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Cross-cultural collaboration with China<br />
by Professor James Crabbe (MCR 1977-79, JRF 1979-<br />
82, RF 1982-87, SF 1988-).<br />
Wolfson <strong>College</strong> is truly international; indeed a friend of mine once said that you<br />
could fly the UN flag over the <strong>College</strong>. Cross-cultural sensitivity and exchange is at<br />
the core of a global system of higher education, where we can understand, respect,<br />
and learn from the strengths of other nations. As Executive Dean of Creative Arts,<br />
Technologies and Science at the University of Bedfordshire, my collaboration with<br />
leading institutions in China over the last four years has made me sensitive to<br />
cultural differences, innovation in ideas of communication, and growing partnership<br />
networks.<br />
China is trying to develop its own pedagogy, free from Russian and Western models.<br />
In doing so, it needs to embrace new forms of creativity and critical thinking. In<br />
2009, after I had given a lecture on creativity to staff and students at the China<br />
University of Communications in Beijing, the Head of Department said to me: ‘We<br />
have a different definition of creativity; it is not the same as yours.’<br />
This difference is underpinned by a major cultural distinction. We in the West<br />
tend to be task-oriented, and the Chinese to be culture-oriented. There have been<br />
many attempts by writers and researchers in the West to embrace Chinese culture,<br />
but one example may illustrate the pitfalls. In 1820 Robert Morrison published<br />
his Dictionary of the Chinese Language. In trying to introduce Chinese culture to<br />
Westerners, he adopted a culture-oriented approach, incorporating information<br />
from selected Chinese works. However, despite his excellent intentions, there were<br />
three important factors he could not disguise: his Protestant mission, his view of<br />
cross-cultural communication between China and the West, and the patronage of<br />
the East India Company which printed his book.<br />
It is very difficult, perhaps impossible, for Westerners to embrace Chinese culture<br />
completely. It is not for nothing that ‘Propriety, Righteousness, Integrity, and a<br />
Sense of Shame’ is carved in Chinese on the gate to Chinatown, Boston (Mass.).<br />
Confucianism values shame as an emotion which promotes self-examination and<br />
motivates one toward toward socially and morally desirable change. It does not<br />
share the Western assumption that shame is harmful to one’s health.<br />
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