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PROGRAM NOTES<br />
<strong>To</strong> <strong>Right</strong> <strong>Our</strong> <strong>Wrongs</strong> aims to reflect on the complex, multi-faceted impact that privilege has on the American<br />
experience, and on the way that disparities of privilege play a role in both the fight for and prevention of social<br />
and systemic equality and equity. There is an extensive history of vast systemic violence and injustice towards<br />
women, people of color, members of the LGBTQ+ community, and other minority groups in the United States.<br />
Those who are not a part of these communities and, thus, have not experienced these communities' discrimination<br />
are privileged; if they know about the injustices of our country, it is most likely because they have learned from<br />
others. But members of these communities must both learn from others and live these injustices. Additionally, this<br />
societal privilege is not binary. It is intersectional, meaning that different people experience different amounts of<br />
privilege based on the communities they are a part of. A white, cisgender woman is privileged in the sense that<br />
she is both white and cisgender; however, she does not have the privilege that men have. A transgender, disabled<br />
man does have that privilege; but he, in turn, does not have the privilege held by those who are cisgender or ablebodied.<br />
This complex role that privilege plays in the systemic discrimination of our country led me to the guiding<br />
questions of this work: What does it mean to work against the wrongdoings of our country's past and present?<br />
How can privilege be utilized for good? As those who hold privilege, what does it mean to right our wrongs?<br />
A crucial part of the fight for true equality in our country is the utilization of privilege to make an impact on the<br />
system, which requires privileged people to be aware of and understand privilege and its meaning. As a<br />
privileged person myself in most primary ways privilege presents itself in America (I am white, male, cisgender,<br />
and able-bodied), there's probably little that I can say to those who do not experience these privileges that they<br />
have not already learned through their own experiences. I feel that the best thing I can do is to speak to those who<br />
are privileged like me, but who lack awareness or understanding of what this means. This work serves as an<br />
honest, encouraging, and emotionally vulnerable message to the privileged, without accusation or condescension.<br />
With it comes this message: If you are privileged, it is not an insult. It is not an accusation. It does not mean that<br />
you are bad, or that your life accomplishments are not valid. It does not mean that you haven't struggled or fought<br />
to get to where you are now. Having privilege simply means that you are part of a system that treats some people<br />
better than it treats others in many different ways, and you are one of the people who are treated better in one or<br />
more of those ways. This issue of privilege affects all of us, and we should all care. You can use the privilege you<br />
have, in any form, to support those who do not have it.<br />
In addition to an original melody, <strong>To</strong> <strong>Right</strong> <strong>Our</strong> <strong>Wrongs</strong> respectfully utilizes The Star-Spangled Banner, the US<br />
national anthem, and Lift Every Voice and Sing, known to many as the African American national anthem, to reflect<br />
the varied and complicated nature of the American experience.<br />
--program notes by Harrison J. Collins<br />
ABOUT THIS VERSION<br />
Like Harrison, I am white, able-bodied, and privileged. The privilege that I possess protects me from a system<br />
that, in reality, is entirely unjust, unfair, discriminatory, and biased. Like Harrison, I will never truly understand<br />
what it is like to experience the horrifiying systemic racism, violence, and injustices that women, people of color,<br />
members of the LGBTQ+ community, and other minority groups in the United States have experienced. And, like<br />
Harrison, I've only begun to learn that, as a white American, I must acknowledge that there is a difference - that<br />
there are two different Americas, one which favors the privileged and one that has enacted centuries of<br />
systemically violent, racist, sexist, and misogynistic injustices.<br />
<strong>To</strong> not acknowledge any of these things is grossly harmful, ignorant, and racist. <strong>To</strong> be silent is to be complicit.<br />
One of Harrison's goals when composing <strong>To</strong> <strong>Right</strong> <strong>Our</strong> <strong>Wrongs</strong> was to use his platform and privilege to directly<br />
speak to other white Americans - to those with similar or equal privilege who are unaware of, or who have also<br />
not experienced, such disparities and injustices, as well as to those who have not even begun to acknowledge the<br />
differences in privilege and experience prevalent in this country. I approached this adaptable ensemble<br />
arrangement of <strong>To</strong> <strong>Right</strong> <strong>Our</strong> <strong>Wrongs</strong> with exactly the same goals in mind.<br />
This version, arranged for 6 parts, is carefully curated from all of the musical resources Harrison originally created<br />
in collaboration with the project coordinators, advisors, and members of The Kneel Consortium. The intentions of<br />
the original version of the piece for symphonic band (including its optional choral music) have been preserved as<br />
much as possible. Additional (and optional) parts for keyboard synthesizers have also been created exclusively for<br />
this arrangement.<br />
As an ally, I have so much to learn and a long way to go. I am still learning and always will be learning. It is<br />
therefore my goal, and hope, with this arrangement that more white Americans will begin to recognize the<br />
importance of not only speaking out against the inequalities and injustices prevalent in our society, but also<br />
recognize the importance and necessity of fighting for equitable, systemic change in our greater society.<br />
My sincerest gratitude goes to Harrison, Rachel Maxwell, and Josh Johnson for the opportunity to create this<br />
adaptable ensemble version of <strong>To</strong> <strong>Right</strong> <strong>Our</strong> <strong>Wrongs</strong> for The Kneel Consortium.<br />
--arrangement notes by Josh Trentadue