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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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322 How TO PLAY CHESS ENDGAMES

Not l...@c8? 2 @c6 fixd6+ 3 @xd6 c3 4

fib4 (zugzwang) +- (Wedberg in CBM).

2 @c611xd6+!

2 ... i.d4? 3 ~b8+ @a7 4 Iib4 @a8 5 ~a4+

s.a 6@d5 ~r6 7 .icS ~f7 8 ~xa7+ +-.

3 @xd6 c3 4 ~bS @a7 S @c7 @a6 6 ~cs

6 @c6 @a7 7 ~b7+ @a6 8 ~b4 @a7 = (and

not 8 @a5? allowing zugzwang by 9 ~c4 +-).

6 .id4 7 ~c4 11i.11i

Agreed drawn since Black now has available

7 ... @bS! =.

El0.10

J.Horwitz and B.Kling (end of a study)

The Chess Player; 1851

l@c8(D)

Not I <t;>b8?@d8! 2 ~b7+@d7 (zugzwang)

3 @xa8 @c8 ! = since the knight is on the wrong

track and is unable to Jose a tempo.

B

After 2 @g3!? @g6 3 @g2 (3 @f4 @hS and

after the completion of the manoeuvre, White is

in a fatal zugzwang) 3 ... @h5 4 @h3 it is the

rook's tum to lose a move: 4 ... ~b8 5 @g3 ~b4

-+.

2 ..• @g6

2 ... fib4'? 3 @f2 ~xh4 -+.

3@f4<t1hS

Zugzwang.

4@g3~b4

Another zugzwang.

S @£2 @xh4 6 @e3 @g3 7 figl + @h2 8 ~bl

@g2 9 f4 fib3+ 10 @d2 @g3 ().1

El0.12

M.Botvinnik- V.Sozin

Novgorod 1929

l@d7@fS

1 ... <t1f7 2 rs i.h7 3 g6+ .ixg6 4 fxg6+@xg6

5 @c6 @xh6 6 @bS @g6 7 @xa4 @f6 8 @bS

<t;>e7 9 @c6 @d8 10 @b7 +-.

2 @e8 @g6 3 @e7

By triangulating with his king, White has put

Black in zugzwang.

3 ••. @h7

3 ... i.b3 4 rs+ @h7 s f6 @g6 6 h7 @xh7 7 f7

i.xr7 8@xf7 +-.

4 rs i.b3 s f6@g6 6h7@xh77f7 .ixf7 r-e

Chapter 11

1 ... @e8 2 ~c4 <t1e7 3 @b8 @d8

Or: 3 ... i.g2 4 ~a5 +-; 3 ... @d7 4 ~b6+@d8

5 ~xa8 +-.

4 ~d6 @d7 S ~b7

Zugzwang.

S ••• @c6 6 @xa8 @c7 7 ~d6 +-

It is zugzwang again.

El0.11

K. Begunov - l.lbragimov

St Petersburg 1994

Triangulation works here:

1. ••@h6

1...@xh4?? 2 ~hl#.

2@e3

Ell.01

L.Lopez -A.Redolfi

Cordoba I 966

1 g3!

Not:

a) I g4? .ie3 -+.

b) I ~xf4?? gxf4 2@xf4 i.c7+3 'i&g4 i.g3

4 @f3 @e I 5 @e3 @fl 6 ~f3 @g I 7 @e2 @xg2

-+ and now admittedly Black has the 'wrong'

bishop for his rook's pawn, but it is also the

wrong king in the comer!

l. .. hxg3

t...rxg3 2 ~xg3 hxg3 3 @xg3 leads to the

game continuation.

2 ~xg3 fxg3 3 'it>xg3 @e2 4 @g4!

4 h4?? i.f2+ 5 @g4 i.xh4-+.

4 ....id8 s h4 gxh4 6 @h3 @fl 7 @h2 112.11z

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