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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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158 How TO PT.AY CHESS ENDGAMES

5 .. .f6 6 1:lagl (6 .i.d5+?! is premature in

view of 6 ... lbge6) 6 ... lbh7 (6...@f7 7 f4 lbge6 8

.i.d5 +-) 7 f4 lbd7 8 .i.d5+ @h8 9 f5 lbdf8 10

.i.xf6+-.

6.l::!.h4f6

6 ... lbh7 7 .l::!.ahl lbef8 8 .i_e4 g6 9 .i.d51:ld8

10 f4 +- (Kramnik).

7 .l::!.gl @f7 8 .i.dS!

Surprisingly, 8 f4 is also decisive: 8 ... lbxf4+

(8 ... lbh3 9 .l::!.g3 lbhxf4+ IO exf4 lbxf4++ 11

@f3 +-) 9 .l::!.xf4 lbh3 10 1:lxg7+ @xg7 11

.i.xf6+ @f7 12 .l::!.fl 1:lee8 13 .i.g2 +-.

8 .•• @e8 9 .l::!.h8+ lbfS 10 f4 lbe6 11 00 f5

I 1....l::!.b8 12 .i.xe6!? .l::!.xe6 13 1:lxg7 .l::!.e7 14

.i.xf6 ~f7 15 .i.d4 +- (Kramnik).

12 .l::!.g6! lbcS 13 hg7 1:lf7 14 .i.xf8 1-0

In the following examples Kasparov shows

how to do it:

B

way is open for the bishops. 6 .l::!.ed3 ! was necessary.

In Informator, Kasparov gives 6 ... @h7 7

b3 f6 8 c4 .i.g6 9lbxe61:lxd3 10 .l::!.xd3 with unclear

complications.

6 .i.c6!?

6 .l::!.xdl 7 @xdl .i.b5, with pressure, also

came into consideration.

7f3

7 .l::!.xd8+ .i.xd8 8 f3 .i.b6 9 ~d3 .i.b5 IO :!Id6

.i.c5 I 1 lbd4 .i.xd6 12 exd6 .i.d7 +(Kasparov).

7 ..•:!Ixdl 8 @xdl .i.cS 9 :!Id3?!

9 lbd4!? .i.d5 10 b3 ~d8 11 @c2 .i.b7 12

:!Id3 .i.a6 13 :!Idl bxc3 14 .i.f2 :!Ic8 with a

black initiative.

9 ....i.bS 10 :!Id2 h3 11 1:ld6 bxc3 12 lbxcJ

12 bxc3 .i.c4 13 a4 :!Ib8 + (Kasparov).

12 •...i.fl 13 .i.h4?! (D)

9.08

P.Svidler - G.Kasparov

Linares 1999

1 ....i.e8!

A very poisonous move. l.. ..i.d5 is harmless:

2 lbb5.

2c3

2 .l::!.xe4? .i.c6 3 .l::!.eel .i.xg2 plays into Black's

hands.

2 .. Jlac8 3 @c2 b5 4 ~xe4 b4 5 .l::!.e3 a5 ( D)

The critical moment is reached. White must

play precisely to neutralize Black's initiative.

6 lbe2?

The desire to relieve the pressure through exchanges

is clearly understandable, but now the

B

This provocation backfires, because Black

would like to advance his kingside pawns anyway.

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