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Rein Raamat 90

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As a demanding director aiming for the best possible<br />

outcome, he realizes his ideas with the playful<br />

avant-garde pop artist Leonhard Lapin and composer<br />

<strong>Rein</strong> Rannap in “Firebird” (1974) as well as serious<br />

artists Lepo Sumera and Jüri Arrak in the deeply<br />

Estonian “Big Tyll” (1980). Grandmaster <strong>Raamat</strong>’s soulful<br />

images proclaim inner balance and peace to the<br />

world and his stories showcase future creators – the<br />

figuratively thinking cartoonists Avo Paistik “Vari. Tee”<br />

(1972) and Priit Pärn “The Simpletons” (1974).<br />

The contemplative creator <strong>Raamat</strong> does not recognize<br />

earthly boundaries – this is how the soul and<br />

characters of the deceased Eduard Viiralt come to<br />

life in the prophetic “Hell” (1983), which declares the<br />

end of the demonic mechanical world.<br />

<strong>Rein</strong> <strong>Raamat</strong>’s films have become indelible classics<br />

of cinematography and reflect the uncompromising<br />

artist missionary, whose motto is faith in art that<br />

saves the world. Earnestly and candidly. With unwavering<br />

commitment. Inside art and of art, artists<br />

and for art, but always reaching humans. Timelessly<br />

inspiring. And his films have to be seen to be experienced.<br />

Cheers to the master and long creative life to<br />

<strong>Rein</strong> <strong>Raamat</strong>!<br />

Mait Laas<br />

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