Woolfian Boundaries - Clemson University

Friday, June 23
2:30-4 p.m. Parallel Panels 5
Conference Program
189
5A: Classicism/Modernity/Tradition
Chair: Anna Burrells (University of Birmingham)
Jan Hokenson (Florida Atlantic University), “Modernity and Tradition: Woolf’s Antigone”
Margaret Tudeau-Clayton (University of Zurich), “‘Time Passes’: Ruptures and Continuities
in Woolf’s Virgilian Passage to Modernity”
5B: Photography
Chair: Vara Neverow (Southern Connecticut State University)
Elisa Sparks (Clemson University), “the ‘evening under lamplight…with the photograph
album’: To the Lighthouse as Family Scrapbook”
Maggie Humm (University of East London), “‘Memory holes’ or ‘Heterotopias’: Th e
Bloomsbury Photographs”
Toshiro Nakajima (Konan University), “Photography in To the Lighthouse”
Colin Dickey (National University, Los Angeles), “Photography in Orlando as Allegorical
Rupture”
5C: Region
Chair: Lara Feigel (University of Sussex)
Abbie Garrington (University of Edinburgh), “Blurring the Urban/Rural Boundary:
Th e Sensory Experience of Motorcar Travel”
Alexandra Harris (Christ Church College, University of Oxford), “Woolf and the
Organic Community”
Michael Herbert (University of St. Andrews), “Skye or St. Ives: To the Lighthouse as
a Regional Novel”
5D: Sexuality
Chair: Richard Espley (University of Birmingham)
Brenda Helt (University of Minnesota), “Resisting Sexual Identity: Th e Aesthetic and
Epistemological Functions of Bisexual Desire in Woolf’s Work”
Sally Jacobsen (Northern Kentucky University), “Sexuality, Spirituality, and Science
in Between the Acts: Huxley, Heard, and Havelock Ellis”
Georgia Johnston (Saint Louis University), “Miss La Trobe’s Deviancy”
Laura Elkin (CUNY Graduate Center/Université de Paris VIII), “‘A man till the age
of thirty’: Woolf, Lawrence, and the Fluidity of Gender”
Friday, June 23
4-4:30 p.m. Tea and Coff ee Break
Friday, June 23
5:15-6:30 p.m. Plenary Session 2