how to play chess endgames book
In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.
In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.
Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.
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SOLUTIONS TO THE EXERCISES
295
a long way off. The presence of oppositecoloured
bishop favours a possible attack and
therefore it is imperative to get the queens off
the board. In the game Black was unable to
cope with the fresh difficulties and lost quickly:
2 ... g5 (2 ... @f7 3 h4!? with the initiative) 3 h3
f4? (3...<;1;>f7 is better) 4 '&e5 ± 't&cl+ S <;1;>h2
\11Jd2 (Black should try S ...\\\k2!?, but he should
still lose: 6 '&b8+ @h7 7 .if8 \\Wg6 8 '&c7+
<;1;>g8 9 '&c8 @h7 IO '&d7 + <;1;>g8 11 .td6 \\Wf7 12
\11Jc8+ <tlg7 13 b4 +-) 6 \'!'/f6 ~c2 (6 ... .ixf3 7
Wk°g6+ <;1;>h8 8 '&xh6+ @g8 9 '&xgS+ @h7 IO
.tf8 +-) 7 \'!'/f8+ <t>h7 8 'i&f7+<tlh8 9 .ie7 1-0.
2~xdl ~e2
White's advantage is only minimal. In view
of the opposite-coloured bishops and the active
set-up of the black pieces it will scarcely be
possible for White to exploit his extra pawn.
For example, 3 !:tc 1 .tc4 4 b3 .txb3 S c4 .ta4 6
.td6 .tc6 = or 3 b4 ~c2 4 ~d3 .ic4 5 ~d8+
@f7 6 .l;!.c8 .id3 =.
E4.02
O.Averkin - Y. Razuvaev
Sochi 1982
1 '&dS+! 'i&xdS 2 lixdS!
The only way! After 2 exd5? it would be
much more difficult for White to activate his
di-rook; for example, 2 ... @f7 3 d6 ~d8 ;!;,
2 •.•.l;!.bl!?
2 ... .l;!.c8 3 .l!d7! ± with the idea of ~g2 or
3 ... h5 4~g2.
3 .l!e2?!
White decides not to rush, and did win eventually,
but we shall leave the game at this point,
because the straightforward 3 eS! was even
stronger.
E4.03
Ki.Georgiev - L.Brunner
Moscow OL 1994
I ••• .tf6! (D)
This is the correct move. The game continued
l...'&xc6? 2 \\Wxd8+ @h7 3 f3 and now Black
could no longer prevent White from reaching a
promising endgame with three pawns against a
knight, which Georgiev eventually won: 3 . ..lllb6
(3 .. .f6 4 .ixf6 gxf6 S '&e7+ @g8 6 '&xf6 hS 7
'&g6+@f8 8 '&xhS ±) 4 '&f8 f6 5 .txf6 gxf6 6
\\Wf7+ <;1;>h8 7 iW/xf6+ <;1;>h7 8 '&f7+ @h8 9 \\Wg6
lild7 IO '&xh6+ ©g8 11 '1:1¥g6+ <t>f8 12 h5 lile5
13 \\Wh6+<t>e7 14 \\Wg5+@d6 15 \\Wd8+ tild7 16
h6 \\Wc2+ 17 @h3 °&di 18 @g4 <;1;>c6 19 't&h8
°&hi 20 eS lilxe5+ 21 \\WxeS \\Wxh6 22 Wk°c5+
@d7 23 't&a7+ @e8 24 °®'b8+ @d7 25 '&b7+
@e8 26 '&c8+@e7 27°®'g8 °&h2 28 \\Wg7+©e8
29 '&g6+@e7 30 '&gS+@d7 31 '&g7+ @e8 32
'&e5 <;1;>e7 33 \3'c5+ ©d7 34 \\Wa7+ @e8 35
~xa61-0.
2~c2
Or: 2 .txf6 \\Wxc6 =: 2 \\Wd6 .txe5 3 lilxeS (3
lile7+ @f8 4 lilg6++!? @g8 =) 3 .. .'&c2 4 '&c6
'&xc6 5 lilxc6 lilc3 6 <;1;>f3 lilbl =.
2 .•• \\Wd7 3 .txf6 gxf6 =
Black easily holds the draw because of his
better piece set-up. The white knight must return
to as and the black queen will be very active
on d4. The weakness of the black king
position will not matter.
E4.04
L.011 - V.Zviagintsev
Pu/a Echt 1997
1.. ..ixcS!
Now Black's activity is hard to contain. In
contrast, after I ....tc6? 2 I:Ib4 =Whiteis comfortable.
2 .txcS
2 .tgl ~c7+.
2 ... ~xcS 3 .l;!.xb7 .tc6 4 .l;!.a7 I=!d8 5 c3?
This attempt to stabilize the situation is too
slow. The king must leave the endangered corner
immediately: 5 <;1;>gl .l;!.d2 6 <;1;>f2 c3 7 <;1;>e3