Woolfian Boundaries - Clemson University

190 WOOLFIAN BOUNDARIES
Chair: Maggie Humm (University of East London)
Christopher Reed (Lake Forest College), “‘Th e young would say, Todd lets you write
what you like’: British Vogue in the Twenties”
7:15-8:25 p.m.
A specially commissioned new play from the Somesuch Th eatre Company, featuring
an eccentric presentation of Virginia Woolf and others: High Fantastical
Saturday, June 24
9-10:30 a.m. Parallel Panels 6
6A: Bloomsbury Visual Arts 2
Chair: Laura Marcus (University of Sussex)
Dawn Blizard (Brown University, Providence), “Exhibiting Modernism: Roger Fry,
Woolf, and Painterly Abstraction”
Benjamin Harvey (Mississippi State University), “Borderline ‘Personalities’: Woolf
Reviews Kapp”
Leslie Hankins (Cornell College), “Tracking Clive Bell’s Takes on Cinema in the 1920s”
6B: Essays
Chair: Laura Kasson (University of Birmingham)
Deborah Gerrard (De Montfort University), “Mrs. Brown, Houses, and Transparent
Envelopes: Th e Infl uence of Edward Carpenter’s Evolutionary Socialism on
Woolf’s Modernist Aesthetic”
Caroline Pollentier (École Normale Supérieure, Lyon), “Figuring the Essay: On
Modern Medals and Virtuous Circles”
Katerina Koutsantoni (University of Birmingham), “Th e Impersonal Strategy: Revisiting
Woolf’s Position in Th e Common Reader Essays”
6C: Night and Day
Chair: Nathan Waddell (University of Birmingham)
Sayaka Okumura (University of York), “‘Communication networks’: Th e Telephone,
Books, and Portraits in Night and Day”
Ana Mitric (University of Richmond), “‘Upon the threshold’: Th e Middle Ground
of Night and Day”
Allison Lin (Goldsmiths College, University of London), “Painting Psychological
Realism: London and Art in Night and Day”
6D: Woolf and Male Writers
Chair: Jane Goldman (University of Dundee)
Sue Reid (University of Northampton), “Killing the Angel in the House: Woolf, D.
H. Lawrence, and the Boundaries of Sex and Gender”
Kathleen Wall (University of Regina), “Modernity and Tradition: Woolf, E. M. For-