SOCKET Magazine - London Metropolitan University
A magazine is synonymous with revelation, sharing and reflection; it is a colourful compact guide through ideas and suggestions that can stay with us even after newspaper headlines are shredded and hasty videos are scrolled away. There is no ‘perfect’ or ‘easy’ way to create and launch a magazine. Yet, the 20/21 BA Photography Year 2 students of the School of Art, Architecture and Design, London Metropolitan University, brought together their creative idiosyncrasies to produce a fantastic source of collective energy and inspiration – aptly called SOCKET. Diverse photographic genres blend in a symbiotic narrative that features selected work from the students’ array of projects. They reach out to the world with an inspective eye (AGORA), follow people to their various roots (TRACE), expose our shapeshifting mood in our strive for survival (CHAMELEON), and shed a spotlight on digital heroes and hidden icons (EYESOME). The productive cross-contamination of creative practices (in this instance, photography, poetry and painting) is celebrated as a serious field of enquiry in which the process of discovery transcends to the final outcome. Yiannis Katsaris Senior Lecturer, BA Photography London Metropolitan University
A magazine is synonymous with revelation, sharing and reflection; it is a colourful compact guide through ideas and suggestions that can stay with us even after newspaper headlines are shredded and hasty videos are scrolled away. There is no ‘perfect’ or ‘easy’ way to create and launch a magazine. Yet, the 20/21 BA Photography Year 2 students of the School of Art, Architecture and Design, London Metropolitan University, brought together their creative idiosyncrasies to produce a fantastic source of collective energy and inspiration – aptly called SOCKET.
Diverse photographic genres blend in a symbiotic narrative that features selected work from the students’ array of projects. They reach out to the world with an inspective eye (AGORA), follow people to their various roots (TRACE), expose our shapeshifting mood in our strive for survival (CHAMELEON), and shed a spotlight on digital heroes and hidden icons (EYESOME). The productive cross-contamination of creative practices (in this instance, photography, poetry and painting) is celebrated as a serious field of enquiry in which the process of discovery transcends to the final outcome.
Yiannis Katsaris
Senior Lecturer, BA Photography
London Metropolitan University
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verb: put right; correct
Rectify
by Bella Bosi
Online \ offline, public \ private, seen \ unseen.
Advertising from the intimate spaces of home, once as live realities, performances of
existence that play in between those binaries. The camera is theirs and mine and the
stills were ‘taken’ and abstracted. Privacy is key. I rectify the image accordingly.
The premise is unnerving, but what lies behind the censorship is a step further than
uncomfortable. For the viewer, there is still an internalised urge for visibility.
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