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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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DOMINATION 237

El4.08 ****/

White to play and draw.

B) Theoretically Important

Endings

In practice, the struggle of a rook against a minor

piece plays a particularly important role.

We shall thus confine ourselves to just a few

important cases in this area. Normally the pawnless

endgame of rook against knight is drawn, if

the knight is close to its king. Otherwise the

knight can quickly find itself dominated.

Cutting off the knight's retreat.

3 •••@g5 4 ~d5 lt:lb6+ 5@e5 lt:lc4+ 6@e4?!

Completing the triangulation with 6 @e6 was

more accurate: 6 ... @g6 7 1:l.g3+ @h5 8 @d5

lt:lb6+ 9 @e4 I.Zx:8 10 ~g7 lai6+ 11 @f4 @h6

12 ~e7 I.Zx:4 13 ~b7 lt:ld2 14 ~b2 lt:lc4 15 ~b4

lai2 16 @e3 lt:lfl+ 17 @f2 lt:ld2 18 @e2 +-.

6 •.. lt:lb6?!

6 ... @f6 7 ~d4 lt:\a5 8 ~a4 lt:lb7 9 ~a6+ @g5

IO@e5 lai8 11 srs lt:lb7 12 l;tf8I.Zx:5131:l.d8

@g6 14 ~d5 lt:lb3 15 @e4@f6 16@e3 @e6 17

l;tb5 lt:lcl 18 l;tb2 +-.

7 l;tdS lt:lc4 8 J;td4 lt:lb6 9 @es lt:\cs 10 @e6

lt:la711 @d71-0

In the duel with a bishop, often everything

depends on how long the defensive diagonal is.

8

Original

A.Karpov - L.Ftacnik

Thessaloniki OL 1988

In typical style, Karpov keeps everything under

control.

1...lt:lc4 2 ID"3+! @g4 3 ~d3!

Surprisingly, the h2-b8 diagonal is too short

here.

1. .. l;tdS 2 ii..c7

2 ii..a7 'l.'f4 3 ilf2 ~d2 -+.

2 ... l;td2+ 3 @gt l;td7 4 ii..b8 @dS!

The point.

5 ii..h2l;tb7

Depriving the bishop of its last square.

6 @g2 l;tb2+ 7 ~gt ~xh2 8 @xh2 @e4 9

@g2~e3-+

Such duels can be extremely complex. Thus

it was not until 1993 that the Israeli study composer

Noam Elkies proved that the following

position is won:

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