Woolfian Boundaries - Clemson University
Woolfian Boundaries - Clemson University
Woolfian Boundaries - Clemson University
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Conference Program<br />
Th ursday, June 22<br />
7 p.m. Conference Reception, Birmingham Town Hall Banqueting Suite<br />
Friday, June 23<br />
9:30-11 a.m. Parallel Panels 3<br />
187<br />
3A: Americas<br />
Chair: Shavonne Johnson (<strong>University</strong> of Birmingham)<br />
Genevieve Abravanel (Franklin & Marshall College, Lancaster, Pennsylvania), “Atlantic<br />
Woolf”<br />
Eleonora Rao (<strong>University</strong> of Salerno), “‘Th e earth, instead of being brown, was red,<br />
purple, green’: Imaginary Americas in Th e Voyage Out”<br />
Mónica Ayuso (California State <strong>University</strong>), “Woolf in Spanish America”<br />
3B: Contemporary Writing 1<br />
Chair: Nuala Hancock (<strong>University</strong> of Sussex/Charleston Trust)<br />
Carol Dell’ Amico (California State <strong>University</strong>), “Th e Bounds of Sympathy: Mrs.<br />
Dalloway and McEwan’s Saturday”<br />
Silke Greskamp (<strong>University</strong> of Oldenburg), “Transcending Gender <strong>Boundaries</strong>: Androgyny<br />
as Mask in Orlando and Yann Martel’s Self”<br />
Vara Neverow (Southern Connecticut State <strong>University</strong>), “Beyond Class: Street Sexualities,<br />
the Oldest Profession, and Women at Risk in the Work of Woolf and Pat Barker”<br />
3C: History<br />
Chair: Emily Fennell (<strong>University</strong> of Birmingham)<br />
Anna Snaith (King’s College London), “‘Famine. Fenians. What Not’: Woolf, Ireland,<br />
and Th e Years”<br />
Stuart Clarke, “Th e Chronology of Th e Voyage Out”<br />
David Bradshaw (Worcester College, <strong>University</strong> of Oxford), “Hushing Up: Censorship,<br />
Propaganda, and Between the Acts”<br />
3D: Spatial <strong>Boundaries</strong> 2<br />
Chair: Steven Putzel (Penn State <strong>University</strong>)<br />
Elizabeth Hendry (<strong>University</strong> of Birmingham), “‘One does not think of people,<br />
here where so many people have lived’: Woolf’s Critique of Heritage Culture in<br />
‘Haworth’ (1904) and ‘Great Men’s Houses’ (1931)”<br />
Wendy Gan (<strong>University</strong> of Hong Kong), “Community and Solitude: Privacy, the<br />
Study, and the Room of A Room of One’s Own”<br />
Ana Zamorano (UNED, Madrid), “Here, Th ere, or the Space in Between: Th e Locus<br />
of Female Identity in Between the Acts”<br />
Friday, June 23<br />
11-11:30 a.m. Tea and Coff ee Break