College Record 2014
Extra-curricular activities The past year has been one of preparation for commemorating the centenary of the outbreak of World War I. Last November, on Remembrance Sunday, my setting of Wilfred Owen’s poem ‘Futility’ was played in Australia on ABC Classic FM and, in April, the London-based choir, Khoros, performed my setting of Ivor Gurney’s ‘Requiem’ at the National Portrait Gallery. I have just finished preparing these two pieces, alongside four others, for publication by Shorter House, which will be launched at the ABCD Annual Convention in Cardiff this year. In addition, I have been working on a major new recording project A Multitude of Voices with my choir, Sospiri. In 2013 the choir commissioned ten composers to write new pieces based on texts from World War I. We encouraged the composers to look beyond the popular poetical canon and cast their nets far and wide. In return we received a superb set of new pieces with texts in French, English and German. The CD is released on Convivium Records. My contribution was a piece in German – ‘Urtod’ (Primal Death) – by the modernist poet August Stramm, plus two small vignettes for piano trio and solo voices, turning extracts from letters by Wilfred Owen and Edward Thomas into imagined conversations with their loved ones. The choir was delighted that the Fournier Trio came and recorded these pieces with us. It’s been an exciting, busy and fruitful year, and I’m looking forward to the opportunities that the new academic year will bring. 110
A fossil Bible by Liz Baird, Assistant Archivist The Haldane Room was packed on 13 March 2014 for a talk by Professor Jim Kennedy (EF), retired Director of Oxford’s Natural History Museum, on the early days of the study of natural history and how it related to the Genesis stories of the Bible. His talk focused on the Swiss scientist Johannes Jacob Scheuchzer (1672– 1733), whose Natural History of Switzerland (Helvetiae Historia Naturalis, 1716) was one of the chief sources for Schiller’s drama Wilhelm Tell (1804). He told us that Scheuchzer, like many of his contemporaries, accepted the Genesis account of Creation; he published several works on fossils – the word means, literally, ‘dug up’– and even had a fossil named after him: Andrias scheuchzeri. Scheuchzer believed it to be a child which had drowned in Noah’s Flood, but the French scientist Georges Cuvier (1769-1832) proved it was an amphibian. However, it has kept its name. The talk was accompanied by a display of the seventeenth-century Pentateuch Bible The Wolfson copy of Vitré’s Biblia Sacra, title page 111
- Page 63 and 64: Marquis, Caitlin Martin, Matthew Ma
- Page 65 and 66: Sonthalia, Shreya Strebler, David T
- Page 67 and 68: Kunnath, George, (BA Ranchi, MA Poo
- Page 69 and 70: Binter, Julia (DPhil Anthropology)
- Page 71 and 72: Krylova, Olga (MSc Environmental Ch
- Page 73 and 74: Safar, Ahmed (Master of Public Poli
- Page 75 and 76: Elected members of the Governing Bo
- Page 77 and 78: Special thanks should go to Jan Scr
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- Page 81 and 82: Boat Club Wolfson College Boat Club
- Page 83 and 84: Elo Luik rowed with the Oxford Univ
- Page 85 and 86: Croquet Wolfson / St Cross Cricket
- Page 87 and 88: The egg-hunt was held outside, and
- Page 89 and 90: The LWA hosted an eclectic series o
- Page 91 and 92: Old Wolves Lunch In last year’s R
- Page 93 and 94: Remarque. The Group with its varied
- Page 95 and 96: Wine Society The Wine Society has h
- Page 97 and 98: of the human belief that is investe
- Page 99 and 100: present. ‘Juxtapose’, its gradu
- Page 101 and 102: culture in life writings by the Dar
- Page 103 and 104: The President’s Seminars The Semi
- Page 105 and 106: Speakers and Sessions Michaelmas Te
- Page 107 and 108: ‘Girl band’, Salvador But the i
- Page 109 and 110: Font Matters: a surprising conversa
- Page 111 and 112: The Canteen of Creativity by John D
- Page 113: The year in brief In Michaelmas Ter
- Page 117 and 118: Wolfson’s book, therefore, is a c
- Page 119 and 120: Cupboards and Crypts: chasing after
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- Page 123 and 124: cry of frustration at our failure t
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- Page 127 and 128: Brock Michael George (GBF 1967-76,
- Page 129 and 130: Hawker, Nancy (GS 2006 -11) Awarded
- Page 131 and 132: Sallam, Hesham (GS 2006-09) Directo
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- Page 135 and 136: Mora, Francisco T Pickering, Willia
Extra-curricular activities<br />
The past year has been one of preparation for commemorating the centenary of the<br />
outbreak of World War I. Last November, on Remembrance Sunday, my setting of<br />
Wilfred Owen’s poem ‘Futility’ was played in Australia on ABC Classic FM and,<br />
in April, the London-based choir, Khoros, performed my setting of Ivor Gurney’s<br />
‘Requiem’ at the National Portrait Gallery. I have just finished preparing these<br />
two pieces, alongside four others, for publication by Shorter House, which will be<br />
launched at the ABCD Annual Convention in Cardiff this year.<br />
In addition, I have been working on a major new recording project A Multitude of<br />
Voices with my choir, Sospiri. In 2013 the choir commissioned ten composers to<br />
write new pieces based on texts from World War I. We encouraged the composers<br />
to look beyond the popular poetical canon and cast their nets far and wide. In return<br />
we received a superb set of new pieces with texts in French, English and German.<br />
The CD is released on Convivium <strong>Record</strong>s. My contribution was a piece in German<br />
– ‘Urtod’ (Primal Death) – by the modernist poet August Stramm, plus two small<br />
vignettes for piano trio and solo voices, turning extracts from letters by Wilfred<br />
Owen and Edward Thomas into imagined conversations with their loved ones. The<br />
choir was delighted that the Fournier Trio came and recorded these pieces with us.<br />
It’s been an exciting, busy and fruitful year, and I’m looking forward to the<br />
opportunities that the new academic year will bring.<br />
110