Graduation Project by Urvi Mishra

GRADUATION 

PROJECT 

2021 

National Institute of Fashion Technology 

Department of Fashion Design | New Delhi 

URVI MISHRA | 2017-2021

DECLARATION

CERTIFICATE OF AUTHORSHIP AND ORIGINALITY 

PROJECT COMPLETION CERTIFICATE

I N D E X 

1 . 

2 . 

B R A N D O V E R V I E W 

R E S E A R C H A N A L Y S I S 

M a r k e t R e s e a r c h 

T r e n d R e s e a r c h 

3 . 

4 . 

5 . 

6 . 

7 . 

8 . 

9 . 

K E Y I N S I G H T S 

D E S I G N B R I E F 

C O N C E P T & D E S I G N D E V E L O P M E N T 

F L A T D R A W I N G 

R A N G E P L A N N I N G 

S P E C I F I C A T I O N S H E E T S 

G A R M E N T D E V E L O P M E N T 

1 0 . C O S T I N G O F F I N A L C O L L E C T I O N 

1 1 . 

L O O K B O O K 

1 2 . R E F E R E N C E S

Student- Urvi Mishra 

Company- Hymn Clothing by Siddhartha Bansal 

Industry Mentor- Siddhartha Bansal 

Department Mentor- Dr. Monika Gupta

This document is a concise documentation of 

the fourteen weeks of Graduation Project I did 

at Siddhartha Bansal as a Fashion Intern. This 

graduation project is a part of my bachelor's 

program at the National Institute of Fashion 

Technology, New Delhi.

Firstly, I would like to express my gratitude to my industry mentor, Siddhartha 

Bansal. Whose constant guidance and timely advice played a vital role in 

making the execution of my graduation project successful. 

I would like to extend my indebtedness to my faculty, CC of the Fashion Design 

Department, Anuttma Chakraborty and my departmental mentor, Dr Monika 

Gupta, without them this project would not have been possible. 

Finally, I would take this platform to acknowledge the crucial role of my 

college, NIFT, Delhi for giving us this opportunity as this is a big milestone in 

my career development. I will strive to use gained skills and knowledge in the 

best possible way in order to attain the desired career objectives.

Delhi based designer Siddhartha Bansal studied textile designing from 

Nothern Institute of Fashion Technology(2007-2010). Winning various 

awards during graduation, his final graduation collection was awarded as 

the most innovative collection '07. Then there was no looking back. Working 

with veterans from the industry like Satya paul, Nida Mahmood, Manish 

Arora over years he gathered much-needed experience before starting his 

private label in 2015. 

In the first year of his label he got selected at a prestigious platform like GEN 

NEXT Lakme Winter festival '15 and amazed buyers, media as well as fashion 

followers for 3 consecutive seasons at Lakme and various other platforms 

like Asian Designer Week and Blender's Pride Fashion Tour. His design 

philosophy translates rich Craft and Culture in clothes. Vision is to give 

customers a lifetime experience through clothes with feminine cuts taking 

inspiration from rich heritage textiles, traditional costumes fused with fresh 

colour combination and intricately detailed motifs generally found in various 

cultures. Crafted prints and embroideries is the label's USP.

Siddhartha Bansal, the founder, the head designer of this label. This brand 

started with his vision to perceive Indian fashion with a different vision. He 

is the head designer, with a team of young budding designers. Creating 

magic with textiles, colours and prints with every new collection. He has 

permanent employees which include tailors, patternmakers, embroiders. A 

design team who works at the upcoming collections, website graphics, 

photoshoots for collections and manage the brand's social media as well. A 

merchandiser who deals with the orders that the brand receives, through 

the website or directly through the clients and a store manager who is also 

a runner, sources fabric and other material for the company.

Siddhartha Bansal, label epitomise its design philosophy touring around 

"Golden bird" nation to present-day India, in the wanderlust for rich craft 

and culture presenting to the world. Vision is to give customers a lifetime 

experience through cloths with feminine cuts taking inspiration from 

various textile crafts and fuse them with fresh colour combination and 

Intricately detailed motifs, Sums up in their Collections. They call It 

wearable art.

Crafted prints and embroideries are the brands USP. He loves to play 

with prints and colours. The brand is not afraid to standout amongst the 

rest. It is a beautiful amalgamation between Indian heritage and western 

trends. If you are ready to make a statement, his clothing is the one for 

you. Its for the millennials who love to experiment with fashion and are 

attached to their roots. These garments are perfect to add quirk and 

colour to your wardrobe!

P R O D U C T 

His products range from ethnic, bridal wear to 

western, occasional wear. There is a variety of 

product choices ranging from dresses. jackets, 

tops, kurtas, shirts, lehengas, skirts.

P R I C E 

Lehenga- 20,000 INR- 1,50,000 INR 

Jackets- 10,000 INR- 50,OOO INR 

Bottoms- 6,000 INR- 14,000 INR 

P R I C E 

Dresses- 5,000 INR- 35,000 INR 

Skirts- 8,000 INR- 90,000 INR 

Tops- 5000 INR- 19,000 INR

P L A C E 

Siddhartha Bansal has a flagship store in 

Shahpur Jat located in Delhi. He collaborates 

with pop-ups across the country, like Pop Up by 

Pernia and The Trunk Show by Tanya Gharvi to 

reach to the audience not residing in parts of 

Delhi.

P R O M O T I O N S 

Mainly sales take place through the official 

website that is www.siddharthabansal.com. 

Even Instagram is a huge medium to gain 

customers. They have collaborated with 

companies like Aza and 6Degree to sell the 

garments. Influencers and celebrities are a 

major reason to increase sales.

GENDER: Female 

AGE: 21-47 

ECONOMIC STATUS: Upper Class 

OCCUPATION: 

DEMOGRAPHICS: 

Upper class working women, 

influencers, actors, celebrities, 

magazine editors, tv show hosts, 

fashion enthusiast, bloggers. 

Upper class working women who 

live in big cities, and are always 

participating in social activities. 

LIFESTYLE: 

INCOME LEVEL: 1,00,000 INR and up 

CONSUMER HABITS: 

Press meetings, weddings, events, 

tours, promotion events, social 

gatherings, galas, get togethers. 

Shopping once a month at 

least at high-profileretail 

establishments, fashion able 

products with good quality 

and brand history.

M A R K E T R E S E A R C H 

Market and consumer research for that particular season. 

T R E N D A N A L Y S I S 

Trend analysis of the particular season to gauge what the 

audience is expecting for that particular season. 

D E S I G N P R O C E S S 

Thorough research leading to the inspiration, print, colour, 

silhouette and collection development. 

S O U R C I N G /S A M P L I N G 

Sourcing fabrics, trims, embroidery material for the 

upcoming collection. Make samples of embroidery 

swatches, prints and muslin fit of silhouettes before 

starting the development of the entire collection. 

F A B R I C D E V E L O P M E N T 

Print development on final fabrics. Embroidery or surface 

development on the required fabrics by the artisans, 

under the guidance of the head designer. 

P A T T E R N D E V E L O P M E N T 

Pattern development of the following collection and 

cutting the final fabrics. 

C O L L E C T I O N D E V E L O P M E N T 

After cutting the final stitching and finishing of the 

garment. 

C O S T I N G 

Deciding upon the cost of each piece produced in the 

particular collection. 

P H O T O S H O O T/ S T Y L I N G 

Photoshoot for the garment for promotion and look book 

development. 

L A U N C H I N G C O L L E C T I O N 

Launching collection for Lakme or Lotus fashion week or 

launching it on digital mediums. 

M A R K E T I N G 

Massive marketing through social media campaigns and 

website launching, to create a buzz over the following 

collection. 

M E R C H A N D I S I N G / S A L E S 

Sales of the collection, taking orders and customisation 

according to the client sizes and specific customisations.

G L O B A L P R E S E N C E 

Even though the brand is influenced by Indian 

heritage. It creates a global presence as well as 

they have clients across the world because of 

the timeless silhouettes, colours and patterns 

which don't fail to stand out. This attracts the 

foreign customers towards this brand as well. 

N I C H E 

Majority of clients are from India as our 

silhouettes, colours, prints are inspired by our 

Indian heritage in a way. We attract Indian 

clients the most. Hence, the collections need to 

have a hint of Indian culture with the 

amalgamation of western fashion trends, that's 

what sets this brand apart from the rest of the 

ones in the market alongside with it.

I N F L U E N C E R M A R K E T 

A lot of the clients are influencers, actors and 

celebrities. Hence, the collections are inspired 

by upcoming trends and what is in fashion that 

particular season. As a lot of the clients are 

attracted towards the clothes of the brand 

when influencer posts in the brands clothing. 

That is when the sales of the brand peaks. 

F E M A L E C L I E N T E L E 

Women are the leading consumers of his 

brands, especially millennial women. As the 

brand produces fun, quirky yet wearable 

festive clothing for women who like to indulge 

in fashion. Since the clothes are a little on the 

pricey, women buying from the brand are 

working women from urban parts of the 

country.

sleeves

collars

placket

details

details

details

details

sleeve 

details

details

details

details

details

80's-90's was a time where one saw 

the boom of power dressing. Playing 

with dramatic collars, sleeves, cuffs, 

button placement. Taking this era 

shirts as an inspiration when 

women's saw a complete change in 

terms. Diana being the fashion key 

icon of the 90's. We take inspiration 

from 90's for details which will be 

used in the shirts developed by us. 

80-90's shirts

80-90's shirts

80-90's shirts

80-90's shirts

80-90's shirts

80-90's shirts

80-90's shirts

80-90's shirts

80-90's shirts

80-90's shirts

diana's 

fashion 90s

designer shirts

80-90s shirts

80-90s shirts

80-90s shirts

Burberry 

Chloe 

Calvin Klein 

Stella McCartney 

Alexander McQueen 

Valentino 

Stella McCartney 

designer shirts 

Fendi 

Chloe

Pressed 

Flowers

Pressed 

Flowers

Pressed 

Flowers

Pressed 

Flowers

Pressed 

Flowers

Pressed 

Flowers

Blown Up Flower

Monochrome Blow Ups

chosen silhouette

chosen silhouette

chosen silhouette

chosen silhouette

80-90s shirts key elements 

exaggerated collars 

focus on cuffs 

laces 

notch collars 

peter pan collars 

sailor collars 

pleats 

tucks 

frills 

ribbon 

puffed sleeves 

Chinese button detailing 

pocket detailing 

panelling

RESEARCH ANALYSIS 

& KEY INSIGHTS

WORK FROM HOME CULTURE 

Work from home as a concept has boomed in 2020-21. People prefer, 

comfort over fashion, simple silhouettes yet classic are one which has 

seen an extreme demand. Loose yet chic pieces have seen the maximum 

buys. This collection focuses on fulfilling both the needs of the 

consumer, comfort with fashion. Sticking to the classic white shirt 

silhouette, with 80's-90s power dressing detailing and finished with 

delicate pressed flower embroidery. Perfect for a work from home look as 

well as something one can step out in as well, it's a statement piece in 

one's wardrobe. You can wear it the way it is or layer it with something 

basic, a shirt making the statement.

ONE SIZE FOR ALL 

Inclusivity as a concept has been spoken about in Indian fashion for the 

longest time. A few designers, stylists, magazine editor, fashion 

creatives are trying to make a change in this industry to make fashion 

for all. 

My designer's clientele being Indian women, normally bodies of Indian 

women are on the curvier end, hence a large chunk of the brand's 

customers are plus size women. 

The aim of this collection is to make fashion for all be it if one is 

skinny, healthy, tall, short, fair or dark. This collection is for all 

the women out there to feel beautiful in their own skin and our garments 

just help to elevate this feeling.

CONCEPT & DESIGN 

DEVELOPMENT

DESIGN BRIEF

Designing a SPRING-SUMMER 21/22 capsule collection for 

women. Going back to our classic, 'white shirts.' Keeping 

work from home culture in mind and designing oversized 

loose fits. Give a creative twist to the simple white 

shirt dresses with aesthetics aligning with the brand's 

ideology. Using key details like collars, laces, sleeves, 

placket placement from the 80s-90s. Surfacing focus on 

floral embroideries. Using the unused, waste fabrics 

produced or purchased in the previous collection 

upcycling and incorporating them in this collection.

Tone On 

Tone 

Prints 

Prints 

Created 

with 

Pressed 

Flowers 

Collars, 

Laces, 

Cuffs, 

Seleves 

Blown 

Up 

Pressed 

Flowers 

80s-90s 

key 

details 

SHIRT 

DRESSES 

Pressed 

Flowers 

Upcycling 

Embroidery 

Work From 

Home 

One Size 

For All 

Oversized 

Silhouttee

DESIGN PROCESS

13,March,21

CONCEPT NOTE

The monotony of the lockdown oriented many with different avocations. 

For me, it was my newfound admiration for collecting flowers and 

pressing them– one which would go on to become an inspiration for my 

collection. Amidst the humdrum, I was swayed by the sheer glimmer and 

grace of the blossoms in our backyard. So much so that spending the 

entire day in the backyard with my sprightly companions became a ritual. 

This blooming affair led me to the conception of a collection of pressed 

flowers in a diary which I have earnestly dedicated towards the same 

ever since. And so my collection, “THE PRESSED FLOWER AFFAIR”, derives 

its inspiration from the transcendence of my relationship with nature’s 

most vibrant beings.

MOOD BOARD

Playful 

Youthful 

Preppy 

KEY WORDS 

Quirky 

Inclusivity 

Feminine

COLOUR BOARD

FABRIC DIRECTION

COTTON DOBBY 

95-100 GSM 

100% COTTON 

POLY SATIN 

110-120 GSM 

POLYSTER, SATIN 

VISCOSE 

130-140 GSM 

100% VISCOSE 

COTTON 

100-120 GSM 

100% COTTON 

COTTON DOBBY 

100-120 GSM 

100% COTTON 

POLY LINE SATIN 

110-120 GSM 

POLYSTER, SATIN 

FABRICS 

COTTON 

COTTON DOBBY 

POLY LINE SATIN 

VISCOSE LINE 

COTTON DOBBY

FABRICS FOR EMBROIDERY 

Tie and Dye Organza from earlier 

collection, up-cycling fabric 

into floral embroideries.

SWATCH DEVELOPMENT

K H A K A D E V E L O P M E N T

SWATCH SAMPLES

MATERIALS USED- 

Tie & Dye Organza Petals 

(organza up-cycled from 

previous collection) 

Velvet yarn (yarn used 

from previous collection) 

Seed Beads (3 colours) 

TECHNIQUES USED- 

Folding the organza into 

petals and machine 

embroidered on fabric. 

Velvet yarn machine 

embroidered with hand 

stitched beads. 

Braiding the stem.


Tie & Dye Organza Petals 



Cotton Dori 





Twisting the organza and 

machine stitching it with 

nylon thread. 

Using a needle to achieve 

the bud embroidery with 

machine.


Tie & Dye Organza leaves 



Using waste lining scraps 

to create flower petals. 

Cotton Dori 


Making petals with lining 

fabric and creating folds 

with needle. 

Making leaves with organza 

and machine stitching it 

with nylon thread. 


the stem and machine 

embroidering the same.


Tie & Dye Organza petals 

and leaves (organza upcycled 

from previous 

collection) 

Using waste pleated scraps 

to create rose petals. 

Cotton Dori 


Making petals with organza 

fabric and pollen with 

tying knots. 

Making roses with pleated 

fabric and creating folds. 

Finishing stem of with 

cotton dori





Using waste lining scraps 

to create flower petals. 

Cotton Dori 



fabric and creating folds 

with needle. 



nylon thread. 


the bud with machine 

embroidery.


Tie & Dye Organza leaves, 

petals and lining tie and 

dye (organza up-cycled 

from previous collection) 

Cotton Thread dori, Resham 



fabric, 

Petals running with resham 

threads to create texture 

and layering it on top. 

Cotton Dori creating knots 

with it. 



nylon thread.






Cotton Dori 





Cotton dori using a 

needle to achieve the 

leaves with machine 

embroidery. 

Braiding the stem. Seed 

beads hand embroideried.





Ribbion 

Anchor Thread 

Cotton Dori 


Petals with ribbon 

embroidery. 

Taking a bunch of anchor 

threads and cutting them. 

Making pollens with tying 

knots of organza fabric.


Ribbon 

Cotton Dori 


Petals with ribbon 

embroidery. 


the bud with machine 

embroidery.






Cutdana two sizes 

Resham threads 



singular cut petals. 

Petals running with resham 

threads to create texture. 

Finishing with hand 

stitched beads and 

cutdana.


Tie & Dye Organza petals 



Using waste pleated scraps 

to create rose petals. 

Anchor/Cotton threads. 


Using pleated fabric to 

create petals and creating 

folds for texture. 



singular cut petals. 

Finishing petal edges with 

resham threads.

LACES AND BUTTONS 

EXPLORATION

Creating Resin 

Buttons with 

Pressed Flowers

PRINT DIRECTION

Monochrome 

Blow Ups 

Contrasting 

Prints 

PRINT 

DIRECTION 

Tone On 

Tone Print 

Blown Up 

Flowers

PRESSED FLOWER LIBRARY

INITIAL PRINTS

Pressed Flower 1 


Grainy handmade 

paper for base 

texture 


REJECTED PRINT: 

As it was too earthy looking and 

does not match the brand's colours.



Crushed parchment 

paper for base 

texture 

Sketched heart 

as a motif 


As it was not complementing the 

silhouette. The choice of colours 

were rejected as well.




Newspaper 

print for base 


As it did not match the colour 

palette and the brand's aesthetic.

FINALISED PRINTS

Blown up pressed 

flower placement on 

shoulder and hem 

Scattered leaf 

placement over the 

texture 

Base texture of 

print 



shoulder and yoke



checks 

Base tone on tone 

checks

Blown up pressed flower 

placement on panel 



checks 

Base tone on tone 

checks


placement, tone on 

tone print 


flower on yoke

Blown up pressed flower 

placement on hemline 


placement over solid 

colour 


flower placement 

on back hemline


placement, tone 

on tone print 


flower placement 

on hemline



on tone print 


placement on solid



on tone print 


placement on solid


placement, tone on 

tone print

MOTIF 1 



hem and shoulder 

MOTIF 2 

MOTIF 3 

MOTIF 4

MOTIF 1 

MOTIF 2 

MOTIF 3 

MOTIF 4

Checks as base 

of print 

Pressed flowers 

random placement

RUNNING PRINT 

PROTOTYPES

SILHOUETTE EXPLORATION

Oversized, 

loose 

fitted 

Focus on 

collar, 

cuffs and 

plackets 

SILHOUTTE 

DIRECTION 

80s-90s 

key 

details 

Work from 

home 

culture

ROUGH SKETCHES

STYLE 1* 

STYLE 2

STYLE 3 

STYLE 4

STYLE 5 

STYLE 6

STYLE 7 

STYLE 8*

STYLE 15* 

STYLE 16

STYLE 9 

STYLE 10

STYLE 17* 

STYLE 18*

STYLE 11 

STYLE 12

STYLE 13 

STYLE 14

STYLE 19* 

STYLE 20*

FLAT DRAWINGS

- Bishop Seleeves 

- Assymetrical Hemline 

- Basic Shirt Placket 

Scalloping 

- Double Fold Hem Finish 

- Puritan Collar With Scalloping 

Detailing 

- Western Shirt Yoke With Lace 

Finishing 

Lace 

- Panneling On Shoulder And Over 

Chest Finishing 

Tone On Tone Print 


Machine Embroidery 

Technique 

Resin Buttons 

Plain Cotton Fabric

- Shirt Collar 

- Highlow Hemline 



- Dropped Shoulder 

- Panelling Between The Shirt 

Finished With Double fold 

Fabric 

Poly Line Satin 


Technique 

Resin Buttons 

Print Tone On Tone 

Print Tone On Tone

- Assymetrical Placket With Button 

Loop 


Technique 

- Shirt Collar With Stand 

- Chinese Button (Cloth Buttons) 

- Shirt Collar With Band 



- Cuffs With A Diagonal Slit 

Lace 

Checked Cotton Fabric 

Lace 

Print Created 

Tone On Tone

Lace 

Motif 

Lace 

- Chealse Collar With Lace Finishing 

- Double Breasted Placket 

- Panelling On Seleeve 

- Seleeve Finished With Lace 


- Dropped Shoulder With Lace On Seam 

- Panelling Front And Back 

Lace 




Technique 

Lace 

Checked Cotton

- Puffed Selevees With Band And 

Pleated Frills 




Technique 



- Western Shirt Yoke 


Technique 



Checked Cotton Dobby

- Rounded Flat Collar With Collar 

Stand 

- Bell Cuffs 

- Shirt Placket 



Cotton Dobby 

Fabric 

Resin Buttons 

Tone On Tone Print

- Wrap Shirt Dress 


Embroidery 

With Ribbion 

- Shirt Stand Collar 


- Overlap Closure 

- V Neckline 

Resin Buttons 

Print Created 


Cotton Dobby

- Chealse Collar 

- Horizontal Yoke 


Technique 


- Concealed Placket 

- Slit Open Back Overlap 


- Assymetrical Hemline (Highlow) 

Poly Line Satin 


Technique 


Tone On Tone Print

RANGE PLAN

SPECIFICATION 

SHEETS

M A I N L A B E L 

WIDTH 2.3 

WOVEN MAIN LABEL 

T R I M 1 - 1 1 B U T T O N 

RESIN BUTTON 

T R I M 2 - L A C E 1 & 2 

F A B R I C & C A R E 

S T Y L E S B P F 0 1 

8 2 5 9 8 4 

B 0 8 F B E 

9 F 9 B C 5 

PLAIN COTTON WITH CHEMICAL CLEANING 

CARE: DRY CLEAN ONLY 

E A E 5 9 0 

DESCRIPTION: 

LILAC&LEMON YELLOW SHIRT DRESS TONE PRINT 

SIZES IT FITS: 

S,M,L,XL 

FABRIC: 

PLAIN COTTON, COMPOSTION 100% COTTON (100-120 GSM) 

STORY: 

THE PRESSED FLOWER AFFAIR

M E A S U R E M E N T S 

- Full Length- 35.2" 

- Chest- 42.4" 

- Shoulder Width- 15.2" 

- Placket Width- 1.2" 

- Cuff Width- 8.4" 

-Cuff Length- 2.1" 

- Armhole Width- 18" 

- Sleeve Length- 23.4" 


- Front Yoke- 9.4" 

-Back Yoke Length- 7.4" 

-Collar Dimension- 5.2" x 5.2" 

S I L H O U E T T E D E T A I L S 

- Bishop Sleeves 

- Asymmetrical Hemline 



- Puritan Collar With Scalloping 

Detailing 

- Western Shirt Yoke With Lace 

Finishing 

- Panelling On Shoulder And Over 

Chest Finishing 

P R I N T D E T A I L S 

E M B R O I D E R Y D E T A I L S 

TIE & DYE ORGANZA PETALS MACHINE 

EMBROIDERY 

ASTER 

SHOOTING STAR


WIDTH 2.3 


T R I M 1 - 1 9 B U T T O N 

SHIP BUTTON 

16 LINE 

T R I M 2 - L A C E 1 , 2 & 3 



8 C 9 1 4 E 

9 2 A 0 4 2 

A 8 9 F 5 E 

VISCOSE LINE 


D 6 D 8 4 8 

C 3 3 F 9 4 

DESCRIPTION: 

SAGE GREEN SHIRT DRESS TONE PRINT 


S,M,L,XL 

FABRIC: 

VISCOSE, COMPOSTION 100% VISCOSE SLUB (140GSM) 

STORY: 




- Chest- 40.4" 


- Cuff Width- 10" 

-Arm Panel Length- 13" 

- Armhole Width- 16.8" 

- Sleeve Length- 22" 

- Shoulder Width- 23" 

-Collar Dimension- 8.2 x 7.4 x 2.2 

Panel Length- 13.4" 

Panel Length- 29" 


- Chealse Collar With Lace 

Finishing 

- Double Breasted Placket 

- Panelling On Sleeve 


- Dropped Shoulder With 

Lace On Seam 

- Panelling Front And Back 

- Sleeve Finished With Lace 



TIE & DYE ORGANZA 

PETALS MACHINE 

EMBROIDERY 

SWEET PEA 

MIMOSA 

FLOWER EMBROIDERY 

ON COLLAR


WIDTH 2.3 


T R I M 1 - 3 3 B U T T O N 

RESIN BUTTON 



F 4 D C A 1 

COTTON DOBBY WITH CHEMICAL CLEANING 


E B B 8 B B 

D C B 8 6 6 

F 4 D D A 2 

D 9 8 F 9 6 

DESCRIPTION: 

PASTEL YELLOW & BABY PINK SHIRT DRESS 


S,M,L,XL 

FABRIC: 

COTTON DOBBY, COMPOSTION 100% COTTON (95GSM) 

STORY: 



- Front Length- 40" 

- Back Length- 46.6" 

- Chest- 44" 

- Placket at armhole W- 1.6' 




- Pocket L x B- 6" x 6" 

- Sleeve Length- 29.4" 


- Yoke Length- 8" 

- Yoke Width- 14" 

-Collar Dimension- 9.5" x 5.4" 

- Hemline Width- 24" 


- Raglan Sleeve 


- Exaggerated Peter Pan Collar 


- Opening On Sleeves With 

Buttons 

- 2 Patch Pockets 





EMBROIDERY AND BUD 

WITH PLEATED FABRIC 

MORNING GLORY 

CHERRY BLOSSOM


WIDTH 2.3 


T R I M 1 - 9 B U T T O N 

CHINESE BUTTON 



COTTON DOBBY WITH CHEMICAL CLEANING 


D B A 5 9 F 

B F 4 5 7 4 

D 0 9 5 B F 

E 5 D 6 5 3 

DESCRIPTION: 

YELLOW & PINK SHIRT DRESS WITH TONE ON TONE PRINT 


S,M,L,XL 

FABRIC: 

COTTON DOBBY, COMPOSTION 100% COTTON (100-120GSM) 

STORY: 



- Front Length- 35.4" 

- Chest- 42" 


- Collar Stand Length- 1.3" 



- Armhole Width- 17" 



- Yoke Length- 8.4" 

-Yoke Width- 19.1" 

-Notch Width- 2.4" 

- Back Length- 44" 


- Puffed Sleeves With Band And 

Pleated Frills 

- High low Hemline 



-Shirt Collar With Band 

- Western Shirt Yoke 





EMBROIDERY AND 

BUTTERFLY WITH TIE 

AND DYE ORGANZA 

COSMOS 

WILD ROSE


WIDTH 2.3 


T R I M 1 - 8 B U T T O N 

SHIP BUTTON 

16 LINE 



POLY SATIN 


5 6 4 7 3 D 

9 9 7 9 6 8 

DESCRIPTION: 

BROWN SHIRT DRESS WITH TONE ON TONE PRINT 


S,M,L,XL 

FABRIC: 

POLY SATIN, COMPOSTION POLYESTER, SATIN (110-120GSM) 

STORY: 



- Front Length- 34" 

- Front Length- 40.4" 

- Chest- 41" 



-Cuff Length- 6" 

- Armhole Width- 18.4 



- Yoke Length- 8" 

- Yoke Width- 15.4" 

-Collar Dimension- 9.6 x 1.9 

-Full Length- 46" 


- Notch Collar 



Bell Cuffs 


- Horizontal Yoke 





EMBROIDERY 

PINK BLUSH 

CREATING FLOWERS WITH 

RIBBION EMBROIDERY


WIDTH 2.3 


T R I M 1 - 2 B U T T O N 

CLOTH BUTTON WITH LOOP 

T R I M 2 - L A C E 1 



B E C 0 5 7 

9 A 8 D 3 A 

VISCOSE LINE 


DESCRIPTION: 

LEAF TEXTURED PRINT SHIRT DRESS 


S,M,L,XL 

FABRIC: 

VISCOSE, COMPOSTION 100% VISCOSE SLUB (140GSM) 

STORY: 




- Chest- 40." 




-Placket- 1" 

-Yoke L & B- 7.2" x 15.6" 



- Shoulder Width- 23" 

-Collar Notch Width- 3.2 

Front Flap L & B- 43.4" x 19.4 

Inner Flap L & B - 40.2" x 18.4 

Collar Stand Length- 1.4" 


- Asymmetrical Placket With 

Button Loop 

- Shirt Collar With Stand 

- Cloth Buttons 



- Asymmetrical Hemline 

- Cuffs With a Slit 




EMBROIDERY 

SPRING TIME


WIDTH 2.3 


T R I M 1 - 9 B U T T O N 

RESIN BUTTON 



POLY SATIN 


B 6 B 8 4 E 

C 1 B E 5 2 

8 5 8 F 3 D 

C 0 C D 3 F 

B D 7 6 8 8 

C E 9 8 A 3 

B 8 4 3 7 8 

DESCRIPTION: 

GREEN TONE ON TONE PRINT PANELLED SHIRT DRESS 


S,M,L,XL 

FABRIC: 

POLY SATIN, COMPOSTION POLYESTER, SATIN (110GSM) 

STORY: 



- Full Length- 40" 

- Chest- 40.2" 



- Cuff Length- 12.2" 

-Arm Panel Length- 13" 

-Placket Width- 1.1" 




- Collar Notch Width- 3.4" 

-Stand Collar Length- 1.2" 

Front Length- 36.5" 

Panel Length and Width- 14" x 42.8 


- Shirt Collar 

- High low Hemline 




- Panelling Between The Shirt 

Finished with Double fold 




EMBROIDERY 

MORGAN GLORY 

PEONY

GARMENT DEVELOPMENT

Dyeing Shirts as closest base colour of 

print to substitute digital printing





Hand painting of blown up flowers as a 

substitute of digital printing

Hand painting of blown up flowers as a 

substitute of digital printing

COSTING OF FINAL 

COLLECTION

LINE PRESENTION

LOOK BOOK

RFERENCES

R E F E R E N C E S 

1 . 

2 . 

3 . 

4 . 

5 . 

h t t p s : / / s i d d h a r t h a b a n s a l . c o m 

h t t p s : / / f a s h i o n f a d . i n / d e s i g n e r - b i o g r a p h y / s i d d h a r t h a - b a n s a l / 

h t t p s : / / w w w . w g s n . c o m / f a s h i o n / s e a r c h ? q u e r y = s h i r t % 2 0 d r e s s e s 

h t t p s : / / w w w . w g s n . c o m / l i b r a r y / r e s u l t s / 0 / p r e s s e d % 2 0 f l o w e r s 

h t t p s : / / p a t t e r n b a n k . c o m / s p r i n g - s u m m e r - 2 0 2 1 - p r e s s e d - f l o w e r 

6 . h t t p s : / / p a t t e r n b a n k . c o m / t r e n d s / a u t u m n - w i n t e r - 2 0 2 1 - 2 0 2 2 / a u t u m n - w i n t e r - 

2 0 2 1 - 2 0 2 2 - m o n o c h r o m e - b l o w - u p s - t r e n d s

DELHI 

Nation Institute Of Fashion Technology 

(Ministry Of Textile, Government Of India 

Balbir Saxena Marg, near Gulmohar Park, Hauz Khas , 

Delhi-110016 

Ph: 01126542000 

Web: www.nift.ac.in

Graduation Project by Urvi Mishra

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