suicidal,” she says. Erica publishes<br />
Hopezine quarterly, and it includes<br />
a combination of articles, short<br />
stories, poetry, and artwork.<br />
“I’ve always believed that<br />
writing can help us process<br />
difficult feelings,” Erica explains.<br />
She also sees Hopezine as an<br />
opportunity to give a voice to<br />
her friends and colleagues, who<br />
may sometimes be overlooked by<br />
more traditional forms of media.<br />
42 | September <strong>2021</strong> | <strong>happiful</strong>.com