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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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ACTIVITY 19

1.05

W.Pajeken - C.Wagner

Pardubice 2000

1 •. Jlb3+ 2 @e2 llb4 3 @e3 llb3+

Black was expecting 4 @e2 with a draw by

repetition. But by activating his king, White

can make a last attempt to win without any risk

to himself.

4 @f4!? !!d3 5 @g4 !!xd4+ 6 @hS @g8?!

Objectively this move spoils nothing. But it

voluntarily weakens the position of his own

king and even forces White to improve the position

of his rook slightly - behind the b-pawn.

6 ... b4, for example, was a safer way to draw: 7

@g6 (7 llb7 l1f4 8 @g6 llxh4 9 @xf6 llh6+ =

and Black has reached a sort of Philidor position)

7 ... b3 8 @xf6 @g8 9 llb7 llb4 10 @g6

!!g4+ =.

7 litb7 llf4?1

A loss of tempo. More precise was 7 ... b4!? 8

lhb6@f7 9 llb7+@f8 IO@g6 Jlxh4 11 @xf6

Jlh6+ with a Philidor position.

8@g6 Jlg4+ 9 @xf6 Jlxh4 10 llb8+ ©h7 11

llb7+@g812 llb8+ 'i&h7 13@f7 Jlc4?!

13 ... d4! was the safest way to draw. 14 llxb6

d3 15 llxb5 lita4 =.

14.l!xb6llc7+ 15@f6llc816llb7+@g8??

After 16 ... @h6! White cannot make any further

progress.

17@g6

Now the typical outflanking manoeuvre wins

for White.

17 ... d4 18 f6 d3 19 Jlg7+ 1-0

Sometimes the road is very long and stony.

1.06

LI.Andersson - R.Sanguinetti

Biel IZ 1976

White must involve his king:

lf3!? gxf3+?

1...l2:ld8! was necessary, to enable the queen

to become active: 2 fxg4 fxg4 3 'l:l7fl 'l:l7a3 4

Wb! l2:lf7 5 l2:lf4 l2:lg5 6 l2:ld3 Wf8 =.

2 <Bxf3 4.Jd8 3 l2:lf8 @c7 4 @g2 @c8

4 ... b5!?.

5 @h3 @b7 6 @h4 @c7 7 @hS @c8 8 @h4

(DJ

8 ...@c7?

This move is too passive. Revealingly, Black

too should have activated his king here and in

this way he could have mounted a successful

defence; after 8 ... b5 9 axb5 @b7 the activity of

his king ensures him sufficient counterplay.

9 l2:lg6 '&d7

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