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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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68 How TO PLAY CHESS ENDGAMES

Naturally the queen can also make subtle

technical moves.

3.04

U .Andersson - U. Kunsztowicz

W. German open Ch ( Dortmund) 1973

Here the Swedish virtuoso demonstrates his

fantastic technique with a subtle zwischenzug:

1 ~d8!

Black is hopelessly lost due to the mate threat.

In contrast, I Wixc7? at once would be premature

because of I ... \'Wxd3 2 \1Wxd6 \1Wxe4+ 3 @h2

W/f3 4 'it>gl e4 5 W'e5 g5 with drawing chances.

1. .. gS

I ... \1Wxd3? 2 '&h8+ @g5 3 '&h4#.

2 ~xc7 \'Wb4

2 ... \'.l:'fxd3 3 \1Wxd6+@h7 4 'f:4'xe5 +-.

3 @h3@g6 4 \1Wd7 '5'c5 5 '&f5+@h6 6 @g4

'f:4'c7 7 \IWxgS+ '9h7 8 \'!!lhS+ @g7 9 \'We8 @h7

10 'f:4'c6 °&d8 11 Wib7+ @g8 12 @f3 @h8 13

@e2 ~g8 14 @d2 @f8 15 @c2 @g8 16 @b3

'it'f817@a4@g818@b5 1-0

3.05

A.Beliavsky - V.Korchnoi

Paks 2004

1. .. °&dl+ 2 '&fl

Here the great fighter Alexander Beliavsky

chose, probably instinctively, the only playable

move.

2 ... W'c2 3 Wig2 °&dl+

But now he wanted to avoid the repetition:

4@h2?

However, he was severely punished for this:

4 ... 'f:4'd3 5 ~a8+@h7 0-1

In the next example we join the game somewhat

earlier, so that we don't miss seeing how

Khalifman first stops any counterplay:

C) Repeating Moves

By repeating moves you can show who is boss.

You also give the opponent the hope that he is

perhaps going to be let off with a draw, only to

dash all his hopes with your next move. You can

also get closer to the time-control and if the

time-limit includes an increment per move you

can even gain extra thinking time for yourself.

In the following case, Korchnoi profits from

Beliavsky's uncompromising will to win:

3.06

A.Khalifman - L.van Wely

Ter Apel 1997

1 cxbS!

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