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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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TYPICAL MISTAKES 267

22@c81-0

He did not wait to be shown 22 ... 1:!al 23

1:!h6+.

The end of this game probably took place in

horrendous time-trouble. Nevertheless, it is

clear how useful precise knowledge of the important

positions of the endgame of rook and

pawn against rook is, since this endgame is

met in practice quite frequently .

Of course a good knowledge of endgame

theory is not only essential for the defence of

inferior positions; it is also an indispensable instrument

for converting a winning position into

a point.

w

-

• ••

•••

••••

. . ··~

~. ·gJ-

17.02

M.Lombardi - B.Rosen

Essen 1981

1.a • • .D~

Here White threw the game away in one

move. Stop and check if you know or can work

out what is the simplest way to a clearly drawn

position.

11:!b6?

l @gl !? would have led to an elementary

drawn position. l El.g6 is the only other move to

draw; for example, 1...@f3 2 @gl ! g4 3 1:!f6+!

@g3 41:!fl! =.

l. ..@g3! 21:!b3+ @h2!

Black controls the queening square with his

king. The Karstedt manoeuvre (flank attack by

the rook) is not possible here, so Black can

slowly build a bridge.

3 1:!b4 1:!g2 4 1:!b8 g4 5 1:!h8+ @g3 6 1:!f8

El.32 7 El.f7

7 1:!g81:!al+ 8 @e2El.gl -+.

7 ...!!al+ 8 @e2 @g2 9 1:!f2+ @gl 10 1:!f8 g3

11 El.g8 g212 El.g7 El.as 13 l:!g61:!e8+ 14 @dl

!!es 15 1:!g8 @h2 161:!hS+ @g3 17 .§gs+ @h3

18 @d21:!e4 0-1

17.03

A.Yusupov - V.Kotronias

Bundesliga 19960

1 i..xd6?

This sins against the principle that you should

not rush, since the d6-pawn cannot be saved in

any case; it also allows the activation of the

black king, so that Black is now able to reach

Centurini's famous drawn position. White could

have first improved his king: I i..h4! @e8 2

@c7 .tb4 3 .tgS .tcS 4 i..d8 i..b4 5 @c8 i..c3 6

f6 i..eS 7 i..e7 i..d4 8 @c7 i..eS 9 @c6 @f7 IO

@d7 .tc3 11 @xd6 +-.

I...i..b2 2 .tg3 @f6 3 d6 @xfS 4 .th4 .tc3 5

d7 i..aS 6 @d6 @g6 7 @e7 @fS 8 'i.t>d6 ( D)

B

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