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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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208 How TO PLAY CHESS ENDGAMES

2.1i.xb6@e7!

The b6-bishop is imprisoned for ever in the

black camp and can sacrifice itself for a pawn at

best. White cannot force the bishop's release,

since Black has available some easy waiting

moves with the b4-bishop.

The following marvellous composition by

the then 7-year-old Smyslov gives an impressive

illustration of a rook being shut out of play:

Ell.32 ***/

There seem to be two ways to set up

a fortress. Which is the right one?

02) Pieces Shut Out of Play

Of course, the king is not the only piece that can

be shut out of play; it can happen to any of the

other pieces too. In the following example,

Black seems in serious trouble but can save

himself by putting a bishop behind bars.

11.42

Kobaladze - M.Tsereteli

Tbilisi 1970

1 ...@e8!

The exclamation mark is for the fantastic

idea. Actually 1...ll:ia8 is not worse, since after,

e.g., 2 ii.d7 @f8 or 2 ii.h5+ @f8 Black can still

always play ... ll:ib6! and set up the same fortress

as in the game.

11.43

V.Smyslov

4th Prize, Shakhmaty v SSSR, 1938

Owing to the threat of l .. Jfa6+ followed by

...@xh5 White appears to be in great difficulties.

It is incredible, but to hold the draw, White

must give up his bishop and his h5-pawn:

1 ii.f6+!!

l f4? ~a6+ 2 @g7 @xh5 -+.

1 ... exf6 2 f4 ~h8+ 3 @g7 ~xh5

3 .. J1a8 4@g6 (4 h6? @h5 5 h7 !la7+ 6 @g8

@h6 7 h8'tl!t'+ @g6 -+) 4...~g8+ 5 @f7 ~h8 6

@g7::;.

4 a4 ~5+ 5@h8!!

5 @h7?@h5 6 @h8 @g6 -+.

5 ~g6

5 @h5 6 'i&h7 Elg6 7 @h8 ~h6+ 8 @g7 ::;_

6@h7@h5 7 @h8 !lh6+ 8 @g7 ~g6+ 9 @h8

And, no matter how Black twists and turns,

his rook can no longer escape the prison.

In the next position White even succeeds in

simultaneously shutting out of play the enemy

queen and knight:

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