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Zone Magazine Issue 033 - Jan Johnson

In our feature interviews in this issue we talk to cover legendess vocalist and producer JAN JOHNSTON. A name that for Trance and Progressive fans simply means quality. Starting out in the early ‘90s with short-lived pop band JJ, her fortunes took an upward sweep working firstly with the King of Trance, BT on his ECSM album, and then Australian powerhouse Anthony Pappa (as Freefall) on breakthrough release ‘Skydive’. Signings to Perfecto, Universal and more has spread the Jan Johnson gospel and showcased not only her vocal talents, but also her song writing abilities. Soundtrack syncs and contributions to Grammy Award nominated albums as well as 4 solo albums and countless singles has kept this doyen of the scene at the top of her profession.

In our feature interviews in this issue we talk to cover legendess vocalist and producer JAN JOHNSTON. A name that for Trance and Progressive fans simply means quality. Starting out in the early ‘90s with short-lived pop band JJ, her fortunes took an upward sweep working firstly with the King of Trance, BT on his ECSM album, and then Australian powerhouse Anthony Pappa (as Freefall) on breakthrough release ‘Skydive’.
Signings to Perfecto, Universal and more has spread the Jan Johnson gospel and showcased not only her vocal talents, but also her song writing abilities. Soundtrack syncs and contributions to Grammy Award nominated albums as well as 4 solo albums and countless singles has kept this doyen of the scene at the top of her profession.

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Could we start off with your musical

background, what are your first

musical memories?

Hey guys! First, I’d love to say thank you for

having me. It’s a big honor and pleasure to talk with you.

Appreciate that!

Well, the music was always with me. My dad

was a disco lover. He listened the stuff from ABBA,

Modern Talking, Bad Boys Blue, Sandra and I think it

was a huge influence on the formation of my musical

taste. A bit later, when I was a teenager, I discovered a

British electronic scene and from that moment my mind

turned over. I was limitlessly happy to buy the new

cassettes by the groups as The Prodigy, The Chemical

Brothers, Massive Attack, and Fatboy Slim. It was an

incredible time. I did a selection for myself and all my

neighboring peers always asked for this kind of cassette for

their collections.

say that I was already determined to study a more

professional DAW. As you see it took a long time before I

started to produce.

About DJing. I’m still not a DJ. I just try to show

the music I produce, the music I love and the stuff from my

labels. And I feel nervous every time when I start to play

haha.

What was your first gig like? Any

notable ones from the past?

Haha. It was ridiculous lol. We had a party in the

place like a hookah bar or something like this. I was playing

awful. When you play badly and you can’t mix the track

from the 1st deck with another one in Russia we call it

horses (you know like a galloping horses). So, I did it with a

herd of horses that night. I wanted to sink into the ground.

It was a huge shame.

What did you get into first, djing or

production?

I started to produce in 2014. So, I’m still a fresh

blood in this business haha. Returning to the first question,

the same time when I was a teenager, I was curious how to

make that kind of music, and in my small village close to

the capital of republic where I was born (Republic of

Kalmykia) people were not conscientious enough about

electronic music production. But in 90’s I discovered some

toy programs like Dance Ejay etc. It was like a magic. I can

How did you come about starting a

label? You have quite a few now,

which one was the first?

I launched «Mole Music» in 2015. Is a multi-genre

label, but I try to release mostly Deep House and Jackin'

House music there. It was my 1st experience and It still

works. We have 2-3 releases in month. Check it out!

" Well, the music was always with me. My dad

was a disco lover. He listened the stuff from

ABBA, Modern Talking, Bad Boys Blue, Sandra

and I think it was a huge influence on the

formation of my musical taste "

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