College Record 2014

WolfsonCollege
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02.06.2021 Views

Extra-curricular activities The past year has been one of preparation for commemorating the centenary of the outbreak of World War I. Last November, on Remembrance Sunday, my setting of Wilfred Owen’s poem ‘Futility’ was played in Australia on ABC Classic FM and, in April, the London-based choir, Khoros, performed my setting of Ivor Gurney’s ‘Requiem’ at the National Portrait Gallery. I have just finished preparing these two pieces, alongside four others, for publication by Shorter House, which will be launched at the ABCD Annual Convention in Cardiff this year. In addition, I have been working on a major new recording project A Multitude of Voices with my choir, Sospiri. In 2013 the choir commissioned ten composers to write new pieces based on texts from World War I. We encouraged the composers to look beyond the popular poetical canon and cast their nets far and wide. In return we received a superb set of new pieces with texts in French, English and German. The CD is released on Convivium Records. My contribution was a piece in German – ‘Urtod’ (Primal Death) – by the modernist poet August Stramm, plus two small vignettes for piano trio and solo voices, turning extracts from letters by Wilfred Owen and Edward Thomas into imagined conversations with their loved ones. The choir was delighted that the Fournier Trio came and recorded these pieces with us. It’s been an exciting, busy and fruitful year, and I’m looking forward to the opportunities that the new academic year will bring. 110

A fossil Bible by Liz Baird, Assistant Archivist The Haldane Room was packed on 13 March 2014 for a talk by Professor Jim Kennedy (EF), retired Director of Oxford’s Natural History Museum, on the early days of the study of natural history and how it related to the Genesis stories of the Bible. His talk focused on the Swiss scientist Johannes Jacob Scheuchzer (1672– 1733), whose Natural History of Switzerland (Helvetiae Historia Naturalis, 1716) was one of the chief sources for Schiller’s drama Wilhelm Tell (1804). He told us that Scheuchzer, like many of his contemporaries, accepted the Genesis account of Creation; he published several works on fossils – the word means, literally, ‘dug up’– and even had a fossil named after him: Andrias scheuchzeri. Scheuchzer believed it to be a child which had drowned in Noah’s Flood, but the French scientist Georges Cuvier (1769-1832) proved it was an amphibian. However, it has kept its name. The talk was accompanied by a display of the seventeenth-century Pentateuch Bible The Wolfson copy of Vitré’s Biblia Sacra, title page 111

Extra-curricular activities<br />

The past year has been one of preparation for commemorating the centenary of the<br />

outbreak of World War I. Last November, on Remembrance Sunday, my setting of<br />

Wilfred Owen’s poem ‘Futility’ was played in Australia on ABC Classic FM and,<br />

in April, the London-based choir, Khoros, performed my setting of Ivor Gurney’s<br />

‘Requiem’ at the National Portrait Gallery. I have just finished preparing these<br />

two pieces, alongside four others, for publication by Shorter House, which will be<br />

launched at the ABCD Annual Convention in Cardiff this year.<br />

In addition, I have been working on a major new recording project A Multitude of<br />

Voices with my choir, Sospiri. In 2013 the choir commissioned ten composers to<br />

write new pieces based on texts from World War I. We encouraged the composers<br />

to look beyond the popular poetical canon and cast their nets far and wide. In return<br />

we received a superb set of new pieces with texts in French, English and German.<br />

The CD is released on Convivium <strong>Record</strong>s. My contribution was a piece in German<br />

– ‘Urtod’ (Primal Death) – by the modernist poet August Stramm, plus two small<br />

vignettes for piano trio and solo voices, turning extracts from letters by Wilfred<br />

Owen and Edward Thomas into imagined conversations with their loved ones. The<br />

choir was delighted that the Fournier Trio came and recorded these pieces with us.<br />

It’s been an exciting, busy and fruitful year, and I’m looking forward to the<br />

opportunities that the new academic year will bring.<br />

110

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