Woolfian Boundaries - Clemson University

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194 WOOLFIAN BOUNDARIES Th aine Stearns (Sonoma State University), “Pilfering Imagism’s Image: Woolf and those Other Londoners” Tram Nguyen (University of Alberta), “Woolf and Stein’s Anti-domestication of Objects” Lena Sundin (Göteborg University), “Lily Briscoe’s Work of Art” 9D: Dichotomies Chair: Deborah Parsons (University of Birmingham) Sanja Bahun-Radunovic (Rutgers University), “Between the Acts Between the Modalities: Historical Melancholia in Woolf’s Mature Art” Judith Allen (University of Pennsylvania), “Woolf and the Politics of Writing ‘Wildness’” Rebecca Smith (University of Michigan), “Woolf’s Windows: Th e Politics and the Aesthetics of Modernist Fluidity” Sunday, June 25 10:30-11 a.m. Tea and Coff ee Break Sunday, June 25 11-12:30 p.m. Parallel Panels 10 10A: Trashy Woolf Chair: Anna Burrells (University of Birmingham) Beci Carver (Fitzwilliam College, Cambridge University), “Woolf’s Husks” Christina Alt (University of Oxford), “Pests and Pesticides: Woolf, Eleanor Ormerod, and Applied Entomology” Sara Crangle (Queen’s College, Cambridge University), “Cesspoolage” 10B: Past and Present Chair: Diana Royer (Miami University) Emily Cersonsky (Boston College, Chestnut Hill, MA), “‘Being on the very verge and rim of things’: Vertigo and Moment in the Language of Mrs. Dalloway” Elizabeth McArthur (Columbia University), “Playing with Time: Transforming Proust’s Church into a House in which ‘time passes’” Rudolph Glitz (Harlaxton College, University of Evansville), “Th e Victorian Mother Figures in Th e Years” 10C: Modernist Techniques 2 Chair: Tram Nguyen (University of Alberta) Gaurav Majumdar (Whitman College, Walla Walla), “Orlando, Cosmopolitanism, and the Scopic Drive” Barbara Lonnquist (Chestnut Hill College, Philadelphia), “Writing across English Channels: Translation as Resistance in Between the Acts”
Conference Program 195 10D: Performance 2 Chair: Kathryn Simpson (University of Birmingham) Evelyn Haller (Doane College, Crete, NE), “‘Her quill drawn from the fi rebird: Virginia Woolf and the Russian Dancers’ Continued” Lauryn Bianco (University of Arizona), “Woolf, Duncan, and Performance: Expression through Body/Language” Sunday, June 25 12:45-1:30 p.m. Plenary Session 5 Chair: Jane Goldman (University of Dundee) Melba Cuddy-Keane (University of Toronto), “Outside Woolf”
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Woolfi an Boundaries Selected Paper
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A full-text digital version of this
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Foreword by Ruth Gruber On October
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• Nearly seventy years later, in
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Rhoda in Th e Waves, “and must pr
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es to late Victorian scientifi c ma
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Virginia Woolf Standard Abbreviatio
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2 WOOLFIAN BOUNDARIES paper I will
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4 WOOLFIAN BOUNDARIES tion” and i
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6 WOOLFIAN BOUNDARIES In amongst he
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“FROM ALL THIS DIVERSITY…NOT A
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10 WOOLFIAN BOUNDARIES a total diss
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12 WOOLFIAN BOUNDARIES For a biogra
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14 WOOLFIAN BOUNDARIES Nadel, Ira B
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16 WOOLFIAN BOUNDARIES more at odds
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18 WOOLFIAN BOUNDARIES In Woolf’s
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20 WOOLFIAN BOUNDARIES of accompany
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MAPPING WOOLF’S MONTAIGNIAN MODER
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24 WOOLFIAN BOUNDARIES Toulmin’s
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26 WOOLFIAN BOUNDARIES there emerge
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28 WOOLFIAN BOUNDARIES 4. Adorno’
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WOOLF AND ANDREW MARVELL: THE GENDE
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32 WOOLFIAN BOUNDARIES sense of the
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34 WOOLFIAN BOUNDARIES It will be o
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“BUT THE BARRIER IS IMPASSABLE”
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38 WOOLFIAN BOUNDARIES ate and inst
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40 WOOLFIAN BOUNDARIES miners at th
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42 WOOLFIAN BOUNDARIES Orwell, Geor
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44 WOOLFIAN BOUNDARIES in Pictures
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46 WOOLFIAN BOUNDARIES Allen has de
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48 WOOLFIAN BOUNDARIES work that ne
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50 WOOLFIAN BOUNDARIES Works Cited
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52 WOOLFIAN BOUNDARIES the group, w
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54 WOOLFIAN BOUNDARIES literary rig
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56 WOOLFIAN BOUNDARIES every side;
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“THE SHOCK OF LOVE” AND THE VIS
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60 WOOLFIAN BOUNDARIES has a counte
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62 WOOLFIAN BOUNDARIES to a possibl
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64 WOOLFIAN BOUNDARIES Caroline Ste
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66 WOOLFIAN BOUNDARIES of “expert
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68 WOOLFIAN BOUNDARIES of merging a
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70 WOOLFIAN BOUNDARIES But the triu
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REAL BODIES AND THE PSYCHOLOGY OF C
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74 WOOLFIAN BOUNDARIES of culture a
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76 WOOLFIAN BOUNDARIES a certain eg
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78 WOOLFIAN BOUNDARIES advantages o
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WOOLF, ROOKS, AND RURAL ENGLAND by
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82 WOOLFIAN BOUNDARIES G. K. Yeates
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84 WOOLFIAN BOUNDARIES At another t
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WOOLF AND THE OTHERS AT THE ZOO by
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88 WOOLFIAN BOUNDARIES his gaze a s
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90 WOOLFIAN BOUNDARIES bankruptcy o
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92 WOOLFIAN BOUNDARIES refuses to s
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94 WOOLFIAN BOUNDARIES of pesticide
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96 WOOLFIAN BOUNDARIES Taxonomy in
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98 WOOLFIAN BOUNDARIES Th e name of
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“CE CHIEN EST À MOI”: VIRGINIA
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102 WOOLFIAN BOUNDARIES a statement
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104 WOOLFIAN BOUNDARIES pery: “An
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106 WOOLFIAN BOUNDARIES Woolf’s c
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VIRGINIA WOOLF, ECOFEMINISM, AND BR
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110 WOOLFIAN BOUNDARIES with a ‘c
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112 WOOLFIAN BOUNDARIES winters’
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114 WOOLFIAN BOUNDARIES dominated,
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WOOLF’S TRANSFORMATION OF PROVIDE
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118 WOOLFIAN BOUNDARIES appropriati
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120 WOOLFIAN BOUNDARIES in her visi
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122 WOOLFIAN BOUNDARIES word that d
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124 WOOLFIAN BOUNDARIES and Lewis
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126 WOOLFIAN BOUNDARIES Works Cited
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128 WOOLFIAN BOUNDARIES black bars
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130 WOOLFIAN BOUNDARIES leap from t
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132 WOOLFIAN BOUNDARIES of Harriet
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134 WOOLFIAN BOUNDARIES Mrs. Grundy
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136 WOOLFIAN BOUNDARIES Alternative
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PERFORMING THE SELF: WOOLF AS ACTRE
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140 WOOLFIAN BOUNDARIES In the proc
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142 WOOLFIAN BOUNDARIES would be on
Page 158 and 159: “WHOSE FACE WAS IT?”: NICOLE KI
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Page 164 and 165: “MEMORY HOLES” OR “HETEROTOPI
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Page 178 and 179: “THE EVENING UNDER LAMPLIGHT…WI
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Page 186 and 187: Afterword INSIDE AND OUTSIDE THE CO
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Page 210: Reading Notes
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