SOCKET Magazine - London Metropolitan University
A magazine is synonymous with revelation, sharing and reflection; it is a colourful compact guide through ideas and suggestions that can stay with us even after newspaper headlines are shredded and hasty videos are scrolled away. There is no ‘perfect’ or ‘easy’ way to create and launch a magazine. Yet, the 20/21 BA Photography Year 2 students of the School of Art, Architecture and Design, London Metropolitan University, brought together their creative idiosyncrasies to produce a fantastic source of collective energy and inspiration – aptly called SOCKET.
Diverse photographic genres blend in a symbiotic narrative that features selected work from the students’ array of projects. They reach out to the world with an inspective eye (AGORA), follow people to their various roots (TRACE), expose our shapeshifting mood in our strive for survival (CHAMELEON), and shed a spotlight on digital heroes and hidden icons (EYESOME). The productive cross-contamination of creative practices (in this instance, photography, poetry and painting) is celebrated as a serious field of enquiry in which the process of discovery transcends to the final outcome.
Yiannis Katsaris
Senior Lecturer, BA Photography
London Metropolitan University
A magazine is synonymous with revelation, sharing and reflection; it is a colourful compact guide through ideas and suggestions that can stay with us even after newspaper headlines are shredded and hasty videos are scrolled away. There is no ‘perfect’ or ‘easy’ way to create and launch a magazine. Yet, the 20/21 BA Photography Year 2 students of the School of Art, Architecture and Design, London Metropolitan University, brought together their creative idiosyncrasies to produce a fantastic source of collective energy and inspiration – aptly called SOCKET.
Diverse photographic genres blend in a symbiotic narrative that features selected work from the students’ array of projects. They reach out to the world with an inspective eye (AGORA), follow people to their various roots (TRACE), expose our shapeshifting mood in our strive for survival (CHAMELEON), and shed a spotlight on digital heroes and hidden icons (EYESOME). The productive cross-contamination of creative practices (in this instance, photography, poetry and painting) is celebrated as a serious field of enquiry in which the process of discovery transcends to the final outcome.
Yiannis Katsaris
Senior Lecturer, BA Photography
London Metropolitan University
Agora2
Being Glitchby Douglas ReevesAsleep, I dream of becoming lost in a cave that lies beneatha mountain of silver and glass surrounded by a clouded ar-chipelago, dazzled by the blue light of its nectareous pools.3
- Page 1 and 2: TraceSOCKETChameleon A Source o
- Page 3: C O N T E N T SAgora 02Chameleon 32
- Page 7 and 8: The relentless ever-chang-ing shift
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- Page 11 and 12: Bricklane is under threat from the
- Page 13 and 14: 11
- Page 15 and 16: 13
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- Page 19 and 20: Untitledby Christopher Powe17
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- Page 24 and 25: 22
- Page 26 and 27: I am Natureby Denitsa StoyanovaMy h
- Page 28 and 29: Domestic Violenceby Daniel Atash Ba
- Page 30 and 31: Lucid Dreamsby Ciara Davies“I lik
- Page 32 and 33: OUTLETPhotographers are practitione
- Page 34 and 35: Chameleon32Amy Bloomfield, Christal
- Page 36 and 37: Auroral EntityAeonian RiftAmorphous
- Page 38 and 39: BEHINDTHESCENESwith Tristan JonesTh
- Page 40 and 41: 38
- Page 42 and 43: not enough not enough not enough no
- Page 44 and 45: Movie Stillsby Vaiva Botyriute42
- Page 47 and 48: Restlessby Amy BloomfieldTake a wal
- Page 49 and 50: verb: put right; correctRectifyby B
- Page 51 and 52: Are you identifiable in suchspaces,
- Page 53: EDINBURGH COMMUNITIESwith EWAN HUTC
Being Glitch
by Douglas Reeves
Asleep, I dream of becoming lost in a cave that lies beneath
a mountain of silver and glass surrounded by a clouded ar-
chipelago, dazzled by the blue light of its nectareous pools.
3