Woolfian Boundaries - Clemson University
Woolfian Boundaries - Clemson University
Woolfian Boundaries - Clemson University
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180 WOOLFIAN BOUNDARIES<br />
Notes<br />
1. For the chapter that provided the foundations for the present paper, see my forthcoming “Virginia Woolf<br />
and Beginning’s Ragged Edge,” Narrative Beginnings, ed. Brian Richardson (Lincoln: <strong>University</strong> of Nebraska<br />
Press). I am deeply grateful to Brian Richardson for his helpful comments and support.<br />
2. For the connection of such chiasmic turns to Woolf’s “but” clauses, see, for example, Laura Doyle’s “Th e<br />
Body Unbound: A Phenomenological Reading of the Political in A Room of One’s Own,” and the critics<br />
whom she cites.<br />
3. OED, defi nition B.2.a.<br />
4. In her diary notes about revising Th e Years, for example, Woolf jotted, “go back: and rub out detail; too<br />
many ‘points’ made; too jerky, and as it were talking ‘at’” (D4 353).<br />
5. For these words, quoting Lady Astor in the Times, see Woolf’s “Th oughts on Peace in an Air Raid.”<br />
6. Here my thoughts link as afterwords to the earlier conference session on “Trashy Woolf,” especially to Sara<br />
Crangle’s wonderful paper on “Cesspoolage.” What I add to her paper is the further connection of the<br />
cesspool to the fertilizing mud.<br />
7. “Baedecker [sic] will count the statues,” Woolf declared in her 1906 Greece diary, “but we won’t write<br />
guidebook” (PA 319). As one member of my audience commented, the approach I am describing here<br />
fi nds its closer analogue in Rainer Maria Rilke’s “Torso of an Archaic Apollo,” in which statue and viewer<br />
are conjoined in reciprocal gaze, and the reader is both seer and seen.<br />
8. My afterwords here expand upon Th aine Stearne’s pertinent suggestion, in his conference paper on Woolf<br />
and Imagism, that what distinguishes Woolf’s imagism is her incorporation of movement in the image. As<br />
we see here, her dynamic images further imply a movement (e.g. battle) that is to come.<br />
Works Cited<br />
Doyle, Laura. “Th e Body Unbound: A Phenomenological Reading of the Political in A Room of One’s Own.”<br />
Virginia Woolf Out of Bounds: Selected Papers from the Tenth Annual Conference on Virginia Woolf. Ed. Jessica<br />
Berman and Jane Goldman. New York: Pace UP, 2001. 129-40.<br />
DuPlessis, Rachel Blau. Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers.<br />
Bloomington: <strong>University</strong> of Indiana Press, 1985.<br />
James, William. Some Problems of Philosophy: A Beginning of an Introduction to Philosophy. New York: Longmans,<br />
Green, 1911.<br />
Oldfi eld, Sybil, ed. Afterwords: Letters on the Death of Virginia Woolf. New Brunswick, N.J.: Rutgers UP, 2005.<br />
Prince, Gerald. A Dictionary of Narratology. Lincoln: <strong>University</strong> of Nebraska Press, 1989.<br />
Woolf, Virginia. Between the Acts. New York: Harcourt Brace, 1941.<br />
——. Th e Diary of Virginia Woolf. Ed. Anne Olivier Bell with Andrew McNeillie. 5 vols. New York: Harcourt,<br />
1977-1984.<br />
——. Jacob’s Room. 1922. New York: Harcourt Brace, 1923.<br />
——. “Th e Leaning Tower.” Collected Essays. Ed. Leonard Woolf. Vol. 2. New York: Harcourt Brace, 1967.<br />
162-81.<br />
——. “Mr. Bennett and Mrs. Brown.” Collected Essays. Ed. Leonard Woolf. Vol. 1. New York: Harcourt Brace,<br />
1967. 319-37.<br />
——. “Notes on an Elizabethan Play.” Th e Common Reader: First Series. Ed. Andrew McNeillie. 1925. New York:<br />
Harcourt Brace, 1984. 48-57.<br />
——. Mrs. Dalloway. New York: Harcourt Brace, 1925.<br />
——. A Passionate Apprentice: Th e Early Journals, 1897-1909. Ed. Michael A. Leaska. London: Hogarth, 1990.<br />
——. A Room of One’s Own. New York: Harcourt Brace, 1929.<br />
——. “A Sketch of the Past.” Moments of Being. Ed. Jeanne Schulkind. 2nd ed. San Diego: Harcourt Brace<br />
Jovanovich, 1985. 61-159.<br />
——. “Th oughts on Peace in an Air Raid.” Collected Essays. Ed. Leonard Woolf. Vol 4. New York: Harcourt,<br />
Brace and World, 1967. 173-77.<br />
——. To the Lighthouse. New York: Harcourt Brace, 1927.<br />
——. Th e Waves. New York: Harcourt Brace, 1931.<br />
——. Th e Years. New York: Harcourt Brace, 1937.