Woolfian Boundaries - Clemson University
Woolfian Boundaries - Clemson University
Woolfian Boundaries - Clemson University
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Notes on Contributors<br />
CHRISTINA ALT is a DPhil student in English at Lincoln College, Oxford. Her thesis<br />
considers changes in the literary representation of nature resulting from late nineteenth-<br />
and early twentieth-century developments in the natural sciences, focusing in particular on<br />
Woolf’s responses to the disciplines of taxonomy, laboratory biology, ethology, and ecology.<br />
SUZANNE BELLAMY is an Australian artist and writer, and Director of Mongarlowe<br />
Studio Workshops in southern NSW. She exhibits artwork internationally, is a published<br />
Woolf and Stein scholar, currently working on a fusion art/writing project about Woolf<br />
and the Visual Field, and research into early colonial readings of Virginia Woolf.<br />
IAN BLYTH is an AHRC Research Fellow in the School of English, St Andrews.<br />
Publications include Hélène Cixous: Live Th eory (Continuum, 2004), and the Introduction<br />
and Explanatory Notes for the Cambridge <strong>University</strong> Press edition of Th e Waves<br />
(forthcoming). He is currently co-editing Th e Years, with David Bradshaw, for Blackwell’s<br />
Shakespeare Head edition.<br />
ANNA BURRELLS is a doctoral candidate at the <strong>University</strong> of Birmingham, where<br />
she is researching the nexus between industrial technology and politics in the inter-war<br />
period. She was part of the conference team at the 2006 Woolf conference and presented<br />
a paper on Woolf, Wyndham Lewis, and Henri Bergson.<br />
BEN CLARKE received his doctorate from the <strong>University</strong> of Oxford, and has taught at<br />
universities in Britain, Taiwan, and the United States. His fi rst book, Orwell in Context, will<br />
be published by Palgrave this summer. He is currently writing a monograph on political and<br />
aesthetic experimentation in the 1930s, and co-writing a study of Richard Hoggart.<br />
MELBA CUDDY-KEANE is Professor of English and a Northrop Frye Scholar at<br />
the <strong>University</strong> of Toronto, and the author of Virginia Woolf, the Intellectual, and the Public<br />
Sphere (2003). She is currently editing Between the Acts for Harcourt, and writing a book<br />
on Modernism, Globalism, and the Sphere of Tolerance.<br />
STEVE ELLIS is Professor of English Literature at the <strong>University</strong> of Birmingham.<br />
He has published many books and articles on medieval and modern literature, including<br />
Virginia Woolf and the Victorians (Cambridge UP, forthcoming 2007).<br />
RICHARD ESPLEY completed his PhD, on Djuna Barnes, at the <strong>University</strong> of<br />
Birmingham in 2005. Since then he has published on various topics, and is currently<br />
researching a major project on modernism and London Zoo.<br />
ALYDA FABER is Assistant Professor of Christian Th eology and Ethics at Atlantic<br />
School of Th eology in Halifax, Nova Scotia. Her current research interests include Virginia<br />
Woolf and religion, as well as religious subjectivity and fi lm spectatorship.<br />
LARA FEIGEL is currently completing her doctorate on the infl uence of cinema