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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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WEAKNESSES 119

Black sorely misses his dark-squared bishop,

or at least a knight, as we shall see.

1 c4!!

This move completely changes the situation.

1. .. bxc4

After l...dxc4 the rooks penetrate directly: 2

1:!d6+ @g7 3 !le7 ± and the king soon follows.

2 @c3 l!b8 3 ~el !tb5 (DJ

First White exchanges the annoying knight:

1 llJe2 loxe2 2 Axe2 Ac6

Then he brings all his pieces into position:

3 .if3 h4 4 ~d2 @d7 5 ~hdl ~hd8 6 lec4

@c7 (DJ

4 f4!

Before he transfers the struggle to the b-file,

White prophylactically prevents any counterplay.

Good technique!

4 ... Ad7 5 ~ddl Ae6 6 l!bl !las 7 ~b6 rta8

8 ~dl @g79 I!dbl @f610 ~b8 ~7 11 ~lb7

laa6 12 ~d8 ~c6 13 @d4 1-0

Now comes the vital breakthrough which, as

often happens, takes place not on the dominant

colour-complex but on the other:

7 c3! bxc3 8 ~c2

"Black is in a lost position. His weak pawns

and his endangered king tell their own story."

(Wahls).

8 ... d5 9 exd5 e4 10 Axe4

10 dxc6? exf3 11 ~xd8 ~xd8 12 gxf3 Ab4 +

(Ftacnik in CBM).

10 ... Ab411 lexa3 Ab5 (DJ

l l....ixa3 12 ~xc3 ~b6 13 @c2 +-.

6.08

N.Short - P.Popovic

Moscow OL 1994

12 lexb5+ ~xb5 13 lad4 @d6 14 !lc4 ~e8

15 l:re2 !le516 @c2 l:rbxd5 17 ~xb41-0

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