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Woolfian Boundaries - Clemson University

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Notes on Contributors<br />

CHRISTINA ALT is a DPhil student in English at Lincoln College, Oxford. Her thesis<br />

considers changes in the literary representation of nature resulting from late nineteenth-<br />

and early twentieth-century developments in the natural sciences, focusing in particular on<br />

Woolf’s responses to the disciplines of taxonomy, laboratory biology, ethology, and ecology.<br />

SUZANNE BELLAMY is an Australian artist and writer, and Director of Mongarlowe<br />

Studio Workshops in southern NSW. She exhibits artwork internationally, is a published<br />

Woolf and Stein scholar, currently working on a fusion art/writing project about Woolf<br />

and the Visual Field, and research into early colonial readings of Virginia Woolf.<br />

IAN BLYTH is an AHRC Research Fellow in the School of English, St Andrews.<br />

Publications include Hélène Cixous: Live Th eory (Continuum, 2004), and the Introduction<br />

and Explanatory Notes for the Cambridge <strong>University</strong> Press edition of Th e Waves<br />

(forthcoming). He is currently co-editing Th e Years, with David Bradshaw, for Blackwell’s<br />

Shakespeare Head edition.<br />

ANNA BURRELLS is a doctoral candidate at the <strong>University</strong> of Birmingham, where<br />

she is researching the nexus between industrial technology and politics in the inter-war<br />

period. She was part of the conference team at the 2006 Woolf conference and presented<br />

a paper on Woolf, Wyndham Lewis, and Henri Bergson.<br />

BEN CLARKE received his doctorate from the <strong>University</strong> of Oxford, and has taught at<br />

universities in Britain, Taiwan, and the United States. His fi rst book, Orwell in Context, will<br />

be published by Palgrave this summer. He is currently writing a monograph on political and<br />

aesthetic experimentation in the 1930s, and co-writing a study of Richard Hoggart.<br />

MELBA CUDDY-KEANE is Professor of English and a Northrop Frye Scholar at<br />

the <strong>University</strong> of Toronto, and the author of Virginia Woolf, the Intellectual, and the Public<br />

Sphere (2003). She is currently editing Between the Acts for Harcourt, and writing a book<br />

on Modernism, Globalism, and the Sphere of Tolerance.<br />

STEVE ELLIS is Professor of English Literature at the <strong>University</strong> of Birmingham.<br />

He has published many books and articles on medieval and modern literature, including<br />

Virginia Woolf and the Victorians (Cambridge UP, forthcoming 2007).<br />

RICHARD ESPLEY completed his PhD, on Djuna Barnes, at the <strong>University</strong> of<br />

Birmingham in 2005. Since then he has published on various topics, and is currently<br />

researching a major project on modernism and London Zoo.<br />

ALYDA FABER is Assistant Professor of Christian Th eology and Ethics at Atlantic<br />

School of Th eology in Halifax, Nova Scotia. Her current research interests include Virginia<br />

Woolf and religion, as well as religious subjectivity and fi lm spectatorship.<br />

LARA FEIGEL is currently completing her doctorate on the infl uence of cinema

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