Inside History: Protest. Revolt & Reform

For our next issue we take a closer look at the theme of Protest from the events of Peterloo to the fall of the Berlin. Inside we cover a whole range of historical protests and the individuals who led the charge for change. This issues includes: John Brown's raid on Harpers Ferry, The Suffragettes, Billie Holiday and the role music has played in protests, The Civil Rights Movement, Protest and Sport, We are the People: The Fall of the Berlin Wall, Bloody Sunday at Trafalgar Square, and much much more. For our next issue we take a closer look at the theme of Protest from the events of Peterloo to the fall of the Berlin. Inside we cover a whole range of historical protests and the individuals who led the charge for change. This issues includes:

John Brown's raid on Harpers Ferry, The Suffragettes, Billie Holiday and the role music has played in protests, The Civil Rights Movement, Protest and Sport, We are the People: The Fall of the Berlin Wall, Bloody Sunday at Trafalgar Square, and much much more.

10.06.2021 Views

BILLIE HOLIDAYIt wouldn’t take long for those involved withthe song to begin facing the authorities.There was concern that the song and thepower that it held could incite hostilities.Strange Fruit had put Holiday and Meeropolon the government’s radar. For Meeropol, hewas called to testify before the committeeinvestigating communism where he wasasked if the US Communist Party had paidhim to write the song. Club promotors hiringHoliday would be strongly urged not to allowHoliday to sing her now famous song. ForHoliday, the repercussions would be moreintense.Harry Anslinger, head of the Federal Bureauof Narcotics, had made Holiday his PublicEnemy number one. He knew exactly how tosilence her in what would become anobsessive and long campaign againstHoliday. Rumours about Holiday’s drug usewere circling. All Anslinger needed was theproof. Realising that his own white agentscouldn’t infiltrate Holiday’s circle, Anslingersent Jimmy Fletcher, one of the FBI’s fewBlack agents at the time, to follow Holiday togather the evidence. It worked and Holidaywas later arrested for the possession ofNarcotics in 1947. She would later faceprison despite pleading guilty and asking tobe sent to hospital. The drug possessionconviction also caused her to lose her NewYork City Cabaret Card meaning that shecould not perform anywhere that soldalcohol.Holiday’s career would continue after hertime in prison even selling out Carnegie Hallsoon after her release but Anslinger wouldcontinue his campaign against her until herdeath in 1959 at the age of 44.Strange Fruit may have been a song from1939 but it continued to make its mark asthe racial tensions in America grewthroughout the 1950’s. Ahmet Ertegun, whowould later co-found Atlantic Records calledthe song: “a declaration of war...thebeginning of the civil rights movement.” Itwas a song that stirred emotions, highlightedthe tensions, and in attempting to silenceHoliday, proved that once a song hits thepublic’s imagination so fiercely, nogovernment prevent its power.Ahmet Ertegun, who would later co-foundAtlantic Records, called the song:“a declaration ofwar...thebeginning of thecivil rightsmovement.”46 INSIDE HISTORY

Southern trees bear a strange fruit,Blood on the leaves and blood at the root,Black body swinging in the Southern breeze,Strange fruit hanging from the poplar trees.Pastoral scene of the gallant South,The bulging eyes and the twisted mouth,Scent of magnolia sweet and fresh,And the sudden smell of burning flesh!Here is a fruit for the crows to pluck,For the rain to gather, for the wind to suck,For the sun to rot, for a tree to drop,Here is a strange and bitter crop.INSIDE HISTORY 47

BILLIE HOLIDAY

It wouldn’t take long for those involved with

the song to begin facing the authorities.

There was concern that the song and the

power that it held could incite hostilities.

Strange Fruit had put Holiday and Meeropol

on the government’s radar. For Meeropol, he

was called to testify before the committee

investigating communism where he was

asked if the US Communist Party had paid

him to write the song. Club promotors hiring

Holiday would be strongly urged not to allow

Holiday to sing her now famous song. For

Holiday, the repercussions would be more

intense.

Harry Anslinger, head of the Federal Bureau

of Narcotics, had made Holiday his Public

Enemy number one. He knew exactly how to

silence her in what would become an

obsessive and long campaign against

Holiday. Rumours about Holiday’s drug use

were circling. All Anslinger needed was the

proof. Realising that his own white agents

couldn’t infiltrate Holiday’s circle, Anslinger

sent Jimmy Fletcher, one of the FBI’s few

Black agents at the time, to follow Holiday to

gather the evidence. It worked and Holiday

was later arrested for the possession of

Narcotics in 1947. She would later face

prison despite pleading guilty and asking to

be sent to hospital. The drug possession

conviction also caused her to lose her New

York City Cabaret Card meaning that she

could not perform anywhere that sold

alcohol.

Holiday’s career would continue after her

time in prison even selling out Carnegie Hall

soon after her release but Anslinger would

continue his campaign against her until her

death in 1959 at the age of 44.

Strange Fruit may have been a song from

1939 but it continued to make its mark as

the racial tensions in America grew

throughout the 1950’s. Ahmet Ertegun, who

would later co-found Atlantic Records called

the song: “a declaration of war...the

beginning of the civil rights movement.” It

was a song that stirred emotions, highlighted

the tensions, and in attempting to silence

Holiday, proved that once a song hits the

public’s imagination so fiercely, no

government prevent its power.

Ahmet Ertegun, who would later co-found

Atlantic Records, called the song:

“a declaration of

war...the

beginning of the

civil rights

movement.”

46 INSIDE HISTORY

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