Zone Magazine Issue 033 - Jan Johnson

" Never follow what’s
happening only make
yourself happy with what
your writing and
performing in the studio,
then you have no holes in
your work, it’s complete
because it’s your complete
thought, thoughts all down
in a beautiful musical
composition, form your
core no one else’s "
ISSUE 033 WINTER 2020/21
JAN JOHNSTON
Igor Gonya
Gavin Hardkiss
Matt Black
DJ K-NIJO
Federico Puentes
Bassynth
Ableton Live 11
Making Our Music Video:
Coco Street
A Rough Guide To:
Dark Progressive House

LARGE! - John Gibbons - 9/10
Nice One! - Sam Divine - 7/10
Funky Stuff, Thanks! - sa.lomaonun.es - 8/10

WELCOME
ISSN 2009-8014 (Online) ISSN 2009-8006 (Print)
FOUNDER, EDITOR, PUBLISHER & HEAD OF
CREATIVE
Paul Newhouse - paul@zone-magazine.eu
Well Folks, Lots of great things happening here at Zone HQ just for
you lot, so keep coming back! Well its Winter 2021, and what a
strange one! Even though we have not had events to cover, we have
a packed issue with all the regulars, and lots of interviews!
FEATURE WRITERS & CONTRIBUTORS
USA
Megan Williams - megan.williams@zone-magazine.eu
Amber Leigh Melby - amberleighmelby@gmail.com
Isabel Montoya - isabel@zone-magazine.eu
IRELAND
Hugo McCann - hugo.mccann@hotmail.com
Gavin Duffy - gav.duffy@zone-magazine.eu
Antony Mac Phiarais - antoney.mac@zone-magazine.eu
UK
Paul Sawyer - paul@kraftedmusic.com
James Brierley - james@nuttytraxx.co.uk
Danny Slade - danny.slade@zone-magazine.eu
Maz kallis - maz.kallis@zone-magazine.com
Iain Taylor - irejekt@icloud.com
John Ricketts - john.ricketts@zone-magazine.eu
Paul Hawcroft - paulhawcroftmusic@gmail.com
Mark Neenan - Markneenanpromos@gmail.com
John W McDevitt - j.w.mcdevitt@talk21.com
USA
Eddie Amador - eddie@zone-magazine.eu
Matt Schantz - mattschantz73@yahoo.com
GERMANY
Pete van Payne - pete@zone-magazine.eu
Jordan Parrish
Harald Meyer
NETHERLANDS
Thorsten Benders - thorsten@zone-magazine.eu
MUSIC DIRECTOR
John Ricketts - john.ricketts@zone-magazine.eu
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submissions@zone-magazine.eu
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ZONE MAGAZINE is owned and published by Paul
Newhouse. Arrangement, design & Editing, Marketing
by Paul Newhouse. Copyright 2014-2021 Zone
Magazine. The views expressed and opinions given in
this magazine are not nessicerally shared by the
publisher. No part of this magazine shall be republished
without prior agreement from its publishers.
Readers should take care when responding to any
adverts in Zone Magazine, which apear without any
indorsment or responsibility, from Zone Magazine.
In our feature interviews in this issue we talk to cover legendess vocalist
and producer JAN JOHNSTON. A name that for Trance and Progressive fans
simply means quality. Starting out in the early ‘90s with short-lived pop band
JJ, her fortunes took an upward sweep working firstly with the King of Trance,
BT on his ECSM album, and then Australian powerhouse Anthony Pappa (as
Freefall) on breakthrough release ‘Skydive’.
Signings to Perfecto, Universal and more has spread the Jan Johnson
gospel and showcased not only her vocal talents, but also her song writing
abilities. Soundtrack syncs and contributions to Grammy Award nominated
albums as well as 4 solo albums and countless singles has kept this doyen of
the scene at the top of her profession.
We also talk to House Music Star DJ and Producer from the USA, GAVIN
HARDKISS. Back in 90’s San Francisco; Scott, Gavin and Robbie Hardkiss helped
pioneer the American Underground/EDM/Rave scene with their club nights, warehouse
parties and groundbreaking record label. They forged a new direction for dance music
with a string of vinyl releases culminating in the seminal compilation Delusions Of
Grandeur.
Hardkiss are an original DJ band. For many of their fans, Delusions of Grandeur
was the first time they encountered electronic dance music. The Rave scene was raging
and Hardkiss DJs, Gavin, Robbie & Scott were hitting multiple cities every weekend,
introducing a new generation to their psychedelic funk techno sound collages. It was
unclassified music. Before there were genres, there was Hardkiss.
From the USA, COCO STREET gives us the lowdown on the latest music video
with Eddie Amador - Our Music Video – by Coco Street
Let's face it. We all know the game has changed in every domain in all the
world. COVID-19 is the great disruptor that has forced the music world to move
forward, in my opinion, much like the disruption from radio to moving pictures, and of
silent movies to talkies. Not every silent movie star remained a star during talkies... and
those who weren't stars became stars! Which leads me to the video Eddie Amador and I
made for our single "What's Going On."
We talk to FEDERICO PUENTES who is an Argentinian born guitarist and DJ/
Producer. His style of melodic, deep, energetic music takes the crowd on a musical
journey - always leaving them wanting more. He began his musical career playing electric
guitar in various rock bands. It wasn’t until he heard The Chemical Brothers that his
interest in electronic music began. In the following years he started to refine his taste,
experimenting with different styles and sounds, coming to find his place in progressive
house. In 2013 he moved to Sydney, Australia, where his sound has continued to
develop.
From Spain DJ K-NIJO. He began his career in the musical world in 1997 on
the Canary Islands (Tenerife) and then went on to walk his vinyls through all the clubs of
Andalusia, sharing the poster with all the international and national artists of the break
scene. His mixes are based on exact cuts and perfectly equalizing your favorite styles are
break beat old school and Two Step (Garage).
Our Label Feature this issue is with IGOR GONYA, born in the Republic of
Kalmykia, and has spent the last decade building up a considerable musical empire. With
his fledgling label and radio show Lysztomania garnering support from industry peers
aswell as a prime slot on Ibiza Live Radio, he has spread his musical wings to starting a
number of varied and diverse labels. All-encompassing the sounds of house and disco,
their releases have seen them hit the Traxsource top 100 numerous times and gained
support around the globe. We managed to grab 5 minutes with Igor to see what was
happening with him now.
New to Zone Magazine is "A Rough Guide To" series. Covering Dark
Progressive House 2001-2003 this issue, with Matt Schantz.
As if all that was not enough of course we have our regular reviews and charts
from the talented and dynamic Zone crew. Also this issue we continue Zone Magazine's
FREE exclusive DJ Mix series and we also have our FREE gifts from Funktion
Loops, 2 sample packs each issue, all you need to do is purchase our cool publication!
As usual we would like to thank all of our very many talented contributors and
friends who provide so much content, love and support for what we are doing, they are
listed on the left hand column on this page if you want to contact them directly with the
latest news. From myself and the whole Zone crew, we just wanted to say thanks again
for your continued support, peace.
Paul & Zone Magazine Crew!

contents
36
JAN JOHNSTON
10
12
Federico Puentes
20
Matt Black
Coco Street & Eddie Amador

Igor Gonya
32
24
Gavin Hardkiss
42
Dj K-nijo
A Rough Guide To:
Dark Progressive House
2001-2003
19

JOSE MARIA RAMON,
WILLIAM MEDAGLI,
THALLULAH
CANTO ANCESTRALE
INC. REMIXES BY
RAFA'EL
OIBAF&WALLEN
EXHILE
https://www.nusoulrecords.com

Free Sample Packs & Exclusive DJ Mix
Well folks, this issue of
Zone Magazine, our
good friends, and
sponsors, at
www.functionloops.com
are giving us 2 free
sample packs for every
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FREE Exclusive DJ Mix Series
At Zone Magazine here we have our FREE Exclusive DJ
Mix each issue!
Check out the link below for all our exclusive DJ Mixes.
FELIX FX [GERMANY]
PETE VAN PAYNE
[GERMANY]
PAUL BLEASDALE [UK]
PETE BONES [UK]
EDDIE AMADOR [USA]
LISA LASHES [UK]
DANY COHIBA [SPAIN]
SOULTRAK [UK]
CHRIS GEKA [FRANCE]
JOHN GIBBONS [IRELAND]
PAUL NEWHOUSE
[IRELAND]
https://www.mixcloud.com/ZoneMagazineDJMixes/
ESSENTIALDANCEMUSIC 07

NEWfeaturearticle
EMAIL -----------------------------------------
eddie@zone-magazine.eu
WELCOME EDDIE AMADOR
Dear Zone Readers
First off I would like to say that I am extremely honored, humble and grateful that I have been
asked to contribute to Zone.
I have put many weeks into thinking about how I could offer the best service to you and have
decided this article will be based on questions you may ask me directed mainly towards anyone
who has interest in contributing or is thinking about contributing to the world of Dance Music and
Club culture..
Keeping in mind that I am not a liscenced therapist or doctor, I am here to offer technical and
relational advice from my years of experience . I respect all of us DJ’s and producers… from the
bar room DJ’s and bedroom producers to the current headliners at festivals and clubs as I have
been blessed to be all of these.
I graduated from Universty for Mechanical Engineering Sciences. However, I found that I had a
passion as a DJ and producer when I took a year off after my studies. Since then I have lived
and sampled the full range of “stuff” and people this business has to offer. I am very familiar with
the music industry business and relationships.
In 1998 I wrote and produced a modern classic track that you may know as “HOUSE MUSIC” . I f
you don’t know it, check it out! This sent me directly onto the international touring DJ scene
overnight. My next 2 productions were “Rise” on Defected then Psycho X Girlfriend on Yoshitishi.
I have DJ'ed, produced and lived all over the world and worked with many others. I spent
years remixing for major labels (obtaining a Grammy nomination for my remix work) . My original
productions appear on many labels from Fidget, Defected, Subliminal, Suara, Mochicka, Warner
Brothers and many more.
Because of this I feel qualified to offer advice exctracted from my years of mistakes and
successes.
Technically , I use Ableton for production and Pioneer CDJ 2000 NXS series and rekordbok. I
have used loads of analog gear and of course began on Vinyl records with technique 1200s
and any mixer a club had to offer.
Again, all things that affect us DJ’s and producers are open for discussion.
I pray I can offer sound advice and patiently look forward to any questions you may have to
assist you in your journey !
Kindly,
Eddie Amador
It’s a Spiritual Thing , A Body Thing, a Soul Thing!

Dear Zone Readers
Making Our Music Video – by Coco Street
Let's face it. We all know the game has changed in every domain in all the world.
COVID-19 is the great disruptor that has forced the music world to move forward, in my
opinion, much like the disruption from radio to moving pictures, and of silent movies to talkies.
Not every silent movie star remained a star during talkies... and those who weren't stars
became stars! Which leads me to the video Eddie Amador and I made for our single "What's
Going On."
We saw so much violence happening to people of color and felt the apparent disconnect
between compassion and indifference. We could not allow COVID and shutdowns to remove
our ability to communicate the message of love and hope. So we invested in creating a music
video all about the change we need to survive; specifically, that of hate to love. Through a
very good friend of mine, we found videographer Christopher George to direct the video. His
vision greatly solidified our message and truly brought it to life!
We all decided to bring our city, Los Angeles, into the house music conversation regarding
social injustices. There is footage from the civil rights era to 2020. Eddie’s conversation brings
to the fore the issue of the “mom and pop” stores that appear to be dwindling in Los Angeles.
For me, I wanted to bring to everyone’s mind the “pandemic” that has preexisted our current
one: homelessness. So we filmed our city scenes in the heart of Downtown Los Angeles with
pandemic lockdown in full swing. The video addresses this with a young Latinx fashion
designer, taking her talents to make masks to help slow the spread of the virus. You’ll see
boarded up windows and shuttered stores with roll top security doors and deserted streets that
are usually bustling and filled with people shopping for their families.
When our video premiered on December 6th, we received many well wishes and appreciation
for the message; but perhaps the most cherished response came from Motown Royalty. A
member of the legendary Supremes, Ms. Scherrie Payne, stopped by to say how much she
loved the work. Ms. Payne, along with Reggie Dozier (who mixed and mastered the Radio Edit
and Long Version of our release), were good friends with Marvin Gaye. Eddie and I are grateful
to have had the opportunity to add our take of this timeless classic! Check out our video here:
https://www.youtube.com/watch?v=v-maSv60z8U
Please send emails to: eddie@zone-magazine.eu
Kindly
Eddie Amador
It’s a Spiritual Thing , A Body Thing, a Soul Thing!

featureinterview
__________________
Words Anthony Piercy
___________________________________
Connect facebook.com/DJFedericoPuentes
Federico is an Argentinian born guitarist and DJ/Producer. His style
of melodic, deep, energetic music takes the crowd on a musical
journey - always leaving them wanting more.
He began his musical career playing electric guitar in various rock
bands. It wasn’t until he heard The Chemical Brothers that his interest
in electronic music began.
In the following years he started to refine his taste, experimenting with
different styles and sounds, coming to find his place in progressive
house.
In 2013 he moved to Sydney, Australia, where his sound has
continued to develop.
Federico has played at various venues and festivals around the
Sydney circuit including the Burning Seed Festival, ‘We Love’ at the
Burdekin, the Slyfox, Universal, The Imperial Hotel, The Chippendale
Hotel, Crime-thinking warehouse parties, 48 warehouse, and Norti-
Vikings boat parties to name a few.
Federico has released tracks on the following labels: Klank Records,
Dacusan Records, Elastic Dimension Recordings, Auditen, 3rd
Avenue, and Future Avenue.
Moving another step forward in his career, Federico has started his
own record label, Think About Records, which focuses on
Progressive, Deep house and Melodic Techno. In addition to this, he
has his own monthly podcast, Reconnect, on Saturo Sounds Radio.
Federico has shared the booth with artists such as DJ Ruby, Lost
Desert, Nico Stojan, Dynacom (ARG), Bodai, and Miss Roberta, among
other artists.
His track - Far Beyond The Sun - released on 3rd Avenue has been
supported by El Maestro Hernan Cattaneo on his Radio Show
Resident.

Federico Puentes
" Well I think each
release brings new
sounds and new ways
of presenting musical
ideas. I try to imagine
how the producers
made those sounds,
also the way they
structured their songs,
and the arrangement
they made - I think that's
a great way to learn
from others "

Tell us where in the world you are
and what your plans for the week
and month ahead?
I am currently living in Sydney, Australia. At the
moment I am working on a remix for AH Digital record
label, as well as putting together a new song. I am also in
the middle of packing boxes to move house!
Who are you?
I'm originally from Buenos Aires, Argentina, and
moved to Australia in 2017. I live with my partner and our
beautiful daughter in Sydney. I play electric guitar and am
currently trying to learn piano. I studied many styles of
music in my hometown Buenos Aires.
In my spare time, I like to play video-games,
watch movies, anime and read books...Yes Im a nerd, I
enjoy working out too, going to the beach and drinking
beer!
How was 2019?
2019 was a bit of a rollercoaster. My daughter was
born in late April, at the same time I was having lots of
gigs and continued producing while changing nappies and
working full time. It was a very tiring year, but an amazing
one too with lots of high notes for me on many levels.
How is 2020 going so far for you
guys?
Well aside from the global pandemic and being
forced to change jobs, it has been great in a musical sense.
I released tracks on 3rd avenue and Future avenue. One of
those tracks was supported by Hernan Cattaneo in his
resident show and the remix I did for Evernaya's dusk has
been very well received too. These releases helped me to
get invitations from a few labels to participate with originals
and remixes. At the same time, Think About Records (my
own label) has released new EPs during 2020 which is
another exciting thing for me. I am working on a new
release soon.
Can you name five tracks that
influenced you Growing up.
Guy J & Henry Saiz - Meridian (Pryda Remix), John
Creamer & Stephane K feat Nkemdi - I Wish You Were
Here, Guy Manzur - Moments becoming endless times
(Original mix), The Chemical Brothers - Surface to air, Daft
Punk - Harder Better Faster Stronger.
Name your labels top tracks.
Alejandro Conde - Windkook (Original mix),
Albano Bastonero - Sharp & Relax (Original mix), Federico
Puentes - The way of happiness (Stuart Hunter remix) -
unreleased.
Can tell us about your musical
development in the last year or so?
Last year for me was groundbreaking. I
understood that I needed to take lessons to step up my
game, so I started working with Paul Nolan who has taught
me a lot about music production.
In the last year, I also started my own label, Think About
Records. This was something completely new and
challenging for me, in many different aspects. It was
something that I never considered but luckily working with
Proton makes things easier, and also I have some amazing
friends that provide advice whenever I need it.
Tell us about some recognised artist
who are supporting your music.
I have a few artists that I have shared my music
with: Hernan Cattaneo & Mir Omar have played my tracks
on their podcasts. I have also shared my music with Emi
Galvan, Fernando Ferreyra, Ezequiel Arias, Berni Turletti to
name a few.
Current top 10 labels
Dreamers
Massive Harmony
Sudbeat
or Two Strangers
Soundteller
Manual music
AH Digital
Future Avenue
3rd Avenue
Onedotsixtwo

Let’s focus on your last EP Ancient
Spirits on Think About Records. What
is the inspiration behind it?
In terms of inspiration for my latest EP, when I am
producing a new track, I mostly just start playing around with
different sounds to put together my idea. Its generally a
process of mixing different sounds to eventually get the idea I
want. At the time I was working on my latest EP, I was
reading a lot about mythology and also I was starting to read
about Japanese mythology and found these characters
(Kodama And Suzaku - both the name of each track) very
interesting due to what they represent and their stories.
What made Think About records the
right home for this release?
When I finished both tracks It was around the same
time the label was founded so I thought It would be great way
to start the label with one of my own productions.
I thought at the time that those two tracks were a
good idea of what I wanted above anything else on the label -
melody above anything else within the genres that I like to
play and listen to.
Do you prefer writing originals or
doing remixes?
I enjoy both of them very much. At first I struggled
with remixes and felt a bit lost or unsure what to add. I now
feel more confident and really enjoy adding my personal touch
on someone else's idea.
Recently you debuted on 3rd Avenue
with Far Beyond the Sun.
What was
the experience working with this
label?
The experience was amazing! I sent a few tracks to
Sound Avenue and Dom(Madloch - label owner) got back to
me saying he liked Far Beyond the Sun and that he wanted to
add it as part of a various artists album.
Madloch was super clear about the process, answered
every question I had and helped me to adjust a few things on
the track which made it stand out. This was huge to me and I
felt super excited about it. And am still feeling super excited
about it.
need to keep working on my music. Hopefully one day it will
happen.
Apart from music, what makes you
happy?
My partner and daughter, going to the beach, playing
video games, reading, watching movies and hanging out with
my friends.
What else can we expect from you in
2020?
Well 2020 it has been a rollercoaster! I'm gonna keep
working on my podcast, Reconnect, on Saturo Sounds (UK).
I'm currently working on my own EP to be released on my
label, Think About records. I'm also working on 3 remixes
which I hope to finish before the end of the year.
Any releases or special dates we
should be looking out for?
I will be releasing a new EP on my label hopefully
around December, that will include a remix from Stuart
Hunter. And on 2021, I will release a remix of one of
Audioglider's songs for ASTIR records,a remix on AH Digital
label, a remix for Light side Music and also Im working on an
EP on Future Avenue.
Tell us about how each new artist
release has influenced the music you
make?
Well I think each release brings new sounds
and new ways of presenting musical ideas. I try to
imagine how the producers made those sounds, also
the way they structured their songs, and the
arrangement they made - I think that's a great way to
learn from others. In the end, this helps inspire new ideas
for your own music, as you are constantly being exposed to
new and interesting sounds. I think I have a unique
opportunity here in that sense.
It sounds great , it’s a real pleasure to have you here
we wish the best of luck on the upcoming projects that
you are working on
Thanks so much for having me!
Which labels would you like to work
with in the future?
I would love to release something on Dreamers, or
The Soundgarden. I guess there is a big list of labels that I
would love to work with haha At the same time I feel that I

AVAILABLE NOW
SAMER SOLTAN
INFINITE SPACE
FEAT. REMIX BY
INTEGRAL BREAD

featureinterview
_________________
Words Paul Newhouse
____________________
Photography Discoteca
__________________________
Connect facebook.com/Djknijo
Who are you, professionally and
personally?
DJ K-NIJO began his career in the musical world in
1997 on the Canary Islands (Tenerife) and then went on to
walk his vinyls through all the clubs of Andalusia, sharing the
poster with all the international and national artists of the
break scene. His mixes are based on exact cuts and perfectly
equalizing your favorite styles are break beat old school and
Two Step (Garage).
I am a cheerful and competitive guy, sociable and
who loves to be with family. I really like sports, especially
soccer. I have 1 wonderful son who makes me very proud and
who will go where he intends. A mother who is priceless and
in general I am a very dear and very happy person.
What got you into the music scene
and DJ life?
Well, since I can remember, music comes from my
veins and I had to find a way to transmit it to people and the
vinyl was my choice.
Favorite club and why?
Banani Algeciras nightclub because it was the first
time that electronic music made me fly.
Digital, CD or vinyl, and why?
Vinyl because for me it is a musical instrument where
you can feel the music in your body.
Tell a crazy clubland story or two that
you've experienced?
Well, once when I was going to the booth to work, a
guy stopped me and told me to put his topic I didn't even
know the boy and of course his topic less when I started to DJ
and put the 3 song the boy appeared in front of the booth and
he got on his knees thinking that he was putting his theme on
it and it was pure chance.
If you did something else, what would
it be and why?
Footballer. Because I love football as well as music.
They are the two things that isolate me from the world when I
do them.
Most influential artist for you, and
why?
The Prodigy. Why? They were and will be the kings of
broken rhythms!
Tell us about the scene in Spain
when you started and how it is now,
good, bad or ugly?
Well, when I started there were parties every
weekend in all the provinces of Andalusia and with full
rooms and very importantly all the music that sounded
was on vinyl. Today there are no events and what is on CD
or Controllers. For me nowadays there is not the same level of
DJ or producers, it is a real shame.
Old school or new school and why?
Old School all the way! Since it was all vinyl and
much more professional at that time! House, Trance, Techno
or Break beat and two step.
Tell us about the club nights you
promoted?
Well, magical nights with a super atmosphere and a
lot of love for dance music.
Describe the dance scene on the
Costa del Sol.
Very dedicated and dancing people!
What have you been doing under
lockdown?
I have been doing a lot of live shows since the clubs
are closed.
Small Cub, Beach Party, Festival or
super club and why?
Dancing Festival because I love to enjoy music.
Last words?
To thank my friend Paul for having me for this
interview, a hug to everyone from Spain!

DJ K-NIJO
" I have had a long and interesting career in music but
" When I started there were parties every weekend in all
it’s trajectory has been odd by most peoples
the provinces of Andalusia and with full rooms and very
importantly all the music that sounded was on standards! vinyl "
"

featureinterview
_________________
Words Anthony Piercy
___________________________
Connect facebook.com/DJMattBlack
Born in the North East and brought up in the South
West, Matt Black has been DJing and making music for
around 25 years. He moved to London in 1991 where he
discovered his love for dance music and raving and even
though his original love was hardcore and drum and
bass it was upon hearing a John Digweed mix tape back
in 1994 that he realised his musical calling in life.
Matt began by playing in pubs and bars around South
London before getting his first club gig in 1995. Since then
he has played for a number of London's biggest
underground promoters as well as Empathy in Bristol, Riff
Raff in Middlesbrough and The Gallery in London where
he warmed up for none other than Dave Seaman, he has
also performed in countries such as Poland and Mexico.
Last year Matts track 1994 was signed to the legendary
Perfecto Black and was even played by the one and
only Paul Oakenfold on his Planet Perfecto radio show
numerous times, Matt has also had releases signed to
labels such as Bonzai Progressive, Pro B Tech music and
others and his releases have been supported by DJ’s
such as Hernan Cattaneo and Nick Warren as well as on
major radio stations. With more releases planned for this
year Matt is certainly an artist on the rise.

MATTblack
" It's always nice to get recognition from your
peers and my last few releases have seen some
support from some fairly big names "

Tell us where in the world you are
and what your plans for the week
and month ahead?
Well, like everyone else at the moment I am stuck
at home trying to make the best of it! At least I am able to
catch up with some stuff and finish off some remixes I have
been working on. Also been working on a new original, so
hopefully I can get that done as well.
Tell us more about you!
I grew up in the South west and moved to London
in around 1991. That was when I discovered dancing and
rave music, before that I had very little experience of
dance music, as I lived in a small town in Devon. We didn't
have clubs or raves, we used to have barn parties on my
mates farm but that was about it. At that time I was mainly
into Hip hop but got into the breakbeat stuff after hearing
acts like The Prodigy and Moby. Then I discovered raving
and went to clubs like Camden palace and Busbys in
London and it was also at this point I started buying
records and getting an interest in DJ culture.
At this point though I was mainly into hardcore
and drum and bass but it was around 1994 when a friend
of mine played a John Digweed mixtape in his car, then I
discovered house music and in particular that progressive
house sound that well all love so much. After hearing this I
went out and bough the mix collection by Renaissance and
my whole musical outlook was changed. I loved the deep
hypnotic vibes and in the clubs I was going to at the time
most of the DJ's were playing this kind of cheesy handbag
house which wasnt really me. Progressive house was more
my kind of thing!
How was the last couple of years for
you?
Yeah 2019 was pretty good, I had releases out on
Perfecto Black and Bonzai progressive which both did quite
well. My track Future shock which I did with Chris Sterio
came out in the summer. I also had a few remixes out so
generally a good year!
Actually, 2020 was not too bad really. Had a
couple of big releases on Krafted Underground and Bonzai,
had my first Beatport top 20 track and was pretty
productive in the studio. As for DJ'ing well obviously
without gigs it was difficult but my shows on Proton and
Frisky both went from strength to strength and I hope to
continue that in 2021.
Can you name five tracks that
influenced you Growing up?
Thats quite a difficult one as I have been into so
many different musical styles over the years, but these are
the five tracks that probably have left a lasting impression
on me...
Heaven 17 - Temptation
Depeche Mode - Enjoy the silence
PKA - Temperature rising
First life - Be one of us
Radiohead - Street spirit (Fade out)
Can you name your labels top five
tracks?
Thats a tough one, my old label (Segment
records) had quite a few releases which were influential but
the first five were probably the most memorable to most
people, Eelke Kleijn for example has gone on to huge
success and so he'd certainly have to be in the list, the
others are also quite seminal in their own way, this is my
favourite five though (in no particular order):
Eelke Kleijn - Deeper depths
ZGR - Zero hours
James Talk - Beef Curtains
Muzo - The Mack
Hook and Black - Lifecycle
Also worth a mention is the Baunder EP as he
went on to a successful career and has worked alongside
Hernan Cattaneo among others.
Can tell us about your musical
development in the last year or so?
I think in the last year or so i have really been
trying to focus on getting my mix-downs sounding as best i
can so i have changed my working slightly. I have pretty
much used Ableton since version 5 but recently i have
started using Logic to do my mix-downs in as after taking
some advice from Paul Nolan he suggested doing that so
you separate the processes of writing and the creative side
and the mixing side. The only pain is having to export the
stems all the time but my plan is to eventually switch over
to Logic completely which will make things easier.
Tell us about some recognized artist
who are supporting your music.
Its always nice to get recognition from your
peers and my last few releases have seen some
support from some fairly big names. Of course, any
support is nice but it's human nature that Guy J playing
your tunes is going to be bigger than Joe Bloggs, but if
people are enjoying and playing your music then thats the
most important thing.
Tell us about how each new artist
release has influenced the music
you make?
I am always influenced by the music I hear.
Sometimes I can be inspired after hearing a new release,
either a sound they've used or a technique which makes
me want to try it for myself. Of course, I don't go out to
blatantly copy people, however a little help in the music
making process is always good and I know many major
artists have used tracks already made to help them to
inspire their own creations.

Let’s focus on your last EP
“Futureshock". What was the
inspiration behind it?
Well, Chris and I have been working together for a
while now, originally he asked me if I wanted to make a
track with him with him supplying the vocals and some of
the synths and I would add my own sounds and arrange it
all. We had had a couple of releases out already on
Mystique music, Inertia and Mirabilis when I suggested that
maybe we should try working with other vocalists. So,
Chris put out the feelers and he got in touch with a guy
called Simon Latham. Simon was already a successful artist
in his own right having had music in TV series and also his
track Soundsation - Do you feel it was a big Digweed
anthem in the mid 90's. So, when Chris suggested we work
with him I said lets do it and he sent us a vocal which we
then created the music around and Futureshock was born.
The lyrics are quite poignant as well with whats going on in
the world right now.
What made Pro B Tech Music the
right home for this release?
Well I've known Brent for a number of years and I
know he had released some big vocal tunes on is label
before and I have already had a couple of releases on there
myself so I thought this would be the perfect home for it.
Thankfully when I sent him the tune he really liked the
track so we were more than happy to go with them.
The EP has also remixes by Silinder.
How do you feel about them. How
would you describe them?
The remix on the EP comes from Silinder and it's a
fantastic remix. I have known Silinder (AKA Gavin Mulhall)
for years anyway, he has had releases on my old label
Segment records, and also done a couple of remixes as
well and since then has gone on to have releases on labels
such as Sudbeat. So, I think he was a great choice to do
the remix. I thought his remix had a bit of an 80's feel to it,
he chopped up the vocal a bit more and the backing track
was really deep and moody and complemented our original
mix well so I was delighted at how it came out.
Do you prefer writing originals or
doing remixes?
I like doing both actually. Sometimes I prefer
remixes as the main idea is already there so you can just
reinterpret it to suit your own ends. Writing an original is a
blank canvass where you have to start from scratch.
Having said that though a lot of my tracks originated as
remixes or bootlegs where I have ended up removing all
the elements that weren't mine and just adding a few of
my own to create an original track, or if not I can always
use my elements in a future production so its always best
to keep them just in case.
Recently you also debuted on
Perfecto Black with 1994. What was
the experience working them?
They were very good. Olli the A&R guy was very
professional and kept me updated throughout and the
release was very well promoted. I have been with certain
labels where you only find out about the release when it's
actually viable to preorder but Perfecto Black were great
and I really enjoyed working with them.
Which other labels would you like to
work with in the future?
Well, I could say all the usual suspects like
Bedrock, Last night on earth, UV and Sudbeat, but I have
projects forthcoming on some exciting labels which I am
really looking forward to in the future.
Apart from music, what makes you
happy?
Spending time with my wife and family, a good
movie or a TV series or just chilling at home making music.
What else can we expect from you
for the remainder of 2020 and into
2021?
My latest release is my remix of Sean McClellan -
Strike zone which is out now on Salt records. Salt is the
new label which is run by L.A. based Chris Grim and myself
and we have tons of good stuff coming up over the next
few months. I am the main A&R guy so will have more
involvement in the artist development side of things, keep
your eyes peeled for more releases from us in the future.
Any releases or special dates we
should be looking out for?
Yeah got quite a few things coming up. I have a
new track coming up with Chris Sterio called Progress
which is out soon on Mirabilis with remixes from Micah Paul
Lukasewich and Monojoke which are great. Theres also
another track i did with Chris this time featuring the vocal
talents of Daniela Rhodes. We've done a couple of tracks
with her and the first one is called Out of the dark which is
due out in May on Krafted Underground. Other than that
theres a few remixes plus some other stuff which i cant
really talk about right now but keep your eyes and ears out
over the next few months.

featureinterview
________________
Words Anthony Piercy
_________________________
Photography Evy Vinck, Niven Bonar,
Gavin, Robbie, L. Wing
_______________________________
Connect https://www.hardkissmusic.com
Back in 90’s San Francisco; Scott, Gavin and Robbie Hardkiss helped
pioneer the American Underground/EDM/Rave scene with their club nights,
warehouse parties and groundbreaking record label. They forged a new
direction for dance music with a string of vinyl releases culminating in the
seminal compilation Delusions Of Grandeur.
Hardkiss are an original DJ band. For many of their fans, Delusions of Grandeur
was the first time they encountered electronic dance music. The Rave scene was
raging and Hardkiss DJs, Gavin, Robbie & Scott were hitting multiple cities every
weekend, introducing a new generation to their psychedelic funk techno sound
collages. It was unclassified music. Before there were genres, there was
Hardkiss.
Delusions Of Grandeur made the Billboard Dance charts, went to #1 on the
Rolling Stone Alternative Album chart and launched the international DJ/
production careers of the Hardkiss brothers. This hard-to-find compilation
celebrated its 20th Anniversary with an official digital release in 2015.
In 2014, a year after the heartbreaking loss of “brother” Scott Hardkiss, Gavin and
Robbie Hardkiss partnered with Scott’s wife Stephanie, to relaunch the Hardkiss
Music label with the release of a new Hardkiss album - Hardkiss '1991' - which
was described by Magnetic Magazine as “a throwback to that heady time as
well as a timely loop into the future.” Reunited in the Bay Area in 2010, Gavin
and Robbie produced this album that stands tall in the often repetitive world of
electronic dance music. Named for the year the Hardkiss collective was formed,
1991 references the sounds and sentiments of their early rave days while
exploring new musical directions.
Acclaimed British music journalist Kris Needs declared that "Hardkiss’ music defies
musical barriers, time and space with off-the-teabags loved-out majesty and
manages to suspend the listener in a bottomless pool of fragrant intoxicants and
rabbit aphrodisiac heart rhythms."
Hardkiss celebrated the 20th anniversary of Delusions of Grandeur with a
PledhMusic campaign through which they released a commemorative 20th
Anniversary double CD includes a 32 page booklet written by Terry Matthews of
5Magazine. This and other special offers including vinyl and The Hardkiss Vault
'91 – '99, which contains 65 songs, remixes, b-sides, unreleased gems and
obscurities, are now available exclusively on their website .

Hey Gavin, I really love your latest
album.
I truly appreciate that you took the time to listen
to the album because I made it so that people could dip
into my imagination outside of the Spotify-single-song- AIplaylist
paradigm that we're in right now. It's a longform
expression. I didn't even want to release it as 18 separate
songs. I wanted it to be a 120 minute listening excursion.
Like a great DJ mix except I made all the music. And why I
put it up on BandCamp, so that I could offer it as a
continual mix. Then people started asking for
individual songs so made those available too.
I put it up on BandCamp and then shelter in place
happened so I haven't even sent it to many DJ's or made
the songs available on popular digital music sites.
What was the idea behind it?
You can read a little bit of what I wrote
here https://www.hardkiss.org/hawke and even more
about it here https://www.hardkiss.org/forword
To frame it in from another perspective -- A couple
of years ago, I had a shopping deal for a novel that I wrote
called CUBIC LUST. I had adapted the novel into a
screenplay and had a Hollywood production company
opening some doors for me to pitch. I had 18 months to
see if this would amount to anything. I'm an outsider, not
a Hollywood type, but I have family in LA so I make a few
trips there every year. It dawned on me that I was waiting
for something to happen that was out of my control. I felt
uncomfortable with the possibility that nothing constructive
might happen. Amazing things could also happen but none
of it was in my control. So I began a new project which
became THE DARK ART OF LIGHT WORK.
Many ideas and influences come together in this
project which is both a book and an 18 song album and
other forms yet to be developed. This idea of how the
imagination creates reality came into focus. I was exploring
the occult, astrological predictions, integral philosophy and
reading and listening to podcasts from the finest minds of
the past and current times. I began writing a song a day
with some new instruments and VSTs. Probing the art of
bringing things from the imagination into existence. A lot
of music and words were written in the spring/summer of
2019. I had a good idea of what 2020 would bring forth,
my guides were telling me that shit was about to get rearranged,
and I wanted to make something for 2020.
Something alert, beautiful, peaceful, contemplative and
hopeful. I wanted to poison the ugliness and corruption
with a contagion of another kind.
I sought out collaborators and drew on ancient
musical influences, voices in Sanskrit and Hebrew,
instrumentation from Africa and the Middle East. The music
grew into a mix of uptempo and downtempo elements
almost creating two different albums. I had been DJing for
my wife's yoga class for a few years on Saturday mornings.
Starting with solo piano pieces and moving through tribal
and ethnic tapestries into ambient outros. Not really what
you'd expect from a yoga class, moving around tempos and
playing with different global flavors, creating space and
mood for the teacher and students to explore. This
aesthetic influenced THE DARK ART OF LIGHT WORK.
There's both music for moving and savasna. There's
enough uptempo tracks to rock a Northern California
dancefloor but also chill vibes too.
Can you tell us more about the 4
hawke albums you released?
I pretty much release my music myself or through
friends. DARK ART OF LIGHT WORK is the 5th Hawke
album which hasn't really been released but you can get it
on BandCamp on Hardkiss Music. The first album,
NAMAQUADISCO was released on our Hardkiss subsidiary
Sunburn Recordings. Heatstroke came out on Six Degrees.
Love Won another came out on Eighth Dimension. Plus Plus
Plus was self released. Love In Stars came out on Hardkiss
Music. It's available on the website: https://
www.hardkiss.org/product-page/hawke-vault-mp3-5-xhawke-albums-extras.
What was the inspiration behind the
albums?
Each album is a different period of my life. I'm
just messing around with sounds and ideas and techniques
and song writing. It's a hodge podge of different shit some
of it more cohesive than others. I'm learning and
experimenting with the people around me.
Can you tell us more about the
treasure hunt album and
gold USBs?
For the album LOVE IN STARS which came
out around 2017, I wanted to bury my music catalog
underneath the tallest building in San Francisco
which they were building at the time.. But when I
tried to infiltrate the building site to put the golden
USB in the cement mixer, I got stopped. I wanted so
some future archeologists to find my music as an artifact.
Plan B was to triangulate the Bay Area with my music. I
chose to place golden USB drives with my music catalog in
three of the highest points around the Bay. I hid golden
USBs in Richmond, San Francisco's Alamo Park and in
Marin County on top of Mt Tamalpais. I inserted the first
clues to finding the USBs in Hardkiss vinyl record sleeves at
several record stores in San Francisco, Berkeley and San
Rafael. People who got the first clue were directed to the
second clue - a URL to a video clue to finding the USBs.
Then people went on missions to find my music. A fan flew
in from Texas. Eventually all the USBs were found. It was
a super fun way to connect with people and take the whole
process off of Spotify and the other digital monopolies into
the real world.

" For the album LOVE IN STARS
which came out around 2017, I
wanted to bury my music catalog
underneath the tallest building in
San Francisco which they were
building at the time.. But when I
tried to infiltrate the building site to
put the golden USB in the cement
mixer, I got stopped! "
ESSENTIALDANCEMUSIC 27

The world cup in South Africa - your
track 'Mundo Via Afrika' was
chosen, can you tell us all
about this time & process?
I grew up in South Africa where I played soccer at
a high level. I'm a huge fan too. Sony Africa asked if I
wanted to make a song for their official World Cup album
exclusively featuring African artists and I jumped at the
opportunity. Growing up in Johannesburg, I had a turntable
in my bedroom and I'd raid my father's vinyl collection. I
loved his comedy records. That silliness stuck with me and
anytime I get a chance I like to make a silly record. Mundo
Via Africa is pretty silly. I appreciate music that doesn't
take itself so seriously. There's a good amount of that in
the Hardkiss catalog. There's a time and place for all kinds
of moods. The dance music scene tends to take itself
seriously. THE DARK ART OF LIGHT WORK is a heavier
tone. MUNDO VIA AFRICA is fun. Have you seen the
video? https://www.youtube.com/watch?v=s0LpO7TA4Sg
What was your main music influence
growing up in South Africa?
Black music, comedy records and new wave.
and DJ'ing?
For sure, I was making mixed tapes of Chicago
acid for house parties back in Philly. Then got on board the
groovy train with all the indie music coming out of
Manchester. So there was this strong connection to
Chicago and the UK which was quickly followed by Detroit
techno. I'd say Detroit techno of that era is some of my
favorite music ever. There is some great mimicry these
days and I keep a digital crate of the Detroit sound handy
at all times. There's a sound where Detroit techno meets
Africa and I dig that. In the early '90s, one weekend when I
was DJing in Chicago, I was invited to the Trax warehouse.
I was given free run of the warehouse to take copies of
anything I wanted. I didn't hold back. Pretty much
grabbed the entire collection and have that vinyl collection
in a crate on standby at all times.
How vital was it to get to know the
record stores and record labels on
the east coast for you?
While living in Philly, we used to buy records from
King Britt at Tower and developed a lifelong friendship with
Frankie Bones at Groove Records in Brooklyn. Couldn't
have hoped for any better influence. Two tall standing
dudes who created entire cultures around them.
How did you meet Scott
and Robbie?
Scott and I went to college in Philadelphia. Robbie
and Scott went to high school together near DC. I dated
Robbie's sister. I think Scott dated my sister. When Scott
and I graduated from college, we drove across country to
San Francisco to connect with Robbie who had moved there
a few years earlier to start Hardkiss Music.
In 1991-92 how vital was it to book
studio time and did it help when
starting the label?
Correct, we would use our sway or remix fee or DJ
money to rent time in studios. It was quite frustrating
because there weren't many dance music engineers at the
time which forced me to buy the gear and learn for myself.
Tell us more about the
names Hardkiss & Hawke?
Scott and I were tossing around names and I
threw out Hard and he threw out Kiss and then he put
them together. We started the Hardkiss Music label and
then he began DJing as Scott Hardkiss and a couple of
years later Robbie and I did the same.
My name Gavin means White Hawk in Gaelic but I
couldn't really call myself White Hawke. That would have
been career suicide. So I went with Hawke. I was producing
before I Djed. Actually, one of the first tracks I ever made
was just re-released on vinyl here: https://
klassewrecks.bandcamp.com/album/elegal1-ep
Was it the acid house sound that got
you into the electronic music scene
" San Francisco was on
another level back then
pre-Internet. We lit the fire
for the tech revolution. The
culture and music was
diverse and futuristic and
the techies fed into that "

What was the
first equipment you bought back
then?
Turntables, Emu Emax sampler with 30 seconds of
sample time and a midi sequencer. It grew from there but
we made the first few Hardkiss releases with that. We did
a deal with Columbia Records in the late '90s and spent a
heap on multiple studios and analog 2" tape and a Ohram
analog mixing board. Now I do everything on this laptop
that I'm typing on. I love how I've benefited from the
march of technology with a studio at my fingertips at all
times.
How did things grow and
develop back in the 90's for you
guys?
In the early/mid '90s we were making tracks and
releasing on Hardkiss Music and travelling around DJ'ing.
Playing in different countries, cities, states every weekend.
We didn't release too often but we'd service all the DJs with
white labels and then there would be pent of demand when
the record eventually hit the streets. We were good at
scarcity. And unpredictability. And emotion and funk.
Scott, Robbie and I had different styles. We'd hit multiple
cities every weekend and kids didn't know what they were
gonna get hit with. At that time, my style leaned more on
organic breaks, bass driven grooves, a mash of different
styles with global, funk and percussion elements. But I
never stayed in the same sound for too long. I like to keep
evolving.
San Francisco was on another level back then
pre-Internet. We lit the fire for the tech revolution.
The culture and music was diverse and futuristic and
the techies fed into that. There was an amalgam of
people from all over the planet congregating and creating
in San Francisco. It was quite unique and inspiring and i'm
fond of those times when high tech was a turntable. No
one had a camera let alone a phone. It's like a lost
civilization, the remnants of which are only records and DJ
mixes that were made at the time.
Tell us about the releases
during that tme ?
Hardkiss Music was releasing stuff that Robbie,
Scott and I were making. Plus tracks from a few other
artists like Rabbit In The Moon, T Tauri and Symbiosis.
Then we started an imprint called Sunburn Recordings
where we released a crazy wide net of different sounds
from dub to texmex to drum 'n bass and house. We had a
wide range of musical interests and didn't want to be
pigeonholed. Quite the opposite of these days where
everything must fit in a box.

OUT NOW
ON
NUTTY
TRAXX

featurelabel
________________
Words John Ricketts
_______________________________________
Connect https://www.facebook.com/igorgonya
Born in the Republic of Kalmykia, Igor Gonya has
spent the last decade building up a considerable
musical empire. With his fledgling label and radio show
Lysztomania garnering support from industry peers
aswell as a prime slot on Ibiza Live Radio, he has
spread his musical wings to starting a number of varied
and diverse labels. All-encompassing the sounds of
house and disco, their releases have seen them hit the
Traxsource top 100 numerous times and gained support
around the globe. We managed to grab 5 minutes with
Igor to see what was happening with him now.

Could we start off with your musical
background, what are your first
musical memories?
Hey guys! First, I’d love to say thank you for
having me. It’s a big honor and pleasure to talk with you.
Appreciate that!
Well, the music was always with me. My dad
was a disco lover. He listened the stuff from ABBA,
Modern Talking, Bad Boys Blue, Sandra and I think it
was a huge influence on the formation of my musical
taste. A bit later, when I was a teenager, I discovered a
British electronic scene and from that moment my mind
turned over. I was limitlessly happy to buy the new
cassettes by the groups as The Prodigy, The Chemical
Brothers, Massive Attack, and Fatboy Slim. It was an
incredible time. I did a selection for myself and all my
neighboring peers always asked for this kind of cassette for
their collections.
say that I was already determined to study a more
professional DAW. As you see it took a long time before I
started to produce.
About DJing. I’m still not a DJ. I just try to show
the music I produce, the music I love and the stuff from my
labels. And I feel nervous every time when I start to play
haha.
What was your first gig like? Any
notable ones from the past?
Haha. It was ridiculous lol. We had a party in the
place like a hookah bar or something like this. I was playing
awful. When you play badly and you can’t mix the track
from the 1st deck with another one in Russia we call it
horses (you know like a galloping horses). So, I did it with a
herd of horses that night. I wanted to sink into the ground.
It was a huge shame.
What did you get into first, djing or
production?
I started to produce in 2014. So, I’m still a fresh
blood in this business haha. Returning to the first question,
the same time when I was a teenager, I was curious how to
make that kind of music, and in my small village close to
the capital of republic where I was born (Republic of
Kalmykia) people were not conscientious enough about
electronic music production. But in 90’s I discovered some
toy programs like Dance Ejay etc. It was like a magic. I can
How did you come about starting a
label? You have quite a few now,
which one was the first?
I launched «Mole Music» in 2015. Is a multi-genre
label, but I try to release mostly Deep House and Jackin'
House music there. It was my 1st experience and It still
works. We have 2-3 releases in month. Check it out!
" Well, the music was always with me. My dad
was a disco lover. He listened the stuff from
ABBA, Modern Talking, Bad Boys Blue, Sandra
and I think it was a huge influence on the
formation of my musical taste "

Of the multiple labels you run,
Sundries, See-Saw etc, what are
the main musical differences
between them?
There are no differences between them actually. I
rely solely on my subconscious. I just feel the stuff I
release on them. I cannot explain it otherwise. Hope you
understand what I mean.
What do you look for when signing
a track?
There are a lot of aspects. First, it must be with a
harmony. Good arrangement and mixing are important
components for me. And for sure it must be groovy. If the
music doesn’t make your body or soul, It’s not music (in
my humble opinion). The other things such as, how popular
the artist, how many followers he has in the socials. Has
he/she a specific political opinion. These things don’t
matter to me.
Any notable releases so far?
Pay attention at all. Cause I’m working hard with
all releases for all of my labels. Actually, I’d love to say that
I have my 2nd own release on Sundries Digital scheduled
for February 2021. It’s called Baloo Baloo. If you are disco
house lover, you’ll definitely like it.
Any artists you would want people
to look out for in 2021?
I’d love to mention the guys from Germany. It’s a
duo called Decent Rides. They already have a few great
releases. I bet they’ll do their things in the right direction.
The guys from Paris. They are the owners of
Frappé label. Basile de Suresnes and Ten Fingerz. Multigenre
lads with a cool vision of house music. They all
deserve attention.
The guy from the UK. He’s artist name is Toby
O’Connor. He is an absolute young star to me.
What does the future hold for you?
I hope I’ll be still inspired at least sometimes. I
wish I could discover a new talent and collaborate with
already well-known and veterans of house / disco music
scene. And I hope I can buy some new gears for making
my music more exclusive and more individual.
Anything you’d like to add?
I’d like to promote the 2nd vinyl release from See-
Saw label. It’s a Various Artists - Discipline of Swing Vol. 2
A four proper disco and funk flavour tunes. Could
work awesome for dancefloor when the lockdown will over.
Available at all major vinyl stores as Juno, deejay, redeye
etc… Grab your copy!
Thank you so much for invite! Have a great and productive
year!
Tenderness by Igor Gonya is out on the 12th of Feb
on Traxsource
https://www.traxsource.com/track/8444065/
tenderness-original-mix

featureinterview
__________________
Words Simon Huxstable
__________________________________
Photography Philip Brady & David Christensen
_____________________________
Connect facebook.com/jan.johnston.UK
Jan Johnston. A name that for Trance and
Progressive fans simply means quality. Starting out in
the early ‘90s with short-lived pop band JJ, her
fortunes took an upward sweep working firstly with
the King of Trance, BT on his ECSM album, and then
Australian powerhouse Anthony Pappa (as Freefall)
on breakthrough release ‘Skydive’.
Signings to Perfecto, Universal and more has spread
the Jan Johnson gospel and showcased not only her
vocal talents, but also her song writing abilities.
Soundtrack syncs and contributions to Grammy Award
nominated albums as well as 4 solo albums and
countless singles has kept this doyen of the scene at
the top of her profession.
Ahead of her first collaboration with Paul Sawyer, we
sat down with Jan to delve into her career, get a
deeper understanding of her side of the industry and
find out the important details of this new project.

JAN JOHNSTON

How are you? What’s been
happening in your world recently?
How much has 2020 affected you?
2020 Lockdown at first frightened me, I was
thinking what now…no gigs, therefore no bumping into new
producer djs which would always turn into new
collaborations, new songs for me to write and record, so it
was daunting…but then as everyone was straight jacketed
they fought back and I began to receive lots of music
compositions from many dj producers to write too….
So, since April I’ve been in the middle of writing recording
frenzy which astounded my head…as I had lots more clarity
in it, with not running around gigging. Paul Sawyer sent me
three pieces of orchestration I’ve since written and
recorded those with him the titles being…1.Circle 2.One
Step Beyond 3. Right Place, Right Time.
I am constantly writing if not for my collabs for
myself to have songs ready… for any opportunities the
planet might throw my way..
Let’s take you back to the ‘90s for a
minute. Talk us through that first
interaction with Brian (BT). Did you
know his work? How random did it
feel this American producer
contacting you after he found your
music in a bargain bin?
Yes BT changed the course for me as he had found
a single of mine in the bargain bucket…I won’t say the bin…
which was Paris..my B Side was calling your Name…we
arranged to send him those vocals as he said he fell on the
floor when he put that song on…how ethereal it was and it
was destined for the dance floor with his touch, it was
received so well and loved…it was a song I wrote about my
father’s faith originally. I hadn’t met or seen BT play so I
went off to the Hacienda and was blown away…
‘Remember’ is one of his finest
pieces, and certainly a stand out on
ESCM. Tell us about the recording
process? Did you have any
expectations for it?
I went into the studio in Manchester, and co wrote
REMEMBER with BT… Paul Oakenfold absolutely loved
Calling your Name and then this new song Remember so he
arranged for me to fly to BT’s studio in USA and I co wrote
FLESH and LULLABY for GHIA for his album ESCAM… and
we have continued to write together through the years..in
fact we had just spoken not long before lockdown to
arrange for me to get out to his studio to write together
and Covid messed it up like a lot of things with regards
travel but it’s on our bucket list…
me to meet Paul Van Dyk who I went on to write 4 songs
for his REFLECTIONS album he made my time in Berlin
amazing and massively memorable…
Of course, Big Pappa was knocking
on the door soon after. The story
behind ‘Skydive’ is fascinating, how
complete was the track when you
became involved? Did it’s sound
have any bearing on your song
writing or was it the other way
around?
I met and wrote with Cosmic Gate with
Anthony Pappa our SKYDIVE song and the
SUBMERGE TRACK I co wrote TAKE ME BY THE
HAND..these early songs opened the door for me to
work over all these years with amazing new and old
friends, I was young happy and now I’m a little older and
happy…emmmm..a little older, at that same time I was
writing with Jamie Myerson for my artist album EMERGING
more acoustic based but some songs were mixed for the
floor. This period was a very very happy time…I’ve been
blessed and continued to write and work with outstanding
producers
With regards Skydive I truly don’t remember if the
music composition changed much after I wrote the story
and melody to accompany it, as I don’t look at the overall
sound when I’m in the writing phase it’s the chord structure
and it was a beautiful transition of chords… easy for my
verse bridge chorus formula… afterwards of course once
the producers have the voice melodies flowing through they
embellish where it’s needed to support the story melody.
Talking of song writing, talk us
through a typical project. When
you’re working with new people
how much of those initial
conversations do you have to feel
them out as professionals before
you’re comfortable to begin writing?
I’ve heard a lot of horror stories in
the industry…
With any new piece I listen to, I don’t look at who
the artist is behind it I’m truly listening to the music so I’ve
been working with very fresh young to the board guys and
those with longstanding careers, and my formula is the
same.. I’m never given a title, the music tells it’s story and
I listen and construct my story through the age old verse
into bridge to set up a chorus, with a middle 8 into chorus
to fade so always plenty of content for the guys different
mixes….
As my time on tour with him and the guys allowed

" I met and wrote with Cosmic Gate with
Anthony Pappa our SKYDIVE song and the
SUBMERGE TRACK I co wrote TAKE ME BY THE
HAND..these early songs opened the door for
me to work over all these years with amazing
new and old friends "

And the song I write to each piece can always be stripped
back and sang acoustically if ever it was needed that way…
always a happy moment when it’s born and I know what it
can be, I sometimes wish I could be in the mixing stages
but I’ve had to learn to let go… although some of the guys
ask and allow input on the mixes, I can be of help as I do
know what I would like to hear…
Let’s move on to the Perfecto years
and that first album, Emerging. That’s
been quite the journey! Whats been
the biggest learning curve from that
time?
With Regards my voice and writing abilities I truly
feel I’ve grown, I have a wiser head so I’ve more to put
down on paper in a poetic way and sense of…
You’ve 4 albums under your belt;
five counting the JJ one. Do you
notice how your voice and musical
tastes have changed over that
period? And are you making better
music now do you think?
I stand beside all I’ve done through these years,
lots of them but my passion for writing and singing and
performing hasn’t dimmed I’m not jaded…
Over the lifecycle of your career, I’m
sure you’ve picked up some tips
and tricks. What would you say is
the top three things a singer needs
to ensure longevity?
I think the three things people ask as tips for song
writing can be answered in one pass….
Never follow what’s happening only make
yourself happy with what your writing and
performing in the studio, then you have no holes in
your work, it’s complete because it’s your complete
thought, thoughts all down in a beautiful musical
composition, form your core no one else’s.
Let’s end on the single (otherwise Paul will be
mad! haha) I understand this is the first of three tracks
with Paul. We all know he’s a sweetheart so what’s been
different working with Paul compared to others?
Ahhhhhh Paul Sawyer my new working
relationship… he is an absolute GENTLEMAN!
And like all collabs we have become fast friends as
together we have created something beautiful it’s like a
birth so we are family during that whole process and then
as time passes always firm friends, that’s my hope , so far
so good with all my past boys and girls….
Tell us about ‘Circle’ and the writing
process. What inspired the lyrics?
Do they come together quickly?
When Paul sent me the first piece I was blown
away I was like Paul I have a feeling within this structure of
the mid 90’s all sparkleeee and ethereal with beats, I
immediately felt a full circle enveloping me so the top of
the page I work CIRCLE….
Then it was so so quick the world, the lockdown
and yet so much love went out to all those amazing hero’s
and all the parents with painted hearts and rainbows in the
windows and outpouring of love.
So the analogy so not too oooh… it had a lovely
parallel when complete and at its centre it was intact the
storey of all around the CIRCLE…the world…it became all
those lovely things we had taken for granted…
Sun on my face leaves me wild…stars in my eyes
make me smile…like I’m someone new…etc….
Pauls piece was gorgeous and I was honoured he
entrusted it to me to write it’s storey, together we have
completed three songs very quickly and I’m so excited
about this project, we are on the same page and it has
musical notes flying all over it, I’m so happy with your
songs and there will be more in the future, we work very
easily together… thankyou Paul.
‘Circle’ is released on Krafted
Underground on November 9th,
what else do you have lined up for
the rest of the year?
Nothings lined up for gigs all our schedules were
wiped for this year, and I had been having a spine tingling
time with a 50 piece orchestra with Gatecrasher we toured
over two years, singing our classics of Trance in classical
setting with the orchestra… that was icing on the cake
because the sound was phenomenal the crowds were huge
and everyone including the artists onstage we were all
blown away with the sound.
So I’ll be sending up my prayer and writing which
is my absolute passion, till we all get the get out of jail card
for free…
My huge circle of thanks and hugs to Paul Sawyer
for entrusting me with three stunning orchestrations that
have now become
1. CIRCLE
2. ONE STEP BEYOND
3. RIGHT PLACE RIGHT TIME
Onwards there is nowhere else to go…big hugs
and heartfelt thanks to all, Jan Johnston.

featurearticle
__________________
Words Matt Schantz
________________________________
Connect: Twitter - @TheMattSchantz
A ROUGH GUIDE TO DARK PROGRESSIVE HOUSE
2001-2003
As I sit here typing this, I'm listening to Saeed &
Palash's 2003 mix compilation Addictive Beats, my
final entry from a deep dive into dark progressive
house. Listening to this particular mix - one of a
few I had never listened to until now - I am fully
prepared to disqualify it from consideration, on the
grounds that I know these DJs' reputation for tribal
house beats, and I teeter on the edge of
plummeting into a spiral of full-blown electronic
music genre-labelling retardedness. After all,
everybody knows that tribal house is completely
different from progressive house, right? Right?!?
Labelling and understanding and arguing about
(both the excellence and the correct categorization
of) the various genres and sub-genres of electronic
music has long since become a cliche within the
dance music community, eg, "I used to be into
techno, but now I'm more into ambient-trip-hopexperimental-noise."

Parsing genres can become a hobby, a means of
bonding and finding your people within the community, or
for people who really suck, a means of being a snobby twat
and alienating others. As they say, a little knowledge can
be dangerous. Trying to pigeonhole records can be a
strange phenomenon, particularly when it comes to sounds
that are as nebulous as Balearic or progressive house -
they are genres unto themselves, but ultimately, the end
result of a track or set of tracks from these genres ideally
pull from a multitude of sources to make up their sound.
It's useful to keep in mind that "progressive" should be
thought of as an adjective, and not a noun, and for a genre
that should be as broad and inclusive as progressive house,
to try and get as specific as "dark progressive house"...let's
just say there's a fair amount of subjectivity going on here.
Sandra Collins:
Cream (Kinetic Records, 2001)
To hell with all of that "female DJ" nonsense...this
mix from Sandra Collins showed that American DJs could
stand on equal ground in the dark prog realm alongside
their UK brethren. Sandra made a splash in 2000 with her
entry in the Tranceport series, and she continued her run
with this mix. KEY DARK TRACKS: Markus Schulz's Tribal
Mix of Carissa Mondavi's "Solid Ground", Piece Process "My
Mind Is Going".
So why this music, from this era? Around this
time, the landscape of big-room music was slowly
changing. Trance had already smashed it in 1999 and
2000, and progressive house was becoming the common
tongue for many large clubs. Progressive house had
already enjoyed a period of growth in the 90s, and at the
turn of the millenium, a lot of the music just got a lot, well,
darker: minor keys, lots of drums, samples of astronauts
with transmissions to mission control, and let's not forget
quotes from Morpheus from The Matrix. Think less John
Digweed - Bedrock: Compiled and mixed, and more Global
Underground 019 -John Digweed: Los Angeles. A lot of this
music was really, really good...and some of it was, shall we
say, less good. We even coined a term for the less good
stuff on the message boards - "BSPF", or "bog standard
progessive fodder". This was also the kind of music I was
most into during my prime clubbing years in Los Angeles,
so believe me, I had a LOT of opportunity to listen to some
dark prog - the good, the bad, and the downright boring. I
was also writing for a few print publications at that time, so
the promo mixes were coming fast and furious. Global
Underground, the label probably most known for their
compilations promoting this sound, released eleven mixes
between 2000 and 2003, from DJs John Digweed, Nick
Warren, Dave Seaman, Deep Dish...these were the good
times. The DJ CD mixed compilation was still very much
the law of the land for the fan.
It couldn't last forever though, and the pendulum
of interest and cool was slowly swinging in another
direction. London club Fabric had been founded in late
1999, and their brand would soon give rise to a completely
different type of sounds, promoted not only at their club
but also championed on their own series of mix
compilations. Tech house and minimal were on the rise,
and prog was on its way out of the spotlight. Resident
Advisor was founded in 2001, and before long they were
deciding what was cool...I think they may have actually
invented ambient-trip-hop-experimental-noise. Following
are my picks from this era. This list is not meant to be
definitive, but these mixes are without question
unassailable.
" This was a great
time to be rocking... lots
of amazing vox being
produced heavy
grooves ... yum "
- John Creamer

Renaissance presents The Masters
Series, Volume 4: Revelation (Nick
Warren's disc) (Renaissance, 2001)
You can't discuss progressive house without
mentioning renaissance, and Nick Warren brought the
darkness on Volume 4 of the Masters Series. Yes, the
centerpiece of the mix is the Deep Dish remix of Iio's
"Rapture", but the seven tracks leading up to it is a
relentless chorus of drums that culminates with "Dirty".
KEY DARK TRACKS: Powder Productions' remix of Paul
Mac's "The Sound of Breaking Up", Dirty "Dirty", Deep Funk
Project vs. Austin Leeds "Sub RItual".
https://www.discogs.com/Nick-Warren-And-Danny-
Howells-Renaissance-The-Masters-Series-Part-Four-
Revelation/release/58370
" It was a great time for that particular style of music.
We had decided to move away from that epic
progressive house sound and focus onto something
more edgy and underground - painting on silence
was born out of that "
- Parks & Wilson
Global Underground NuBreed 006:
Satoshi Tomiie (Global
Underground, 2002)
My choice from the GU catalog has to be Satoshi's
mix. He somehow is able to work in so many of the big
dark prog tracks of the era (Lexicon Avenue's ubiquitous
"From Dusk Til Dawn", Creamer & K's remix of Kosheen's
massive "Hungry", Tijuana's Bedrock gold "Groove Is In the
Air") and yet manages to pull it off without it sounding like
a Ministry of Sound compilation. I probably just like the
way he manages to end disc one with Kings of Tomorrow's
"I Want You (For Myself)". Such a diva, Satoshi. KEY DARK
TRACKS: Stephane K "Numb", Kats & Styles "You're My
Everything", all the big ones already mentioned.
https://www.discogs.com/Satoshi-Tomiie-Nubreed-
Global-Underground/master/86914

Parks & Wilson: Painting On Silence
(Varese Sarabande, 2001)
https://www.discogs.com/Parks-Wilson-Painting-
On-Silence/release/145787
This was the comp that I relistened to the most
during this project. I had been a fan of Parks & Wilson ever
since their Essential Mix from 2000 - a bright, multitextured,
Hooj Choons-heavy affair that still ranks as one
of my favorite Essential Mixes. When I got a promo copy of
their first mix compilation, I was beyond excited. The
sound they showcased on Painting on Silence was
considerably different from what I had heard from them
before, falling directly into the category of dark prog.
Probably the "proggiest" of all these mixes, I want to use
the word "plodding" in describing it, but the connotation of
the word isn't correct - "steady" is probably more accurate.
It now seems like the best example of an opening DJ's set
from that era. Speaking of opening DJs, I remember when
Mick & Mick finally came to Los Angeles to play at Spundae
at Circus Disco. I had organized an interview with them
and was psyched to see who I had come to think of as "my
guys". In a classic terrible programming move by
whomever booked the night, I watched as Mick Park stood
aghast as DJ Irene played the opening set - her typical
high-energy, loud, scratching, good-timey fast club music.
Not at all appropriate for the boys from Coventry. They
deserved better and so did I, damnit. KEY DARK TRACKS:
Jade "A Day In The Life of an Eastern Assassin", Fusion
feat. Matt Hardwick "Resistance" (Steve Porter mix), Tilt
feat. Maria Nayler "Headstrong" (Sorrento & Scalpel mix),
Pete Lazonby "Wave Speech" (Junior Vasquez mix)...really
all of them. EXTRA CREDIT: check out their 2002 label
profile mix, Baroque In Session, for similar vibes.
Mark Shimmon: Decoded
(Pioneer, 2001)
This is The One. If I want to tell anyone what dark
prog is like, and how good it can be, I put this one on the
car stereo. Dark prog has a blunt singularity of purpose,
and Mark Shimmon throws it all out there on Decoded. It's
tight and economical (just over an hour), and after the
brief intro, has nine tracks total. It's a fucking beast. While
researching for this project, I was repeatedly advised to
check out Gab Oliver's mix No Nonsense, as a purest
example of this style; after having done so multiple times,
Decoded is still my choice. I sure hope Shaniqua got those
tickets to One Love. KEY DARK TRACKS: the whole damn
thing, from DJ Gogo's remix of Josef's Ruhe "Zurihorn" all
the way through to Shimmon's own "Dark Feelin'" as the
closer.
https://www.discogs.com/Mark-Shimmon-Decoded/
release/754196

John Creamer & Stephane K: Aural
Pleasure: Sexy House In The Mix
(2001)
This was a free mix, given away as a covermount
accompanying the December 2001 issue of Ministry
Magazine. What a great time to be a dance music fan, with
Ministry, Muzik, and Mixmag all issuing free CDs every
month. This mix is particularly emblematic of this sound,
rushed to completion amidst the chaos of the terrorist
attacks of 9/11. I always felt that the political uncertainty
and darkness of those times informed the tone of the music
at the time, and in retrospect it certainly seems like it was
a factor. Creamer & K helped to define the dark prog
sound, and this document is incredibly relistenable. KEY
DARK TRACKS: Way Out West "Intensify" (Peace Division
mix), Nat Monday "Waiting" (John Creamer & Stephane K
mix) - one of the best fucking tracks OF ALL TIME.
https://www.discogs.com/John-Creamer-Stephane-
K-Aural-Pleasure-Sexy-House-In-The-Mix/
release/51266
Quivver: Transport 5 (Kinetic, 2001)
I mean, just look at the damn cover. John
Graham came out throwing heat on his first ever mix
compilation. I always thought of this mix as a spiritual
companion to the Mark Shimmon CD reviewed above - they
share a track in common, came out around the same time,
and both are single-disc hammers of the dark prog sound.
KEY DARK TRACKS: Dark Driver "Re-Vision 2" (Mara's
Empire of Filth remix), John Creamer & Stephane K "I Love
You" (Hybrid mix).
https://www.discogs.com/Quivver-Transport-5/
release/64517
Anthony Pappa: Resolution (System
Recordings, 2002)
This is a compilation I slept on when it originally
came out, God knows why. There were so many of the L.A.
locals ("the prognoscenti", I called them) whose opinions I
didn't value who kept going on and on about
Resolution...maybe it was the oddball artwork, showing
Pappa in (yet another!) anorak. After one quick listen I
was quick to dismiss it. Coming back to it in 2020 I see
that I was...mistaken. Anthony Pappa's mix is amazing.
It's dark and heavy from jump, skillfully lightening things
up just perfectly with the swing of Lexicon Avenue, who
provide an original and a remix. KEY DARK TRACKS:
Shuffle Inc "Remember New York" (Lexicon Avenue House
Heads Remix), Digby & Oliver, "7 Stones", DJ Gogo
"Sayna"
https://www.discogs.com/Anthony-Pappa-
Resolution/release/79499

Moshic: DJ World Series: Progressive
From Israel (2003)
Another covermount compilation, this one from DJ
Magazine, has grown better with time. I was quick to
dismiss it at the time, but on relistening it's easy to hear
that Moshic was definitely capturing the sound of the time.
If the sound of Aural Pleasure was perhaps indirectly
affected by the political climate of the early 00s,
Progressive From Israel is overtly so, and the Israeli-born
Moshic begins the mix with the sound of TV reporters
commenting on the political strife in the Middle East -
suicide bombings, nuclear inspections, hopes for peace.
Almost every single track he used was unreleased at the
time, and the producers hail from the Middle East region
and Turkey. KEY DARK TRACKS: Moshic's own "Nonok" (a
nearly 11 minute treatment), Groovemates "Power
Supply", Mavi "The Dream".
https://www.discogs.com/Moshic-DJ-World-Series-
Progressive-From-Israel/release/131499
Jimmy Van M: Bedrock - Compiled
and mixed (Disc One) (Pioneer, 2001)
The whole dark prog "thing" was probably born in
Twilo during Sasha & Digweed's legendary residency; an
attempt to capture it was documented on their last mix
collaboration together, the somewhat maligned
'Communicate' from 2000. As the two masters do, they set
a trend, and they moved on; some DJs are still chasing this
trend today. One of the rightful heirs of this sound was
Jimmy Van M, and disc one of this compilation is an
alchemist distilling ten records into a masterfully trippy
experience. Let's face it, Bedrock has always been in a
class of its own, and so is this mix, one of very few from
this era that I consider perfect. KEY DARK TRACKS: ECVM
"Circuit Breaker" (John Creamer & Stephane K remix),
Prototype "Control of Sound”.
https://www.discogs.com/Jimmy-Van-M-Bedrock-
Compiled-And-Mixed-By-Jimmy-Van-M/
release/72826
"So why isn't GU019 on this list?"
I know this will be problematic for some
people...why am I not including Global Underground 019:
John Digweed - Los Angeles on this list? Is it a tradition to
not love the GU compilation mix from the city you live in? I
attended every single one of the parties for GU 019 at the
Mayan Theater in downtown Los Angeles, and loved every
minute of them. Getting to meet John (and Dom Phillips! A
real thrill for a budding electronic music journalist) a few
nights after the initial party was cool as fuck. When I
finally got the promo copy of the compilation, I was
puzzled. The mix didn't match up with my experience of
those nights. I clearly remember a friend wondering aloud,
"Did he even PLAY 1-800-Ming?" I've tried relentlessly to
appreciate it, but have simply never gotten there. "Too
close to the work", perhaps. One of these days I'm going
to get the original recordings of those nights from Kazell
(Digweed's designated opener every time he played the
Mayan), and see if I can get to the bottom of this. But I'm
pretty sure I made the right call about Saeed & Palash.

ICONYC NOIR PRESENTS
I C O N Y C N O I R 1 0 0
A N N I V E R S A R Y E D I T I O N
SOUND DEPARTMENT
C O M P I L E D A N D M I XE D B Y
PA U L S AWYER
100
H U N D R E D
A V A I L A B L E
0 1 / 0 3 / 2 0 2 1
NOIR100
LARGE! - John Gibbons - 9/10
Nice One! - Sam Divine - 7/10
W W W . I C O N Y C . O R G
Funky Stuff, Thanks! - sa.lomaonun.es - 8/10

DJ CHARTS - Sept - Dec 2020
Eddie Amador [USA] [House]
1. What's Going On? (Red Light Mix) - Eddie Amador, Coco
Street [Nu Soul Records]
2. The+ Brazilian Affair - DJ Disciple, G. De Palma [Catch 22]
3. When I First Felt House (micFreak Remix) - Eddie Amador,
Coco Street [Nu Soul Records]
4. Future Black Fusion (Dub) - A. Nicholson [The Jazz Diaries]
5. What To Believe (Da Lukas Rmx) - Funkatomic Da Lukas
[WU Records]
6. So Happy (A.Curato Remix) - micFreak, Coco Street [Groovy
Riddim Records]
7. Bailando Sola Ize 1 Rework mix - Pito Plena Isaac Santiago
[Head Vibe Records]
8. Listen BTD Remixes (BTD Vocal Mix) B.Basil, J.Muhammad
[Brukel Music]
9. Aerobic Martini Shaken (Not Stirred Mix) Charles Feelgoo
[Guesthouse Music]
10. We've Only Just Begun (Conway's Afro-Latin Funk) The
Carpenters, R.Rogers, Neal Conway [Urban Retro Music Group]
Federico Puentes [AUS] [House/Techno]
1. Berni Turletti, Dimuth K - Kilimanjaro [Hope Recordings]
2. EANP - Kuba [MOVEMENT RECORDINGS]
3. Hot Tuneik - Circles of You (Sebastian Sellares Remix) [Proton Music]
4. Nico Szabo - Soledad (Day Mix) [Soundteller Records]
5. Chab - Closer To Me (Baunder remix) [Soundteller Records]
6. Alejandro Conde - Winkook [Think About Records]
7. Cl.Cornejo, B.Mark - Journey to the Pyramid [BC2]
8. S.Van H - Brand New Day (E.Galvan Remix) [Just Movement]
9. Luis Kiverling - Dia De Mariscal (Andrea Cassino Remix) [Balkan
Connection]
10. Ulises Espindola - Buenos Aires (L.Salcido Rmx)[AH Digital]
PAUL SAWYER [UK] [KRAFTED] [HOUSE/TECHNO]
1. Kristina Sky, Danny Stubbs ft. Evan Henzi – High Tide
[Perfecto]
2. Trilucid & Esque – Illuminant [Colorize]
3. KAMADEV – Dumare [Krafted Underground]
4. Simon Sinfield – Elevation [Krafted Underground]
5. Paul Sawyer & Jan Johnston – Circle [Krafted Underground]
6. Whoriskey – Upended [Krafted Underground]
7. Alex Zed – Stairway to the World [Krafted Underground]
8. Reflekt – Need to Feel Loved (Paul Sawyer Remix) [White]
9. Trilucid & Esque – Glimmer in the Dark [Colorize]
10. Dan & Dan – The Fall [Krafted Underground]
Igor Gonya [Sundries-See Saw] [Rus] [Disco/House]
1. G. Markus – Flawsome [Sundries]
2. Chevals - All I Wanna Do Is Love You [Apparel Music]
3. Peter Palace - Lovahman [theBasement Discos]
4. Hotmood - On The Boulevard [Mango Sounds]
5. Art Of Tones - Cameo Maceo [Frappé]
6. Monsieur Van Pratt - Everybody On The Floor [See-Saw]
7. Musta - Fresco [Super Spicy Records]
8. Ken@Work - Bad Betty 2020 [Hive Label]
9. Igor Gonya - Caprice Mood [Tropical Disco Records]
10. Iner - Uslada [Lisztomania]
Amber Leigh Melby [USA] [Trance]
1. Vinny DeGeorge - Existence [TAR#138]
2. K.Sky, D.Stubbs - High Tide ft. Evan Henzi (Extended
Mix) [Perfecto]
3. Side Effects, Inner Sphere - Dreaming [TechSafari Records]
4. John O'Callaghan - Complex Solution [Subculture]
5. David Forbes, Will Reese - Sub Zero (Extended) [Outburst]
6. Silent Sphere - Inner Voice [Iboga Records]
7. Cold Blue - August Rain (Giuseppe Ottaviani Extended
Remix) [Black Hole Recordings]
8. Chris Schweizer - Singularity [Who's Afraid of 138?!]
9. lLai, Interium - Elements [Expo Records]
10. Gareth Emery - I Saw Your Face (Fatum Extended
Remix) [Create Music Group]
MARK Neenan [UK] [Techno] [Filth Infatuated]
1. D.A.V.E The Drummer - Himmel [HYDRAULIX]
2. Gary The Apprentice - Raspberry Ripple [FILTH
INFATUATED]
3. Pitch Invasion - Division One (D.A.V.E The Drummer remix)
[SYNTAX ERROR]
4. Red - Chapter 4 [XRX]
5. Dave Sandison - Hoover Time [FILTH INFATUATED]
6. Sterling Moss & Mark EG - Power To The People [REBELTEK]
7. A.P. - Turbulence Whip [INTERRUPTION]
8. Felix R - Spice (Mark Neenan remix) [KEEP ON TECHNO]
9. Kusp - Orbit 2cb [ODD RECORDINGS]
10. Electrorites - Archive 12 [STRUCTURE RECORDS]
Jeff Fader [Fade to Funk][UK][House/Deep/Disco]
1. Lenny Fontana Pres. Black Sun - Spread Love (Dr Packers
Live Sessions Mix) - Karmic Power
2. DJEMBE - The Drums - Groove Soul Records
3. JP Chronic - Swagger (To Chicago Mix) Chronovision
4. DJ Sneak - Here I am Mutha Fucka Kultur
5. Papermachetiger - All Right (Dubman F Remix) - Induction
Muzic
6. Ruff Stuff - Dubby Tales - Slothboogie
7. Brawther - Le Voyage (Module Mix) - Courtesy of Balance
8. Dustnotes - 74 uptown -House cookin’
9. Messive Muzik, Pierre Johnson - Uthabili (Denite Remix) -
Ambious Records
10. DIKKA - Audio Experience - Dobar House
Sonas [UK] [Deep Tech/Electronica/Techno]
1. Arado – Text Me [Distance Music]
2. Justin Vilhaur – Altair [Cyclic Records]
3. Lui Bravo – Flux 2 [Secret Jams Records]
4. Se/rio - Simplicity [Love International]
5. SONAS and Ashley Slater – Able (Live on love) [Bandcamp]
6. Cipy – Coupon [Connected Frontline]
7. Einerindra, Abbey – Without you (Tonik remix) [Moller Rec.]
8. Vyacheslav Sketch - Suddenly [Survey Static]
9. Vayflor – I feel it [Tachno]
10. Monarke, Alya V – Arkane (Clawz SG remix) [Steyoyoke]

https://www.discogs.com/seller/Redbox-Vinyl-Shop/profile
Matt Black [UK] [House & Techno]
1. Kiz Pattison and Micah - Beam of light [Selador]
2. Matt Black & Chris Sterio ft Daniela Rhodes - Out of the dark
[Krafted underground]
3. Lisa Stansfield - People hold on (Stan Kolev remix) [Bootleg]
4. GMJ and Matter - Microclimate [Meanwhile]
5. Matt Black and Chris Sterio - Progress (Micah Paul Lukasewich
remix) [Mirabilis]
6. Ewan Rill - Friends forever (Ian Dillon remix) [INU]
7. Matt Black - Blinders (Nick Lewis remix) [Droid9]
8. Nila - Sequential reasoning [Pro B Tech music]
9. Pako presents Creasol - Donker ding [E=MC2 music]
10. Paul Hawcroft - Dreaming (Perfecto Black)
Paul Newhouse [IRL] [House/Techno][Zone]
1. H-Foundation - Hear Dis Sound 20 Year Anniversary Remixes
[Muted Noise]
2. SuperHuman - The Boat [KIKO Records]
3. Canard - Right Now [Blank Beats Music]
4. Adryen - Menesé [Tempora Records]
5. Chris Geka - Horeka [STICK RECORDINGS]
6. Quench - Dreams (Paul Sawyer Remix) [White]
7. AlexC. - Thoughts [Tanzgemeinschaft]
8. Cuprite- Assam (Original Mix) [ALPHA BLACK]
9. Ramyen - Nobody Really Cares [Street King ]
10. Stelarik - Yūgen [Tanzgemeinschaft]
Lee Jaglarz [Dead Man’s Dance] [UK] [Techno/Tech]
1. Self Destruction - Benefice [Insectum]
2. Stratum - Toms Due [Etruria]
3. Muscle - Michael schwarz remix [Gastspiel]
4. Destroyer - Dok & Martin [AnalyticTrail]
5. Into the abyss - Sama [Drumcode]
6. Fine Line - Alex Lentini & Stomp boxx [Drumcode]
7. Ultimate Distortion - Rebuke & Alan Fitzpatrick [We are the
brave]
8. Feel my butterfly - Radio slave remix [Snatch]
9. Purpose - Edu Andreazza [Mental Schizophrenia]
10. This Vision - Thomas Hoffknecht [KD Raw]
Nutty T [UK] [Nutty Traxx] [Hard dance]
1. Mindflux - Everlasting Grief (ADM's Uber Remix) [Hyper
Reality]
2. Zeus & Basstrologue - Moshpit [Nutty Traxx]
3. Minflux - Like A Dream [Hyper Reality]
4. Gary The Apprentice - Illusions of Reality [Filth Infatuated]
5. Nutty T - Maniacal 2.0 [Nutty Traxx]
6. Ren Ascutt - Burning All [Mechanikal Hard]
7. Interfearence - Technical Difficulties [Nutty Traxx]
8. DJ Vortex - Back To The Oldschool [Save The Rave]
9. Cally & J-Trax - Hold On [HDUK]
10. Sonas - Simulator [Nffekted Traxx]
PETE VAN PAYNE [Ger] [Techno Emporium]
1. b.mod – Revolution [Animal Farm Records]
2. Arjun Vagale – Hungry like the wolf [AsymetriK]
3. Orange Brothers - Abandoned Hospital [Sonusfield]
4. TWCOR – How it ends [Planet Rythm]
5. Toni Alvarez – Micetal [Planet Rythm]
6. Stiv Hey – Can't stop (Brennen Grey Remix) [Respekt]
7. Repeater – Repetition 3 [Repeat]
8. Asymetrik Eas – Before Dawn (EAS Remix) [AsymetriK]
9. Exilles – Friday the 13th [Akronym]
10. Killawatt – Champagne Prerogative [47x47]
Paul Hawcroft [UK] [Progressive House]
1. Camelphat & Christoph - Phantoms [RCA / Columbia]
2. Eric Prydz - Nopus [Ministry Of Sound / Three Six Zero]
3. Tim French - Short Stuff [Limbo Records]
4. Marsh - Healer [Anjunadeep]
5. Oliver Harper, Andy Woldman, Eleonora [Perfecto Black]
6. Simon Doty - Open Air [Anjunadeep]
7. Galestian - Connected [Perfecto Black]
8. Estiva & Diana Miro - All of Me (Khaen Remix) [Colorize]
9. Moa & Jackarta - Empyrean [Songspire]
10. Camelphat Feat. Noel Gallagher - Not over yet [RCA /
Columbia]
Gavin Hardkiss [UK] [Hardkiss Music] [House]
1. Hawke - Melody In My Heart (Joe Miller & Jamie Stevens
Remix) [Hardkiss Music]
2. Bisi & Gavin Hardkiss - Struggle [Hardkiss Music]
3. Hawke - These Combinations Have Not Been Before [Eighth
Dimension Records]
4. Fuckpony feat. Boy From Africa - Talk To Me [Contexterrior/
Tuning Spork Records]
5. Charles Webster & Ingrid Chavez - The Second Spell
[ Dimensions Recordings]
6. Rabbit In The Moon - OBE (Gavin Hardkiss Dub) [Hardkiss
Music]
7. Modd - Drunk Route [Voltaire Music]
8. The Avalanches - Music Is The Light [Universal Music
Australia]
9. Hawke - We Are One [Hardkiss Music]
10. Deela - Sundance (El Buho Mix) [Wonderwheel Recordings]
Probably Shouldn’t [See Saw] [UK] [House/Disco]
1. Probably Shouldn’t - Highway 1237 [See Saw]
2. Fontaines D.C - A hero’s death (Soulwax remix) [Partisan]
3. Igor Gonya – Caprice Mood [Tropical Disco Records]
4. Peter Palace – Lost and found [The Basement Discos]
5. Andy Bach – I want you [Springbok Records]
6. Erik Ellman – Somebody Else
7. Probably Shouldn’t - Truth Hurts [Solid State Disco]
8. Da lukas – Mood Mosaic [Cut Rec Promos]
9. Katy J Pearson – Take back the radio (Flying mojito bros
refrito) [Heavenly Records]
10. Bonetti – Mon amour [Xamaky Records]

//TUNES
PROG - TECH HOUSE // Paul Hawcroft
Albums - Dance
TOP TUNE //
10
Camelphat & Christoph - Phantoms [RCA / Columbia]
My track of the month comes from a duo who need no introduction, The enigmatic Camelphat.
Taken from there exceptional album Dark matter, The excellent Phantoms. Here the lads team up
with another stella producer at the top of his game, the man himself Christoph. That track as you
expect is a progressive monster with chugging basslines and techno percussion loops leading you
into the riff of the year. Melodies and pads layered to perfection. When the break hits the riff gets
evan better with a layer of strings added into the mix..... Absolutely stunning, Such a shame the
clubs aren't open at the moment as this would be massive!
https://www.beatport.com/release/dark-matter/3154685
8
Tim French - Short Stuff [Limbo Records]
Next up I bring you an awesome progressive groover ‘Short Stuff’ out on the legendary Limbo records. Tim a fellow
producer from my home town of Plymouth, and one of the residents from Melodic Beats brings us his second full
release and what a gem it is. Off the back of a succesfull remix of Limbo anthem Gypsy - I Trance you he brings us
his own original production to the iconic label. The track is a classy, broody number with layers of arps building with
lush pads which take you on a hypnotic ride... I absolutely love this and sure you will too. If that wasn't enough
there are two equally impressive remixes from Nila and Pablo Gargano. A great release from Tim and Limbo.
https://www.beatport.com/release/short-stuff/3185096
8
Marsh - Healer [Anjunadeep]
Here Marsh brings us the forth offering from his forthcoming album coming soon on
Anjunadeep. Healer is a beautiful deep progressive track which also feature vocals from
the man himself. A funky bassline and equally funky percussion lines layered with pads
and effects groove along nicely. this is a classy track for sure and can see why he has the
support from the likes of Joris Voorn, Pete Tong, Kolsch to name a few. Really looking
forward to the full album release....Watch this space.
https://www.beatport.com/release/short-stuff/3185096
RECOMMENDED
Eric Prydz - Nopus [MOS / Three Six Zero]
The highly recommended this month comes from none other than everyones
favourite Sweede, Mr. Eric Prydz. Nopus, A firm favourite from fans across the
globe, The most requested ID gets its much anticipated release. The track is
typical prydz a massive uplifting riff with pianos and pads galore. Bigtime
progressive at its very best, Mr. Prydz i salute you.
https://www.beatport.com/search?q=Eric+Prydz+-+Nopus
9
8
Oliver Harper, Andy Woldman, Eleonora - Silence [Perfecto Black]
Finally I bring you Perfecto Blacks Head Oliver Harper, Who teams up with Andy Woldman
and Eleonora to bring us the stunning Silence. A broody, moody progressive monster
which is as equally dark aa it is uplifting. The Hypnotic vocals add some light to the dark
synth lines which mould together seamlessly over that moody Bassline. Another quality
release from Perfecto Black.
https://www.beatport.com/release/silence/3159934

VINYL TOP 20
1. Oliver Schories – Monza [8bit Records]
2. Kirik – Octophonic Beige [Octophonic]
3. Rares Romanov – Digital Awareness [Sonet]
4. Akufen – We shall not surrender [Onysia]
5. Scape One – Different Worlds, Same stories EP [Believe in Records]
6. Chris Stussy – Across Ocean [PIV]
7. Boo Williams – LOL [NICEPEOPLE]
8. Basicnoise – Concequences [spclnch]
9. Carlo – Speak like a child [Purism]
10. Ingrid – Bullshit [Riot Recordings]
11. Akufen - We Shall Not Surrender [Onysia]
12. Wyro - Mirage EP [Like.Minded]
13. Thomas Schumacher - Core / Scene [Electric Ballroom]
14. Sonohat - Last Bottle Of Wine EP [Midas Touch]
15. Sepp - English Hotel [I'm Unique]
16. Root - Scattered Love Part 1 [The Aviary]
17. Pulse 2 - Time Machine EP [HUND Records]
18. Low Tape - Summernesia Ep [Luck of Access]
19. Lefthook & Paulo - Once in the West EP [Vuew Recordings]
20. Joachim Spieth - Ousia 2x12 [Affin LTD]

//TUNES
HARDDANCE // Nutty T
TOP TUNE //
10
Mindflux - My Mind Is Music [Hyper Reality]
7
Hard Trance producer Mindflux really delivers the goods here with his new album My Mind Is Music.
The tracks are expertly crafted, with great tracks from start to finish. The tracks are all infused with
drive and energy with some great collabs with the likes of XLS, Dave Spinout & TrickyDJ and
Kuznetsow. Each track feels extremely unique which you don't see a lot of in the Hard Trance scene
anymore. All the tracks are pretty special with a high level of production. For me the stand out
tracks are Like A Dream and Everlasting Grief (ADM's Uber Remix) which I didn't think you could
top the Original but this sure comes close. Enormous album check it out!
https://www.hardstyle.com/albums/mindflux-my-mind-is-music/109163
Minus 25 - Der Bin Ich EP [Pulse]
Netherlands producer Barry Stabij brings forth his Techno project Minus 25. First up we are treated to 'Der Bin Ich'
translated to This Is Me. The track is full of hypnotic synths dark throbbing bass and a pulsating rhythm. Next up is
'I Wanna Be Nasty' which is a dirty hands on affair of deep dark bass and big hellacious kicks. The tracks keep
coming with 'My Heart Could Beat' this is a pure underground banger with crispy rides, big bellowing kicks and dark
industrial percussion hits. Last up is 'Kalt' this track is a more of a hybrid with elements from both Techno and
Hard Trance. Filled with big energy driven filtering synths, rolling basslines and reverberated claps and percussion.
Keep up the good work!
https://pulselabel.bandcamp.com/album/der-bin-ich
RECOMMENDED
DJ Vortex - Back To The Oldschool [Save The Rave]
Italian maestro Vortex is back, this time with a crunchy reverse bass slammer.
The track begins with a filtered kick and bass, which builds to a brilliant vocal that just
fits the track like a glove. With the vocal quoting 'Perhaps the most famous classic in all
the world of music.' Then kicks in the famous rave stabs from 'James Brown Is Dead.'
These come to a screeching halt with a massive kick and reversed bass. Accompanied by
marching snares, chopped vocals and early Hardstyle screeches. If you are looking for
something melodic this is not for you, but if you're looking for that early Hardstyle
flavour with dirty reverse bass, chopped vocals and screeches this is definitely for you.
https://www.beatport.com/release/back-to-the-oldschool/3164946
9
7
DJ Thera Ft Yuna-X - Starfleet (T.C.C Remix) [TCC Records]
Thera once again dawns the T.C.C alias to bring this early Hardstyle beast. The main component of
the track that peaked my interest straight away was the gated kicks in the track. They are combined
with some gorgeous distorted screeches, acid laden stabs and detuned saw leads. The break is
arranged magnificently with a nice cello, atmospheric pads, twinkling pianos and a beautiful vocal
from Yuna-X. Very reminiscent of the 2005 style tracks but with a new taste in your mouth.
https://fromthehard.nl/product/dj-thera-feat-yuna-x-starfleet-t-c-c-remix-digital/
7
Cally & J-Trax - Hold On [HDUK]
Cally & J-Trax debut the new HDUK Label with this Euphoric Hardstyle banger. The track
starts off with a spacey arps and building kicks to a really nice enchanting vocal and
heavenly pads. The track continues with some big detuned synths and a big kick and bass.
The break is really beautifully processed with underlaying bass tones and the vocal
continues then you're treated to a masterful melody that is absolutely on point. A great
debut track for the label.
https://www.beatport.com/release/hold-on/3024416

Albums - Dance
Deejay.de / Vinyl / house & techno //
Albums - Dance
TOP TUNE //
10
Oliver Schories – Monza [8bit Records]
Based in Hamburg, Oliver Schories brings his production skills to 8bit records.
“Monza” is a chunky house number filled with unique elements and melodic
touches. Delicate and powerful at the same time. B-side “Levo” takes a tougher
approach, having a more late-night feel to it. Both tracks sit perfectly with each
other. Great EP.
https://www.deejay.de/Oliver_Schories_Monza_8BIT164_Vinyl__964584
8
Kirik – Octophonic Beige [Octophonic]
Little is know about the elusive Kirik. However what we have on offer here is 4 unique
takes on house musicv. “Back to Eden” is a quirky house number, with a repeating
bassline and electronic bleeps as percussion. “Flock of Birds” is more a traditional take on
deep house, with smooth chords and a pumping bassline. “Hey stop thinking” goes deeper
and darker, whilst “Lilli” has a more percussive feel and a deep sub bassline.
https://www.deejay.de/Kirik_Octophonic_Beige_001_OCTOB001_Vinyl__958383
8
8
Rares Romanov – Digital Awareness [Sonet]
If you like your house music stripped back and minimal, then this is the EP for you. Title
track “Digital Awareness” is full of squeaks and bleeps, with stripped back drums and
vocal snippets. “Ca la market” continues to focus on stripped back elements, with a
chugging piano riff. “Double Dash” swerves off into more electronica territory, with
detuned pianos and samples whilst “Meschine Society” closes the EP with more electronica
elements. Interesting EP.
https://www.deejay.de/Rares_Romanov_Digital_Awareness_SONET004_Vinyl__964394
Akufen – We shall not surrender [Onysia]
Akufen brings his unique blend of house and jazz inspired electronica to Onysia. All for
tracks on offer here are unique in their own nature. With samples thrown in seemingly at
random but with a great ear for musicality. Pick of the bunch is “Touch it” with its funk
horns and walking bassline.
9
https://www.deejay.de/Akufen_We_Shall_Not_Surrender_ONYSIA003_Vinyl__958500
Scape One – Different Worlds, Same stories EP [Believe in Records]
Scape one are here with Believe in Records’ debut release. Kicking off with the dark and
moody breaks of “With some flash people” the EP sets the tone. Next “Cosmic Jam” takes
us into outer space with its 80s electro feel. “Colours by numbers” brings things down, and
introduces some ambient sounds and elements to things. Title track “Different worlds,
same stories” closes things with its floating arpeggios and smooth pads. Great EP.
https://www.deejay.de/Scape_One_Different_Worlds_Same_Stories_EP_BIR001_Vinyl__958406

John Ricketts \\ TUNES
8
Chris Stussy – Across Ocean [PIV]
Chris Stussy returns to PIV with a class 4 track EP. Featuring his much sought after
“Across Ocean”, with its bouncing drums and bassline, it’s a summer anthem. “Seeing
and believing” brings in tougher techy elements, whilst “Independant Woman” brings the
garage vibes. Finally, “Kaizen” takes on a sun-drenched journey to the Balearic isles.
https://www.deejay.de/Chris_Stussy_Across_Ocean_PIV030_Vinyl__960179
7
Boo Williams – LOL [NICEPEOPLE]
Chicago house pioneer Boo Williams comes to Italian imprint NICEPEOPLE with this
distinctive 3 track EP. Title track “LOL” weaves obscure vocal samples with a bassline
that chugs along nicely. “Backwards run” takes us back to the late 80s with its retro
sounds, and “Banging out” rounds things off with its acid house influences. A nice eclectic
EP.
https://www.deejay.de/Boo_Williams_LOL_NCP004_Vinyl__962284
RECOMMENDED
Basicnoise – Concequences [spclnch]
Peter Fanai dons his Basicnoise moniker for spclnch’s second vinyl release. Title track
“Consequences” is sparse, minimal house, with delicate drums and squelchy synths.
Echoton are on hand for remix duties and deliver a smooth dep tech version of the track.
Flipside “Subsequence” takes us into more funky territory, with synth stabs and rolling
hihats. Finally, Kooscha’s take on “Subsequence”strips things back for a deep take on
the original.
https://www.deejay.de/Basicnoise_Consequences_SPCLNCH02_Vinyl__957817
9
8
Carlo – Speak like a child [Purism]
Purism return with this smooth EP from Carlo. Deep house is the order of the day here,
with “Agua”s chunky bassline and smooth vocal samples. “Nein” continues the same feel,
with driving chords and vocals. “Heib” ups the energy levels with its rolling drums, whilst
“Mehr” brings things down for the close. Something for everyone here.
https://www.deejay.de/Carlo_Speak_Like_A_Child_PURISM10_Vinyl__957815
8
Ingrid – Bullshit [Riot Recordings]
Pounding techno is what’s on offer here. “Bullshit” is a simple number, with a punchy
kick, rolling bassline and vocal sample, and that’s about it. What more do you need?
Mattia Trani goes full acid techno with his remix, and then we’re back to the feel of the
original with the b-side “Heavy Trip”. Heavy stuff.
https://www.deejay.de/Ingrid_Bullshit_RXCLTD001_Vinyl__961664

https://www.nusoulrecords.com

//TUNES
HOUSE & TECHNO // John Ricketts
TOP TUNE //
10
Langbard – Remnants (part 1) [6913 Digital]
Langbard returns to 6931 for his latest EP. Stating that this is the first in a series of Eps, it’s easy to see why it’s
received early support from Solomun, Tale of us and Nic Faciulli to name a few. It’s a great example of his take on
melodic techno. Gently easing you in with the opener “Kroma” , with its undulating arpeggio bass line and synths
washing in and out giving atmosphere. Stripped back after the breakdown, whilst never loosing its groove, it’s a
great opener. Next “Buurn” starts with its frantic bass and synth stabs, whilst a delicate lead line sits of the top.
The drums a simple but effective, and keep things moving along nicely. “Precipice” keeps things dark, with dark
pads being complimented with less sparse percussion adding as another almost melodic element, before the acid
bassline gets things moving. Finally “Remnants” returns to the Eps main sound of melodic synths and arpeggios,
with a rolling bassline. A great EP, full of nice production and melodic element, that give each track enough
character to stand on their own, but also work really well as an EP. Cannot wait for the next one.
https://www.beatport.com/release/remnants-part-one/2917606
8
Roger Da’Silva – In my heart EP [Simma Black]
Since he began djing in 1993, Roger Da’Silva has spent the last 3 decades building a reputation as one of the
undergrounds top house djs. Recently, in the last few years, he has moved into production. This has seen a string
of releases on Zulu, Let there be house, Redisco and Whore House. Now he comes to Simma Black with his new EP.
Kicking things off with title track “In my heart” sitting perfectly between straight up house and tech house. The
piano riff, teased in the first half, perfectly with the vocal, and when combined with the organ stabs, the track has
stacks of attitude. On the flipside “Bring it close to me” is more of the same house/tech crossover. With shuffling
hats and a repeating detuned vocal combining with another infectious piano riff, its full of energy. Both tracks have
a similar feel, and are a showcase for Da’Silva’s fantastic production.
https://www.beatport.com/release/in-my-heart-ep/2885780
RECOMMENDED
V. – Confusion EP [Nautilus Rising]
Lithuanian producer Vidis epkauskas returns to Glasgow based label Nautilus Rising for this epic journey.
Using the EP to convey the same track in 3 distinct stages it’s a very clever idea. “Confusion” starts
things off with its driving drums, heavy snare and rolling hats. Filters are slowly opened and the 303 line that
is the backbone of the track is slowly built up. It’s a great peak time progressive house track. “Confusion
Totale” takes things in an 80s synth-wave style. Its chunky drums, 80s snare accompany the main acid
riff which shines through here. With great synth stabs and bags of atmosphere, its pick of the bunch for me.
Finally, “Confusion finale” rounds things off, keeping the 80s vibe, but going with a more soundtrack feel.
Synths rise and fall, there are pretty much no drums, and everything is allowed to breath and have its own
space. A great EP.
https://www.traxsource.com/title/1214803/confusion-ep
9
9
9
Sebastian Mullaert – Lightship 612 EP [SIAMESE]
Swedish born Sebastian Mullaert, known as one half of Minilogue, as well as being a respected producer in his own
right, going so far as to working with philharmonic orchestras and industry heavyweights such as Ame. This simple
two track EP is a great representation of his current musical style. As “Lightship 612” combines the frantic and
almost piccolo sounding synths with the bouncy bassline, which merge and come together before separating and
travelling away to their own parts of the mix. The drums shuffle along keeping the energy going. “Is waves” is some
serious deep melodic techno. Pumping drums pound along whilst the shimmering synth lines ride over the top of the
bassline. It verges into electronica a points but is still firmly aimed at the dancefloor. Essential stuff and a great
snapshot of Mullaert’s sound at the moment.
https://www.traxsource.com/title/1219091/lightship-612-ep
Luke Davidson – S.I.T.H [SOKO]
Luke Davidson, aswell as being A&R for Glasgow Undergound, has managed to notch up an impressive batch of
releases already, since starting producing in 2013. Garnering support from highflyers, such as Christoph, Low
Steppa, Flashmob and Anime Edge & Dance. Now he brings his distinct groove to London based SOKO Records.
S.I.T.H doesn’t mess around. This is a track that needs to be played in a club, loud. The kick punches through like a
train, and the lead is a simple riff that gets the point across. Combine that with a bassline that will dislodge your
internal organs, and an acid line that harks back to “in the day” .This will without doubt do the damage on any
dancefloor it’s played on. Keep them coming.
https://www.traxsource.com/title/1283089/s-i-t-h

Vinyl + Digital
Albums - Dance
TECHNO & HARD TECHNO / Mark Neenan
Albums - Dance
TOP TUNE //
10
D.A.V.E THE DRUMMER. - SOCIAL NETWORKS STEAL YOUR SOUL [HYDRAULIX 100]
9
9
Henry Cullen's legendary Hydraulix imprint reach the huge milestone of 100 releases, brought to you by the main
man himself D.A.V.E The Drummer. Six no nonsense Hard Techno tracks are here to choose from and as i
expected, they are all awesome! 'Meat Grinder' is a heads down stomper, full of dark grinding rhythms. We have
the somewhat deeper and hypnotic 'It Was Too Dark' with hoover esque synth bleeps, subtle acid on the break
and a great groove. There is the heavy and thumping ravey one in 'One Trick Pony' with an ace old school vibe
from the break and then the infectious chugging rolling bass of 'Look At What We've Become' full of wicked
reversed hoovers and clever percussion. My favourites though are title track 'Social Networks Steal Your Soul'
which is a relentless dark pounder with metallic hits aplenty, distorted Gabba drum fills and a very apt vocal from
H himself, warning us of the perils of too much social media.. (I'm sure by the time these reviews are out, you
would of all heard this track!) ''Tweet, Tweet, Tweet. Little Fucking Bird!'' and my other fave is 'Himmel' which is
massive! A huge rumbling Kick drum accompanies fast, Filthy and grinding Acid Techno at its finest / dirtiest with
a cool robotic 'Time To Get Funky' vox and lots of industrial percussion noises throughout. Hats off to you Henry.
Here's to the next 100.
https://davethedrummer.bandcamp.com/track/social-networks-steal-your-soul
STERLING MOSS / MARK EG / TIAGO SANTOS - POWER TO THE PEOPLE [REBELTEK 007]
Sterling Moss' wicked Rebeltek series continues with this great 3 tracker of electrifying acid Techno! For
the title track 'Power To The People' he teams up with everyone's favourite madman from Leeds Mark EG.
Hard as nails energetic Acid here, which uses the brilliant final speech from Charlie Chaplin in The
Dictator. Such a great hard groove on this with all the classy production you'd expect from these two
legends with ace use of such a poignant vocal. ''Soldiers! in the name of democracy, let us all unite!''
Track 2 is 'Violent Torpedo Of Truth' and is a solo outing for Sterling. The BPMs are upped in this ravey
and energetic screech fest! A mental breakdown ensues and causes all sorts of havoc. End of set banger
this! For Sterling's track with Tiago, they use the classic 'Time To Get Mad' sample (Have heard this used
about 4 times this year!) but it is such a great sample from the classic film 'Network' and very VERY
relevant. Chugging evolving acid Techno at its finest here. Top top release this and you can pre order the
limited edition Grey marbled vinyl (Ooh fancy!) and wav/mp3 now!
https://www.deejay.de/Sterling_Moss_%26_Mark_EG_Tiago_Santos_REBELTEK_007_REBELTEK007_Vinyl__960560
RECOMMENDED
LOUK - PITCH INVASION [SYNTAX ERROR 002]
10
Following on from their great debut release, Syntax Error No' 2 is here and me old mate Louk has pulled in the big
guns! The infamous Player himself Jon Nuccle alongside Kevin Walsh, released 'Division One' back in 1998 under their
'Pitch Invasion' guise on the Orbits wicked label Radious. The excellent original which has been included here is a hard
clanking tune of epic proportions with a super crazy synth line that gets you hooked and wonky dancing within no time!
For 2020 who better to do a fresh remix of said tune I hear you ask? Only D.A.V.E The fucking Drummer! Henry goes to
town with a relentless energetic hard and rattling rework of epic proportions. He keeps the ace twisted Synth hook of
the original and adds a modern twang to it. Add to this tonnes of drum rolls, fills and evolving percussion throughout
this is a certified beast! On the flip side (Yes it's available on a limited vinyl run too) label boss Louk supplies a dark
heads down thumper called 'Penalty Kick' (the original draft was VAR sucks, how apt lol) Well this certainly doesn't suck
and it's definitely a Penalty kick by Alan Shearer and not Gareth Southgate! Great work mate. On the remix for this
German legend Andreas Kraemer slows things down a touch and manages to get a brilliantly crafted melodic version
somehow, which will appeal to many. Crystal clear production as always from Andreas on this groovy tribal chugger.
Quality package this, No 3 has just appeared in my inbox whilst writing this and Paul Mac is involved on that one!
Blimey. Big things coming from this fresh new label.
https://www.juno.co.uk/products/pitch-invasion-louk-syntax-error-002/796050-01/
RED - 1997 [XRX 01]
Brand new label here and I have literally no idea who 'RED' is and there is no blurb nor write up. (How
very Techno) This needs to be included though. 4 class tracks of boneshakingly hard Techno here.
Chapters 1, 2 and 3 are ace and full of driving hard kicks, energetic rolling percussive elements and sub
basses so powerful you will need to change you're pants after 30 seconds! Chapter 4 is my favourite
though, Red distorts the kick and adds even more Oomph! (Is that even a word?), add a subtle vocal, a
hypnotic synth line and tonnes of movement and you have a 'Dax J' esque monster on your hands. I will
be sure to look out for this label and whoever Red' is. Banger!
https://www.decks.de/track/red-1997/cgy-q4

\\ TUNES
8
8.5
8.5
8.5
8.5
AKA CARL - THIS SOUND [SUBCULT 73]
The man behind Subcult records Aka Carl returns to the label with this great release. 'This Sound' is a
modern, rolling tough Techno hit with bags of energy. It has a really infectious groove, lots of clever fx and
edits and a huge building breakdown which climaxes with some bubbly Acid when it all kicks back in. Top
stuff! On remix duties is Canadian Ben Mercalf (the guy behind classics 'That Fuct Camera' and 'Needle
Damage') Ben's take is a more crossover and Melodic version which is also heavy on the ride cymbals. It
features an almighty crazy lead synth on the break before the track gets flipped on its head when it comes
back in. Really clever stuff. You must check this out!
https://akacarl.com/tracks/
VARIOUS ARTISTS - SUF SUPER LIMITED 005 [STAY UP FOREVER]
Right, I need to mention these releases from the legendary London label. Since this Covid lockdown craziness happened,
the guys at SUF have been releasing 'Super Limited Edition' vinyl only runs, of 100 copies only of fresh and exciting Acid
Techno 4 track ep's. These come from a mixture of well known legends and also new comers to the scene. These are pretty
hard to get tbh, I've been lucky to of got gold of the first 7 so far (Many more to come i hear) So far they have featured
the likes of Benji303 & Tiddles, Jah Scoop, Darc Marc, Sterling Moss & Matt Acidic, Tassid, A.P. & The Geezer to name a
few. My favourite so far probably has to be 004 which features a Huge track by my South Coast pal and Filth favourite L.
Self featuring the vocals of 6KRAT'R titled 'Revolution' which is a typically thumping L. Self production with quality building
and searing acid throughout. Followed by a monstrous Groove fuelled squelchy acid track from boss man Chris Liberator &
that crazy vinyl junky Biri. Wicked stuff lads. The flip side contains 2 beauties also. A crisp modern acidic track from Sam
Dfl called 'Drugs' and a heavy breakbeat Techno influenced warehouse banger by Krismix and Koss. I suggest you do your
best to support the underground in these crazy times and hunt out these records, but be very quick. Out exclusively via
stayupforever.com me!
https://www.discogs.com/label/1183-Stay-Up-Forever
VARIOUS ARTISTS [INTERRUPTION 002]
Dublin based Techno / Acid Techno collective Interruption headed by David Oblivion have set up a fresh new label and for
their second release the have gone to town with 4 quality tracks from 4 great artists here. Track 1 is by the ever wicked
A.P. Allan gives us 'Turbulence Whip' Crystal-clear produced rolling modern Techno in his Refined Format stylee. Chunky
drums, punchy percussion, filters down to one crazy breakdown before the 'Bass' vox launches us into overdrive! Brilliant
tune! Italian legend and Polymeric records head honcho Maxx Rossi serves us up some Hard percussive and driving
Techno of sheer quality with an excellent 'Into my mind, into my Soul' vocal. Great stuff! Benji303 gives us 'Nothing To
Save' an ace rolling warehouse track with a proper London feel to it, minus the acid this time. Quality stuff this from the
303 Alliance main man! The amazing 'Geezer' finishes off the EP in style. He needs no into. Guy gives us 'The Nads' a
rather dark and sinister pounder in his RAW (Ripe Analogue Waveforms) approach, albeit darker than usual with a sub so
low you can feel it right down to your 'Nads' Excellent second release this, available on Vinyl and digital soon.. 8. 5/10
https://www.decks.de/track/various_artists-interruption_records_002/chh-zy
ELECTRORITES - ARCHIVES VOL 4 [STRUCTURES RECORDS]
Italian Hard Techno maestro Electrorites (Luca Vollaro) returns to his fresh 'Structures' imprint with 3 more
monsters! 'Archive 10' as expected, goes straight in for the kill with slamming kick drums, distorted bass,
crisp panned hi hats and a screeching synth that grows and growls in this epic piece of dance floor
orientated hard Techno! 'Archive 11' is a dark pummeling bass heavy beast with gabba kick drums and an
epic uplifting synth that builds in intensity. 'Archive 12' is just pure nasty! Rattling hard as hell Techno,
tonnes of distortion and a really dark and eerie synth. Perfect Halloween vibes here. Excellent stuff as
always Luca!
https://www.deejay.de/Electrorites_Archives_Vol_4_STR004_Vinyl__961243
KUSP - ORBIT [ODD RECORDINGS 045]
Fresh from a string of top releases on legendary labels R&S, We Are The Brave and even remixing for JC's
Bubblejam, UK Techno duo Kusp return to popular Spanish label Odd Recordings with 4 massive tracks.
'Anthera' is a punchy modern Acid Techno tune which builds and drops in all the right places. It's full of
energy, crazy acid lines and a classic 'Don't Stop' vocal. Ace! 'Second Phase' is a hypnotic rumbler with an
addictive main synth hook. 'Orbit 2cb' is really cool. Full of hard crisp beats that are layered with huge
rising build ups that sound like when James Bond is riding the Centrifuge in Moonraker. Wicked stuff!
'Overload' sees the lads back on the Acid trip with a hard, deep, brilliantly produced modern acid Techno
cut. Another fine release this from the lads! Take a listen.
https://soundcloud.com/odd-recordings/sets/odd045-kusp-orbit-ep

Albums // Compilations
Albums - Dance
Albums - Dance
\\ TUNES
HOUSE
Kouncilhouse – Digital Addiction [Dirty Lemon]
In these uncertain times, a ray of hope comes through to the offices here at Zone Magazine. UK based producer Simon
Tagg, or Kouncilhouse as you may well know him, drops his new long player, and it’s a joy.
Moving on from his last album “Tick till friday”, his knack at turning his hand to any genre and running with it is in full effect
here. Whereas the previous album was a collection of tracks ( that worked wonderfully as a collective piece of work) this album
has been thought through, and is an experience best listened to from start to finish. It’s the old cliché, but it's true, it's a
journey.
We begin with the sunrise neo soul of “Eivissa”, a gentle trip through soothing pads, ethereal vocals and a delicate male vocal.
Switching things up immediately with the synth-wave bass and arpeggios of “Commando”, the vocals repeating, yearning for
the answer to their question. It’s straight out of the 80s and its a great roller. First of many collaborations next, with Freak
Power, on the laid back, yet groove laden “Voices”. A joyous road trip soundtrack in the making.
“Blunt rolls” brings things back down, with its lamenting piano, sitting with saxophones and brass, over the hip hop beats.
Lead single from the album, “Crazy about you” is an ode to lost love whilst maintaining a positive feel. The reverb soaked
backing vocals and strings are definitely a nod to Moby, but it’s definitely in now way a mere copy. He's made it completely his
own. Next is Koucilhouse's very own tribute to the dearly missed Andrew Wetherall. A pumping break and layers of synths
combined with rave vocal stabs all rolling along at the 100bpm mark mean this is definitely a track the great man would have
played out.
Next collaboration, with Marley and Poppy Holiday is the Sneaker Pimps-esque “Come with me”. A haunting hark back to the
mid 90s. Current single “Cold” with its string lead and its soulful vocal, combined with a very well known break sample,
combined with dub style guitars and dial tones in the mix, mean on paper it sounds like it shouldn't work, but boy it does.
"Bones” takes us back to 90s hip hop with its chunky break and samples, before once again the neo soul feeling returns with the
vocals. “Everything to me” is the only track that could really be described as for the dance floor. Its drum and bass tempo and
rhythm, once again combined with the strings and gentle female vocal, mean it could easily fit in a club, the car, or at home.
Finally we have “Coffee”. Bringing us to the conclusion of the journey. As the sun sets, you can feel this being the soundtrack to
the thought “this was a good day”. Uplifting and melancholic at the same time, it’s a reflection of what's gone before and what's
next.
Kouncilhouse should seriously take a bow with this one. An amazing exploration of sounds, textures and styles of music that
only he can make fit together. As said at the beginning, this is an album that genuinely deserves to be given a proper listen to.
Get a glass of wine, a beer, or whatever your poison is, and let the album take you to somewhere else for an hour.
After all, we all need a break at the moment don't we.
Digital Addiction is out on August the 28th on Dirty Lemon.
Words John Ricketts
https://www.beatport.com/release/in-my-heart-ep/2885780
10

SOFTWARE
REVIEWS
Bassynth is definitely all about the bass as the
name clearly suggests.
With 290 presets ranging from dirty distorted growls, low
rumbling subs and synth basses, through to saturated
808's, filthy guitars and plucks.
The preset browser organises sounds by type, with clear
graphics to make it easy for you to scan through as well
as 200 wavetables.
There are plenty of tools on offer to shape your sound as
needed using the Engine, Tone and Mix pages.
With 6 insert fx including EQ, filter, distortion, bitcrush,
transient, compressor, chorus,
flanger and much more. Next up is it's powerful and
dynamic XY Pad to blend and morph different parameters
with just a single movement. This can transform any
sound from subtle little changes to big distorted gritty
growls.
The sound design of this synth is phenomenal the
amount of detail and work that has been put in speaks
for itself.
Bassynth works on so many levels with a wide range of
superb presets at your disposal and simple performance
controls
to boot. It is brilliant for upfront electronic genres and
cinematic styles.
You can also add the Motion Sequencer which can be
easily set up for dynamic grooves with 36 preset
sequence patterns with unique per lane length and rate
settings.
Even if you want to delve deeper you can craft your own
sounds using a endless supply of sources and plenty of
parameters that you can sink your teeth into. It will suit
most, if not all your bass needs.
Runs in Kontakt Free Player or Kontakt version 6.1
This is definitely a recommended synth engine with a lot
of bite!!!
Site: https://www.wavealchemy.co.uk/bassynth/pid190/
Words By Nutty
9

ABLETON LIVE 11
8.5
It’s hard to believe it's been nearly 2 years since Ableton released
version 10. Released in February 2018, it was an update to the much
loved, and divisive DAW that, before that, users had waited 5 years for.
Now it has been officially announced that Ableton version 11 will be
released early in 2021.
Expression View gives the user a whole new dimension regarding their
midi editing.
Musicians wanting new toys, rest assured there is plenty of new stuff to
play with in Live 11.
At first glance, you would be fooled into thinking there has been some
minor tweaking with the interface and look of Ableton, but don’t let that
fool you, dig just beneath the surface, and you will find a whole host of
new features, devices and capabilities that will allow your workflow to
increase, and your creativity to run wild. Let's dive in and check out some
of the key new features.
One of the characteristics of live that has made it a favorite with
performers from the offset, is its real-time performance features. It has
always encouraged musicians to jam out and see what happens. With
this, Live 11 can now automatically follow the tempo of an incoming
audio stream. This opens up a whole new aspect of preforming within
Live alongside, say a live band or a DJ. On top of this, lives Macro
features have been upgraded allowing users to snapshot record and recall
Macro settings on the fly. Alongside that you can now assign up to 16
Macros to entire racks, giving musicians even more opportunity to
customize their midi settings and controllers.
Instrument wise we have String Quartet, Brass Quartet and Upright
Piano. More than enough to get some new creative juices flowing. Whilst
in the effects department, Live 11 brings us a whole host of new toys to
mangle your sounds with. Hybrid Reverb combines algorithmic and
convoluted reverbs to as Ableton put “create any space”.
Pitch Loop 89 saw Ableton enlist Robert Henke, the renowned AV and
audio artist to create an audio processor that will meet all your glitch
needs. Spectral Resonator is a unique granular processor that slices audio
into microscopic pieces and allows you to create individual spectral
resonances. In a similar vein, Spectral Time applies effects to the
individual audio slices.
One aspect of the new update that Ableton are keeping quite close to
their chest is the new Live Suite Inspired by Nature. It is a new
collaboration with long time partner Dillon Baston. Aswell as this we have
new sound sets Voice Box, Mood Reel and Drone Lab.
Ableton have also listened to the cries of its users with regards to
features that are available in other DAWs. Two main new features for 11
have given fans what they wanted. Firstly Comping, allowing users to
record multiple takes in one session, and edit them to create the perfect
version. It has been a feature of Pro Tools since its earliest incarnations
and is finally here to allow speedy recording and editing. Secondly Linked
–track Editing is a feature that allows users to group a selection of two or
more tracks and edit the content together with sample accurate timing.
Midi has been given an overhaul, with full integration of MIDI Polyphonic
Expression, or MPE. With MPE supported, you can record and edit multidimensional
performance data from Rolis, LINNstruments, Keith McMillen
controllers and many more that support it. This coupled with the new
Aswell as this we’ve been reassured there are also several performance
tweaks and optimization of the user interface and cpu metering. We’re all
looking forward to getting stuck in and seeing what we can come up with
the new version of Ableton, and from the looks of it we won't have to wait
too long.
Ableton Live 11 will be available early next 2012, and will cost €79 for
Live Intro, €349 for Live Standard and €599 for Live Suite. Preorders will
be subject to a 20 percent discount, and upgrade paths for owners of
previous versions are, of course, available.
Words By John Ricketts
All images courtesy of Ableton

T E X T U R E S
V O L U M E F O U R
O U T N O W