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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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THE ART OF PAWN PLAY

59

2I....l;{e7 22 lt:\d6 i.e6 23 sl.h5 ±.

22lt:\d6lt:\a4?

22 ... .l;{d8 23 lt:\xf7 @xf7 °24 .l;{xc5 ± was

more tenacious.

23 .!la3 .!las 24 es i.dS 25 e6 1-0

Lautier resigned in view of 25 ... @f8 26 .l;{e3

.!la7 27 lZlc8 +-.

D) Undermining

By undermining, we mean that the head of the

pawn-chain can be separated from the rest. Say.

for example, White has a f3-g4-h5 pawn-chain

and can be forced to play gxf5, leaving the h5-

pawn loose. Of course, outposts can also be undermined:

P.Svidler - V.Topalov

Morelia/Linares 2006

1 a4!

Creating squares for the white rook to become

active on a new front, whilst Black is

rather tied up on the kingside.

l...bxa4

I ... sl.d6 2 .!la! b4 3 cxb4 axb4 4 a5 @e6 5

.l;{el+@f76.l;{cl +-.

2 .l;{eS cS 3 sl.f4 .l;{h8 4 i.g3

Zugzwang.

4 ••• i.h6 5 .l;{e7+ @c6 6 sl.f4 sl.xf4 7 'i.t?xf4

.l;{hS 8 .l;{eS :lxh4+ 9 @gS .!lhS+ 10@xg6 .l;{xeS

11 f7 .l;{e6+ 12 @gS .!leS+ 13 'i!?g4 Ite4+ 14

@g3 .!le3+ 15@f2 a3!? 16 f8°*' (D)

2.29

J.Polgar - V.Kramnik

Wijk aan Zee 1998

B

l. .. a4! 2 bxa4

2 hxg5 a3 3 llf2 f3 4 lt:\b4 .l;{e2 5 Wgl .l;{b2

-+.

2 ... .l;{e43@gl

Or: 3 hxg5 .l;{xc4 4 .!ld3 .l;{c5 -+; 3 ltc3 .l;{xc4

4 .l;{xc4 i.xd5+ 5 @g I i.xc4 6 hxg5 sl.d5 7 @f2

f3 -+ (Krarnnik in Informator).

3 ... .l;{xc4 4 :ld3 g4 5 aS g3 6 .l;{dl f3 7 lt:\e7

f2+ 8 00 sl.b5 9 @g2 .l;{c2 0-1

Undermining can sometimes also take place

even if it is not absolutely desirable in the structural

sense, yet one's own pieces gain new targets

thereby.

16 ••• axb2

16 ... a2 17 '&c8+! (17 °*'h6+? Wb5 18 °*'hi

.l;{h3! 19 °*'al a4 20 "*'xa2 .l;{hl ! = and the white

queen is trapped; more on this theme in the

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