Woolfian Boundaries - Clemson University

194 WOOLFIAN BOUNDARIES
Th aine Stearns (Sonoma State University), “Pilfering Imagism’s Image: Woolf and
those Other Londoners”
Tram Nguyen (University of Alberta), “Woolf and Stein’s Anti-domestication of Objects”
Lena Sundin (Göteborg University), “Lily Briscoe’s Work of Art”
9D: Dichotomies
Chair: Deborah Parsons (University of Birmingham)
Sanja Bahun-Radunovic (Rutgers University), “Between the Acts Between the Modalities:
Historical Melancholia in Woolf’s Mature Art”
Judith Allen (University of Pennsylvania), “Woolf and the Politics of Writing ‘Wildness’”
Rebecca Smith (University of Michigan), “Woolf’s Windows: Th e Politics and the
Aesthetics of Modernist Fluidity”
Sunday, June 25
10:30-11 a.m. Tea and Coff ee Break
Sunday, June 25
11-12:30 p.m. Parallel Panels 10
10A: Trashy Woolf
Chair: Anna Burrells (University of Birmingham)
Beci Carver (Fitzwilliam College, Cambridge University), “Woolf’s Husks”
Christina Alt (University of Oxford), “Pests and Pesticides: Woolf, Eleanor Ormerod,
and Applied Entomology”
Sara Crangle (Queen’s College, Cambridge University), “Cesspoolage”
10B: Past and Present
Chair: Diana Royer (Miami University)
Emily Cersonsky (Boston College, Chestnut Hill, MA), “‘Being on the very verge
and rim of things’: Vertigo and Moment in the Language of Mrs. Dalloway”
Elizabeth McArthur (Columbia University), “Playing with Time: Transforming
Proust’s Church into a House in which ‘time passes’”
Rudolph Glitz (Harlaxton College, University of Evansville), “Th e Victorian Mother
Figures in Th e Years”
10C: Modernist Techniques 2
Chair: Tram Nguyen (University of Alberta)
Gaurav Majumdar (Whitman College, Walla Walla), “Orlando, Cosmopolitanism,
and the Scopic Drive”
Barbara Lonnquist (Chestnut Hill College, Philadelphia), “Writing across English
Channels: Translation as Resistance in Between the Acts”