Woolfian Boundaries - Clemson University

Conference Program
191
ster, and the Debate about the Art of the Novel”
Jim Stewart (University of Dundee), “Woolf, Marvell, and the Gendering of Modernism”
Anna Burrells (University of Birmingham), “Who’s Afraid of Wyndham Lewis?: An
Analysis of Lewis’s Criticism of Woolf in the 1930s”
Saturday, June 24
10:30-11 a.m. Tea and Coff ee Break
Saturday, June 24
11-12:30 p.m. Parallel Panels 7
7A: Music
Chair: Laura Kasson (University of Birmingham)
Emma Sutton (University of St. Andrews), “‘Death in effi gy’: Music and National
Identity in Jacob’s Room”
Joyce Kelley (University of Iowa), “‘Poured straight into music’: Th e Piano, the Body,
and the Woolfi an Voyage”
Emilie Crapoulet (University of Surrey), “Beyond the Boundaries of Language”
7B: Russia and Balkans
Chair: Katerina Koutsantoni (University of Birmingham)
Roberta Rubenstein (American University, Washington), “Re-reading Woolf re-reading
Turgenev”
Darya Protopopova (St. Peter’s College, University of Oxford), “Woolf’s Version of
Russia”
Caroline Maclean (Birkbeck College, University of London), “Woolf and Russian
Aesthetics”
Adriana Varga (Indiana University), “‘Women in Muscovy wear beards’: Eastern European
Representations in Woolf’s Fiction”
7C: Victorians
Chair: Kathryn Simpson (University of Birmingham)
Eleanor McNees (University of Denver), “‘For we think back through our [fathers]’:
Woolf on George Eliot via Leslie Stephen”
Lorelei Ormrod (Wadham College, University of Oxford), “‘Signifi cant of much’:
Woolf’s Affi nity for Th omas Carlyle”
Laura Marcus (University of Sussex), “‘In the circle of the lens’: Woolf’s ‘Telescope’
Story, Scene-Making, and Memory”
Gill Lowe (Suff olk College, UEA), “A Sketch of the Present: Hyde Park Gate News as
Family ‘Blog’”
7D: Woolf and Women Contemporaries 2
Chair: Katherine Hill-Miller (Long Island University)