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As well as dancing, the Wolfson classes had a visiting artist, Weimin He, who is<br />
artist-in-residence at the Oxford University Estates Directorate. He is interested<br />
in the depiction of movement through art, and came to our classes to sketch the<br />
dancers. It was always a treat to enjoy the beautiful sketches at the end of a class!<br />
Penny Feng<br />
Music Society<br />
There has been a surge of musical activity in <strong>College</strong>, fuelled in part by the opening<br />
of the new Leonard Wolfson Auditorium, the purchase of an electronic drum kit<br />
and digital piano, and the generous loan of a small Steinway grand piano by Karen<br />
Segal, which resulted in more than twenty different concerts, gigs, and jams of<br />
bewildering and fantastic variety. The Cellar Bar staged two open mic nights, a<br />
jam night, an acoustic night, and a band night featuring legendary Oxford blues<br />
rock band Steamroller. The Hall hosted the annual Winter concert, which treated<br />
the audience to a spread of AMREF cakes, mulled wine and mince pies, while it<br />
enjoyed performances from <strong>College</strong> musicians – including an impromptu jazz piano<br />
improvisation by Hein de Haas (GBF) – and both <strong>College</strong> choirs. There was also<br />
the unforgettable OxJam charity gig in the Bar, in its second consecutive year,<br />
which raised over £600 for charity. The concert was headlined by the electrifying<br />
Southern Blues Fiasco, and featured performances from many Wolfson musicians,<br />
notably a mesmerising rendition of Nina Simone’s ‘Feeling Good’ by Janamarie<br />
Truesdell, and the hilariously infectious delivery of Ylvis’s ‘The Fox’ by the Howlin’<br />
Wolves.<br />
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