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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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TYPICAL

MISTAKES

277

targets and also there is no question of a race.

Only if, for example, the white king makes his

way to the distant queenside should Black then

become active on the kingside.

1 .•• e4?

"This is a typical psychological mistake.

Black loses patience and would like to show

that he too can play actively. But this move

only helps his opponent." (Ribli in CBM). After

1...@g5!? it is not clear how White should

make progress, since after 2 llg8+ @f4 3 l.;1h8

@g5 4 f4+ @xf4 5 l.;1xh4+ @g5 6 l.;1h8 @g4

Black could finally advance his pawns.

2 fxe4 fxe4 3 l.;1g8 Ad4?

3 ... Ab6 was necessary.

4 h3 wrs s l.;1d8?

5 l.;1g4 Af6 6 @e3 Ag5+ 7 @d4 Af6+ 8 @d5

e3 9 l.;1e4 iL.g5 10@d4 +-.

s AeS?

5 Ac5 6 !lg8 Ab6!, with the idea of7 l.;1g4

iL.d8 8 @e3 Ab6+, would still have allowed resistance.

6 l.;tfs+ Ar6 7 @e3 @e6

7 ... @e5 8 !!e8+ +-.

8 @xe4 Ac3 9 l.;1a8 iL.b4

9 ... Ab2 10 l.;1a6 @e7 11 @d5 +-.

10 l.;1h8 Ael 11 l.;1h6+ 1-0

G) Don't Play on the Wing

where Your Opponent

has the Advantage

Normally it is not advantageous to become active

on the wing where the opponent is superior.

This usually just creates fresh weaknesses or

points of attack.

In the following diagram, Black is well entrenched

on the light squares and should have

simply continued in that vein.

1 ... gS?

1...00 2 @f3 f5 3 !le5 g6 and it is not clear

how White should storm the black ramparts.

2llhl

Now White profits enormously from his

passed pawns on the kingside.

2...lt)fs 3 h5 lb.d6 4 @f3 @e6 s g4 lb.c4 6

l.;tel+ @f7 7 l.;1e2 l.;1d8 8 Ael l'.!ds 9 Ag3 l.;1d7

B

17.16

R.Kholmov- G.Kasparov

Daugavpils 1978

10 @e4 :te7+ 11 @d3 l.;1d7 12 h6 !!d8 13 h7

l.;1h8 14 l.;1h2 We7

14 ... @g6 15 d5 cxd5 16 Wd4 +-.

15 dS!

Decisively opening the way for the white

king.

15 cxdS 16 @d4@f7 17 Ac7 @e6

17 @g6 18 l.;1h3 l.;1xh7 19 l.;1xh7 @xh7 20

@xd5 +-.

18 l.;1h6 @e7 19 WxdS lb.e3+ 20 @c6 lb.xg4

21 l.;ths <'t:le3 22 Ab6 lb.rs 23 Acs+ @e6 24

@b7 @d7 25 @b6 lb.d6 26 l.;1h6 lb.e4 27 Ad4

g4 28 Axf6 lb.xf6 29 l.;1xf6 l.;1xh7 30 llg6 l.;1e7

31 l.;1xg4 l.;1e6+ 32 @b7 @e7 33 l.;1g5 l.;1d6 34

l.;tcS i-e

H) Unnecessarily Giving up

Material

Be extremely careful about giving back material.

In particular, you must be completely sure

of what you are doing when you simplify all the

way down to a pawn ending.

In the diagram on the following page, Black

should win, and by manoeuvring against the

white defences he would surely have garnered

the full point.

1. .. l.;txbS?

Areshchenko had probably seen that, owing

to his protected passed pawn, he would win the

white f-pawn. But he had failed to see that

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