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Woolfian Boundaries - Clemson University

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Conference Program<br />

Th ursday, June 22<br />

7 p.m. Conference Reception, Birmingham Town Hall Banqueting Suite<br />

Friday, June 23<br />

9:30-11 a.m. Parallel Panels 3<br />

187<br />

3A: Americas<br />

Chair: Shavonne Johnson (<strong>University</strong> of Birmingham)<br />

Genevieve Abravanel (Franklin & Marshall College, Lancaster, Pennsylvania), “Atlantic<br />

Woolf”<br />

Eleonora Rao (<strong>University</strong> of Salerno), “‘Th e earth, instead of being brown, was red,<br />

purple, green’: Imaginary Americas in Th e Voyage Out”<br />

Mónica Ayuso (California State <strong>University</strong>), “Woolf in Spanish America”<br />

3B: Contemporary Writing 1<br />

Chair: Nuala Hancock (<strong>University</strong> of Sussex/Charleston Trust)<br />

Carol Dell’ Amico (California State <strong>University</strong>), “Th e Bounds of Sympathy: Mrs.<br />

Dalloway and McEwan’s Saturday”<br />

Silke Greskamp (<strong>University</strong> of Oldenburg), “Transcending Gender <strong>Boundaries</strong>: Androgyny<br />

as Mask in Orlando and Yann Martel’s Self”<br />

Vara Neverow (Southern Connecticut State <strong>University</strong>), “Beyond Class: Street Sexualities,<br />

the Oldest Profession, and Women at Risk in the Work of Woolf and Pat Barker”<br />

3C: History<br />

Chair: Emily Fennell (<strong>University</strong> of Birmingham)<br />

Anna Snaith (King’s College London), “‘Famine. Fenians. What Not’: Woolf, Ireland,<br />

and Th e Years”<br />

Stuart Clarke, “Th e Chronology of Th e Voyage Out”<br />

David Bradshaw (Worcester College, <strong>University</strong> of Oxford), “Hushing Up: Censorship,<br />

Propaganda, and Between the Acts”<br />

3D: Spatial <strong>Boundaries</strong> 2<br />

Chair: Steven Putzel (Penn State <strong>University</strong>)<br />

Elizabeth Hendry (<strong>University</strong> of Birmingham), “‘One does not think of people,<br />

here where so many people have lived’: Woolf’s Critique of Heritage Culture in<br />

‘Haworth’ (1904) and ‘Great Men’s Houses’ (1931)”<br />

Wendy Gan (<strong>University</strong> of Hong Kong), “Community and Solitude: Privacy, the<br />

Study, and the Room of A Room of One’s Own”<br />

Ana Zamorano (UNED, Madrid), “Here, Th ere, or the Space in Between: Th e Locus<br />

of Female Identity in Between the Acts”<br />

Friday, June 23<br />

11-11:30 a.m. Tea and Coff ee Break

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