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how to play chess endgames book

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board. Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

In this companion volume to Fundamental Chess Endings, Müller and Pajeken focus on the practical side of playing endgames. They cover all aspects of strategic endgames, with particular emphasis on thinking methods, and ways to create difficulties for opponents over the board.

Using hundreds of outstanding examples from modern practice, the authors explain not only how to conduct 'classical' endgame tasks, such as exploiting an extra pawn or more active pieces, but also how to handle the extremely unbalanced endings that often arise from the dynamic openings favoured nowadays. All varieties of endgames are covered, and there are more than 200 exercises for the reader, together with full solutions.

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THINKING

IN SCHEMES

107

.ig3 9 lt:lc5+ ct;>a8 10 lt:le4 .ih2 ll 4Jc3 @b7

12 .id4 .ig3 13 4Ja4 .ih2 14 .if2 .af4?!

This makes it easy for White. 14 ... .ic7! 15

lt:lc3 (D) and now the black bishop can twist

and tum all it likes, but there is no escape, as

Hecht showed in CBM:

B

22 .ad4 @c8 23 .i.a7 @d8 24 4Jd5

The first step on the W; the knight will end

up on g7, via e7-f5, each time preventing the

black king from heading back to the safe a8-

comer. From e7 the knight controls c8 and from

o. e8.

24 ... We8 25 @d6 @f7 26 lt:le7 Wf6 27 .i.e3

@f7 28 .i.d4 @e8 29 @e6 Wd8 30 .i.b6+ @e8

314Jf5 Wf8 32 .i.c7@e8 33 lt:lg7+ Wf8 34@f6

@g8 35 .ad6 @h7 36 lt:lr5 @gs 37 @g6 @h8

38 .i.c5 1-0

B) Make a Wish!

This theme is closely related to the last section

on target positions, only in this case you allow

your creativity completely free rein.

a) 15 ... .ih2 16 4Jd5 .i.d6 (16 ... .i.e5 17 lt:lb6 B

is similar) !7 4Jb6 Wxa7 l 8 lt:lc8++ +-.

b) 15 ... .i.e5 16 00 .ah2 17 @a5 (zugzwang)

+-.

c) 15 ... .i.d8 !6lt:ld.5 .ig5 (16 ... Wa8 17@a6

+-) 17 4Jc7 +-.

15 lt:lb6 Wxa7 16 lt:ld5+ @b717 lt:lxf4 @c7

18 .ic5 @b7 19 lt:ld5 @b8 20 @c6 @a8 21

lt:lc7+Wb8(D)

Now we have achieved the standard position,

in which the famous 'W-manoeuvre' of

the white knight comes into effect (incidentally,

this is also very schematic).

5.02

N.Vlasov - D.Sokolov

Alushta 1994

At first sight White's defensive set-up seems

impregnable, but we should not give up so easily.

Which black piece could still be improved?

That's right: the king. But where would the

king go if he had a free choice of any square on

the board? Obviously: to a5, since then the b5-

pawn would fall. From this a clear plan can be

formed, one which is achievable:

1 ... We4 2 .i.d3+ @e3 3 .an .ae6 4 .i.d3

.ag4 5 .ag6 h2 6 .i.e8 sn 7 .i.c6

Also after the more tenacious 7 .i.d7!? there

is a way through: 7 ... @e2 8 @c2.ag2 9 .i.f5

@el 10 .ag6 .af3 11 @cl (11 .i.f5 .i.dl+ 12

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