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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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132 How TO PLAY CHESS ENDGAMES

Now comes a stroke of genius, again completely

founded upon the struggle against the

light-squared blockade of d5 and f5:

3 ... ~c4!! 4 b3 ~xfl 5 El.xfl El.h3 6 lie2

6 ~gl @d7 7 lid3 lih4! 8 El.g3 (8 h3 libh8 9

~ff3 f5!! =F) 8 ... El.g8 9 h3 ligh8 101ilff3 f5! 11

exf5 (11 l;Ixf5 lixh3 12 lixh3 lixh3 13 ~f2

@e6 =F) l l...e4 12 lie3 d5 =F (Anand in CBM).

6 ..• @d7 7 gS @e6 8 gxf6 ~xf6 9 ~d2 ~e7

10 .tel f6 ll ~g3 dS 12 exdS+@xdS (DJ

13 El.f5!

Introducing the idea of a sacrifice on e5.

13 ••.@c6! 14 .llef2?

Now the blockade will sooner or later be

broken and the rest is a matter of technique.

According to Anand, 14 lif3 ! .!!h7 15 El.c3+

..t>b7 was considerably more tenacious, since

the black king is now a long way away from

the action.

14 •. Ah6 15 @b2 @d7 16 1ie2 ~d6 171ilf3

~c8 18 ~el @e6 19 :i;Id3 lih7201ilg3 ~c5 21

@a2 lid7 22 lic3 l;Icc7 23 h41ildl 24 ~f2 .id6

25 !!g3 e4 26 lixe4+ .ie5 27 lixe5+ fxe5 28

@b2lid20-l

6.25

S.Flohr - M.Vidmar

Nottingham 1936

I...:i;Ib8?

I ... @c7 2 @c5 @b7 with a changing of the

guard and very good drawing chances: 3 ~a3

l;Ie8 4 @d6 g5 5 lic3 (5 g3 g4 6 fxg4 fxg4 7 El.c3

!!f8 leads to equality) 5 .. .f4 6 exf4 gxf4 with

counterplay.

2a3 El.as 3e4!

Widening the operational front. White now

wins in textbook fashion by using the principle

of two weaknesses.

3 •.. fxe4 4 fxe4 dxe4 5 @xe4 lia7 6 @£4 h6 7

h4@e6 8@g4 lia8 9 h5 g5 10 g3 !!a7 11 @f3

lia8 (D)

G) Fatal Passivity with

Structural Weaknesses

If you have structural weaknesses, you should

generaJly not play completely passively.

It is absolutely essential for Black to activate

his rook and protect the a-pawn with the

king.

12 S>e4 El.a7 13 @d4 @d6 14 @e4 @e6 15

El.es+ @d6 16 lie8 c5 17 :i;Id8+ S>c6 18 lic8+

@b6 19 ~xc5 ~h7 20 lies @c6 21 El.e6+ @b5

22@f5 lif7+ 23 :i;If6 1-0

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