GA027 - The Winter Auction Series

The Winter
Auction Series
Melbourne, Sunday 15 August 2021

Specialists & Management for this sale
Jennifer Gibson
CEO & Head of
Valuations
Deanna Baxter
Business
Manager
Samuel Fricker
Operations
& Marketing
Manager
Ann Roberts
Consultant
Specialist
Asian Art
Jon Dwyer
Consultant
Specialist
Australian &
International Art
Elizabeth
Stannard
Consultant
Specialist
Jewellery
Phil Gore
Consultant
Specialist
Clocks, Watches
& Barometers
Jennifer Gibson
jennifer.gibson@gibsonsauctions.com.au
Deanna Baxter
deanna.baxter@gibsonsauctions.com.au
Samuel Fricker
samuel.fricker@gibsonsauctions.com.au
Ann Roberts
ann.roberts@gibsonsauctions.com.au
Jon Dwyer
jon.dwyer@gibsonsauctions.com.au
Elizabeth Stannard
elizabeth.stannard@gibsonsauctions.com.au
AUCTION ADMINISTRATION
Jemima Livesey
Office Administrator
Megan Mac Sweeney
Accounts Administrator
Max Sumner
Operations & Logistics
Marilla O’Sullivan
Auction Administrator
Ella Gibson
Auction Administrator
AUCTION ENQUIRIES
ABSENTEE & TELEPHONE BIDS
Deanna Baxter
deanna.baxter@gibsonsauctions.com.au
+61 9500 2607
CONDITION REPORTS
condition.reports@gibsonsauctions.com.au
+61 9500 2607
SHIPPING
www.gibsonsauctions.com.au/shipping
ACCOUNTS
Megan Mac Sweeney
accounts@gibsonsauctions.com.au
+61 9500 2607
Simon Gibson
CFO
simon.gibson@gibsonsauctions.com.au
GENERAL ENQUIRIES
mail@gibsonsauctions.com.au
+61 9500 2607
www.gibsonsauctions.com.au
03 9500 2607
gibsonsauctions.com.au
ORRONG RD
ASHLEIGH RD
NEW ST
HIGH ST
ARMADALE
OSMENT ST
NORTHCOTE RD
KOOYONG RD
Auction, Viewing and
Payment & Collections
Level 1, 885-889 High St
Armadale, Victoria 3143
AUBURN GROVE
DENBIGH RD
SUTHERLAND RD
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CHEEL ST

FRONT COVER:
Lot 324 (Detail)
BACK COVER:
Lot 274
The Winter
Auction Series
Auction
Sunday 15 August 2021, 11am
Level 1, 885-889 High Street
Armadale, Victoria 3143
Viewing
Thursday 12 August
Friday 13 August
Saturday 14 August
10.00am – 5.00pm
10.00am – 5.00pm
10.00am – 5.00pm
Auction Code: GA027
GST
† Lots with this symbol are subject
to GST on the hammer price and the
buyer’s premium.
Buyer’s Premium
Buyer’s Premium is charged at
22% of the hammer price plus GST.
GST is applicable to the buyer’s
premium only, unless otherwise
indicated by the † symbol.
Registration
To register to bid at Gibson's
Auctioneers & Valuers an accredited
form of photo identification is required.
This applies to bidding in person at
the auction, Telephone, Absentee and
Online bidding.
Resale Royalty Scheme
Lots subject to payment of the Artist's
Resale Royalty Scheme will be denoted
by the symbol §. The Australian Resale
Royalty is a flat rate of 5% on the
hammer price (including GST) and is
payable by the seller.
Restricted or Organic Material
♦ Lots with this symbol have been
identified at the time of cataloguing
as containing organic material which
may be subject to export or import
restrictions. The absence of this
symbol is not a guarantee that export
or import restrictions will not apply. See
www.cites.org for further information.
Payments & Collections
By appointment: 03 9500 2607 or
gibsonsauctions.com.au/bookings
Payments & Collections can be made
from: Level 1, 885-889 High Street,
Armadale, Vic 3143
Monday 16 August
Tuesday 17 August
Wednesday 18 August
10am–5pm
10am–5pm
10am–5pm
All goods must be collected and paid in
full by 5pm on Wednesday 18 August
(unless by prior arrangement) to avoid
removal and storage charges.
All payments are to be made in
Australian Dollars (AU$). Please refer to
the methods of payment in the ‘How to
Buy’ section on the following pages.
Credit card surcharges apply – 1.2%
(incl GST) for Visa and Mastercard and
2% (incl GST) for American Express.

2
How to Buy
All you need to know about the bidding process at auction
Viewing
Catalogues
Online catalogues can be viewed at
www.gibsonsauctions.com.au approximately three weeks
prior to the auction date.
Complimentary printed catalogues are available at Gibson’s
Auctioneers & Valuers.
Symbols
Occasionally, a symbol is printed next to a lot number,
indicating a special clause associated with the sale of the
item/s. Further information on symbols within our catalogues
can be found on Page 1.
Viewing
Auction viewings are open to the public and usually take place
three or four days prior to the auction date, at the location/s
listed in the auction catalogue and on the website.
Lot Descriptions
Lot Descriptions provide basic catalogue information such
as dimensions, date or age, medium, attribution, provenance
and quantity.
All lots are guaranteed for fourteen (14) days from the
auction date.
Estimates
Estimates are printed in the catalogue beside every lot and
take into account rarity, condition, quality and provenance.
The reserve is the amount at which the item is available for
purchase. The reserve is an undisclosed confidential amount
which is set at, or below the low estimate.
The reserve will never exceed the low estimate at Gibson’s
Auctioneers & Valuers. Many lots are sold without reserve.
Talk to our Specialists
Gibson’s Auctioneers & Valuers are an experienced team of
specialists who are available to discuss items in further detail,
and to offer advice and assistance.
Contact details for relevant specialists can be found on the
inside front cover our auction catalogues and on our website.
Condition Reports
Condition Reports are available on request. Condition Reports
supplement the lot description and provide information on the
condition of an item.
We strongly advise obtaining a condition report if you are
unable to view an item in person prior to the auction.
To request a condition report please email
condition.reports@gibsonsauctions.com.au with the auction
title and lot number/s.
Bidding
Gibson’s Auctioneers & Valuers offer four bidding options:
1. Auction Room Bidding
To bid in person we suggest you arrive early so that you
have sufficient time to register for a bidding number prior
to the auction. If this is your first time bidding with Gibson’s
Auctioneers & Valuers please bring photo identification, such
as a driver’s licence or passport with you.
2. Telephone Bidding
Gibson’s Auctioneers & Valuers offer telephone bidding on all
lots, at all auctions.
Telephone Bidding is a convenient solution if you are unable to
attend an auction in person. A Gibson’s Auctioneers & Valuers
staff member will call you approximately 5 lots in advance and
with your instruction, bid on your behalf at the auction.
Please note: Telephone Bids must be organised at least 24
hours prior to the auction and that occasionally, the number
of telephone bidders available may be restricted when the
auction is offsite.
To organise a Telephone Bid please follow the link
to the Telephone Bidding form on our website:
www.gibsonsauctions.com.au.
Please fill in & return via email to mail@gibsonsauctions.com.au
If this is your first time bidding with Gibson’s Auctioneers &
Valuers, an email address is to be supplied when you submit
your Telephone Bid, along with clear Photo ID verifying
your address.

3
3. Absentee Bids
Absentee Bidding is another convenient solution if you
are unable to attend an auction in person, to speak on the
telephone or if you simply have a strict budget.
An Absentee Bid should be set at the maximum amount
you wish to bid on the lot/s you are interested in purchasing.
Should the lot/s be knocked down at an amount lower than
the bid recorded on your form, the lot will be sold to you for
the lesser hammer price.
Please note Absentee Bids must be received at least 24 hours
prior to the auction to allow time for processing.
To organise an Absentee Bid please follow the link to
the Absentee Bidding form available on our website:
www.gibsonsauctions.com.au.
Please fill in & return via email to mail@gibsonsauctions.com.au
If this is your first time bidding with Gibson’s Auctioneers
& Valuers, an email address is to be supplied when you
submit your Absentee Bid, along with clear Photo ID verifying
your address.
4. Online Bidding
Online bidding allows you to bid via the internet in real
time with a live broadcast of the auction. To bid online visit
our website and follow the ‘Live Bidding’ link under the
‘Auctions’ tab.
Please register for this service at least 24 hours prior to the
auction to ensure you do not miss your lot.
Please note online bidding is powered by Invaluable.com and
so will incur a 5% fee on successful lots.
If you have not bid with Gibson’s Auctioneers & Valuers
previously, a photo ID verifying your address will be
required before you can be approved to bid. Please email to
mail@gibsonsauctions.com.au as soon as practical.
International Bidding
If you are bidding from overseas for the first time, you will be
asked to provide a clear Photo ID verifying your address and
a deposit (set at Gibson’s Auctioneers & Valuers’ discretion)
prior to the auction. The deposit is refundable within 48
hours should you not be successful. If you are successful
the deposit will be deducted from your invoice total. The
remaining balance must be paid preferably by direct deposit.
Bank details are provided in the Payment & Collection section
of this guide.
Payment & Collection
Payments
If you are successful an invoice (AU$) will be emailed or
posted to you immediately after the auction.
You will pay the hammer price, plus the buyer’s premium
(22% plus GST) on each Lot, together with any additional
applicable charges such as GST on hammer.
Payments must be made in full by the final day of Collections
as printed in the catalogue.
Bank Transfer/Direct Deposit is our preferred method
of payment:
Account Name: Gibsons Auctions
Bank:
Bank of Melbourne (A division of St George)
BSB: 193879
Account No: 441701443
Swift Code: SGBLAU2S
Routing Code: 021000021
Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144
• Personal, Company and Bank Cheques are not accepted
without prior approval.
• Eftpos (no charge).
• Credit cards: Visa and Mastercard (1.2% inc GST merchant
fee) and American Express (2% inc GST merchant fee).
• Please note that credit card transactions over $5,000
will not be accepted over the telephone unless by prior
arrangement.
• Cash payments up to AU$10,000 can be accepted. For any
amount over this, cash is to be deposited directly into our
account at a Bank of Melbourne/St George branch.
Collections
Gibson’s Auctioneers & Valuers are happy to assist and
provide you with recommended transport companies whether
it be a local, interstate or international delivery.
Storage
All items must be paid for and collected within the collection
times advertised for each individual auction. If items are not
collected within this time-frame, Gibson’s Auctioneers &
Valuers reserve the right to charge removal and storage fees.

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Lot 94 (Detail)

5
The Collection of Billie Tyrrell
Kathleen Patricia Ince, known always as
Billie, was born in Malvern in 1924. She
spent most of her early life at Katanga,
an elegant home designed by prominent
architect Harold Desbrowe-Annear, which
still stands in Glenferrie Road. Katanga
was built by her father Wesley Armstrong
Ince, a prominent lawyer, who, with his wife
Elsie, loved to entertain. Billie and her sister
Betty were brought up surrounded by fine
art, furnishings, china and silver which was
the basis of her love for beautiful things,
particularly antiques and silver.
Despite the War, the Ince sisters were very
social and often featured in the papers,
known as some of Melbourne’s best
dressed. Billie attended finishing school at
Invergowrie before studying physiotherapy
at Melbourne University and, shortly after
graduating, moved to practice in London.
In 1957 Billie married Harry Tyrrell, a
former Naval Lieutenant and the founder
of National Can Industries. They had two
children, Alexandra and Michael. Together
they built, and lived in, houses in Toorak,
then Hawthorn, before retiring to a life spent
between an elegant apartment in Clivedon,
East Melbourne and a farming property on
the Gippsland Lakes, satisfying Billie’s love of
horses and Harry’s love of the sea.
During her long marriage to Harry, Billie
became increasingly passionate, and
knowledgeable, about sterling silver
and porcelain. She amassed substantial
collections both locally and during their
extensive travels to Europe, the UK
and New Zealand.
Billie died at the age of 93.

6
1
An Italian style carved giltwood
wall appliqué with flowers and
musical instruments by A Peirini,
Melbourne, 1972
151cm high
$300–500
2
A green hardstone vase and cover
carved in pierced relief with flowering
peony branches extending over the
sides and cover, wood stand
22cm high
$200–300
1
3
A Louis XV style carved giltwood
fauteuil, 19th century
upholstered in green velvet
96cm high, 51cm wide, 40cm deep
$300–500
3

7
4
A George III mahogany bow front
sideboard, circa 1810
the cross-banded curved top
above an arrangement of drawers
and a tambour slide
86.5cm high, 137cm wide, 58cm deep
$800–1,200
5
A pair of classical columnar table lamps
103cm high
$100–200
6
A late Victorian cast iron umbrella stand
with a moulded swan central panel
86cm high
$200–300
7
A group of carved giltwood wall mounts
comprising a carved acanthus wall shelf
and two flower baskets
the baskets 28cm
$150–250
8
A satinwood inlaid mahogany fold over
table, 19th century
74cm high, 106cm wide, 51cm deep
$400–600
9
A pair of carved giltwood opera chairs
88.5cm high
$100–200
4

8
10
A Victorian burr walnut work table,
19th century
73.5cm high, 45cm wide, 45cm deep
$150–250
11
A grand George III mahogany library
breakfront bookcase with glazed
astragals, circa 1790
230cm high, 250cm deep, 42cm deep
$4,000–6,000
12
A George III style satinwood and
tulipwood console table
the serpentine top above a band frieze
and raised on delicate tapering square
legs and spade feet
78cm high, 122.5cm wide, 47cm deep
$600–800
13
A French giltwood boudoir stool,
19th century
with green velvet upholstery
59cm high, 69cm wide, 42cm deep
$200–300
14
A pair of George III style pine
bedside tables
each with five drawers raised on
bracket feet
51cm high, 40.5cm wide, 29.5cm deep
$200–300
15
A Regency carved giltwood mirror,
19th century
with urn finial
66 x 38cm
$400–600
10

9
11

10
16
A mahogany stick barometer, by
Richard & Joseph Beck, London,
circa 1870
93cm long
$300–500
17
A Regency style carved giltwood mirror,
19th century
119 x 72.5cm
$500–800
16
17

11
18
A George II mahogany bureau
bookcase
with gilded egg and dart decoration,
the fall front opening to a fitted interior
above an arrangement of drawers,
bracket feet
208.5cm high, 91cm wide, 56cm deep
$1,500–2,500
19
A George III mahogany elbow chair,
19th century
with a cross back splat, upholstered in
green and white linen
$300–500
20
A Sheraton style glass top bijouterie
table, circa 1900
74cm high, 49cm wide, 36cm deep
$300–500
21
A George III sterling silver cruet set,
London, late 18th century
with six cut glass bottles with silver
collars and faceted stoppers, maker’s
marks rubbed
18cm high
$200–300
22
A porcelain head doll,
stamped Tete Jumeau
with brown eyes and a fully jointed
body, wearing a brown velvet dress,
red stamp Depose Tete Jumeau
S?DG; together with an Armand
Marseille 390 doll with sleep eyes
and fully jointed body
the Tete Jumeau doll 47cm
$800–1,200
18

12
23
A Victorian sterling silver inkstand by
Richard Sibley II, London, 1872
the base marked ‘MAKEPEACE
LONDON’
14cm high
$200–300
24
An Edwardian Sheraton style
satinwood bonheur-du-jour
114cm high, 77cm wide,
44.5cm deep
$500–800
23
24

13
25
Two Edwardian Hepplewhite style
satinwood arm chairs, by Marsh,
Jones & Cribb, circa 1900
each finely painted and decorated with
husk flower swags and floral cartouche,
partially intact makers label verso
79cm high, 56cm wide, 47cm deep
$600–800
26
An Edwardian satinwood salon suite,
circa 1910
comprising a two seater settee and pair
of chairs, each delicately painted and
decorated with husk flower swags and
floral cartouche
86cm high, 100cm wide, 46.5cm deep
$700–900
25
26

14
27
A George III mahogany foldover
card table
with later painted floral and foliate
swagged decoration
72.5cm high, 91.5cm wide, 45cm deep
$600–800
28
A Sheraton style satinwood work table,
19th century
the hinged top of octagonal form,
standing on four tapered legs
76cm high, 48cm wide, 38.5cm deep
$400–600
27
29
A Sheraton style satinwood ladies work
table, circa 1900
the octagonal top with painted swag
decoration
72cm high, 40cm wide, 32.5cm deep
$300–500
28 29

15
30
An Edwardian inlaid satinwood
Pembroke table
finely painted and inlaid with a
central sunburst and swagged
floriate decoration
75cm high, 65cm wide, 47cm deep
$600–800
31
JOHN ROBINSON
(ENGLAND, (1935-2007)
Girl with Teddy Bear and Boy
with Fish 1979
two bronze sculptures
each incised on base: John 79 1/9
each stamped on base: Morris Singer
Founders, London
the girl 62.5cm high, 35.5cm wide,
53cm deep and the boy 59cm high,
41cm wide, 50.5cm deep
$800–1,200
30
31

16
32
A George III mahogany demi-lune
card table
with satinwood fan inlay
to the hinged top
76cm high, 86cm wide, 43cm deep
$600–800
33
A Regency style mahogany dining suite,
19th century and later
comprising an associated set of
ten spade back dining chairs, and a
satinwood banded extension dining
table with one leaf
the table 72cm high, 164.5cm wide,
101.5cm deep
$1,000–1,500
34
A large George III style cushion front
gilded salon mirror
119 x 89cm
$400–600
32
33

17
34

18
35
35
A pair of Ridgway floral encrusted
vases, 19th century
each finely painted and gilt with
applied flowers and branch handles
on a cobalt blue ground
18.5cm high
$300–500
36
A pair of Dresden porcelain poodles,
19th century
with blue underglaze factory
mark to the base
13cm high
$120–150
37
Two Samson porcelain figures,
19th century
one modelled as a figure of a
putto, the other as the figure
of a boy selling flowers
the putto 14cm high
$200–300
38
An ormolu mounted hand painted
porcelain vase, 19th century
20cm high
$120–150
39
A Ridgway porcelain vase,
19th century
with scrolling yellow acanthus
borders on a blue ground
editioned ‘2/9312’ to base
17.5cm high
$100–200
40
A pair of Davenport spill vases,
19th century
painted and gilt with applied
flowers on a scroll form base
16cm high
$200–300

19
41
A Chamberlain Worcester covered
bowl, early 19th century
painted and gilt throughout with sprays
of flowers, with flower and leaf moulded
cover, raised on three ball and claw
feet, puce underglaze inscription
‘Chamberlain Worcester’ to the cover
10cm high
$400–600
42
A Ridgway porcelain vase, 19th century
the central floral cartouche within
scrolling acanthus borders, green
underglaze ‘2/7999’ to the base
19.5cm high
$120–150
41
43
A group of Ridgway blue ground
porcelain vases, late 19th century
comprising six vases each with a
painted and gilt floral cartouche
reserved on a blue ground
the largest 27cm high
$400–600
43

20
44
Two floral encrusted Ridgway porcelain
vases, 19th century
each with high relief applied flower
decoration to the baluster form green
ground body
the largest 19.5cm high
$200–300
45
A large and unusual English porcelain
urn, possibly Coalport, first half
19th century
finely painted and gilt with floral
cartouche within scrolling acanthus
borders and applied flower heads
24cm high
$400–600
46
A Dresden candelabrum figured as a
tree with putti, circa 1890
the tree form standard decorated with
frolicking putti emanating three floral
swagged branches
24cm high
$250–350
44
47
An English porcelain ink stand,
probably Rockingham, circa 1830
richly painted and decorated in the
rococo style with applied flowers and
gilded acanthus scrolls
8cm high, 21cm wide, 13cm deep
$400–600
48
A group of English porcelain doe
figures, 19th century
comprising five recumbent doe and
stag figures and a stag figured spill vase
the largest 13cm high
$300–500
47

21
49
A Davenport landscape vase,
19th century
painted with a landscape scene of a
bridge and a castle, the obverse with
a spray of flowers in a conforming
cartouche, flanked by scrolling
acanthus handles
22.5cm high
$300–500
50
A small Royal Worcester two handled
handled urn,19th century
the central oval panel painted with a
floral bouquet
10cm high
$200–300
53
A Meissen chocolate cup and saucer,
early 19th century
painted and gilt with figures in a
landscape, blue underglaze ‘AR’
monogram to base
9cm high
$120–150
54
A pink and white porcelain sucrier,
19th century
with pattern edition ‘3512’ to base,
together with a A Spode gilded ewer
and saucer
16cm high
$200–300
55
Two Bow putto figurines, 19th century
the largest 10.5cm high
$120–150
56
A Coalport painted porcelain stand,
circa 1815
with scrolling gilded acanthus borders
7cm high
$200–300
51
A Swansea hand painted porcelain
table salt, circa 1830
gold underglaze inscription ‘SWANSEA’
to the base
4cm high
$200–300
52
A Davenport porcelain scent bottle,
19th century
9cm high
$150–250
49

22
57
57
A set of four Royal Copenhagen Flora
Danica fruit plates
each hand painted with various fruit,
within stylised gilded borders
19.5cm diameter
$400–600
58
A Rockingham red griffin ewer,
circa 1830
the floral encrusted baluster body
a serpentine handle, inscribed
‘Rockingham’ with red griffin to the base
16cm high
$200–300
59
Two Spode felspar lidded sucriers,
19th century
each with gilded foliate decoration
on a pink ground
the tallest 19cm high
$120–150
60
A pair of Dresden pot pourri vases
and covers
each of baluster form painted and gilt
with sprays of flowers, the covers with
conforming decoration
28cm high
$200–300
58

23
63
A pair of English porcelain botanical
cabinet plates, 19th century
22cm diameter
$120–150
64
A Davenport landscape vase,
circa 1845
with scrolling acanthus decoration
on a green ground
28.5cm high
$200–300
61
A pair of Sevres lidded bowls and
covers with encrusted flowers and
painted decoration, circa 1870
finely painted and gilt with exotic birds
foliage, decorated with applied flower
heads and finials
20cm high
$300–500
62
A Samson famille rose jug, Paris,
late 19th century
in the Chinese export style
15.5cm high
$100–200
61
65
A Capodimonte porcelain potpourri
basket, late 19th century
the pierced sides and cover with relief
decorated fruit and flowers with a fruit
and butterfly finial
16cm high, 26cm wide, 14cm deep
$300–500
65

24
66
66
A pair of Meissen figural table salts,
19th century
modelled as a seated male and female
figure preparing a dish for the table
17.5cm high
$300–500
67
A set of six floral decorated porcelain
oyster plates, probably French,
19th century
with various coloured grounds,
gilded branch mark to the base
20 x 20cm
$400–600
68
A Ridgway porcelain vase, 19th century
21cm high
$100–200
69
A Staffordshire porcelain pocket watch
stand, 19th century
19.5cm high
$100–200
70
A pair of Coalport cabinet plates,
19th century
each with a central painted rose within
an anthemion decorated blue border
22cm diameter
$100–200
71
A group of three English porcelain
cabinet plates, 19th century
the largest plate 23.5cm diameter
$120–150
67

25
72
A matched pair of Coalport
Coalbrookdale vases, 19th century
in the Rococo style, richly decorated
with applied flowers and leafage with
twin branch handles
27cm high
$400–600
73
A Royal Doulton gilded Monteigne
pattern bouillon set for ten
the bouillon bowls 5.5cm high
$150–250
74
A set of four Longchamp green
earthenware plates
22cm diameter
$100–200
75
A cased Royal Worcester demitasse
set for six, circa 1925
comprising six cups and saucers
and five spoons, signed W.H Austin,
Sedgley and R Austin
puce factory marks and ‘W9006’ to
base
the cups 5cm high
$300–500
76
A Copeland Spode Gainsborough
bouillon and tea set
comprising cups and saucers, bouillon
cups, crescent salad plates, salt and
pepper shakers, egg cups, sugar jar and
milk jug and two spare lids
the largest piece 13cm high
$200–300
77
A pierced floral porcelain pot pourri
vase, probably Minton, circa 1830
8cm high
$200–300
78
A Meissen porcelain scent bottle,
early 19th century
14cm high
$200–300
79
A Coalport covered urn, circa 1890
with a central landscape cartouche
on a gilded turquoise jewelled ground,
flanked by moulded mask handles,
underglaze factory marks and editioned
to the base
12.3cm high
$300–500
72

26
80
A Spode vase, 19th century
painted and gilt with floral sprays within
beaded borders, raised on lion paw
moulded feet
16cm high
$300–500
81
A Furstenberg gilded porcelain
chocolate pot, German, 19th century
13cm high
$100–200
82
Two Samson porcelain figures, French,
19th century
each modelled as serving maids,
in the Chelsea style
18.5cm high
$400–600
83
A Naples gilded porcelain figure group
of a nymph and two cherubs, Italian,
19th century
12.5cm high
$200–300
84
A group of Ridgway hand painted vases,
19th century
comprising a pair of vases, two further
flared rim vases and a pot pourri
stand, each painted with a cartouche
of flowers within a gilded border on a
maroon ground
the largest vase 13cm high
11cm high
$300–500
85
A collection of Georgian style faceted
glass champagne flutes
comprising nine tall and two shorter
flutes
the largest flute cm high
$150–250
86
A pair of Coalport trumpet vases,
19th century
each painted and gilt with a floral spray
cartouche on a blue ground
25cm high
$200–300
87
A Crown Derby Imari pattern pot pourri
vase, 18th century
with moulded gilt mask handles, puce
painted marks and edition to base
10.5cm high
$100–200
88
A collection of porcelain vessels and
jardinières, 19th century and later
comprising a floral encrusted mug with
gilt borders, a Portuguese hexagonal
jardinière with mask handles and a
Royal Copenhagen jardinière with floral
decoration
the largest 16cm high
$200–300
89
Three Staffordshire porcelain spaniels,
19th century
the largest 20cm high
$150–250
90
A Staffordshire gilded floral tea set,
late 19th century
with milk jug and sugar bowl
the largest piece 8.5cm high
$120–150
91
A rare Royal Worcester white glazed
figure of a woodsman, circa 1865
17cm high
$200–300
80

27
92
A Ridgway porcelain two handled vase,
19th century
painted and gilt with a floral cartouche
to one side and a townscape scene to
the obverse, within scrolling acanthus
borders
26cm high
$300–500
93
A pair of Belleek shell form dishes,
19th century
with conforming shell feet, black
underglaze factory mark to the base
12cm diameter
$120–150
92
94
A Ridgway porcelain two handled vase,
19th century
painted and gilt with a floral cartouche
to each side, reserved on a deep blue
ground and flanked by entwined branch
handles, gold BADA label to the side
23.5cm high
$300–500
95
A painted and gilt porcelain landscape
vase, 19th century
44.5cm high
$200–300
94

28
96
96
A pair of Georgian faceted rummers
$300–500
97
A large collection of Orrefors
crystal glasses
comprising 90+ pieces
the largest glass 16cm high
$400–600
98
A group of four cut glass decanters,
19th century and later
the largest 33cm high
$200–300
99
A collection of cut glass water jugs and
tumblers, 19th century and later
comprising a pair of jugs, six tumblers
and a diamond cut water jug
the largest jug 17.5cm high
$150–250
100
A group of three George III cut glass
decanters, late 18th/early 19th century
the largest 31cm high
$200–300
101
A collection of contemporary faceted
champagne flutes
comprising 9 faceted champagne
flutes, a large hand blown glass salad
bowl and vase
the bowl 21cm diameter
$100–200
102
A collection of faceted glass lustre
vases, 19th century and later
the candlestick 32cm high
$300–500
103
A pair of gilt bronze and white glass
peace lily wall ornaments
35cm high
$120–150
104
A Lalique ‘Champigny’ glass decanter
model introduced 1930, incised
‘Lalique, France’ to the base
26cm high
$300–500

29
105
A George III sterling silver pint tankard
by John Kidder, London, 1785
the baluster body engraved with the
letter ‘A’
14cm high, 440gms total weight of
silver
$500–800
106
A Victorian cased sterling silver
christening set by Hilliard and
Thomason, Birmingham, 1856
comprising a mug and cutlery, each
with scrolling foliate decoration and an
armorial shield within a fitted leather
case, engraved plate ‘McN’ to the cover
the knife 19.5cm long, 30gms total
weight of silver excluding knife
$200–300
108
A William IV sterling silver bottle stand,
London, circa 1836
18cm diameter
$100–200
109
A group of sterling silver and
continental silver, 19th century and later
comprising a silver dish by Fenton
Brothers Ltd, Sheffield, 1897; an
Elizabeth II sterling silver teaspoon by
Joseph Gloster Ltd, Birmingham, 1964;
a Continental silver tea strainer and
stand and a George III sterling silver fish
server by William Eaton, London 1813
the fish server 30cm long, 130gms
$200–300
107
Three English sterling silver sugar
casters, 1738 and later
comprising two by George Greenhill
Jones, London, 1749 and 1738, the
other London, 1741
the largest 13.5cm high, 160gms total
weight of silver
$120–150
105

30
110
110
A George III sterling silver entrée dish
by William Shand, London, 1805
with gadrooned border
and armorial crest
16cm high, 26cm wide, 16cm deep,
1705gms total weight of silver
$800–1,200
111
A group of Sheffield and silver plate,
19th century
comprising a spirit kettle on stand
together with three Regency Sheffield
plate entrée dishes and covers
the kettle and stand 27cm high
$300–500
111

31
112
112
A set of four Victorian sterling silver
candlesticks by Frederick Brasted,
London, 1869
with original candle fonts
22cm high, 2285gms total weight
of silver
$5,000–8,000
113
An Edwardian sterling silver christening
set by Walker and Hall, Sheffield, 1915
comprising a spoon, a fork and a napkin
ring, each piece monogrammed ‘PMB’,
in a leather fitted case
the fork 16.5cm long, 100gms total
weight of silver
$100–200
114
A Victorian silver christening set by
George Unite, Birmingham, circa 1860
comprising a fork, knife and dessert
spoon, each piece engraved with
flowers and beads, monogrammed
‘PJH’, in a fitted purple lined leather case
the knife 21cm long, 85gms total
weight of silver excluding knife
$100–200

32
115
115
A pair of George III silver serving dishes
by Daniel Piers, London, circa 1750
the edges with gadroon borders and
an armorial crest at the top, the motto
reading ‘PATRIS VIRTUTIBUS’
43cm wide
$1,000–1,500
116
An George V pierced sterling silver
basket by Williams of Birmingham,
circa 1912
with ornate pierced fretwork
7cm high, 30cm wide, 165gms total
weight of silver
$120–150
117
A group of three Edwardian pierced
sterling silver dishes
comprising a fruit basket by Mosley,
Flowers & Co, Birmingham, circa 1911
and a pair of small repoussé dishes
marked for Chester, 1913
the larger dish 3.5cm high,
18cm diameter, 65gms total weight of
silver for all three
$120–150
118
A set of sterling silver salad servers by
Georg Jensen, Denmark, 20th century
with looped bud and trailing bead
sculpted handles
21cm long, 205gms total weight of silver
$600–800
119
A George IV sterling silver basting
spoon by William M. Traies, London,
1826
together with a small toddy ladle by
Francis Higgins III, London, 1898
the spoon 31cm long, 180gms total
weight of silver
$120–150
120
A French silver serving set,
19th century
comprising a fish serving knife and
spoon, sauce ladle and basting spoon
the knife 29.5cm long
$120–150

33
121
A large Victorian sterling silver salver
by William Troby or William Theobalds,
London 1896
35cm diameter, 1120gms total weight
of silver
$500–800
122
A George III silver salver with gadroon
border by John Carter II, London, 1772
with armorial crest to centre
30cm diameter, 885gms total weight
of silver
$400–600
123
A Victorian silver christening mug by
Hilliard and Thomason, Birmingham,
circa 1881
decorated with a leaf pattern, the shield
engraved ‘Fanny’, fitted leather case
lined with blue satin
8cm high, 80gms total weight of silver
$150–250
121
122

34
124
A George IV silver coffee pot by
Henry Hyde/Henry Holland, London,
circa 1828
with a flower form finial and gadroon
border to the lid
22.5cm high, 700gms total weight of
silver
$300–500
125
A mother of pearl handled silver
owl rattle with bone teething ring
by Crisford & Norris, Birmingham,
circa 1974
with original retail case from W.M.
Drummond & Co Ltd Melbourne
15cm long
$100–200
126
A continental filigree silver plate basket,
19th century
pierced and decorated with birds and
floral swags
11.5cm high
$100–200
124
127
A George III sterling silver swing
handled cake basket by Peter & William
Bateman, London, 1802
15cm high, 165gms total weight
of silver
$300–500
128
A collection of seven associated
sterling silver salts, 18th century
each of circular form with three hoof
feet and gilt wash interiors
6.5cm diameter, 330gms total weight
of silver
$300–500
129
A pair of George III sterling silver salts
by Hester Bateman, London, 1790
together with another pair by Thomas
Sheppard, London, 1816
165gms total weight of silver
$200–300
127

35
130
A George III Sheffield plate swing
handled basket, 18th century
of lobed circular form with a hinged
pierced handle, applied BADA sticker
to the base
30cm high
$100–200
131
A George III sterling silver tea set by
William, Charles & Henry Eley, London,
circa 1784
comprising a tea pot, coffee pot, sugar
bowl and jug
the coffee pot 20cm high, 2790gms
total weight of silver
$2,000–3,000
132
Two George III sterling silver cream jugs,
circa 1805 and 1810
the largest by Peter & Jonathon
Bateman of London
9.5cm high, 215gms total weight of
silver
$200–300
130
131

36
133
133
A Victorian sterling silver pierced dish
by William Comyns & Sons, London,
1896
28cm diameter, 315gms total weight
of silver
$200–300
134
Two silver salvers, London,
18th century
the monogrammed salver by
John Robinson II, the other
by Ebenezer Coker
the largest 17cm diameter,
415gms total weight of silver
$300–500
135
A George IV sterling silver milk jug by
Edward Thomason, Birmingham, 1821
11cm high, 310gms
$200–300
136
A pair of Victorian sterling silver salts by
Alexander Macrae, London,1874
with conforming blue glass liners,
standing on four claw and ball feet
215gms total weight of silver
$120–150
137
A pair of sterling silver salts, by Francis
Spilsbury II and Henry Hobdell, London,
early 19th century
each with blue glass liners and claw and
ball feet
4cm high, 100gms total weight of silver
$120–150
134

37
138
138
A set of four Edwardian sterling silver
sauce boats by J & J Maxwell Ltd,
Sheffield, circa 1908
in the Georgian style, each of
serpentine form with a bold loop handle
and spreading pad foot, engraved
armorial cresting
12.5cm high, 1780gms total weight
of silver
$1,800–2,500
139
Three English sterling silver mustard
pots, 18th century and later
comprising a gadroon border pot by
William Hutton & Sons Ltd, London,
1896, with a crest for Clan MacMillan;
one by Andrew Crespel & Thomas
Parker, London, 1865, and another by
Henry Chawner, London, 1787
the largest pot 6cm high,
365gms total weight of silver
$200–300
140
A George III satinwood inlaid mahogany
tea caddy
with a matching set of silver tea spoons
by John, Henry & Charles Lias of
London, circa 1823
with gilt bronze lion form ring handles,
standing on bun feet, original bowl and
tongs
20.5cm high, 25.5cm wide, 18cm deep
$400–600
141
Two George II sterling silver salvers,
1737 and later
comprising one by Robert Abercromby,
London, 1737, together with another by
John Robertson II, London, 1740,
the largest 16.5cm diameter, 340gms
total weight of silver
$400–600
142
Two English sterling silver casters,
1806 and later
comprising a large sterling silver sugar
caster by William Hutton & Sons,
Birmingham, 1919, together with a
smaller sugar caster, London, 1806
the largest 18cm high, 260gms total
weight of silver
$150–250
139

38
143
A George III sterling silver salver by
Richard Rugg, London, 1780
with a bead and husk flower border
raised on claw and ball feet
21.5cm diameter, 385gms
$200–300
144
An large Edwardian sterling silver tray
by John Byrne & Son Ltd, London, 1905
with a scroll and shell border centred by
an engraved wolf crest
49cm diameter, 1090gms total weight
of silver
$1,200–1,500
143
144 (Detail)
144

39
145
A matched pair of George II sterling
silver candlesticks
one by William Denny of London, 1755,
the other by Hugh Gordon, Edinburgh,
1756
both 23.5cm high, 1110gms total
weight of silver
$1,800–2,500
146
Two English sterling silver sauce boats,
19th century and later
comprising a George IV boat on hoof
feet, Birmingham, 1822, together with
a smaller Edwardian vessel by Wilmot
Manufacturing Co., Birmingham,
circa 1912
the largest boat 7.5cm high, 175gms
total weight of silver
$200–300
145
147
A matched pair of George II sterling
silver candlesticks
one by William Denny of London,
1755, the other by Hugh Gordon,
Edinburgh, 1756
21.5cm high, 1040gms total weight of
silver
$1,800–2,500
148
A pair of silver repoussé strawberry
dishes by Charles Edwards, London,
1899
13.5cm diameter
total weight of silver 220gms
$400–600
147

40
149
A collection of English sterling silver
spoons, 1782 and later
comprising a set of twelve crested
sterling silver dessert spoons by
Alexander Henderson, Edinburgh,
1782, together with a set of twelve
sterling silver dessert spoons by
Thomas Wallis II, London, 1853
the largest 22cms long, 1920gms total
weight of silver
$1,000–1,500
150
A sterling silver vase by
George Nathan & Ridley
Hayes, Chester, 1899
together with a sterling silver
taper stick
the taper stick 14cm high, 155gms
total weight of silver
$150–250
151
Two Victorian sterling silver
sugar casters by Henry Bourne,
Birmingham, 1887
with intricate floral repoussé
to the body
16cm high, 145gms total weight
of silver
$120–150
149
152
A large collection of Victorian sterling
silver forks, London, late 19th century
comprising thirty pieces, with engraved
armorial crests to the reverse
the largest 21cm long, 2430gms total
weight of silver
$1,000–1,500
153
Three Elizabeth II silver pepper mills
by David Shaw Silverware Ltd, London,
circa 1980
the largest 11cm high
$200–400
152

41
154
A collection of harlequin sterling silver
handled knives, Sheffield, circa 1922
armorial set to some
the largest 25cm long
$400–600
155
A sterling silver fish serving set
the knife 32cm long
$200–300
154
156
A large collection of English sterling
silver dessert and tea spoons
comprising thirty five pieces
19cm long, 1595gms total weight of
silver
$800–1,200
157
A George III sterling silver salver by
John Carter II, London, 1774
with beaded border
15cm diameter, 235gms total weight
of silver
$200–300
156

42
158
158
A pair of George III sterling silver salvers
by Thomas Hannam & John Crouch,
London, 1765
with gadroon borders to the scalloped
edge centred by an armorial crest
3cm high, 22.5cm diameter, 94gms
total weight of silver
$400–600
159
Two Victorian sterling silver christening
cups, English, 19th century
comprising one cup by Hilliard &
Thomason, Birmingham, 1889, and
another by Samuel Hardy, London
circa 1896
the largest cup 8.5cm high, 180gms
total weight of silver
$300–500
160
A Victorian sterling silver cream jug
on legs by Edward & John Barnard,
London, 1854
with scrolling floriate decoration across
the body of daisies and poppies
14cm high, 42gms total weight of silver
$100–200
161
Three English sterling silver pepper
pots
the largest 8.5cm high, 130gms total
weight of silver
$100–200

43
162
A collection of three silver plate vessels,
English, 19th century
comprising a Sheffield plate wine
cooler and two pierced dishes
the cooler 22cm high
$300–400
163
A Victorian set of sterling silver dessert
forks by Elizabeth Eaton, London, 1858
comprising twenty one pieces
16cm long, 1115gms total weight
of silver
$500–800
164
Three English sterling silver taper
sticks, London, circa 1880
together with one silver plated
taper stick
the largest 12cm high, total silver
weight excluding the silver plate stick
355gms
$400–600
165
A collection of English sterling silver
dessert ware early 20th century
comprising thirty pieces
the largest spoon 17cms long
total weight of silver 470gms
$300–500
166
A group of sterling silver cutlery,
19th century and later
comprising five pieces including
a Dutch tea shovel with windmill
handle, the fork by George Howson,
Birmingham, 1930
the fork 16cms long, 105gms total
weight of silver
$100–200
167
A collection of English and Continental
silver tea and condiment spoons
comprising forty five pieces
the teaspoons 13cm long, 620gms
total weight of silver
$500–800
168
A collection of silver plate flatware,
19th century and later
including queens pattern together with
a set of mother of pearl handled fruit
knives and an egg topper
the largest 21cm long
$100–200
162

44
Other Properties
Jewellery and Watches
169
A FANCY LINK GOLD NECKLACE
Of tapered form, herringbone-style
links; 9ct gold. Weight 12g.
Length 42cms.
$400–600
170
A RUBY AND CULTURED PEARL
BROOCH
Designed as a wreath, set with
alternating pearls and rubies;
14ct white gold. Weight 4.2g.
$200–300
171
A FANCY LINK GOLD BRACELET
Designed as a mesh bracelet; 14ct gold
Weight 14.4g. Length 41cm.
$600–800
172
A BRUSHED GOLD BRACELET
Featuring articulated brushed gold links,
figure eight safety clasp; 18ct gold.
Weight 22.8g.
$800–1,200
169

45
173
173
A SUBSTANTIAL ITALIAN GOLD
COLLAR
Designed with fancy herringbone-style
links, tongue and figure eight safety
clasp; 18ct gold. Fully hallmarked with
Italian marks. Weight 75 grams.
$4,000–6,000
174
A GEMSTONE SET CLOWN BROOCH
Featuring a blister pearl as the body
of the clown, diamond set hands and
collar, ruby sapphire and emerald set
face; 18ct gold. Weight 12.3g.
$1,200–1,500
175
A GOLD TASSEL NECKLACE AND
MATCHING EARRINGS
Featuring a fancy link necklace, knot
pendant with tassel drops terminating
to gold balls, brushed white gold
spacers; 22ct gold. Italian mark. Length
43cms. Matching earrings, 3.5cms
length. One butterfly backing missing.
Total weight 28.5g.
$1,000–1,500
174

46
176
176
A LAPIS LAZULI GOLD RAMS HEAD
NECKLACE
Featuring a central pair of textured rams
heads set with pink rubies, on a strand
of lapis lazuli and spaced gold rondels;
18ct gold.
$1,500–2,000
177
A RUSSIAN SCENT BOTTLE
BY CARL BLANK
Designed as a stylised amphora, ribbed
and scrolled detail, set with a diamond,
sapphire and ruby; 14ct gold. Makers
mark for Finnish jeweller Carl Blank,
partner in the famed St Petersburg
jewellers ‘Karl Hahn’, further mark for
Finish workmaster Hjalmar Armfelt.
Weight 12g.
$3,000–5,000
178
A set of Georg Jensen sterling silver
cufflinks, designed by Astrid Fog, 1968
with post 1944 Georg Jensen hallmarks
and design number 118
$200–300
179
A GENTS OPEN LINK BRACELET
Designed as rectangular curb links; 9ct
gold. Weight 11.8g. Length 19.5cms.
$500–700
180
A CULTURED PEARL LARIAT
NECKLACE
Featuring a lariat drop terminating
with four cultured pearls; 14ct gold.
Weight 8.1g.
$300–400
181
A CULTURED FRESHWATER PEARL
NECKLACE
Featuring baroque shaped pearls of
approx. 8.5mm; closing to a 9ct gold
ball clasp. Length 82cms.
$200–300
177

47
182
An Omega 18 carat white gold diamond
set ladies wrist watch, circa 1960s
$750–1,000
183
An 18ct gold Baume & Mercier
wristwatch
with mother of pearl dial face,
black border with four diamonds
to 12, 3, 6 and 9
with original case and box
$4,000–6,000
184
A WHITE GOLD BANGLE
Featuring a brushed gold finish;
14ct white gold. Weight 11.5g.
Inner diameter 6.8cms.
$300–500
182
185
A LADY’S WRISTWATCH
BY RAYMOND WEIL
Black dial, stainless steel, crystal
set bezel, crystal set to 12 o’clock,
tapered mesh band.
$300–400
183

48
186
188
187
186
A RETRO DIAMOND CLUSTER RING
Set as an abstract star burst featuring
round brilliant cut diamonds totalling
approximately 1.15cts; 18ct white gold.
Weight 4.3g.
$1,800–2,600
187
A DIAMOND AND ONYX DOME RING
Central domed panel set with round
brilliant cut diamonds totalling 0.40cts
flanked by black onyx; 18ct white gold.
Weight 5.5g.
$800–1,200
188
A TRIANGULAR DIAMOND PENDANT
Featuring a 0.45ct triangular
cut diamond set within a black
onyx triangular panel; 18ct gold.
Comes on white gold-filled chain.
$1,500–1,800
189
AN AMETHYST AND CULTURED PEARL
NECKLACE
Featuring a double strand of uniform
freshwater pearls measuring 5.5mm,
together with polished rough
amethysts, all strung to a large faceted
amethyst set clasp of approximately
45.00cts; 9ct gold. Length 42cms.
$600–800
190
A SHELL BLISTER BEE BROOCH
Featuring a shell blister carved into the
form of a bee, mounted on a gold bar;
15ct gold. Weight 3.2g.
$200–300
191
THREE CULTURED PEARL
JEWELLERY ITEMS
Including a graduated cultured Akoya
pearls strand (3.6-7.9mm), a rice pearl
collar and a rice pearl and hematite
bracelet.
$200–300
192
A PAIR OF CULTURED AKOYA PEARL
AND DIAMOND EARRINGS
Each earring set with an Akoya pearl
measuring 8.1mm, mounted within a
cluster of round brilliant cut diamonds
totalling 0.65cts, clip-on backings; 9ct
and 18ct white and yellow gold.
$1,000–1,500
193
AN AMETHYST ENHANCER PENDANT
Set with a modified emerald cut
amethyst of 9.80cts; 18ct white gold.
Weight 5.7g.
$300–400
194
THREE IMITATION PEARL STRAND
NECKLACES
Three shell based imitation pearl
necklaces, varying lengths including a
choker and an opera length strand; two
closing to 9ct gold clasps.
$300–500

49
196
195
195
A DIAMOND CLUSTER RING
Featuring a central round brilliant cut
diamond of 0.20cts, surrounded by
an illusion set border of diamonds;
palladium and 18ct gold. Weight 3.8g.
Ring size K.
$600–800
196
A VINTAGE SMOKEY QUARTZ
COCKTAIL RING
Featuring a large fancy cut smokey
quartz of approximately 45.00cts,
ornate cage mount; 9ct rose gold.
Ring size O. Weight 16g. Comes in a
vintage Hardy Bros box.
$600–800
197
197
A PAIR OF COLOURED DIAMOND
DROP EARRINGS
Featuring a yellow gold dome stud
suspending a tapered baguette cut
diamond of 0.11cts and a 0.40cts fancy
yellow green round cut diamond to
one earring and a 0.35ct light yellowish
brown marquise cut diamond to the
other earring; 18ct yellow and white
gold. Weight 4.9g.
$1,600–1,800

50
198
A GOLD ROPE NECKLACE
Styled as a twisted rope; 10ct gold.
Length 66cms. Weight 40.5g.
$900–1,200
199
A SET OF THREE GEMSTONE SET
STACKER RINGS
Each ring set with rubies, sapphires and
emeralds respectively; 14ct white gold.
Total weight 6.2g.
Ring size Q-R.
$300–500
200
A GROUP OF THREE GOLD
JEWELLERY PIECES
Including a round brilliant cut diamond
set band totalling 0.19cts, a cultured
pearl set stick pin and an enhancer
clasp with figure eight safety clasp; all
14ct gold. Total weight 6.9g.
$300–500
201
A GOLD CHARM BRACELET
Featuring charms of various themes
including two full sovereign coins, most
charms in 9ct gold, on a 15ct gold curb
link bracelet
total weight 71.7g
$2,000–3,000
202
A GOLD HERRINGBONE BRACELET
Designed with fancy herringbone links,
lobster claw clasp; 14 ct gold. Length
17cms. Weight 14g.
$500–700
201

51
198
203
A VINTAGE GOLD CURB LINK
BRACELET
Featuring wide curb links, closing to a
lobster claw clasp; each link stamped
9ct gold. Weight 38.7g. Length 21cms.
$1,200–1,400
204
A PAIR OF DIAMOND EARRINGS
Each earring set with three round
brilliant cut diamonds totalling 0.15cts;
18ct gold. European backings.
Weight 2.2g.
$300–500
205
A CULTURED PEARL AND RUBY RING
Set with a 6.5mm cultured Akoya pearl,
surrounded by a border of rubies; 18ct
white gold. Weight 5g. Ring size N.
$300–500
206
A DIAMOND SET PENDANT
Set as a square panel, sixteen pave set
round brilliant cut diamonds totalling
0.52cts; 18ct white gold on a 14ct
white gold chain. Total weight 3.9g.
$600–800
207
A VINTAGE SYNTHETIC SPINEL
COCKTAIL RING
Featuring a step cut blue synthetic
spinel measuring 16.2 x 12.2mm;
foliate style shoulders; 9ct white gold.
Weight 6.1g.
$180–220
208
A GROUP OF THREE JEWELLERY ITEMS
Including a ring set with two Akoya
pearls, flanked by four round brilliant
cut diamonds tapering to a V, an
oval shaped onyx pendant and a
Victorian onyx pendant; all 9ct gold.
Total weight 9.7g.
$400–600
203

52
209
Erwin Aladar Rado (1914-1988)
Order of Australia Medal (AM)
Awarded to Erwin Aladar Rado (founder
of the Melbourne Film Festival) in
January 1976 for service to the film
industry.
Born in Budapest in1914, with
photographic ambitions, Rado arrived
in Australia in 1939 and established
a photographic studio in Camberwell.
In 1950 he joined the Melbourne Film
Society, serving as secretary and a
member of the organising committee
of the Melbourne Film Festival. Rado
was appointed AM in 1976 for his
uncompromising drive in shaping the
Melbourne Film Festival and was an
icon of Melbourne’s cultural life. After
25 years as festival director, he retired
in 1983, since serving on a number
of boards, including Film Victoria. The
Erwin Rado Theatre at the offices of the
Melbourne International Film Festival
and the Film Victoria Erwin Rado Award
for best Australian short film are named
in his honour.
$1,000–1,200
210
A VINTAGE GOLD MESH BRACELET
Fancy chevron designed mesh links;
18ct gold. Weight 41.2g.
$2,000–3,000
209
211
AN ANCHOR LINK GOLD BRACELET
Featuring anchor links closing to a
lobster clasp; 18ct gold. Weight 5.3g.
Length 19.5g.
$200–300
210

53
212
AN ANTIQUE ROSE GOLD CHARM
BRACELET
each intricate pierced plaque
panel set with a seed pearl, with an
orb charm and 9ct gold padlock,
the bracelet 15ct gold
20.5 grams total weight
$600–800
213
A CULTURED PEARL COCKTAIL RING
Set with white and grey pearls,
surmounted on a bark finish mount;
14ct white gold. Weight 5.7g.
Ring size M.
$300–500
212
214
A GOLD CHARM BRACELET
The wide 15ct gold curb link chain
featuring a single gold globe charm
(a/f), safety link chain
23 grams
$700–900
215
A Cartier silver ball point pen,
20th century
Guilded detail, red enamel highlight,
“Trinity” design, Cartier logo
and “must de Cartier”
together with a silver Dunhill pen
$200–400
214

54
216
A Louis XV style marquetry inlaid gilt
bronze mounted bureau de dame,
French, 19th century
80cm high, 63cm wide, 50cm deep
$800–1,200
217
A large painted porcelain ewer, probably
Worcester, 19th century of tall baluster
form painted with a panel of spring
flowers below surmounted by an
applied leafy vine, with a gilded spout
and dragon handle 33cm high
PROVENANCE
The Graham Joel Collection, Melbourne
$800–1,200
218
DARIO GALIMBERTI (1881-1966)
Chiogghia, Venice
oil on board
signed lower left: D Galimberti
36 x 46.5cm
$600–900
219
DARIO GALIMBERTI (1881-1966)
Chiogghia - (Venezia)
oil on board
signed lower right: D Galimberti
signed and titled verso: Dario Galimberti
- Pittore Choiogghia - (Venezia)
36.5 x 46cm
$600–900
217
220
DARIO GALIMBERTI (1881-1966)
Al Ponte Caneva, Chioggia 1942
oil on board
signed lower right: D Galimberti
signed, dated and titled verso:
Dario Galimberti 1942 Al Ponte Caneva,
Chiogghia
48 .5 x 58.5cm
$600–900
216

55
218
219

56
221
A pair of russet marble top wrought
iron consoles from Gregorius Pineo,
California
91cm high, 162cm wide, 56cm deep
$6,000–8,000
222
A pair of unusual beaded glass
wirework table lamps
with stitched parchment shades
108cm high
$1,500–2,500
223
A Rosenthal Studio Line porcelain
plaque
The Andy Warhol Collection Campbells
Soup limited edition tile: 29/49
48.5 x 48.5cm
$400–600
224
DAVID BARKER
(NEW ZEALAND, BORN 1941)
The Boatshed 1968
oil on board
signed and dated lower right:
D BARKER 68
60.5 x 91cm
$400–600
225
DAVID BARKER
(NEW ZEALAND, BORN 1941)
Summer Thunder 1968
oil on board
signed and dated lower right:
D BARKER 68
inscribed with title verso:
SUMMER THUNDER
60.5 x 91cm
$400–600
226
A French porcelain panelled gilt brass
carriage clock, 19th century
lever escapement and enamelled
Roman numeral dial within a porcelain
panelled case decorated with frolicking
cherubs, fluted brass handle and key
15cm high
$500–800
227
An Indonesian bronze cannon (Lantaka),
18th/19th century the barrel cast and
chased in low relief with foliage, the
fore-sight in the form of sea-horse, and
original peg-mount, raised on a later
wooden carriage the barrell 98cm long,
mounted on the carriage 156cm long
$1,500–2,500
221

57
228
A pair of architectural carved white
marble corbels
114cm high
$1,000–1,500
229
A gilt framed composition wall plaque,
in the style of Martin Moureau
the oval cartouche relief decorated
with a medieval scene, within an ornate
gilded frame
the frame 40 x 45 cm
$300–500
230
A pair of French bronze poodle desk
ornaments, late 19th century
8cm high
$400–600
228
XX

58
231
A pair of studded leather ‘Sevilla’ club
chairs
$2,000–3,000
232
A pair of French Provincial style double
drawer bedside tables
68cm high, 59cm wide, 59cm deep
$400–600
233
A pair of flocked leopard velvet
upholstered ‘Madison’ lounge chairs
$1,000–1,500
234
An unusual Art Deco style mahogany
and satinwood side table, 20th century
87cm high, 116cm wide, 32cm deep
$800–1,200
235
231

59
236 237
235
ATTRIBUTED TO
WILLIAM HOARE OF BATH
(BRITISH, 18TH CENTURY)
Portrait of Mrs Gilbert Palmesley
Magdalene, Nee Aston
pastel
59 x 43.5cm
PROVENANCE
Venice, Sotheby’s, Sydney,
August 1997, lot 23
$2,000–3,000
236
ATTRIBUTED TO
WILLIAM HOARE OF BATH
(BRITISH, 18TH CENTURY)
Portrait of Miss Molly Aston
pastel
58.5 x 44cm
237
ATTRIBUTED TO
WILLIAM HOARE OF BATH
(BRITISH, 18TH CENTURY)
Portrait of Sir Thomas Aston
pastel
60 x 44.5cm
PROVENANCE
Venice, Sotheby’s, Sydney,
August 1997, lot 36
$2,000–3,000
238
YASUTAKE FUNAKOSHI
(1912-2002) (ATTRIB.)
Bust of a Woman
bronze
mounted on a white marble base
45cm high, 25cm wide, 17.5cm
$500–800
PROVENANCE
Venice, Sotheby’s, Sydney,
August 1997, lot 37
$2,000–3,000

60
240
A Louis XV style gilt bronze cartel clock,
French, 19th century
the white enamel Roman numeral dial
within a classically decorated case
with masks and scrolling acanthus,
surmounted by an urn
82cm high
$1,200–1,500
241
A portrait miniature of Robert Burns,
after the original by Alexander Nasmyth
painted with a portrait of the poet in
a black coat and white jabot within an
oval 9 carat gold frame
5.5cm
$400–600
239
239
A Murano glass chandelier, circa 1950s
the serpentine pierced basket
frame set with applied flower heads,
button swags and coloured grape
and leaf drops
86cm high
$600–800

61
242
A pair of George III style gilt bronze
banquet candelabra, 19th century
tri-branched, in the form of Corinthian
pillars with scrolling acanthuses,
standing on lion feet
54cm high
$1,800–2,500
243
A pair of painted and gilded commodes,
probably Italian, late 19th/20th century
each hand painted with a circular panel
depicting the judgement of Paris, the
three drawers with twin ring handles,
imitation marble painted to the top
95cm high, 52cm wide, 40cm deep
$5,000–8,000
242
243

62
244
244
An Art Deco wrought iron salon mirror,
in the Edgar Brandt style, circa 1930
109cm high
$600–800
245
An Art Deco marble top wrought iron
centre table, in the Edgar Brandt style,
circa 1930
the wrought iron legs of curved form
70cm high, 70cm wide, 36cm deep
$600–800
246
A Royal Worcester Bothwell Castle
cabinet plate, by Raymond Rushton,
1951
with gilded rim, signed lower right,
underglaze factory and date marks
to base
27cm diameter
$300–500
245

63
247
An Art Deco walnut centre table with
shagreen veneered top, American
74cm high, 125cm diameter
$3,000–5,000
248
A gilt mounted portrait miniature on
porcelain, 19th century
painted with a portrait of a lady in a
red and white dress with a blue sash,
inscribed verso Henriette de Bpurbon
Conty by Goyer
8.5cm high
$300–500
249
A cold painted bronze animalier
inkwell in the form of a border collie,
19th century
8cm high
$300–500
250
A collection of seven glass
paper weights and dumps,
19th century and later
the largest 8cm high
$400–600
251
A Royal Worcester gilded cabinet
plate together with an Imari decorated
cabinet plate, 19th century
numbered 421 to back
the largest plate 23cm diameter
$200–300
252
A collection of brass wares
comprising a chestnut warmer,
a rectangular triffid, a candle
holder, a pestle and mortar,
and a pair of taper holders
the chestnut warmer 50cm
$300–500
253
A pair of Chinese style papier-mâché
baskets
45cm high
$100–200
254
A marble and silver cheese platter
with ivory finial by Torrente, Italian,
circa 1920
18cm high
$100–200
255
A pair of glass bottles with ivory
stoppers and silver trays by Torrente,
Italian, circa 1920
20.5cm high
$200–300
247

64
256
256
LOUIS BONAMICI
(ITALIAN, 1878-1966)
Mediterranean Harbour Scene
oil on canvas
signed lower right: L Bonamici
48.5 x 59.5cm
$500–800
257
SPANISH SCHOOL
Signorina
watercolour and ink on paper
21.5 x 16.5cm (oval)
$300–500
258
EUROPEAN SCHOOL
Winter Village
pastel
40 x 36cm
$200–400
259
ENGLISH SCHOOL
The Mersey - White Star Line
Training Ship Built in 1894
watercolour
35 x 55cm
$200–400

65
260
A pair of Egyptian Revival bronze
side tables
with simulated wooden tops
46.5cm high, 42cm wide, 42cm deep
$3,000–5,000
261
A large pair of Chinese baluster form
blue and white porcelain table lamps
with broad rimmed shades
95cm with shade
$400–600
262
Three polished turbo marmoratus
(Green Turban) shells
the largest 10.5cm high
$200–300
263
A Louis XVI style giltwood salon mirror
with a pierced ribbon finial
104cm high
$300–500
264
A carved ebony elephant
31cm high
$250–350
265
A pair of Louis XV style figural gilt
bronze candelabra
each with pendant faceted crystal
lustre drops raised on square white
marble plinth bases
47.5cm high
$800–1,200
266
A French Empire bronze and gilt bronze
mounted empire clock, 19th century
$1,000–1,500
267
A faceted coloured glass chandelier,
Italian, 20th century
100cm high
$300–500
268
A Louis XV style gilt bronze torchère,
19th century
of classical columnar form, decorated
with carved acanthus and ecclesiastical
masks, on paw feet
100cm high
$600–800
269
A pair of gilt metal and onyx marble
candelabra, French, 19th century
52cm high
$600–800
270
GINO DONAGGIO (1920-1980)
Chiogghia, Venice
oil on canvas
signed lower left: Donaggio
44.5 x 82cm
$400–600
260

66
272
Two horn snuff mulls, English,
18th/19th century
comprising a ribbed table snuff box
with a rose gold banding and shield to
the hinged lid, and a brass mounted
polished horn box
the polished horn box 5cm wide,
10cm high
$400–600
273
A Victorian gilt bronze figural inkstand
modelled as a boy with a wheat sheaf
crossing a bridge, raised on an oval
black marble base
16.5cm high
$300–500
271
271
A French bronze and cut glass
chandelier, 20th century
the central bronze wirework baluster
standard with applied leafage and glass
flower heads
56cm high
$800–1,200

67
274
A verre églomisé decorated cushion
front mirror, Venetian, late 19th century
104 x 83cm
$2,000–3,000
275
A pair of ‘Borghese’ mirrored consoles
by Atelier Jean de Merry, Los Angeles
each with a simulated antique finish,
standing on four lion claw and ball feet
with an ornamental simulated bronze
rope stretchers to the base
91cm high, 168cm wide, 63cm deep
$4,000–6,000
274
275

68
276
277

69
276
EUROPEAN SCHOOL
Italian Landscape
oil on canvas
signed with monogram lower right: PW
66 x 92cm
$500–800
277
A George III oak mule chest
with two drawers built into the base
80cm high, 116cm wide, 50cm deep
$600–800
278
A rare walnut Savonarola chair, Italian,
circa 1500
112cm high, 65cm wide, 63cm deep
NOTE
Savonarola chairs are derived from
ancient Roman ‘curule’ chairs and are
associated with high status individuals,
symbolising power and authority
$1,800–2,500
279
An Italian cedar cassone, Adige region
Northern Italy, 16th century
the exterior carved and decorated with a
scene of an approaching army, the interior
decorated with dragons and an eagle
52cm high, 147cm wide, 48cm deep
$3,000–5,000 278
279

70
280
280
EUROPEAN SCHOOL
(19TH CENTURY)
The Fruit Seller
oil on panel
inscribed but illegible verso
24 x 18.5cm
$400–600
281
FREDERICK MARRIOTT
(1861-1941)
Uzerche, France
etching
signed and titled on margin:
F Marriott Uzerche
20 x 25cm
$150–250
282
LEOPOLD PILICHOWSKI
(1869-1934)
Figure Study
etching
signed lower right on margin:
L Pilichowski
15 x 10 cm
$200–300
283
MARY BEESTON (BORN 1917)
Apotheca
oil on board
signed lower right: MARY BEESTON
inscribed with title verso: APOTHECA
60 x 91.5cm
$200–400

71
284
A set of twelve silver giltwood dining
chairs
with stitched leather seats and a spider
web back splat
$2,500–3,500
285
A pair of gilt and enamel opera glasses,
French, 19th century
8.5cm high, 9cm wide, 4.5cm deep
$300–500
286
A Louis XVI style marble top commode
89cm high, 127cm wide, 50cm wide
$800–1,200
287
A Victorian burr walnut foldover card
table
73cm high, 90cm wide, 40cm deep
$400–600
288
An English mahogany half tester bed,
19th century
220cm high, 153cm wide, 239cm deep
$400–600
289
A George III mahogany Pembroke card
table
71cm high, 94cm wide (extended),
81cm deep
$300–500
290
A pair of mahogany and black marble
top side tables
72cm high, 45cm wide, 40cm deep
$400–600
291
An Anglo-Indian oak coffer,
19th century
the hinged lid above a geometric
carved frieze and plinth base
53cm high, 146cm wide, 55cm deep
$800–1,200
284

72
292
292
JAAP SAX (DUTCH, 1899-1977)
Farm Yard
oil on board
signed lower left: Jaap Sax
47 x 68.5cm
$500–800
293
G DE SUINONE
Paris Street Scene
oil on canvas
signed lower right: G de Suinone
34.5 x 60cm
$300–500
294
AFTER LEONARD
MOREL-LADEUIL
plaster cast shield
depicting low relief scenes
from Miltons Paradise Lost
85 x 65cm
NOTE
The original shield, in silver is in the
Victoria & Albert Museum. Made by
Elkington & Co. for the Paris Exhibition
of 1867.
Designed and produced by Leonard
Morel-Ladeuil (circa 1820-1888), who
worked for Elkington & Co. from 1859.
At the Paris Exhibition, Morel-Ladeuil
was acclaimed to be the finest artist of
this genre.
$400–600
295
ROBERT LOVETT (BORN 1930)
Snow Gum, Jindabyne
oil on board
signed lower left: ROBERT LOVETT
37 x 75cm
$200–400
296
ALEX KIMONIDES (BORN 1945)
Spring Colours
oil on board
singed lower right: Alex Kimonides
79 x 69cm
$550–650

73
297
A pair of gilded Murano glass table
lamps, 20th century
of shaped baluster form with
parchment shades
99cm high
$1,500–2,000
298
A Regency mother-of-pearl inlaid
rosewood sewing box
with an engraved plaque reading ‘Janet’
to lid, fully fitted interior containing
two silver plate button hooks and two
antique lace embroideries
17cm high, 32cm wide, 21cm deep
$400–600
297
299
An Irish Chippendale style carved open
arm library chair, late 18th century
together with a small conforming
Chippendale style single drawer
side table side table, the chair with
down-swept arm supports and carved
scroll feet, upholstered in green silk
the chair 103cm high, 67cm wide,
70cm deep
the side table 53cm high, 27cm wide,
27cm deep
$2,000–3,000
299

74
Chinese and Asian Ceramics and Works of Art
300
A bronze censer
Qing dynasty, 19th century
of bombé form supported on tripod
conical feet, set on the flared mouth
with two upright loop handles, the base
with an apocryphal six-character mark
of Xuande in a rectangular recess,
jade-knopped wood cover and stand
10cm diameter
$1,500–2,500
300
301
A bronze censer
Qing dynasty, 19th century
heavily cast of cylindrical form set
with two lion mask handles below the
rim, either side with a dragon chasing
a flaming pearl in relief in a recessed
cartouche, the base with a raised
four-character mark Wan Li Jia Cang
14cm wide
$800–1,200
301

75
302
A gilt bronze figure of Avalokitesvara
Qing dynasty, 18th century
the deity with eleven heads standing in samabhanga on
a later lotus base, with eight arms extended in various
mudras or holding an attribute, wearing a dhoti, jewellery
and a trailing scarf, the principal hands held in anjalimudra
before the chest, the faces with serene expressions apart
from the one head with fierce expression
18cm high overall
The eleven headed Avalokitesvara is an esoteric form
of the Bodhisattva, believed to have overcome eleven
hardships in order to attain Buddhahood. Another
explanation is that Avalokistesvara fails to fulfil his vow of
saving all sentient souls from hell and his head splits into
one hundred pieces. Amitabha Buddha gathered up the
pieces and consolidated them into ten heads crowning
them with one of his own to show that Amitabha is always
there to aid him in his goal of universal salvation
Compare with a figure without a stand, sold Christie’s,
Paris, June 9 2021, lot 57; a larger figure and stand sold,
Sotheby’s Australia, Sydney, 24 October 2014, lot 50
$6,000–8,000
302

76
303
A bronze censer
late Qing dynasty
of squat bombé form, the sides set
with two lion head handles, the base
with an apocryphal six-character
mark of Qianlong
18.5cm wide
$1,000–1,500
304
A group of three bronze figures,
19th century
of Guandi and two attendants,
each standing on a raised pedestal,
wearing armour and caps on their
heads, their hands clasped, originally
holding weapons
33.5cm, 26cm and 25cm high
$900–1,200
305
A pair of bronze vases,
19th/20th century
each of baluster form surmounted by
a slender neck set with double animal
head loop handles, the sides decorated
in relief with cranes in flight
64cm high
$1,000–1,500
306
A pair of bronze covered censers,
19th century
the globular body of each decorated in
relief with birds and peonies, set with
double elephant head loop handles
and supported on tripod animal head
legs, the pierced and domed cover
with Buddhist lion knop
43.5cm high
$1,000–1,500
303

77
307
An embellished hardwood ruyi sceptre
the shaft carved and pierced with
scrolling clouds and inset with shaped
hardstone plaques including turquoise,
mother of pearl and agate on lapis-lazuli
grounds, carved with a crane, gourd
vine, lingzhi sprig and a bat
45cm long
$2,500–3,500
308
Two wrist rests,
19th/20th century
comprising one of dark hardwood
probably zitan, carved in relief with
flowering prunus branches over the
arched surface, the other of bamboo
incised with bamboo and rockwork
27.5cm and 25.5cm long
$1,000–1,500
309
A Duan inkstone
carved in relief with two dragons
emerging from clouds on the
upper section, the reverse
with lines of inscriptions
20.5cm wide
$1,000–1,500
307

78
310
A ‘dreamstone’ marble-inset
hardwood screen,
19th/20th century
the circular marble plaque set in a plain
wood frame supported on an intricate
openwork stand of stylised sinuous
dragons, standing on a separate
platform base raised on six scroll feet
joined by shaped stretchers
52cm high
$2,500–3,500
310
311
A pair of unusual carved elm
chrysanthemum finials
the lobed sides surmounted by domed
tops of overlapping ruyi-shaped petals,
repeated around the base
67cm high
$2,000–3,000
311

79
312
A marble figure of a lion
probably Tang dynasty
the muscular animal seated on its
haunches with forelegs braced on the
rectangular plinth, with head raised and
slightly turned to one side with jaws
open, incised with long tufted mane and
tail coiled around the hind leg
21.5cm high
Compare with a smaller figure dated
to the Tang Dynasty, sold Christie’s,
London, 24 September 2020, lot
909; another from the Raphy Star
Collection, sold Mossgreen, Melbourne,
11 December 2016, lot 60; and
another from the Robert H. Ellsworth
Collection, sold Christie’s, New York,
17 March 2015, lot 16
$6,000–8,000
312

80
313
313
A chenxiangmu beaded necklace
comprising 108 small wood beads
interspersed with three coral beads
and terminating in a further wood bead
suspending an amethyst coloured
glass plaque and double strand of
beads on a beaded cord, inscribed
pewter box and cover
39cm diameter
$1,200–1,800
314
Two interior painted snuff bottles,
1950 and later
comprising one by Zheng Shi Kui
(born 1951) depicting ‘The Son of
Emperor’, the other
signed by Huang San, 2003,
‘The First Ode for the Red Cliff’,
stoppers, box
9cm and 6.5cm
$400–600
315
An enamelled porcelain snuff bottle
decorated on either side with a
grasshopper reserved on the black
ground, three-character mark reading
‘Gu Yie Xuan’ to the base
8cm high
$300–500

81
316
316
A chenxiangmu pendant,
19th/20th century
of rectangular form, carved in pierced
relief on either side with the wu-fu in
flight around a cash medallion among
cloud scrolls, attached pearl and coral
embellished cord and tassel, inscribed
silvered metal box with an inner plate
pierced with further bats and cash
6cm long, the box 11cm long
$2,000–2,500

82
317
A chenxiangmu beaded necklace
comprising 108 wood beads
interspersed with three green jadeite
beads, and terminating in a larger
jadeite bead suspending a jade endless
knot on a beaded cord and tassel
75cm diameter
$2,500–3,500
318
A rope and bamboo kekkai
for use in Japanese tea ceremonies
the long undulating cane sitting on two
raised bamboo cross sections
89.5cm long
$400–600
317

83
319
319
A Chinese export silver four piece tea
service on tray by Nanking Store,
Shanghai, circa 1930
of tapered canted-rectangular
form, with conical hinged covers,
each decorated with bamboo
branches on a stippled ground
the tray 57cm long, the
largest teapot 20.5cm high,
4020gms total weight of silver
320
A mother of pearl ‘butterfly’ dish,
circa 1930
the two large shells extending as
wings to either side of the silvered
metal mount forming the body,
spiral antennae and six legs
8.5cm high, 38cm wide, 31cm deep
$300–500
NOTE
See von Ferscht, Adrien Chinese
Export Silver 1785-1940: Catalogue
of Makers’ Marks, 4th edition, Glasgow
2015, p. 502ff (mark illustrated on p.
503) for illustrations of various wares,
including a very similar teapot.
Nanking Store traded from 444
Szechuen Road, Shanghai from
circa 1895 to circa 1940.
$1,500–2,500
320

84
321
321
A collection of Chinese export silver by
Nanking Store, Shanghai,
early 20th century
comprising a circular platter, a cigarette
case, a cigarette box and two ash trays,
each decorated with bamboo branches
on a stippled ground
the cocktail shaker
23.5cm high, 1280gms total weight of
silver excluding trinket box
$400-600
322
A collection of Chinese export silver by
Nanking Store, Shanghai,
early 20th century
comprising a cocktail shaker with
measure, an ice bucket and six
tumblers, each decorated with bamboo
branches on a stippled ground
the cocktail shaker 23.5cm high,
1335gms total weight of silver
$400-600

85
323
A Chinese export silver cutlery
service by Nanking Store,
Shanghai, circa 1930
comprising a setting for twelve
with extra serving implements,
all engraved with a writhing dragon
the largest piece 53.5cm long
total weight of silver excluding
the knives 5470gms
$1,800–2,500
323

86

87
324
324
An embroidered brown silk-ground ‘dragon’ robe
Qing dynasty, early 19th century
the semi-formal court robe, Jifu, worked in couched gold
wrapped thread, satin stitch and Peking knot, with nine
rampant five-clawed dragons in pursuit of flaming pearls
among red bats, multi-coloured ruyi-shaped cloud scrolls
and ‘Auspicious emblems’, all above turbulent waves crashing
on rocks strewn with red-bloomed peony sprays, and with
triangular lishui striped borders at the corners, the decoration
repeated in the borders around the neck and chest and the
horse-hoof cuffs with butterflies, floral sprigs and the bajixiang
emblems on a black ground
147 cm long, 188 cm wide
PROVENANCE
Sotheby’s Australia, Melbourne, 29 July 2014, lot 123
Private Collection, Melbourne
$30,000–50,000

88
325
A lacquered hardwood recessed-leg
table, Qiaotouan,
19th/20th century
the rectangular panelled top with
raised ends, joined by pierced foliate
scroll spandrels to the rectangular
legs framing an inset openwork panel
carved with a foliate scroll medallion,
traces of brown lacquer overall
95cm high, 255cm wide, 47cm deep
$1,500–2,500
326
A hardwood rectangular display
cabinet,
20th century
in two sections, with a glazed upper
section set with two doors at the front
opening to reveal two glass shelves,
the glass panels at the front, sides
and back bordered with an openwork
carved wood frame of angular scrolls
within the moulded edge, the lower
section with two doors enclosing a
cupboard, each carved in relief with
a central shou character flanked by
confronting stylised dragons within a
scrollwork border, the whole supported
on short corner feet
198cm high, 106cm wide, 43cm deep
$1,800–2,200
327
A large cinnabar lacquer-style
rectangular panel
decorated in relief with figures variously
occupied in a lakeside scene with
pavilions set among rocks and trees
and with clouds rising above craggy
cliffs, all within a floral scroll border,
metal hanging loop with bats, peonies
and shou medallion in relief
113 x 77.5cm
$5,000–7,000
325

89
327

90
328
A large pair of gilt and polychrome
decorated wood figures of Buddhist lions
each carved seated on its haunches
facing forward, one with jaws open in
snarling expression, the thick mane,
upright tail and hair tufts picked out in
red on the gilt ground, the other with jaws
closed, a single horn between the ears,
painted with green detailing on the gilt
ground, both with inlaid eyes
46cm and 49cm high
$2,000–3,000
329
A hard wood low table, circa 1940
the rectangular top above three drawers,
supported on square section corner legs
43cm high, 152cm wide, 45cm deep
$400–600
328

91
330
330
A large pair of carved hardwood mirrors
the rectangular frames decorated
in relief with a continuous frieze of
archaistic angular dragon motifs
interspersed with ‘precious objects’
197 x 110cm
$3,000–5,000
331
A pair of carved hardwood pedestals
each of baluster form, the shaped
top above a pierced apron supported
on five slender legs standing on the
shaped base
66cm high, 30cm diameter
$200–300
332
A marble-inset carved hardwood
pedestal
of baluster form, the circular top inset
with a marble plaque above the shaped
apron pierced with flowering sprays and
serrated leaves extending down the
four legs joined by cross stretchers
91cm high, 31cm diameter
$300–500

92
333
A hardwood rectangular display
cabinet,
20th century
in two sections, with a glazed upper
section set with two doors at the front
opening to reveal two glass shelves,
the glass panels at the front, sides
and back bordered with an openwork
carved wood frame of angular scrolls
within the moulded edge, the lower
section with two doors enclosing a
cupboard, each carved in relief with
a central shou character flanked by
confronting stylised dragons within a
scrollwork border, the whole supported
on short corner feet
198cm high, 106cm wide, 43cm deep
$1,800–2,200
334
A set of four porcelain inset
hardwood panels,
20th century
each rectangular hardwood frame
carved to simulate bamboo enclosing
pierced panels and inset with three
shaped blue and white landscape
plaques, the central rectangular plaque
with an inscription to one side, metal
loop hangers
each panel 127cm x 39cm overall
$1,500–2,000
335
An inlaid lacquered rectangular cabinet
with an upper and lower pair of double
doors at the front set with foliate
decorated shaped metal lock plates,
the front, sides and top inlaid and gilt
with dragons and phoenix pursuing
flaming pearls and confronted on a
central octagonal shou medallion, all
beneath the overall brown lacquer finish
119cm high, 66.5cm wide, 33cm deep
$1,000–1,500

93
336
336
An impressive six-fold Chinese
calligraphy screen by Hosoi Kyuko
(1711-1781) Mid Edo Period
in ink on paper, each alternate panel
inscribed with a poem by one of the
three famous Chinese poets, Li Bai,
Wang Wei and Jia Zhi, the calligraphy
in three different styles of classical
Chinese calligraphy, each panel signed
Kyuko Bunboku and with two seals, the
three alternate panels each inscribed
with two large characters and one
seal, gold-flecked paper mounts
and wood frame
the two outer panels 171cm high,
62cm wide
$4,000–6,000

94
337
UTAGAWA YOSHITSUYA
(1822-1866)
Sea Battle
woodblock print
oban triptych, framed
each sheet approx 35 x 23.5cm,
overall 52 x 95cm
$300–500
338
UTAGAWA YOSHITSUYA
(1822-1866)
Warriors
woodblock print
oban triptych, framed
each sheet approx 35 x 23.5cm,
overall 52 x 95cm
$300–500
339
UTAGAWA YOSHITSUYA
(1822-1866)
Legendary scene
woodblock print
oban triptych, framed
each sheet approx 35 x 23.5cm,
overall 60 x 96cm
$300–500
340
YAO BEIQUAN (1931 – )
Koi and Peonies
ink and colour on paper, framed
inscribed and with one seal
51.5 x 97cm, 67 x 122cm overall
PROVENANCE
A gift from the artist
to the present owner
$200–300
341
ATTRIBUTED TO LI FANGYING
Birds and Plants
ink and colour on paper
a set of four hanging scrolls
each bearing an inscription and
signature with one seal
134.5 x 33.5cm
$400–600
342
CAO JIANCENG (1970 – )
Lakeside scene
ink and colour on paper, framed
inscribed and with two seals
together with two anonymous paintings
Birds and Flowers, Butterflies and Iris
ink and colour on paper, framed
inscribed and with seals
69 x 55.5cm, 100 x 80cm overall
$400–600
343
ATTRIBUTED TO LI XIONG CAI
Landscape with pine
ink on paper, hanging scroll
bearing an inscription, signature and
two seals
98 x 67cm
ILLUSTRATED
Yiyuan Duoying: Lingnan Huapai
Zhao Shaoang, Yang Shanshen, Guan
Shanyue and Li Xiongcai Zuopingli,
Shanghai: 2005, p.70
$3,000–4,000
344
A collection of nine Sino-Tibetan
miniature paintings
each painted in colours with Buddhist
images, framed
5cm to 14cm
$400–600
345
ATTRIBUTED TO LI KU CHAN
an album of six paintings and six pages
of calligraphy
ink and colour on paper
each painting bearing the signature
Li Ku Chan and one seal
each page 26.5 x 18.5cm
$600–800
346
A thangka, Tibet,
19th/20th century
painted in colours on cotton,
brocade mounts
57 x 43cm
$700–800

95
343

96
347
347
A pair of celadon jade bangles
each of attractive faint greenish tone,
boxes
8.3cm diameter
$2,000–3,000
348
A group of three carvings,
19th/20th century
comprising a soapstone seal of
rectangular section, bearing an
inscription and signature of Wu Hu
Fan to one side, the face with seal
characters; and two rectangular
pendants one of chenxiangmu the other
of whitish jade carved with dragons
5cm and 6.5cm
$1,000–1,500
348

97
349
A celadon jade figure of Guanyin
standing on an oval lotus base, holding
an ambrosial vase in the left hand and
ball in the right, wearing loosely draped
robes, a long trailing scarf and beaded
jewellery, the hair drawn into a high
chignon encircled with a diadem
23cm high
$4,000–5,000
350
A green hardstone vase and cover
carved in pierced relief with flowering
peony branches extending over the
sides and cover, wood stand
22cm high
$200–300
349

98
351
352
351
A soapstone seal,
19th/20th century
of irregular upright form, the sides finely
carved with two sages walking beneath
a pine tree, and a rustic scene with
a long bridge leading to a pavilion, a
two-character inscription on one side,
the caramel coloured stone with some
paler suffusions
7.5cm high
$1,200–1,600
352
An inscribed jade thumb ring,
19th/20th century
the rounded sides with a five line
inscription, the flat face carved with a
horse beneath a pine tree, using the
russet markings in the otherwise pale
greyish stone to highlight the carving
3.8 cm wide
$1,200–1,400

99
353
An agate bowl,
20th century
with rounded sides and flared rim rising
from a short straight foot, carved from
a faintly striated mushroom coloured
stone with semi-opaque suffusions
and with striking markings in shaded
tones of brown, the base incised with
an apocryphal six-character seal mark
of Qianlong, box
10.3cm diameter
$4,000–5,000
354
A boxed set of five archaistic
jade carvings
comprising four animal form pendants
and a bi-disc, set in a rectangular red
lacquer box, the cover decorated
with flower sprays in colours on a gilt
diaper ground enclosing an inscribed
central panel reading Tai He Zhai
Yong Di Qing Wan, the base inscribed
with an apocryphal six-character
mark of Qianlong
the box 28 x 17cm,
the largest jade 6.7cm long
$1,200–1,800
353

100
355
A carved jade group of a bear and cub
Qing dynasty
the bear crouched with head raised
and turned to the side in snarling
expression, the young cub climbing up
over the side, carved from a pale stone
with dense brown areas and opaque
greenish mottling, fitted box
8.5cm long
$900–1,200
355
356
Two soapstone carvings,
19th/20th century
comprising one of irregular pebble form
carved with figures in a continuous
landscape of rocks and trees, using
the paler areas in the caramel stone
to highlight the carving, wood stand;
the other a rectangular section seal
surmounted with a bat and cash, an
inscription to one side and the face with
seal characters, box
9cm and 10cm long
$1,200–1,500
356

101
357
A green jade ruyi sceptre
the shaped head carved in relief
with two bats confronted on a shou
character, the curved shaft with a long
inscription within an incised key-fret
border, the reverse with a four-character
seal mark, attached beaded cord and
tassel, fitted wood box
27.5cm long
$2,000–3,000
358
A celadon jade water pot
Qing dynasty
carved in the form of a hollow pine
trunk with a pair of phoenix perched on
the mouth rim and branches in relief
extending over the sides from the base,
the stone of pale colour with slight
russet striations, wood stand
9cm high
$4,500–5,500
358
357

102
359
Two soapstone ‘lion’ seals,
19th/20th century
comprising one of tall rectangular
form surmounted by a crouching
lion in pierced relief, one side with a
long inscription, the face with seal
characters, creamish coloured stone,
wood box; the other of square section
and caramel tone, surmounted by
a recumbent lion, a two character
inscription and the face with seal
characters, hinged metal box
8.5 cm and 3.5 cm high
$1,200–1,800
359
360
A white jade carving of a finger citron
Qing dynasty
the fruit borne on a leafy branch
forming the pierced base, the white
stone with some slight russet and
brown suffusions, fitted wood stand
6.5 cm high
$1,800–2,500
360

103
361
A celadon jade ‘dragon’ vase
Qing dynasty, 19th century
the pear-shaped body standing on a
small splayed foot, carved in high relief
around the slender neck with a dragon
pursuing a flaming pearl among cloud
scrolls, the mouth with an incised key-fret
border, the stone of pale even tone,
11.5cm high
$2,500–3,500
361

104
362
362
A Longquan celadon dish
Yuan/Ming dynasty
the shallow fluted sides with barbed
everted rim, carved around the cavetto
with lotus sprays around a central
moulded flower head in the centre, all
beneath a sea-green glaze apart from
a ring within the footrim burnt orange in
the firing, box
29.5cm diameter
PROVENANCE
Gibson’s Auctions, Melbourne,
6 August, 2019, lot 743
Private Collection, Sydney
$4,500–5,500
363
A blue and white vase
probably late Ming dynasty
of ovoid form with short tapering neck,
the sides painted in deep underglaze
blue with cranes in flight among stylised
cloud scrolls, between formal borders
around the base and narrow mouth,
fitted box
24cm high
$800–1,000
364
A large Cizhou painted jar
Ming dynasty or later
of ovoid form, painted with
decorative motifs in brown
over the pale cream ground
65 cm high
$400–600
365
A Cizhou-style painted jardinière
with deep slightly flared sides painted
in brown over the pale cream ground,
with a bird among peonies
34.5cm high
$200–300

105
366
A large Cizhou-type jar
the sides carved with flower sprays
on a diaper ground, beneath the
yellowish glaze
38cm diameter
$300–500
367
A large Japanese ‘Tsubo’ earthenware
pot, Echizen, late Edo period
64cm high, 54cm wide
$400–600
368
An unusual archaistic box and cover
probably late Qing dynasty
of squat rounded form, the sides
decorated in low relief with friezes
of stylised chilong, ruyi heads and
bats around a central wan medallion,
covered overall with a deep aubergine
glaze apart from the gold coloured rims
11.7cm diameter
$1,500–1,800
369
A pair of sang-de-boeuf
glazed covered jars
Qing dynasty, 19th century
each of squat ovoid form, one covered
with a purple streaked glaze, the
other with a glaze of deep reddish
tone, knopped flat covers en suite,
wood stands
22.5cm and 23cm high
PROVENANCE
Arch Angel Antiques, Hong Kong,
1990s
$500–800
370
A pair of sang-de-boeuf glazed jars
Qing dynasty, 19th century
each of tapering shouldered form,
covered with a glaze of rich crimson
tone, wood covers
30cm and 30.5cm high
PROVENANCE
Arch Angel Antiques, Hong Kong,
1990s
$500–800
371
A group of three flambé-glazed jars
Qing dynasty, 19th century
comprising one with a purple streaked
glaze, knopped cover en suite,
wood stand; and two covered with
a rich crimson glaze, wood covers,
wood stands
32cm, 30cm and 30.5cm high
PROVENANCE
Arch Angel Antiques, Hong Kong, 2002
$800–1,200
372
A pair of turquoise-glazed vases,
20th century
of archaic hu form, each covered
with an even turquoise glaze, the
base impressed with an apocryphal
six-character seal mark of Qianlong,
fitted box
18cm high
$800–1,000
366

106
373
373
A teadust-glazed saucer dish
Qing dynasty
well potted with shallow rounded sides,
covered inside and out with an even
finely-flecked green glaze thinning to
brown around the lipped rim
15cm diameter
PROVENANCE
Gora Singh Mann Collection,
Wollongong, no 1145
Private Collection, Sydney
$1,200–1,600
374
A flambé-glazed vase
Qing dynasty, 19th century
the globular body surmounted
by a cylindrical neck, covered
with a lavender streaked crimson
glaze thinning to a brownish tone
around the mouth
34.5cm high
$1,000–2,000
375
A lavender-glazed vase,
20th century
the globular body surmounted by
a tall slender neck, covered with a
lavender-blue glaze of even tone,
the mouth and interior glazed in white
40cm high
$800–1,200
376
A robin’s egg-glazed vase,
20th century
of quatrelobed form, the pear-shaped
body set with double elephant head
loop handles on the narrow waisted
neck, the sides with flowering prunus
branches in relief, all beneath the
mottled glaze, fitted box
21cm high
$600–700

107
377
A copper-red glazed vase, meiping
of tapering shouldered form
surmounted by a narrow mouth with
flared rim, the exterior applied with a
lustrous deep red glaze thinning to
white at the mouth, the base inscribed
in underglaze blue with an apocryphal
six-character mark of Yongzheng, box
22cm high
$4,000–5,000
377

108
378
378
A famille rose rectangular dish
Qing dynasty/ Republic period
of shallow form standing on bracket
feet, the interior painted with a boy
dancing whilst others play musical
instruments in a garden setting within a
turquoise-ground floral border, the base
inscribed in iron-red with an apocryphal
six-character seal mark of Jiaqing
21cm high
$1,800–2,200
379
A yellow-ground bowl,
20th century
with slightly flared rounded sides
painted on the exterior with a
continuous garden of flowering plants
and lingzhi fungus growing among
stylised rock formations, all reserved
on the bright yellow ground, the base
inscribed in iron-red with an apocryphal
four character mark of Hongxian,
fitted box
21.2cm diameter
$1,500–2,000

109
380
A lime green-ground famille rose vase,
20th century
of pear shape surmounted by
a narrow neck with garlic mouth,
the sides decorated with stylised
floral scrolls and formal borders on
the lime-green ground, the base
inscribed in iron-red with an apocryphal
six-character seal mark of Qianlong,
wood stand
28.5cm high
$1,000–1,500
381
A green enamelled blue-ground
‘dragon’ bowl
the rounded sides with lipped rim
decorated with two dragons chasing
flaming pearls, picked out in green
on the underglaze blue ground, the
interior with a similar medallion, the
base inscribed in underglaze blue with
an apocryphal six-character mark of
Kangxi, box
10.2cm diameter
$1,500–2,000
380

110
382
A famille verte brush pot
Qing dynasty, 19th century
of square section standing on corner
bracket feet, each side painted with a
panel depicting a sage in a landscape
setting or riding on a dragon, within a
raised rectangular border
11.7cm high
$800–1,200
383
A pair of wine cups
late Qing dynasty
of deep rounded form, the exterior
painted with scattered magnolia
sprigs below a gilt rim around the
mouth, the base inscribed in iron-red
with an apocryphal four-character
mark of Tongzhi
6.3cm diameter
$900–1,200
382
383

111
384
A large and impressive landscape vase
Republic Period
the tall cylindrical body surmounted by
a waisted neck with flared mouth, finely
painted in famille verte enamels with a
continuous lakeside scene of figures
variously occupied in rural pursuits,
with pavilions and thatched huts set
among trees near the rocky shore
and with distant mountains, the base
inscribed in iron-red with an apocryphal
six-character seal mark of Qianlong
58.5cm high
$3,000–4,000
385
A doucai dragon dish,
20th century
of saucer shape, the interior painted
with a dragon leaping from waves
in pursuit of a flaming pearl, within a
double line border repeated around
the rim, the underside with matching
decoration, the base inscribed in
underglaze blue with an apocryphal
six-character mark of Yongzheng, box
19.7cm diameter
$1,000–1,500
386
A famille rose vase
late Qing dynasty
the globular body surmounted by a
tall neck painted with Shou Lao and
other legendary figures in a garden
setting between formal borders around
the mouth and base, an apocryphal
six-character seal mark of Daoguang in
iron-red on the base
40 cm high
$600–800
387
A famille rose vase fitted for electricity
of rectangular section, set on the
shoulders with double mask and ring
handles and painted with a coat of arms
on each side among pink flower sprigs
and formal borders, wood stand and
cover, later white shade
the vase 45cm, overall 51cm high
$500–700
384

112
388
A famille rose chicken cup
Republic period or later
with steep rounded sides, finely painted
on the exterior with the well known
story of Jia Chang stamping his foot
to call the chickens in a garden of
flowering peonies and rockwork, the
reverse with a long poem in black,
the base inscribed in underglaze blue
with an apocryphal six-character mark
reading Qianlong fanggu, box
8.2cm diameter
$600–800
388
389
A pair of ruby-backed famille rose
erotic-subject dishes,
20th century
each of saucer shape, painted on the
interior with a couple in an interior
setting, the reverse covered with a
deep pink glaze, the base inscribed
in iron-red with an apocryphal
six-character mark of Tongzhi, fitted box
20cm diameter
$2,000–3,000
389

113
390
An unusual enamelled vase,
20th century
of tall cylindrical form, the sides painted
with a legendary figure scene with a
long inscription in black to the side, the
inscription bearing the names Fang
Yun Feng and Chen Han Jie, the base
inscribed in iron-red with a four-character
mark Zhu Shan Chu Pin, box
34cm high
$1,200–2,200
391
A famille rose teapot and cover,
19th/20th century
of globular form, painted on either side
with a group of boys at play in a garden
setting between floral borders around
the base and mouth rim, the knopped
cover with matching borders, the base
inscribed in iron-red with a four-character
mark reading Lin Zhi Cheng Xiang
18cm wide
$1,000–1,500
390

114
392
A Transitional-style blue and white jar
and cover
the ovoid body painted with three sages
seated in a continuous garden of trees
and bamboo, incised borders around
the base and shoulders, box
23cm high
$2,000–3,000
393
A large eggshell famille rose bowl,
20th century
thinly potted with rounded sides, the
exterior painted with mounted figures
and footmen in legendary battle scenes,
the interior with cranes in flight among
scrolling clouds, all within blue enamel
borders, the base with an apocryphal
blue enamel four-character mark of
Qianlong, box
26cm diameter
$1,200–1,800
392
394
A Korean glazed pottery washing step
by Kim Dae-Hoon
of rectangular form, inscribed wood box
66cm long, 22cm deep, 14cm high
PROVENANCE
Ryu Ceramic Art Gallery, Seoul, Korea,
November 2003
Private Collection, Melbourne
$400–600
393

115
395
A collection of fifteen Sotheby’s
international auction catalogues of
Asian ceramics, works of art and
paintings
$100–200
396
A collection of fourteen Sotheby’s
international auction catalogues of
Asian ceramics, works of art and
paintings
$100–200
397
A collection of fourteen Sotheby’s
international auction catalogues of
Asian ceramics, works of art and
paintings
$100–200
398
A collection of fourteen Sotheby’s
international auction catalogues of
Asian ceramics, works of art and
paintings
$100–200
400
Eight hard back Sotheby’s Hong Kong
and New York catalogues
of Chinese ceramics, bronzes
and snuff bottles
$100–150
401
Three Sotheby’s Hong Kong
collection catalogues
comprising: two hard back catalogues,
The Meiyintang Collection Part II, 5
October 2011; and The Meiyintang
Chicken Cup, 8 April 2014; together
with Ming Furniture: The Dr S.Y. Yip
Collection, 7 October 2015
$100–150
402
Four Sotheby’s international catalogues
of the Sakamoto Goro Collection
comprising: Ceramics, 17 March 2015;
Early Chinese Art, 13 September 2016;
The Clark Ding, 8 April 2014; and Asian
Lacquer, 27 May 2014
$100–150
399
A collection of seven Sotheby’s
international Asian painting catalogues
of Chinese and Asian paintings
$100–150

116
403
403
CURRIER & IVES
Four-In-Hand
colour lithograph
published by Currier & Ives, New York
44.5 x 70.5cm
$400–600
404
HIDEO HAGIWARA
(JAPANESE 1913-2007)
Man in Armour No.9 1962
woodblock print
signed, dated, titled and editioned on
margin: Hideo Hagiwara 62 man in
armour no. 9 25/30
90.5 x 60cm cm
$300–500

117
405
A pair of gilt brass pricket candlesticks,
French, 19th century
55cm high
$800–1,200
406
A Louis XVI style giltwood salon suite,
French, 19th century
with pale blue striped upholstery and
pierced ribbon finials
$2,500–3,500
407
An oak apprentice table
in the Jacobian style on turned and
carved legs and cross stretchers
48cm high, 65cm wide, 42cm deep
$200–300
408
A Carlos II style walnut refectory table
the shaped open supports united by
scrolling wrought iron cross stretchers
72cm high, 190cm wide, 84cm deep
$600–800
409
A marquetry inlaid burr
walnut music canterbury
a single drawer to one side
of the pierced open base,
standing on four casters
70cm high, 68cm wide,
48cm deep
$400–600
410
A large green woollen pile rug,
20th century
$1,000–1,500
411
A set of twelve bamboo folding
chairs
with orange and purple
cushions
$600–800
405
406

118
412
A Spode willow pattern pearlware
supper set, early 19th century
decorated with a blue and white willow
pattern, with original brass mounted
mahogany tray
49cm diameter
$300–500
413
A substantial three tier ‘Seamus’ coffee
table with ebonised pillar supports
64.5cm high, 183cm wide, 122cm high
$1,500–2,500
412
414
A Regency style stitched leather
ottoman, American
52cm high, 104cm wide, 66cm deep
$800–1,200
415
A set of four studded leather bar stools
78cm high
$800–1,200
416
416
A large gilt bronze ‘Peck’ coffee table
with floral lacquer top by Paul Ferrante,
Los Angeles
60cm high, 110 cm wide, 80cm deep
$1,500–2,500

119
417
A Georgian lacquered chinoiserie tea
caddy, early 19th century
gilt painted with a scene of scholars in
a courtyard
with original cut crystal tea bowls sitting
in a fully fitted blue velvet lined interior
standing on four gilt bronze paws
21.5cm high, 40cm wide, 34cm deep
$800–1,200
418
A Louis XVI style Chinoiserie decorated
marble top gilt bronze mounted
sideboard, early 20th century
115cm high, 150cm wide, 57cm deep
$2,000–3,000
417
418

120
423
A papier-mâché and japanned centre
table, English, 19th century
the table top with central bouquet
motif and scalloped edges, resting on
tripartite feet
$300–500
424
A George III Chippendale style
mahogany child’s chair
with a pierced and carved back splat
and a maroon and gold upholstered
drop-in seat
$200–300
425
A Victorian beech and simulated walnut
work table
of hexagonal form with a hinged lid
opening to the fitted work interior
raised on an ornate carved standard
74cm high, 46cm wide, 46cm deep
$500–800
419
419
A Venetian cushion front etched glass
mirror
130cm high
$1,200–1,500
420
A Louis XVI style gilt bronze mounted
marble fire-surround, French,
19th century
111cm high, 158cm wide, 42cm deep
$3,000–5,000
421
A George III oak mule chest
with a hinged plank top above a
panelled facade and four drawers
85cm high, 130cm wide, 55cm deep
$800–1,200
422
A Victorian papier-mâché caned
side chair, English, 19th century
with hand painted and inlaid
mother of pearl floral motifs
$300–500
425

121
426
A large carved fruitwood
armoire, 18th century
with a pierced fruit and flower
finial
233cm high, 146cm wide,
55cm deep
$1,000–1,500
427
A pair of large Murano glass lamps with
parchment shades, 20th century
109cm high
$2,000–3,000
428
An English ebonised tilt-top wine table,
19th century
72cm high, 42.5cm diameter
$200–300
429
A set of six Charles II style walnut
dining chairs, 19th century
with red velvet upholstery and fringing
$600–800
430
A three panel upholstered folding
screen, 19th century
180cm high, each panel 40.5cm wide
$300–500
431
A Greco Roman revival plinth cabinet,
Italian, 19th century
with twin lion mask handles
102cm high, 52cm wide, 52cm deep
$300–500
432
A large oak refectory table
with an ebonised strung plank top
raised on stepped carved supports
81cm high, 260cm wide, 120cm deep
$1,200–1,500
433
A carved hardwood simulated bamboo
pedestal
$120–150
426

122
434
A studded leather ‘Boston’ club chair
with matching ottoman
$2,000–3,000
435
A large velvet upholstered ottoman with
carved silver gilt feet
37cm high, 108cm wide, 108cm deep
$600–800
436
A pair of brunt orange velvet
upholstered cushions with green
beaded trim
together with a pair of larger russet
upholstered cushions with green trim
the larger pair 65 x 65cm
$150–250
437
A collection of four harlequin velvet
upholstered and gold trim cushions
the largest approx 60 x 60cm
$150–250
438
A collection of six green and gold
upholstered cushions
the largest aprrox 50 x 50cm
$200–300
439
Three pairs of six harlequin pattern
cushions
the largest approx 50 x 50cm
$100–200
440
A set of twelve bamboo folding chairs
with orange and purple cushions
$600–800
441
A set of four velvet upholstered
‘Edra on the Rocks’ style modular divan
each 29cm high, 171cm wide
(diagonally), 134cm deep
$500–800
442
A Gothic Revival marble top fruitwood
console table
80cm high, 88cm wide, 50cm deep
$300–500
434

123
443
443
HERBERT ROSE (1890-1937)
In the Glade
oil on canvas
signed lower right: ROSE
54 x 67.5cm
$500–800
444
A Regency style mahogany fold-over
card table
with a green baize interior
77cm high, 96cm wide, 47cm deep
$500–800
444

124
445
445
An Equus quagga (Zebra) skin rug
290cm long, 200cm wide (variable)
$600–800
446
An Equus quagga (Zebra) skin rug,
South African, 20th century
325cm long, 200cm wide (variable)
$600–800
446

125
447
A shield mounted kudu skull
with horns
82cm high
$400-600
447
448
A shield mounted springbok
skull with horns
36cm high
$200–300
449
An Equus quagga (Zebra) skin rug,
South African, 20th century
325cm long, 200cm wide (variable)
$600–800
448

126
450
A large pair of French Empire bronze
banquet candelabra, 19th century
each with a gryphon mask moulded
tripartite base rising to a fluted standard
surmounted by five sconces centred by
a spread-winged bird
82cm high
$1,000–1,500
451
A set of ten studded leather
upholstered dining chairs
$2,000–3,000
452
AUGUST KAUFHOLD
(GERMAN, 1884-1955)
Returning Home
oil on canvas
signed lower left: A. Kaufhold
42 x 54cm
$400–600
450
453
A Georgian style mahogany book
and magazine stand
85cm high, 56cm wide, 21cm deep
$200–300
451

127
452

128
454
A Charles X gilt ormolu mounted four
pillar portico clock, French, circa 1835
the eight day count wheel strike
silk suspension movement with a
grid-iron pendulum, within a classically
decorated ormolu mounted case
58cm high
PROVENANCE
Harlequin Antiques, 2005
$1,000–1,500
455
A Louis XV style carved giltwood
serving table, 20th century
two tiered, resting on four casters
60cm high, 67cm wide, 52cm deep
$500–800
456
A Napoleon III gilt bronze mounted
marble top side table, 19th century
of oval form with a blue painted and
bronze ribbon border
the four wooden legs decorated
with floral wreaths spiralling
towards hoof feet
72cm high, 62cm diameter
$500–800
457
A Victorian Coalbrookedale cast iron
table and chair, 19th century
the table 75cm high, 55cm diameter
$400–600
458
A large walnut dining table, French,
20th century
75cm high, 119cm wide,
111cm deep extended
$500–800
454
459
An unusual American Art Deco style
envelope games table
the hinged square top opening to a
leather lined playing surface, raised on
a colonnaded standard and a beaten
brass foot
76cm high, 56.5cm wide,
56.5cm deep (closed)
$600-800
460
A folding oak dining table, English,
18th century
76cm high, 106cm wide (open),
100cm deep
$800–1,200
459

129
461
A George III mahogany cabinet
with a carved blind fret cornice and
panelled cupboard doors
195.5cm high, 85cm wide,
33.5cm deep
$600–800
462
A Louis XV style fruit wood bombe
commode, 19th century
the serpentine top above three
long drawers raised on scroll
carved cabriole legs
82cm high, 100cm wide, 52cm deep
$1,000–2,000
463
A suite of ten French Provincial oak
dining chairs
height of back 119cm
$1,000–1,500
464
A George III mahogany carver
with pierced back splat and solid seat
$200–300
465
A pair of Biedermeier style gallery edge
guéridon tables
with white marble tops and demi lune
bases
70cm high, 40cm diameter
$400–600
466
An Egyptian revival overmantel mirror,
English, circa 1900
259cm high, 143cm wide
$800–1,200
467
A Louis XV carved oak commode
94cm high, 130cm wide, 60cm deep
$2,500–3,500
461

130
468
A Murano gold and black art glass tiger
14cm high, 37cm long
$400–600
469
A gold mounted double ended cut
glass scent bottle, late 18th century
with fitted shagreen case, signed
‘E.Williams’ to the silk interior
9.5cm long
$400–600
470
A collection of glass paperweights,
including a Caithness miniature
butterfly and a glass dump
the largest 7.5cm high
$200–300
471
A pair of Lalique ‘Reverie’ crystal
kneeling nude bookends
etched ‘Lalique France’ in cursive to
base ends
designed in 1948 and edition number 6,
with original box
23cm high
$1,000–1,200
472
Three glass paperweights, 20th century
the largest 6cm high
$300–500
473
A studio art glass flask vase by Denizen
glass design studio, late 20th century
20.5cm high
$300–400
474
A large red Murano ‘Formia Luxury’
sommerso glass vase
factory label and signature to base
50cm high
$400–600
475
A large pale blue and red art glass bowl
by Jonathan Harris, Isle of Wight, 1992
etched signature, edition and date to
base ‘Jonathon Hams Isle of Wight
Glass 1992 ‘Unique’ #213’
gallery sticker to interior
21cm high
$400–600
476
A collection of five art glass
paperweights by Selkirk of Scotland
the largest 5cm high
$1,000–1,500
477
Two engraved Georgian facet cut wine
glasses, late 18th century
one with drawn round funnel bowl
with a band of swag and pendant OXO
engraving, conical foot and snapped
pontil, the other with an engraved
conical bowl, circular foot and snapped
pontil, together with a later air twist bell
form glass in the Georgian style
the smallest glass 12cm high
$500–800
478
Three Georgian air twist glasses,
late 18th century
two with shaped bucket bowls, the
tallest glass with a bell bowl, one glass
with an applied label for the Radloff
Collection, James R. Lawson, Sydney,
1967
the tallest 16cm high
$500–800
468

131
479
A Lalique opaque white glass thistle
vase
moulded ‘R. Lalique’ to base
22cm high
$600–800
480
A set of eighteen Lalique Treves
pattern crystal glasses
comprising six burgundy,
six hock and six champagne flutes
the largest 17cm high
$1,000–1,500
481
A collection of Georgian faceted glass
stemware and a decanter
the decanter 24cm high
$300–500
482
A large blue and purple banded art
glass bowl, Scottish
signed to base
22cm high
$400–600
479
480

132
483
A large red Persian style rug
with a central scrolling floriate motif
on a red ground with a cream border
300 x 240cm
$600–800
483
484
A large red ground Kashan carpet
with a central medallion and blue foliate
border
343 x 236cm
$1,200–1,500
485
A large red ground Tabriz carpet
with a repeating foliate medallion
pattern within a blue border
368 x 300cm
$1,200–1,500
486
A large French tapestry design carpet,
20th century
in the Aubusson style with a scrolling
floriate design on a rich green ground
and cream toned borders
256 x 275cm
$1,000–1,500
487
A large Art Deco style rug, 20th century
$2,000–3,000
488
A Persian pattern rug, Pakistani
with red and blue foliate borders and
a central medallion pattern on a red
ground
270 x 160cm
$400–600
489
A pale blue and grey Persian rug
with a central geometric design
144cm x 210cm
$300–500

133
490
A Liliyan rug, Southern Iran, circa 1930s
201cm long, 141cm wide
$1,000–1,500
490
491
A Persian red ground rug,
second half of 20th century
$400–600
492
A small Persian rug, 20th century
163 x 118cm
$200–300
493
An Aubusson carpet, French,
20th century
with central circular dusty pink floral
motif on a cream ground
265 x 175.5cm
$600–800
494
A Karajeh hall runner, natural dye,
northern Iran
485cm long, 87cm wide
$1,500–2,000
495
An Aubusson carpet, French,
20th century
with floral motif on a dusty pink ground,
surrounded by a red border with gold
pattern detail
420 x 300cm wide
$800–1,200
496
A Saruk hall runner, Sothern Iran
302cm long, 83cm wide
$1,200–1,500

134
497
A Kashan pattern silk rug, 20th century
finely knotted with a scrolling foliate
design on a cream ground
188 x 166cm
$600–800
497 498
498
An Anjelas hall runner, Western Iran
403cm long, 86cm wide
$1,200–1,500
499
A Lilyan Rug, Southern Iran, circa 1940s
216cm long, 156cm wide
$1,500–2,000
500
A Tafresh rug, South West Iran,
circa 1950s
199cm long, 134cm wide
$1,000–1,500
501
A Shahrebabak rug, Southern Iran,
circa 1940s
290 x 206cm
$2,000–3,000
502
A blue ground Persian Kashan pattern
rug, 20th century
297 x 195cm
$300–500
503
A small cream ground Persian Kashan
pattern rug, 20th century
225 x 137cm
$300–500

135
504
An Abadeh rug, Southern Iran
200cm long, 158cm wide
$1,200–1,500
504
505
A Persian pattern rug, 20th century
169 x 177cm
$200–300
506
A Qum pure silk rug, Iranian,
20th century
203 x 141cm
$500–800
507
An Ardebil silk and wool rug, Iranian,
20th century
207 x 137cm
$300–500
508
A pair of Aubusson wall tapestries,
French, 20th century
depicting an outdoor scene of urns
filled with flowers, flanked by falling
velvet curtains
214 x 77.5cm
$600–800

136
509
A silver novelty snuff mull in the form
of a fish
with red paste gemstones for eyes,
fully hinged fishtail
19cm long
$500–800
510
A WMF silver plate jewellery box,
German, circa 1900
13cm high, 13cm wide, 9cm deep
$500–800
511
A Victorian silver mounted ruby glass
double ended scent bottle
13cm long
$300–500
512
An engraved silver egg form scent
flask, early 19th century
with and internal glass stoppered bottle
and engraved
5cm
$300–500
513
A sterling silver napkin ring by T.E.
Beardsmore, Birmingham, 1910
3.5cm high
total weight of silver 25gms
$100–200
514
Two pairs of Russian silver coffee cups
and saucers, 20th century
$300–500
515
A sterling silver octagonal rim napkin
ring, by Stokes & Sons, Melbourne
3cm high
total weight of silver 35gms
NOTE
for a similar example please see Object
No.A10694 held in the collection of the
Museum of Applied Arts and Sciences
$100–200
516
A pair of sterling silver napkin rings by
E.J. Partridge, Birmingham, 1906
3cm high
total weight of silver 35gms
$200–300
517
A collection of continental silver
comprising two dishes and a twin
handled cup, Mexican, a Thai jug with a
cobra form handle and a scalloped bowl
the cobra handled jug 9.5cm high
total weight of silver 560gms
$300–500
518
A sterling silver bowl by Hamilton & Co,
London, 1932
5.5.cm high
total weight of silver 290gms
$300–500
519
A WMF Jugendstil silver plate jardinière,
German, first quarter 20th century
together with a Jugendstil silver plate
and cut glass vase
the jardinière 17cm high, 46cm wide,
11.5cm deep
$400–600
520
A sterling silver teapot and milk jug by
Hamilton & Co, London, together with a
a mustard pot by Fowler & Polglaze
Ltd, London, circa 1930, and a swing
handled cake basket by Garrad & Co
London, 1908
the teapot 18cm high
total weight of silver 1275gms
$600–800
521
A large Swedish silver tankard made by
Guldsmeds Aktiebolaget, 1952
the lid adorned with the profile of King
Gustaf V, with a repeating oak leaf and
nordic dragon motif throughout, on
three bun feet
18.5cm high, 855gms
$600–800
522
A sterling silver teapot with
ebonised handle by William
Henry Leather, Birmingham, 1904
with an ornate moulded acanthus
decoration to the body
14cm high
total weight 525gms
$400–600
523
Two sterling silver cigarette cases,
Birmingham, 1922
both with engine turned decoration
and gilt washed interiors
the largest made by MH Meyer Ltd,
the smaller by Adie Brothers Ltd
the largest 8 x 11.5cm
total weight of silver 310gms
$300–500
524
A pair of silver plate meat covers,
19th century
the largest 26cm high, 45cm wide,
34.5cm deep
$200–300
509

137
525
525
A harlequin suite of English fiddle
pattern sterling silver flatware
comprising thirty five pieces
the largest spoon 32cm,
2010gms total weight of silver
$1,000–1,500
526
A silver harlequin tea set including a
spirit kettle with ebonised handles,
Birmingham, circa 1910
total silver weight 2295gms
the largest 12cm high
$1,500–2,500
527
An Edwardian silver sugar caster,
Birmingham, circa 1908
silver weight 270gms
20cm high
$200–300
528
A Russian silver Torah pointer and a
besamim, marked Moscow, 1873
the torah pointer with a knop finial
surmounted by a lion and star of David,
tapering filigree decorated standard
and hand terminal; the besamim (spice
box) similarly decorated with a pierced
hinged cover, each marked 84 zolotnik,
BC and cyrilic text NA, possibly for
assayer Viktor Savinkov
NOTE
A spice box, often made of silver, is
used to hold sweet aromatic plants,
besamim in Hebrew, that are sniffed
as part of the Havdalah service ending
Shabbat. In Ashkenazi homes, cloves
are a common choice. Sephardic
communities use sprigs of various
aromatic plants.
$1,000–1,500
529
A English sterling silver miniature
carriage clock, Birmingham, circa 1900
the French 8 day cylinder platform
movement, within a hinged repoussé
acanthus decorated case, inscribed
with a monogram and dated 1900 verso
10cm high
$500–800
530
A group of English silver including an
inkwell, Sheffield, 1866
along with a cigarette case
and vesta case
silver weight 245gms
9cm high, 15cm wide,
15cm deep (inkwell)
$200–300

138
531
531
A pair of Wedgwood Bizzare by Clarice
Cliff Bonjour Blue Firs sugar shakers,
circa 1997
with series and black transfer printed
factory marks to the base
12.5cm high (each)
$300–500
532
A pair of Wedgwood Bizarre by
Clarice Cliff conical condiment bowls,
circa 1995
with series and black transfer printed
factory marks to the base
5cm high
$400–600
533
A pair of Wedgwood Bizarre by
Clarice Cliff conical condiment bowls,
circa 1995
with series and black transfer printed
factory marks to the base
5cm high
$300–500
534
A pair of Wedgwood Bizzare by Clarice
Cliff Bonjour shape sugar shakers,
circa 1997
with series and black transfer printed
factory marks to the base
12.5cm high
$400–600
535
A pair of Wedgwood Bizzare by Clarice
Cliff Bonjour Blue crocus sugar shakers,
circa 1997
with series and black transfer printed
factory marks to the base
12.5cm high (each)
$300–500
536
A pair of Wedgwood Bizzare by Clarice
Cliff sugar casters, the Centenary
collection, circa 1999
with series and black transfer printed
factory marks to the base
14cm high (each)
$300–500
537
A pair of Wedgwood Bizzare by Clarice
Cliff sugar casters, the Centenary
collection, circa 1999
with series and black transfer printed
factory marks to the base
14cm high (each)
$300–500
538
A pair of Wedgwood Bizzare by Clarice
Cliff Bonjour sugar shakers, circa 1997
with series and black transfer printed
factory marks to the base
12.5cm high (each)
$400–600

139
539
539
A pair of Wedgwood Bizarre by Clarice
Cliff conical jugs, circa 1995
with series and black transfer printed
factory marks to the base
18.5cm high
$300–500
540
A Mason’s ironstone jug and wash bowl
the jug 28cm high
$200–300
541
A large collection of polychrome
Staffordshire porcelain figure groups
comprising eight pieces
the largest 23cm high
$400–600
542
A Staffordshire porcelain figure of the
Duke of Wellington
34cm high
$200–300
543
Two Staffordshire porcelain figure
groups of 18th century characters
the largest 35.5cm high
$200–300
544
A Staffordshire porcelain figure of
King John signing the Magna Carter
together with a pocket watch stand
33cm high
$300–500
545
A hand painted porcelain basket,
probably Italian, 19th century
$200–300
546
A collection of four English salt glaze
jugs, 19th century
comprising a large green jug decorated
in high relief with a bacchanalian scene,
a powder blue jugs decorated with ears
of wheat, a cream pewter lidded jug and
a blue and white jug relief decorated
with birds and vines with a pewter cover
the largest 22cm high
$600–800
547
Two Minton “Society of the Arts” blue
and white salt glaze jug, dated 1846
one larger than the other, each
decorated with a relief moulded
grapevine and a split branch handle
with moulded registration mark for ‘26th
May 1846’ to the base
the largest 20cm high
REFERENCE
Illustrated “Relief Moulded Jugs 1820-
1900; R.K Henrywood, page 87
$200–400

140
548
A large Victorian mahogany reverse
breakfront sideboard
194cm high, 198cm wide, 61cm deep
$600–800
549
A three branch Art Deco bronze
and marble six light chandelier with
parchment shades
with circular white marble pendant base
55cm diameter
$2,500–3,500
550
A Louis XVI style giltwood salon mirror,
19th century
$800–1,200
551
A French Provincial style cherrywood
side table
77cm high, 118cm wide, 76cm deep
$800–1,200
552
A set of Queen Anne style black
lacquer painted dining chairs,
circa 1930
with green upholstered cushions
$800–1,200
553
A large collection of Copeland Spode
blue and white willow pattern
comprising thirteen pieces
the largest piece 6cm high
$200–300
554
A Louis XV style gilt metal mounted
Queen size bed
$800–1,200
555
A set of three Louis XV style carved
walnut fauteuils, French
upholstered in blue velvet
$600–800
548

141
556
556
HAROLD PERCIVAL
(ENGLAND, 1868-1914)
The Samuel Plimsoll of Aberdeen
1900
watercolour
signed and dated lower left: H Percival
1900
30.5 x 40cm
$400–600
557
A Victorian rouge and black marble
mantel clock by Webster, London,
19th century
with the hand painted brass dial reading
‘exp by Webster 14 Cornhill London’
30cm high
$400–600
557

142
558
A large two door burr walnut and
fruitwood armoire, French, 19th century
with brass mounts and escutcheons
225cm high, 146cm wide, 60cm deep
$1,000–1,500
559
HENRI TEBBITT (1852-1926)
On the River Nile
watercolour
signed lower right: H Tebbitt
15.5 x 35cm
$200–300
560
HENRI TEBBITT (1852-1926)
River Gums 1922
watercolour
signed and dated lower right:
H Tebbitt 1922
32.5 x 16cm
$200–400
558

143
561
561
HENRI TEBBITT (1852-1926)
Harbour Inlet
watercolour
signed lower right: H Tebbitt
19 x 38.5cm
$300–500
562
HENRI TEBBITT (1852-1926)
River Scene
watercolour
14 x 23cm
$200–400
563
An Edwardian marquetry inlaid satin
wood cylinder bureau, by Edwards and
Roberts, English, late 19th century
105cm high, 85cm wide, 51cm deep
$2,000–3,000
564
A large Regency style gilt framed mirror,
19th century
with egg and dart border surmounted
by a central shell and flower form
cartouche and swag
166 x 110cm
$800–1,200
563

144
565
A George II wine table
standing on three ball feet
72cm high, 90cm wide
$500–800
566
A Swedish pine three drawer desk,
early 19th century
74cm high, 112cm wide, 68cm deep
$500–800
567
A leather top mahogany Dickens desk,
English, 19th century
114cm high, 113cm wide, 70cm deep
$500–800
565
568
568
A Provincial fruitwood hall table
with three frieze drawers above solid
baluster supports united by a cross
stretcher
85cm high, 210cm wide, 52cm deep
$800–1,200

145
569
A Victorian polished brass
branch chandelier
with serpentine arms
and frosted glass shades
151cm high
$800–1,200
570
A French Empire mahogany marble top
guéridon table
74cm high, 78cm diameter
$800–1,200
571
A mottled grey alabaster pedestal,
19th century
103cm high
$300–500
572
An alabaster pedestal, 19th century
94cm high
$300–500
569
573
An Art Nouveau WMF brass
mounted tea set and fitted stand,
Czechoslovakian, circa 1910
comprising six glasses, a cane handled
teapot, a jug and a sugar bowl
the stand 123cm high
$1,500–2,500
573

146
574
A Longwy white crackle vase by
Amanda Umberto, 1988
standing on a narrow base,
enamelled with a polychrome bird
amongst reeds motif
black studio and artist mark to base
36cm high
$500–800
575
A pair of Art Deco style gilt brass wall
sconces by Malabert, France
with silvered glass shades moulded
with a shell texture
reading ‘MALABERT FRANCE’
47cm high
$600–800
576
A mid-century joined oak coffee table,
circa 1960
$300–500
577
A wooden artists easel
226cm high
$300–500
578
A set of six polished brass and wool
upholstered dining chairs by Willy Rizzo,
circa 1980
$600–800
579
A petite leopard print commode,
20th century
74cm high, 38cm wide, 62cm deep
$300–500
580
An ivory pepper grinder and salt dish,
late 19th century
the pepper grinder 9.5cm high
$200–300
581
A pair of French Provincial style carved
torchère lamps
each painted and gilt with a leaf carved
knopped standard and tripartite base,
later fitted for electricity
94cm high
$600–800
582
A set of eight French Provincial walnut
dining chairs
upholstered in taupe linen with an
embroidered cartouche to the back
105cm height of back
$800–1,200
583
A carved walnut centre table,
English, 19th century
73cm high, 140cm wide, 81cm deep
$500–800
584
A pair of gilt brass mounted candelabra
table lamps, 20th century
each of classical form with a faceted
knopped standard emanating four
branches
60cm high
$300–500
585
A French Gothic Revival carved oak
spire maquette converted to a table
lamp
with stitched vellum shade
96cm high
$600–800
574

147
586
586
FRENCH SCHOOL
Two Girls with a Dog
pastel
signed but illegible lower right
62.5 x 52cm
$800–1,200
587
DREW GREGORY (BORN 1947)
Eye in the Sky
oil on linen
signed lower right: Drew Gregory
23 x 35cm
$200–400
588
COLVIN SMITH
(ACTIVE 1940-1950)
Gippsland Valley
oil on canvas
signed lower right: COLVIN SMITH
inscribed and titled verso: COLVIN
SMITH GIPPSLAND VALLEY
48.5 x 58.5cm
$200–400
589
A set of six D350 contour dining chairs
designed by Grant Featherston, 1951
$3,000–5,000
590
A Denby ‘Arabesque’ stoneware set,
comprising forty two pieces
the coffee pot 24cm high
$200–300
591
A pair of silver plate mounted cut glass
oil lamps, English, 19th century
29cm high without cylinders
$200–300
592
A tin glazed plate, French, 18th century
25cm diameter
$150–250

148
593
A marquetry inlaid fall front
bonheur-du-jour, French
with tapering scored legs
100cm high, 72cm wide, 55cm deep
$1,200–1,500
594
A pair of chinoiserie Chippendale style
wing chairs in red velvet
$1,800–2,500
595
An astral glazed two door mahogany
bookcase, English, 19th century
the twin knobbed five drawer chest
flanked with turned decoration
223cm high, 130 wide, 43cm deep
$1,200–1,500
593
594

149
599
A pair of Louis XVI style gilt bronze
mounted marble table lamps
47cm high
$1,200–1,500
600
A Venetian style gilded bookstand
with a caned central well and pierced
supports
60cm high, 48cm wide, 26cm deep
$150–250
599
596
A French Empire mahogany and rouge
marble mounted tall boy, 19th century
the six drawers with twin gilt bronze
handles and escutcheons
142cm high, 87cm wide, 45cm deep
$800–1,200
597
A Victorian cast iron tripod base table
with a later hard wood top
76.5cm high, 69cm diameter
$400–600
598
A William IV mahogany work table,
English, early 19th century
the dropside top with two frieze drawers
and a work slide
76cm high, 78cm wide, 41cm deep
$200–300
596

150
601
601
DREW GREGORY (BORN 1947)
Early Morning, McCrae 2015
oil on paper
signed and dated lower right:
Drew Gregory 2015
24.5 x 42.5cm
$300–500
602
A pair of carved simulated bamboo
armchairs
upholstered in William Morris fabric
$1,800–2,500
602

151
603
An ornately lacquered Chinoiserie four
panel folding screen
169cm high, each panel 40.5cm deep
$1,000–1,500
604
A large cotton upholstered
three seat sofa
length of back 215cm
$2,000–3,000
605
A pair of ‘Quatrain’ armchairs
upholstered in art deco fabric,
20th century
$1,000–1,500
606
A ‘Quatrain’ two seat sofa upholstered
in art deco fabric, 20th century
$600–800
607
A French Provincial style painted
caned sofa
upholstered in wheat coloured cotton
with matching cushions
width of back 215cm
$1,200–1,500
608
A Mason’s ironstone bowl together with
a Copeland Spode platter
$150–250
603

152
609
609
A contemporary silvered ellipse
form mirror
97 x 184cm
$600–800
610
A contemporary Calcatta marble and
chrome console
89cm high, 120cm wide, 40cm deep
$1,000–1,500
610

153
611
A set of six Brno chairs, designed by
Ludwig Mies Van der Rohe, German,
(1886-1969)
tubular steel frame, tan leather,
manufactured by Knoll
$3,000–5,000
612
A large contemporary gilt brass
mounted panel mirror
165 x 117cm
$1,000–1,500
613
A large giltwood acanthus frame
salon mirror
135 x 97cm
$1,000–1,500
614
A large carved giltwood cushion front
mirror
110 x 80cm
$800–1,200
615
A giltwood salon mirror and matching
wall console
the serpentine acanthus carved frame
culminating with a central cartouche
$200–300
616
Three malachite glass pieces,
20th century
$500–800
617
A matched pair of brass pricket
candlesticks, in the Gothic revival style
each with a tapering knopped standard
raised on a tripartite base
114cm high
$600–800
618
A composite stone statue of Jesus
106cm high
$500–800
611

154
619
619
Two Russian polychrome painted wood
icons of holy men
each painted and gilt figure with a halo
and dressed in holy robes
the largest 33 x 26.5cm
$600–800
620
A Russian silver and painted icon
of the Resurrection of Christ,
late 18th/19th century
the silver oklad stamped 84
Zolotnik and HX
31 x 27cm
$1,000–1,500
621
An orthodox polychrome painted wood
icon of the Madonna and Child
mounted with a pierced brass oklad
22.5 x 18cm
$300–500
622
A Russian polychrome painted wood
icon of the Madonna and Child
oil and tempera on board
31 x 26.5cm
$500–800
623
A large collection of catalogues and
references
$200–300
624
A collection of auction catalogues
$100–200
625
A collection of books and references
on English and European porcelain
$300–500
626
Thomas Chippendale
The Gentleman and Cabinet
Maker’s Directory of 1754, Thomas
Chippendale
London: Reproduction book by Thomas
Chippendale The Furniture Designs
of Thomas Chippendale; Arranged
by Munro Bell With an introduction &
critical estimate by Arthur Hayden all
the original illustrations of full pieces as
well as decorations and details
$200–300
627
A taxidermied Eretmochelys imbricata
(Hawksbill Sea Turtle), late 19th century
25cm long
$200–300
628
A gentleman’s tweed hat belonging
to Luciano Pavarotti from his 1965
Australian Tour
together with a related newspaper
article facsimile by Alan Attwood from
The Age, 1983
$300–500

155
620 621
629
A portrait miniature of a gentleman,
18th century
finely painted with a gentleman in a
taupe coat and white jabot, within an
oval paste mounted frame
3.7cm x 3cm
PROVENANCE
A Gentleman’s Collection – Mr Neil
Robertson, Leonard Joel, Melbourne,
December 2, 2018, lot 507
$600–800
630
A Venetian polychromed giltwood
blackamoor table, mid 20th century
the faux marble serpentine top with
a molded edge, above a blackamoor
pedestal figure raised on a tablet plinth
with four acanthus draped scrolling legs
71cm high, 50cm diameter
$400–600
631
An Edwardian spindle back elbow chair
$150-250
622

156
632
A William IV brass bound mahogany
writing slope, 19th century
16cm high, 51cm wide, 26cm deep
$500–800
633
A mahogany and brass mounted chest
of drawers, English, 19th century
86cm high, 92cm wide, 52cm deep
$600–800
632
634
A celadon jade carving of children
carrying fish
the young girl and boy walking with
a long pole over their shoulders
suspended with a catch of fish;
together with a rectangular
soapstone vase
$300–500
633

157
635
635
GEORGE HYDE POWNALL
(1866-1939)
Sunset - Cattle at the Waterhole
oil on canvas
signed lower left: Geo Hyde
48.5 x 73.5cm
$600–900
636
A pair of Regency style painted and
gilded leather ottomans, 20th century
$1,200–1,500
637
A buttoned green velvet upholstered
ottoman
52cm high, 80cm wide, 50cm deep
$200–300
636

158
638
638
A set of four Hendrix Allardyce design
collection ‘Capella’ simulated bamboo
armchairs, 20th century
$800–1,200
639
A collection of four cut glass decanters,
19th century
$200–300
640
A collection of three porcelain parrots
by Beswick
The largest 21cm high
$150–250
641
A Caughley blue and white jug,
18th century
22cm high
$300–500
642
A Richard Ginori jardinière together
with a porcelain caster
The jardinière 17cm high
$200–300
643
Two Masons ironstone porcelain jugs
The largest 21cm high
$150–250
644
A pair of Staffordshire porcelain
spaniels, 19th century
24cm high
$200–300
645
Two large blue and white porcelain meat
platters, English, 19th century
the largest 52cm wide
$300–500

159
646
A Hendrix Allardyce design collection
‘Capella’ caned sofa, 20th century
$2,000–3,000
647
An ornate French Empire style brass
four branch chandelier
110cm high, 145cm wide, 145cm deep
$800–1,200
648
A Victorian brass five branch chandelier
together with two glass shades
113cm high, 88 cm wide
$800–1,200
649
A Victorian brass and frosted glass
hall light
108cm long
$300–500
646

160
650
A Japanese style ‘Ishizawa’ gilded
lacquer tray top coffee table
52cm high, 76cm wide, 76cm deep
$500–800
651
A Victorian brass three branch
chandelier
with six shades
175cm high
$600–800
650
652
A black lacquer and gilt circular centre
table, 20th century
the craquelure lacquered top gilt
painted with palm fronds
73cm high, 105cm diameter
$1,500–2,500
652

161
653
An unusual French ebonised and burr
walnut occasional chair, in the style of
Süe et Mare, first half 20th century
$800–1,200
654
A pair of ebonized quadripartite column
pedestals, 20th century
139cm high
$2,500–3,500
656
A Victorian brass and cut glass hall light
159cm high, 22cm wide, 22cm deep
$500–800
657
A Victorian brass five branch chandelier
170cm high
$800–1,200
658
A collection of English blue ground
Jasperware, 19th century
comprising a Tunstal covered jar, a
Wedgwood pot pourri vase and cover
and an unmarked bottle form vase
the vase 25cm high
$400–600
655
A gilt painted floor lamp
158cm high
$150–250
654
653

162
659
A set of four provincial oak spindle back
dining chairs, English, late 18th century
with rush seats
100cm height of back
$400–600
660
A toleware bouilotte lamp, 20th century
$120–150
661
A collection of Royal Doulton Bird
of Paradise Titanian ware
comprising six plates, two dishes, a
sandwich plate and a circular cake plate
the sandwich plate 36cm wide
$600–800
659
662
662
A French Provincial fruitwood farm
house table
the plank top above a serpentine frieze
raised on cabriole legs
74cm high, 235cm wide, 94cm deep
$800–1,200

163
663
A carved giltwood wall mirror, French,
19th century
the frame carved with bay leaves
121 x 71cm
PROVENANCE
The Graham Joel Collection
$800–1,200
664
A Doulton Lambeth stoneware baluster
form vase by Florence Barlow
decorated with birds and foliage
28cm high
$500–800
End of Sale
663

164
Terms & Conditions of Sale
The terms and conditions of sale listed here contain
the policies of Gibson’s Auctioneers & Valuers
Pty Ltd. They are the terms on which Gibson’s
Auctioneers & Valuers Pty Ltd and the Seller contract
with the Buyer. They may be amended by printed
Saleroom Notices or oral announcements made
before and during the sale. By bidding at auction you
agree to be bound by these terms.
1. Background to the Terms used in
these Conditions
The conditions that are listed below contain terms
that are used regularly and may need explanation.
They are as follows:
“the Buyer” means the person with the highest bid
accepted by the Auctioneer
“the Lot” means any item depicted within the sale for
auction and in particular the item or items described
against any lot number in the catalogue.
“the Hammer price” means the amount of the highest
bid accepted by the auctioneer in relation to a lot
“the Buyers Premium” means the charge payable by
the Buyer to the auction house as a percentage of
the hammer price.
“the Reserve” means the lowest amount at which
Gibson’s Auctioneers & Valuers has agreed with the
Seller that the lot can be sold.
“Forgery” means an item constituting an imitation
originally conceived and executed as a whole, with
a fraudulent intention to deceive as to authorship,
origin, age, period, culture or source, where the
correct description as to such matters is not
reflected by the description in the catalogue.
Accordingly no lot shall be capable of being a forgery
by reason of any damage or restoration work of any
kind (Including re-painting).
“the insured value” means the amount that Gibson’s
Auctioneers & Valuers in its absolute discretion
from time to time shall consider the value for which
a lot should be covered for insurance (whether or
not insurance is arranged by Gibson’s Auctioneers
& Valuers.)
All values expressed in Gibson’s Auctioneers &
Valuers Pty Ltd catalogues (in any format) are in
Australian Dollars (AU$). All bids, “hammer price”,
“reserves”, “Buyers Premium” and other expressions
of value are understood by all parties to be in
Australian Dollars (AU$) unless otherwise specified.
2. Gibson’s Auctioneers & Valuers
Auctions as Agent
Except as otherwise stated Gibson’s Auctioneers &
Valuers Pty Ltd acts as agent for the Seller.
The contract for the sale of the property is therefore
made between the Seller and the Buyer.
3. Before the Sale
A) EXAMINATION OF PROPERTY
Prospective Buyers are strongly advised to examine
in person any property in which they are interested
before the Auction takes place. Neither Gibson’s
Auctioneers & Valuers nor the Seller provides any
guarantee in relation to the nature of the property
apart from the Limited warranty in the paragraph
below.
The property is otherwise sold “AS IS”
B) CATALOGUE AND OTHER DESCRIPTIONS
All statements by Gibson’s Auctioneers & Valuers
in the catalogue entry for the property or in the
condition report, or made orally or in writing
elsewhere, are statements of opinion and are not
to be relied upon as statements of fact. Such
statements do not constitute a representation,
warranty or assumption of liability by Gibson’s
Auctioneers & Valuers of any kind. References in the
catalogue entry to the condition report to damage
or restoration are for guidance only and should be
evaluated by personal inspection by the bidder or
a knowledgeable representative. The absence of
such a reference does not imply that an item is free
from defects or restoration, nor does a reference to
particular defects imply the absence of any others.
Estimates of the selling price should not be relied
on as a statement that this is the price at which
the item will sell or it’s value for any other purpose.
Neither Gibson’s Auctioneers & Valuers nor The
Seller is responsible for any errors or omissions in the
catalogue or any supplemental material.
Images are measured height by width (sight size).
Illustrations are provided only as a guide and should
not be relied upon as a true representation of colour
or condition. Images are not shown at a standard
scale. Mention is rarely made of frames (which may be
provided as supplementary images on the website)
which do not form part of the lot as described in the
printed catalogue.
Foreign buyers should note that all transactions
are in Australian dollars (AU$)so there may be a
small exchange rate risk. The costs associated
with acquiring a good certificate will be carried by
the purchaser. If the item turns out to be forged or
otherwise incorrectly described, all reasonable costs
will be borne by the vendor.
C) BUYERS RESPONSIBILITY
All property is sold “as is” without representation
or warranty of any kind by Gibson’s Auctioneers
& Valuers or the Seller. Buyers are responsible for
satisfying themselves concerning the condition
of the property and the matters referred to in the
catalogue by requesting a condition report
4. At the Sale
A) REFUSAL OF ADMISSION
Gibson’s Auctioneers & Valuers reserves the right at
our complete discretion to refuse admission to the
auction premises or participation in any auction and
to reject any bid.
B) REGISTRATION BEFORE BIDDING
Any prospective new buyer must complete and sign
a registration form and provide photo-identification
before bidding. Gibson’s Auctioneers & Valuers may
request bank, trade or other financial references to
substantiate this registration.
C) BIDDING AS A PRINCIPAL
When making a bid, a bidder is accepting personal
liability to pay the purchase price including the
buyers premium and all applicable taxes, plus all
other applicable charges, unless it has been explicitly
agreed in writing with Gibson’s Auctioneers & Valuers
before the commencement of the sale that the
bidder is acting as agent on behalf of an identified
third party acceptable to Gibson’s Auctioneers &
Valuers and that Gibson’s Auctioneers & Valuers will
only look to the principal for payment.
D) INTERNATIONAL REGISTRATIONS
All International clients not known to Gibson’s
Auctioneers & Valuers will be required to scan or fax
through an accredited form of photo identification
and pay a deposit at our discretion in cleared funds
into Gibson’s Auctioneers & Valuers’ account at least
48 hours before the commencement of the auction.
Bids will not be accepted without this deposit.
Gibson’s Auctioneers & Valuers also reserves the
right to request any additional forms of identification
prior to registering an overseas bid.
This deposit can be made using a credit card,
however the balance of any purchase price in excess
of $5,000 can not be charged to this card without
prior arrangement. This deposit is redeemable
against any auction purchase.
E) ABSENTEE BIDS
Gibson’s Auctioneers & Valuers will use reasonable
efforts to execute written bids delivered to us AT
LEAST 24 Hours before the sale for the convenience
of those clients who are unable to attend the auction
in person. If we receive identical written bids on a
particular lot, and at the auction these are the highest
bids on that lot, then the lot will be sold to the person
whose written bid was received and accepted first.
Execution of written bids is a free service undertaken
subject to other commitments at the time of the sale
and we do not accept liability for failing to execute
a written bid or for errors or omissions which may
arise. It is the bidder’s responsibility to check with
Gibson’s Auctioneers & Valuers after the auction if
they were successful. Unlimited or “Buy” bids will not
be accepted. Please refer to our indicative bidding
increments below for appropriate absentee bid
amounts (Section K).
F) TELEPHONE BIDS
Priority will be given to overseas and interstate
bidders. Arrangements for this service must be
confirmed AT LEAST 24 HOURS PRIOR to the auction
commencing. Gibson’s Auctioneers & Valuers
accepts no responsibility whatsoever for any errors
or failure to execute bids. In telephone bidding the
buyer agrees to be bound by all terms and conditions
listed here and accepts that Gibson’s Auctioneers
& Valuers cannot be held responsible for any
mis-communications in the process. The success
of telephone bidding cannot be guaranteed due to
circumstances that are unforeseen. Buyers should
be aware of the risk and accept the consequences
should contact be unsuccessful at the time of
Auction. You must advise Gibson’s Auctioneers &
Valuers of the lots in question and recommend a
‘Cover Bid’ amount should there be any issues with
technology or communication via the telephone
number provided. Gibson’s Auctioneers & Valuers
will advise Telephone Bidders who have registered
at least 24 hours before the auction of any relevant
changes to descriptions, withdrawals or any other
sale room notices.
G) ONLINE BIDDING
Gibson’s Auctioneers & Valuers accepts no
responsibility for any errors, failure to execute bids or
any other miscommunications regarding this process.
It is the online bidder’s responsibility to ensure the
accuracy of the relevant information regarding bids,
lot numbers and contact details.
H) RESERVES
Unless otherwise indicated, all lots are offered subject
to a reserve, which is the confidential minimum price
below which the Lot will not be sold. The reserve will
not exceed the low estimate printed in the catalogue.
The auctioneer may open the bidding on any Lot
below the reserve by placing a bid on behalf of the
Seller. The auctioneer may continue to bid on behalf
of seller up to the amount of the reserve, either
by placing consecutive bids or by placing bids in
response to other bidders.
I) AUCTIONEERS DISCRETION
The Auctioneer has the right at his absolute and sole
discretion to refuse any bid, to advance the bidding
in such a manner as he may decide, to withdraw or
divide any lot, to combine any two or more lots and,
in the case or error or dispute and whether during or

165
after the sale, to determine the successful bidder, to
continue the bidding, to cancel the sale or to reoffer
and resell the item in dispute. If any dispute arises
after the sale, then Gibson’s Auctioneers & Valuers’s
sale record is conclusive.
J) SUCCESSFUL BID AND PASSING OF RISK
Subject to the auctioneer’s discretion, the highest
bidder accepted by the auctioneer will be the buyer
and the striking of his hammer marks the acceptance
of the highest bid and the conclusion of a contract
for sale between the Seller and the Buyer. Risk and
responsibility for the lot (including frames or glass
where relevant) passes immediately to the Buyer.
K) INDICATIVE BIDDING STEPS, ETC.
Gibson’s Auctioneers & Valuers reserves the right to
refuse any bid, withdraw any lot from sale, to place
a reserve on any lot and to advance the bidding
according to the following:
Increment Amount
Dollar Range
$20 $0–$500
$50 $500–$1,000
$100 $1,000–$2,000
$200 $2,000–$5,000
$500 $5,000–$10,000
$1,000 $10,000–$20,000
$2,000 $20,000–$50,000
$5,000 $50,000–$100,000
$10,000 $100,000–$200,000
$20,000 $200,000–$500,000
$50,000 $500,000–$1,000,000
Absentee bids must follow these increments and any
bids that don’t follow the steps will be rounded up to
the nearest acceptable bid.
5. After the Sale
A) BUYERS PREMIUM
In addition to the hammer price, the buyer agrees to
pay to Gibson’s Auctioneers & Valuers the buyers
premium. The buyer’s premium is 22% of the
hammer price plus GST. (Goods and Services Tax)
where applicable.
B) PAYMENT AND PASSING OF TITLE
The buyer must pay the full amount due (comprising
the hammer price, buyers premium and any
applicable taxes and GST) not later than three (3)
days after the auction date.
The buyer will not acquire title for the lot until
Gibson’s Auctioneers & Valuers receives full
payment in cleared funds, and no goods under any
circumstances will be released without confirmation
of cleared funds received. This applies even if the
buyer wishes to send items interstate or overseas.
Payment can be made by the following means:
• Bank Transfer/Direct Deposit is our preferred
method of payment
Account Name: Gibsons Auctions
Bank:
Bank of Melbourne
(A division of St George)
BSB: 193879
Account No: 441701443
Swift Code: SGBLAU2S
Routing Code: 021000021
Bank Address: 197-201 Glenferrie Road,
Malvern, Vic, 3144
The buyer is responsible for any bank fees and
charges applicable for the transfer of funds into
Gibson’s Auctioneers & Valuers’s account
• Personal, Company and Bank Cheques are not
accepted without prior approval.
• Eftpos (no charge)
• Credit cards: Visa and Mastercard (1.2% incl GST
merchant fee) and American Express (2% incl
GST merchant fee)
Please note that credit card transactions over
$5,000 will not be accepted over the telephone
unless by prior arrangement.
• Cash up to AU$10,000 can accepted in
cash. For any amount over this, cash is to be
deposited directly into our account at a Bank of
Melbourne/St George branch
C) COLLECTION OF PURCHASES & INSURANCE
Gibson’s Auctioneers & Valuers is entitled to retain
items sold until all amounts due to us have been
received in full in good cleared funds. Subject to this,
the Buyer shall collect purchased lots within three
(3) days from the date of the sale unless otherwise
agreed in writing between Gibson’s Auctioneers &
Valuers and the Buyer.
At the fall of the hammer, insurance is the
responsibility of the purchaser.
D) PACKING, HANDLING AND SHIPPING
At the request of the buyer, Gibson’s Auctioneers &
Valuers may assist with packing of goods but takes
no responsibility for loss, damage or breakage that
may occur.
Gibson’s Auctioneers & Valuers at the request of the
buyer may arrange for a carrier, packer or shipper to
have the property packed, insured and shipped at
the buyer’s expense. All packing, shipping, insurance,
postage & associated charges will be borne by the
purchaser.
Gibson’s Auctioneers & Valuers can assist with
removal companies that the buyer can use but takes
no responsibility whatsoever for the actions of any
recommended third party.
E) CULTURAL HERITAGE EXPORT LICENCES
Unless otherwise agreed by us in writing, the fact
that the buyer wishes to apply for an export licence
does not affect his or her obligation to make full
payment immediately, nor our right to charge
interest or storage charges on late payment. It
is the Buyer’s responsibility to check Australia’s
Protection of Moveable Cultural Heritage Act 1986
before purchase. If the Buyer requests Gibson’s
Auctioneers & Valuers to apply for an export licence
then we shall be entitled to charge a fee for this
service. We shall not be obliged to rescind a sale nor
to refund any interest or other expenses incurred
by the Buyer where payment is made by the Buyer
in circumstances where an export licence is not
granted.
F) REMEDIES FOR NON-PAYMENT
If the Buyer fails to make full payment immediately,
Gibson’s Auctioneers & Valuers is entitled to exercise
one or more of the following rights or remedies (in
addition to asserting any other rights or remedies
available under the law)
i) to charge interest at the ANZ visa credit card
rate as published weekly in the Australian
Financial Review
ii)
iii)
iv)
to hold the defaulting Buyer liable for the
total amount due and to commence legal
proceedings for it’s recovery along with interest,
legal fees and costs to the fullest extent
permitted under applicable law
to cancel the sale
to resell the property publicly or privately on
such terms as we see fit
v) to pay the Seller an amount up to the net
proceeds payable in respect of the amount bid
by the defaulting Buyer. In these circumstances
the defaulting Buyer can have no claim upon
Gibson’s Auctioneers & Valuers in the event that
the item(s) are sold for an amount greater than
the original invoiced amount.
vi)
vii)
to set off against any amounts which Gibson’s
Auctioneers & Valuers may owe the Buyer in
any other transactions, the outstanding amount
remaining unpaid by the Buyer.
where several amounts are owed by the Buyer to
us, in respect of different transactions, to apply
any amount paid to discharge any amount owed
in respect of any particular transaction, whether
or not the Buyer so directs.
viii) to reject at any future auction any bids made by
or on behalf of the Buyer or to obtain a deposit
from the Buyer prior to accepting any bids.
ix)
to exercise all the rights and remedies of a
person holding security over any property in
our possession owned by the Buyer whether by
way of pledge, security interest or in any other
way, to the fullest extent permitted by the law of
the place where such property is located. The
Buyer will be deemed to have been granted such
security to us and we may retain such property
as collateral security for such Buyer’s obligations
to us.
x) to take such other action as Gibson’s
Auctioneers & Valuers deem necessary or
appropriate
If we do sell the property under paragraph
(iv), then the defaulting Buyer shall be liable
for payment of any deficiency between the
total amount originally due to us and the
price obtained upon reselling as well as for
all costs, expenses, damages, legal fees and
commissions and premiums of whatever kinds
associated with both sales or otherwise arising
from the default.
If we pay any amount to the Seller under
paragraph (v) the Buyer acknowledges that
Gibson’s Auctioneers & Valuers shall have all
of the rights of the Seller, however arising, to
pursue the Buyer for such amount.
G) FAILURE TO COLLECT PURCHASES
Where purchases are not collected within three (3)
days from the sale date, whether or not payment
has been made, we shall be permitted to remove the
property to a warehouse at the buyer’s expense, and
only release the items after payment in full has been
made of removal, storage handling, insurance and
any other costs incurred, together with payment of all
other amounts due to us.
6. Extent of Gibson’s Auctioneers &
Valuers Liability
Gibson’s Auctioneers & Valuers agrees to refund
the purchase price in the circumstances of the
Limited Warranty set out in paragraph 7 below.
Apart from that, neither the Seller nor we, nor any
of our employees or agents are responsible for
the correctness of any statement of whatever kind
concerning any lot, whether written or oral, nor
for any other errors or omissions in description
or for any faults or defects in any lots. Except as
stated in paragraph 7 below, neither the Seller
ourselves, our officers, agents or employees give any
representation warranty or guarantee or assume any
liability of any kind in respect of any lot with regard
to merchantability, fitness for a particular purpose,
description, size, quality, condition, attribution,
authenticity, rarity, importance, medium, provenance,
exhibition history, literature or historical relevance.
Except as required by local law any warranty of any
kind is excluded by this paragraph.
7. Limited Warranty
Subject to the terms and conditions of this
paragraph, the Seller warrants for the period of
fourteen (14) days from the date of the sale that
any property described in this catalogue (noting
such description may be amended by any saleroom
notice or announcement) which is stated without
qualification to be the work of a named author or

166
authorship is authentic and not a forgery. The term
“Author” or “authorship” refers to the creator of the
property or to the period, culture, source, or origin
as the case may be, with which the creation of such
property is identified in the catalogue.
The warranty is subject to the following:
i) it does not apply where a) the catalogue
description or saleroom notice corresponded
to the generally accepted opinion of scholars
and experts at the date of the sale or fairly
indicated that there was a conflict of opinions,
or b) correct identification of a lot can be
demonstrated only by means of a scientific
process not generally accepted for use until
after publication of the catalogue or a process
which at the date of the publication of the
catalogue was unreasonably expensive or
impractical or likely to have caused damage to
the property.
ii)
iii)
iv)
the benefits of the warranty are not assignable
and shall apply only to the original buyer of the
lot as shown on the invoice originally issued by
Gibson’s Auctioneers & Valuers when the lot was
sold at Auction.
the Original Buyer must have remained the
owner of the lot without disposing of any interest
in it to any third party
The Buyer’s sole and exclusive remedy against
the Seller in place of any other remedy which
might be available, is the cancellation of the sale
and the refund of the original purchase price
paid for the lot less the buyers premium which is
non refundable. Neither the Seller nor Gibson’s
Auctioneers & Valuers will be liable for any
special, incidental nor consequential damages
including, without limitation, loss of profits not for
interest.
v) The Buyer must give written notice of claim
to us within fourteen (14) days of the date of
the Auction. The Seller shall have the right,
to require the Buyer to obtain two written
opinions by recognised experts in the field,
mutually acceptable to the Buyer and Gibson’s
Auctioneers & Valuers to decide whether or not
to cancel the sale under warranty.
vi)
the Buyer must return the lot to Seller in the
same condition that it was purchased.
8. Severability
If any part of these Conditions of Sale is found by any
court to be invalid, illegal or unenforceable, that part
shall be discounted and the rest of the Conditions
shall continue to be valid to the fullest extent
permitted by law.
9. Copyright
The copyright of all images, illustrations and written
material produced by Gibson’s Auctioneers &
Valuers relating to a lot including the contents of this
catalogue, is and shall remain the property at all times
of Gibson’s Auctioneers & Valuers and shall not be
used by the Buyer, nor by anyone else without our
prior written consent. Gibson’s Auctioneers & Valuers
and the Seller make no representation or warranty
that the Buyer of a property will acquire any copyright
or other reproduction rights in it.
10. Law and Jurisdiction
These terms and conditions and any matters
concerned with the foregoing fall within the exclusive
jurisdiction of the courts of the state in which the
auction is held.
11. Pre-Sale Estimates
Gibson’s Auctioneers & Valuers publishes with each
catalogue our opinion as to the estimated price range
for each lot. These estimates are approximate prices
only and are not intended to be definitive. They are
prepared well in advance of the sale and may be
subject to revision. Interested parties should contact
Gibson’s Auctioneers & Valuers prior to auction for
updated pre-sale estimates and starting prices.
12. Sale results
Gibson’s Auctioneers & Valuers will provide auction
results, which will be available as soon as possible
after the sale. Results will include buyer’s premium
(22% plus GST). These results will be posted at
www.gibsonsauctions.com.au.
13. Goods and Service Tax
In accordance with A New Tax System (Goods
and Services Tax) Act 1999 Gibson’s Auctioneers
& Valuers Auctions will collect on behalf of the
Australian tax office (ATO) a Goods and Service Tax
(GST) of 10% on all applicable transactions.
ABN: 26 440 767 899
GST is applicable on the hammer price in the case
where the seller is selling property that is owned by
an entity registered for GST. GST is also applicable
on the hammer price in the case where the seller is
not an Australian resident. These lots are denoted by
a dagger symbol † placed next to the estimate.
GST is also applicable on the buyer’s premium.
Overseas buyers and buyers non-resident in Australia
will not be charged GST on both hammer price and
premiums under the following conditions:
1. The items are exported through a Gibson’s
Auctioneers & Valuers approved freight
company including Australia Post
2. The items are exported within 60 days of the
date of the sale
The invoice supplied by Gibson’s Auctioneers &
Valuers for purchases will be regarded as a Tax
invoice for GST purposes.
14. Resale Royalty Scheme
Under the legal obligations of the Resale Royalty
Scheme for Visual Artists Act 2009, sellers must
provide the following information to comply with
the act:
• was the artwork acquired after 8 June 2010?
• is the sale/reserve price (including GST) $1,000
or more?
• is the artist from Australia or a country listed in
the Regulations to the Act?
• is the artist alive, or deceased less than 70
years?
The seller:
i) acknowledges that he or she understands his or
her legal obligations under the Resale Royalty for
Visual Artists Act 2009 (the Act);
ii)
iii)
iv)
undertakes to comply with all requirements of
the Act, including by providing its agent, the
company, with accurate information sufficient for
compliance with sections 28 and 29 of the Act;
undertakes to indemnify the company for any
loss incurred by the company as a result of
the vendor’s failure to comply with any of the
vendor’s legal obligations under the Act; and
acknowledges that if he or she fails to comply
with any of his or her legal obligations under
the Act, the company may provide the vendor’s
name and contact details to Copyright Agency
Limited (CAL).
Lots subject to payment of the Resale Royalty
Scheme will be denoted by the §. The Australian
Resale Royalty is a flat rate of 5% on the hammer
price (including GST). The Australian Resale Royalty
is payable by the seller in addition to the buyers
premium plus any applicable GST.
15. Jewels & Watches
GEMSTONES
Gemstones have historically been subjected to a
variety of treatments to enhance their appearance.
Sapphire and rubies are routinely heat treated to
improve their colour and clarity, similarly emeralds
are frequently treated with oils or resin for the same
purpose. Other treatments such as staining or dyeing,
irradiation, filling or coating may have been used
on other precious and semi-precious gemstones
and organic material. These treatments may be
permanent, whilst others may need special care to
preserve their appearance. Buyers should assume
that each lot has been subject to some form of
treatment and that the estimates reflect this.
A number of laboratories issue certificates that
give detailed descriptions of gemstones, and in
the event that Gibson’s Auctioneers & Valuers has
been supplied with or obtained certificates for any
lot, this shall be noted in the catalogue. However,
as there may not be consensus between different
laboratories on the degree, or types of treatment
of the gemstones, Gibson’s Auctioneers & Valuers
supplies these without warranty.
Buyers should assume that all gemstones sold by
Gibson’s Auctioneers & Valuers may have been
subjected to such treatments, and that the catalogue
estimates reflect this.
PEARLS
Pearls, like gemstones, are also subject to various
treatments. Buyers should assume that any pearls
sold by Gibson’s Auctioneers & Valuers may have
been subjected to such treatments, and that the
catalogue estimates reflect this.
WATCHES
Please note: All watches sold by Gibson’s
Auctioneers & Valuers are sold on an “as is”
basis. Gibson’s Auctioneers & Valuers makes no
representation or warranty that any watch is in
working order. Many watches have been repaired
over their lifetime and may contain non-original parts.
The absence of any reference to the condition of a
watch does not imply that the lot is in good condition
and without defects, repairs or restorations. Buyers
should be aware that a general service, change of
battery or further repair work, for which the Buyer is
solely responsible for, may be necessary.
ESTIMATED WEIGHTS
If a stone has a known weight, it has been weighed
out of the mount. If a stone has an estimated weight,
it is an approximate weight only and has been
measured by us in the mount and is a statement of
opinion only. The information is given as a guide only
and Buyers should satisfy themselves with regard to
this information as to its accuracy.

Lot 218 (Detail)