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Cyprus, Iraq and Kathmandu. His final overseas photograph in the catalogue is from<br />
Famagusta in September 1983.<br />
Increasingly from the early 1970s, he took photographs of ‘Bristol’ buses bought by the<br />
widening range of British operators who chose them once previous restrictions on their<br />
sale were removed. So, new locations began to figure in the catalogue; he would still search<br />
out new deliveries, and visit new places where second-hand ‘Bristols’ could be found. He<br />
must have enjoyed going to bus rallies where preserved ‘Bristols’ often gathered. Indeed, it<br />
was from one such occasion, in Bristol itself on 16 June 1987, that we have his last catalogue<br />
entry, showing a double decker that had evaded his camera on several previous visits to its<br />
second-hand home in Pembrokeshire.<br />
Peter’s intention was visually to record his beloved Bristol-made buses as carefully as possible.<br />
Usually there would be views of both three-quarter nearside and offside, sometimes also<br />
frontal or rear views. Ideally the picture would be as uncluttered as possible: no obstructing<br />
human beings, a minimum of background. For the bus enthusiast, this can be admirable and<br />
valuable. Perhaps the opportunities to make them documents of social history were underplayed.<br />
But they do contain messages if one is prepared to look for them. The South African<br />
single deckers almost all display their owner’s fleet-names bilingually, generally in Afrikaans on<br />
the offside, English on the nearside, as was then the practice there. The Indian-owned ‘Bristols’<br />
were deliberately worked hard because their owners were under recurrent threat from<br />
being squeezed out of business by local or state corporations – which indeed took place in<br />
Durban in the 1970s. That’s why he saw only one there in 1964.<br />
MEMORIES OF WOLFSON<br />
WOLFSON.OX.AC.UK<br />
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