Woolfian Boundaries - Clemson University

188 WOOLFIAN BOUNDARIES
Friday, June 23
11:30-1 p.m. Parallel Panels 4
4A: Bloomsbury Visual Arts 1
Chair: Alice Reeve-Tucker (University of Birmingham)
Anna Fewster (University of Sussex), “Th e Book and the Painting: Representations of
Reading and Writing in Bloomsbury Portraiture”
Justine Kostkowska (Middle Tennessee State University), “Erasing the Boundary:
Woolf’s Experiments in Portrait Making, 1910-1922”
Tara Surry, “‘Over the boundary’: Woolf as Common Seer”
4B: Bordering Religion
Chair: Dan Moore (University of Birmingham)
Emily Kopley (Yale University), “Woolf’s Transformation of Providential Form in
Mrs. Dalloway”
Sybil Oldfi eld (University of Sussex), “Woolf’s Humanist Rejection of Christian Immorality”
Alyda Faber (Atlantic School of Th eology, Halifax), “Th e Visibility of ‘Indecent’ Pain:
Woolf and the Raverats”
Christopher Knight (University of Montana), “‘Time before and time after’: Woolf’s
Vexed Relation to the Tradition of Christianity”
4C: Deleuze
Chair: Nathan Waddell (University of Birmingham)
Charlie Wesley (Binghampton University, SUNY), “Reading the Rhizome: Approaching
Th e Waves and Th ree Guineas”
Teresa Prudente (University of Turin), “‘One colour melting into another’: Past and
Present in To the Lighthouse”
Gina Potts (Birkbeck College, University of London), “Collective and Communal
Woolf: Readers without Boundaries”
Anthony Uhlmann (University of Western Sydney), “Woolf and Cézanne: Beyond
the Limits of a Visual Aesthetic”
4D: Woolf and Women Contemporaries 1
Chair: Katherine Hill-Miller (Long Island University)
Jocelyn Slovak, “Ethel Smyth: Insider or Outsider?”
Zoe Brigley (University of Warwick), “Th e Flesh of Spectators: Th e Self-Conscious
Flâneuse in Mrs. Dalloway and Rhys’s Good Morning Midnight”
Mahmudul Hasan (University of Portsmouth), “Th ematic and Formal Insurgency in
To the Lighthouse and in Rokeya’s Sultana’s Dream and Padmaraga”
Friday, June 23
1-2:30 p.m. Lunch (delegates’ own arrangements)