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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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18 How TO PUY CHESS ENDGAMES

I lt'lc3? lt'lxc4 2 b6? lt'lxb6 3 lt'lb5 lt'lc8 4

lt'lxd6 lt'lxd6 5 .!;!.xd6 a5 plays into Black's hands.

1 ... dxeS

Or: l ....!;!.e8 2 e6 .!;l.e7 3 lixb6 axb6 4 lt'lc3 +-;

l... lt'lxc4 2 exd6 lt'le3+ 3 Wf3 lt'lxd5 4 d7 .!;!.d8 5

.!;l.xa7 +-.

2 oo lt'lxc4

2 ....!;!.f8+ 3 We4 .!;l.f2 (3....!;!.f7 4 d6 lt'lxc4 5

Wd5 +-) 4 lt'lc3 .!;!.c2 5 Wd3 +-.

3 c;t;>e4 lld8 4 lt'lc3 .!;!.d7 5 .!;!.c6 Wg7 6 .!;l.xcS

lt'ld6+ 7 WxeS M7 8 lt'le4 lt'lxe4 9 Wxe4 .!;l.e7 +

10 'i!?fS 1-0

Naturally we must include the following masterpiece

on this theme:

for the win; for example, 8 ... .!;!.g3+ 9 Wh5 b3 10

.!;!.xd5 b2 11 Il.b5 Wg7 12 Il.xb2 .!;l.xg6 13 Il.c2

.!;!.d6 (13....!;!.gl 14 .!;l.xc7+ Wf6 15 .!;l.c5 .!;!.g2 16

.!;!.g5 .!;!.d2 17 d5 +-) 14 .!;l.c4 Wf6 15 Wg4 .!;!.d7

16 f5 .!;!.d6 17 Wf4 c6 18 c;t;,e4 Wf7 19 .!;!.b4 .!;!.d7

20 .!;!.b6 .!;l.c7 21 We5 .!;l.e7 + 22 Wd6 .!;l.e4 23 .!;!.b4

+-.

4 g6! .!;l.xf4+ 5 Wg5 lie4

5....!;!.xd4 6 'i!i>f6 'it>e8 7 .!;!.h8+ Wd7 8 Wxf5

+-.

5 ... .!;l.g4+ 6 Wf6! +-. This method of sheltering

behind an enemy pawn was christened the

'umbrella' by Dvoretsky. You should definitely

memorize it, since it occurs frequently in practice.

We shall be looking at several examples of

the 'umbrella' idea.

6 Wf6 c;t;>g8 7 .!;!.g7+! (DJ

B

1.04

J.Capablanca - S.Tartakower

New York 1924

1 i.xfS! gxfS 2 Wg3!

Capablanca sacrifices two pawns to activate

his king with decisive effect! 2 .!;!.d7? .!;l.xc3+ 3

We2 c6 4 .!;l.xa7 !ic4 5 Wd3 c5 is clearly drawn.

2 •• Jhc3+ 3 Wh4! .!;l.f3?!

Or:

a) 3 ... c5 4 g6! cxd4 5 Wg5 d3 6 .!;l.d7 .!;l.c5 7

Wh6+-.

b) 3 .1;!.cl 4 Wh5! +-.

c) 3 a6! is definitely the toughest defence:

4 g6! (after 4 .!;!.d7?! .!;!.f3 a similar position to

the game arises, but the a-pawn is no longer on

its second rank and so Black can put up greater

resistance; also after4 Wh5?! b5 Black has serious

counterplay) 4 ... b5 5 axb5 axb5 6 Wg5 b4 7

.!;!.f7+ Wg8 8 l;txf5 and White must still work

Good technique. Before White captures the

enemy pawn, he first weakens the position of

the enemy king.

7 ... 'i!i>h8 8 .!;l.xc7 .!;!.e8 9 'l:i'xfS

Otherwise the f-pawn runs and then passive

defence is sufficient for Black against White's

knight's pawn. Passive defence fails against a

bishop's pawn.

9 ••• l;te4

9 ... a6 10 Il.b7 b5 11 axb5 axb5 12 .!;!.xb5 .!;!.d8

13 We6 +-.

10 M6 .!;!.f4+ 11 WeS .!;!.g4 12 g7+! Wg8 13

.!;l.xa7 l;tgl 14 WxdS licl 15 c;t;>d6 Il.c2 16 dS

.!;I.cl 17 .!;l.c7 .!;I.al 18 c;t;>c6 .!;l.xa419 d6 l-O

Knowledge of such classics is sometimes of

direct help in one's own practice:

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