Rein Raamat 90
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As a demanding director aiming for the best possible<br />
outcome, he realizes his ideas with the playful<br />
avant-garde pop artist Leonhard Lapin and composer<br />
<strong>Rein</strong> Rannap in “Firebird” (1974) as well as serious<br />
artists Lepo Sumera and Jüri Arrak in the deeply<br />
Estonian “Big Tyll” (1980). Grandmaster <strong>Raamat</strong>’s soulful<br />
images proclaim inner balance and peace to the<br />
world and his stories showcase future creators – the<br />
figuratively thinking cartoonists Avo Paistik “Vari. Tee”<br />
(1972) and Priit Pärn “The Simpletons” (1974).<br />
The contemplative creator <strong>Raamat</strong> does not recognize<br />
earthly boundaries – this is how the soul and<br />
characters of the deceased Eduard Viiralt come to<br />
life in the prophetic “Hell” (1983), which declares the<br />
end of the demonic mechanical world.<br />
<strong>Rein</strong> <strong>Raamat</strong>’s films have become indelible classics<br />
of cinematography and reflect the uncompromising<br />
artist missionary, whose motto is faith in art that<br />
saves the world. Earnestly and candidly. With unwavering<br />
commitment. Inside art and of art, artists<br />
and for art, but always reaching humans. Timelessly<br />
inspiring. And his films have to be seen to be experienced.<br />
Cheers to the master and long creative life to<br />
<strong>Rein</strong> <strong>Raamat</strong>!<br />
Mait Laas<br />
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