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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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THE RIGHT EXCHANGE

87

held, even against such a super-technician

Vladimir Kramnik:

as

Actually it is Black's job to exchange pawns,

but in any case White cannot win.

16 ••• gxf4+ 17 g}xf4 hS 18 a3 hxg4 19 hxg4

~f2+ 20 ©e3 ~a2 21 ~aS l;tal 22 a4 llel + 23

M3 l;{f1+24©g3 ~gl+ 25@h3 l:thl+ 26©g2

na1 27 @f2 ~a3 28 @g2 1f2-1'2

The rook generally harmonizes better with

a bishop than with a knight. So in the next example

it is important that Black activates his

knight and if possible exchanges it:

Khalifman reduces the pressure in a radical

way:

1 ... d4!? 2 ..ixc6 l;txc6 3 cxd4 cxd4 4 'l/lixe7+

@xe7 5 ~b7+ @f8 6 exd4 l;tc4 7 ~e2

7 d5 l;tc5 8 d6 ~c6 9 d7 a6 ! == (Donev in

CBM).

7...~cxd4 8 ~a7 ~dl+ 9 @h2 i!ld2 10

i!xd2 ~xd2 11 @g3 ( D)

4.11

I.Sokolov - A.Onishchuk

Poikovsky 2006

1...lue6!

I ... i!xg4? 2 l:ta8 plays into White's hands.

2 l:thl?!

White should have tried to prevent the exchange

of the minor pieces with 2 l:th7+.

2 ... lud4 3 l:th7+@d6 4 l;txa7 luxb3 (DJ

This is the type of position that Black had in

mind when he simplified. It is supposed to be a

theoretical draw and Khalifman has no special

trouble proving this.

11 ••. gS 12 @f3 ©g7 13 <t>eJ i!b214 g4@g6

15 ~a6+ f6 16 f4?!

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