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MMoCA 2021 Winter Newsletter

Overview of current and upcoming exhibitions, education programs, and events.

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WINTER <strong>2021</strong>


UPCOMING EXHIBITIONS<br />

AMY CUTLER<br />

A Narrative Thread<br />

STATE STREET GALLERY • FEB 20–MAY 16, <strong>2021</strong><br />

Amy Cutler has garnered critical acclaim for her immaculately detailed and narratively enigmatic gouache on paper<br />

paintings. Her solo exhibition at Madison Museum of Contemporary Art (<strong>MMoCA</strong>), Amy Cutler: A Narrative Thread,<br />

will highlight a new body of work the artist developed in response to an April 2019 trip to Madison, during which she<br />

viewed a selection of Persian miniature paintings and Japanese woodblock prints at the Chazen Museum of Art and a<br />

variety of fabric samplers held in the Helen Louise Allen Textile Collection. <strong>MMoCA</strong> will present five of Cutler’s new<br />

works inspired by that visit, along with other new and existing pieces in the artist’s body of work.<br />

The imaginary worlds Cutler creates are populated by strong and determined women, who are often adorned in clothing<br />

culled from various world regions and historical periods—these outfits hint at the psychology of the figures who wear<br />

them. As the New York-based artist has stated, “I use fabrics to create a subtext of meaning.”<br />

The women in Trial (2004), for instance, wear stiff, Shaker-style attire as they fly unseen objects, presumably kites.<br />

Committed to their task, they appear unaware that the spooled kite string is one-and-the-same as the stitched thread<br />

of their clothing. The higher the kites fly, the more their dresses unravel and reveal. Other women busily construct<br />

a brick wall with such focus that they do not realize they have built sections of the wall over their dresses. They are<br />

trapped unless they remove their clothing. Although they stand together, the women seem not to notice each other, or<br />

the devastation around them, in which dozens of trees have been destroyed. As allegory, Trial instructs us that when<br />

we become too absorbed by our own ambitions or objectives, we lose sight of our personal and civic responsibilities<br />

to each other, and to the larger world.<br />

To date, Presenting Sponsorship for Amy Cutler: A Narrative Thread has been provided by The David and Paula<br />

Kraemer Fund. Major Sponsorship has been provided by Gina and Michael Carter; and the Steinhauer Charitable<br />

Trust; with additional support from Dane County Arts with funds from the Endres Mfg. Company Foundation, the<br />

Evjue Foundation, Inc., charitable arm of the Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant<br />

T. Rowland Foundation; and the Wisconsin Arts Board with funds from the State of Wisconsin and the National<br />

Endowment for the Arts.<br />

2<br />

ARTWORK IMAGES<br />

COVER: Amy Cutler, Semblance, 2019. Gouache on paper 29 1/2 x 55 in. The Menil Collection, Houston. PAGE 2: Amy<br />

Cutler, Trial, 2004. Gouache on paper, 29 x 41 1/4 in. Whitney Museum of American Art, New York. PAGE 3: Faisal<br />

Abdu’Allah, Duppy Conqueror, 2017. Jacquard tapestry, 117 x 53 in. each. Edition of 3 + AP. Faisal Abdu’Allah, The Barber’s<br />

Chair, 2017. Gold plating, leather, aluminum, cast iron, 49 x 55 x 25 in. Commissioned by Autograph ABP. Edition of 3 + AP.


FAISAL ABDU’ALLAH<br />

Dark Matter<br />

MAIN GALLERIES • MAY 1–SEP 26, <strong>2021</strong><br />

Dark Matter is a solo exhibition of work by internationally celebrated, Madison-based artist Faisal Abdu’Allah. Through<br />

explorations of personal identity, cultural representation, and the systems of power that structure our experiences of<br />

the world, Abdu’Allah focuses attention on the human capacity for radical transformation.<br />

A selection of Abdu’Allah’s existing work will serve as inflection points throughout the exhibition, highlighting specific<br />

pieces the artist associates with personal and artistic moments of growth. For instance, the museum will reconstruct<br />

Garden of Eden (2003), an architectural installation the artist created in collaboration with celebrated architect Sir<br />

David Adjaye. Never before exhibited in the United States, Garden of Eden explores issues of privilege, exclusion, and<br />

the voyeuristic gaze though an interactive experience that separates visitors based on eye color in order to undermine<br />

our perceptions of difference and alienation.<br />

Dark Matter will also honor Abdu’Allah’s background as a barber—an aspect of his life that informs much of his work.<br />

The Barber’s Chair (2018) is precisely what it sounds like, but with the addition of sleek black leather fabric and gold<br />

plating. In choosing these materials, the artist reflects the importance of the barbershop within the social and emotional<br />

life of many Black communities. Expanding his object-based work into performance and community engagement,<br />

Abdu’Allah focuses on the ritual of cutting hair—and how styling Black hair is a political act in society. Through his<br />

Live Salon performances, Abdu’Allah expands his object-based work into performance and community engagement.<br />

First performed in England in 2006, the artist offers<br />

free haircuts to museum visitors, during which<br />

unscripted conversations unfold between barber<br />

and client in the middle of the gallery.<br />

To date, presenting sponsorship for Faisal<br />

Abdu’Allah: Dark Matter has been provided by<br />

BMO Harris Private Bank. Additional support has<br />

been provided by Dane County Arts with additional<br />

funds from the Endres Mfg. Company Foundation,<br />

the Evjue Foundation, Inc., charitable arm of the<br />

Capital Times, the W. Jerome Frautschi Foundation,<br />

and the Pleasant T. Rowland Foundation.<br />

3


CURRENT EXHIBITIONS<br />

FULL CIRCLE<br />

Acquisitions and Exhibitions<br />

MAIN GALLERIES • ON VIEW THROUGH MAR 21, <strong>2021</strong><br />

Full Circle traces <strong>MMoCA</strong>’s collecting and exhibition history over<br />

the past 30 years and reflects the culmination of the work and dedication<br />

of recently retired Director Emeritus Stephen Fleischman.<br />

Artworks were acquired that complemented and bolstered the<br />

strengths of the permanent collection in the areas of contemporary<br />

photography, Chicago Imagism, and works by Midwestern artists.<br />

Full Circle features familiar favorites alongside more recent acquisitions,<br />

including works by Deborah Butterfield, Sam Gilliam, Jin<br />

Soo Kim, Jacob Lawrence, Roberto Behar and Rosario Marquardt,<br />

Susan Rothenberg, and Frank Stella.<br />

Among the museum’s most recent additions to the permanent<br />

collection is the bronze sculpture by Joel Shapiro, Untitled<br />

(1982-85), which is installed in the museum’s Rooftop Sculpture<br />

Garden for Full Circle. The New York-based sculptor is known<br />

for his abstract, large-scale geometric shapes suggestive of human<br />

forms in movement. Untitled was gifted to <strong>MMoCA</strong> by the Joel<br />

Shapiro Foundation in honor of Stephen Fleischman.<br />

About a dozen artists in Full Circle reflected on their work and their association with <strong>MMoCA</strong> in a special video playing<br />

in the gallery, and available at mmoca.org. In addition, a virtual tour of the exhibition is available on our website.<br />

Presenting Sponsorship for Full Circle: Acquisitions and Exhibitions has been provided by Jan and Bill DeAtley;<br />

Pleasant T. Rowland Foundation; and Ellen Rosner and Paul J. Reckwerdt. Major Sponsorship has been provided<br />

by JoAnne Robbins and David Falk; and Madison Print Club with additional support from Chuck Bauer and Chuck<br />

Beckwith; Natalie and Dan Erdman; JH Findorff & Son Inc.; Madison Museum of Contemporary Art Volunteers; Diane<br />

Seder and Bruce Rosen; Terry Family Foundation; Darcy Kind and Marc Vitale; Wisconsin Arts Board with funds from<br />

the State of Wisconsin and the National Endowment for the Arts; and Jessica and Jim Yehle.<br />

GLADYS NILSSON<br />

Out of This World<br />

HENRY STREET GALLERY • ON VIEW THROUGH JUN 6, <strong>2021</strong><br />

Chicago Imagist and Hairy Who artist, Gladys Nilsson humorously incorporates observations from the everyday into<br />

her densely-packed and vibrant works of art. Whether she is in the waiting room at the doctor’s office or boarding<br />

a plane, Nilsson delights in the interactions of people, distinct pieces of clothing, and odd bits of conversation. The<br />

resulting works underscore our flawed and shared humanity while highlighting the comical interactions that pervade<br />

the mundane. Out of This World includes layered<br />

collages, watercolors, paintings, and prints that<br />

span 40 years of Nilsson’s career. Out of This<br />

World also was selected for inclusion in the<br />

Feminist Art Coalition’s 2020 series of cultural<br />

events, in which various art museums and<br />

non-profit institutions nationwide presented<br />

concurrent commissions, exhibitions, performances,<br />

talks, and symposia in the yearlong<br />

runup to the 2020 presidential election. A virtual<br />

tour of Out of This World is available for online<br />

viewing at mmoca.org.<br />

Exhibitions in the Henry Street Gallery are generously<br />

funded through an endowment established<br />

by the Pleasant T. Rowland Foundation.<br />

4


JOJIN VAN WINKLE<br />

The Destruction Project<br />

IMPRINT GALLERY • ON VIEW THROUGH APR 11, <strong>2021</strong><br />

Jojin Van Winkle’s new multimedia installation The<br />

Destruction Project unpacks the concept of destruction<br />

in three chapters: destruction as entertainment,<br />

destruction as rejuvenation, and destruction as<br />

irreversible. The documentary-based installation<br />

features photographs and accompanying video and<br />

audio. Field recordings and interviews with women<br />

who inhabit rural spaces detail their relationship to<br />

destruction in everyday life. These recordings overlay<br />

theatrical explorations of the inherent beauty seen in<br />

loss as well the beauty of renewal. Car culture, from<br />

demolition derbies in Wisconsin to Jokkis races in<br />

Finland, provide a lens through which to examine the<br />

ever-present forces of destruction in our lives. The ways in which we embrace destruction intentionally are contrasted<br />

with the slower, more passive processes of decay and decomposition. Van Winkle delves into the ways destruction and<br />

growth intersect with choice, change, and violence—both natural and human-made.<br />

Generous support for Imprint Gallery programming has been provided by Willy Haeberli in memory of Gabriele Haberland.<br />

JAMES CAGLE<br />

A Final Meditation on Art<br />

STATE STREET GALLERY • ON VIEW THROUGH JAN 31, <strong>2021</strong><br />

James Cagle’s formalist photographs transform<br />

familiar objects and overlooked spaces into<br />

elegant and quietly beautiful compositions, using<br />

the language of modernist photography to draw<br />

attention to the quotidian. The central work in<br />

this exhibition, A Final Meditation on Art (2019),<br />

represents the culmination of Cagle’s creative<br />

vision: a quietly powerful photographic installation<br />

he conceived while confronting terminal illness.<br />

The fifteen photographs in this work range from<br />

the purely abstract to the pointedly figurative.<br />

Presented together in a tight grid, the images can<br />

be observed singularly or in relationship to each<br />

other, thereby allowing for visual connections and<br />

narrative associations to ricochet off each other.<br />

A renewed focus on programming centered around this exhibition will provide a new look at the ways that Cagle’s<br />

work continues to inspire. These programs include a photography workshop that uses themes and content similar to<br />

Cagle’s, as well as guided meditation exclusively developed for <strong>MMoCA</strong> and brought to you by the experts at Healthy<br />

Minds Innovations, taking inspiration from the aura of tranquility found in Cagle’s work. Please check mmoca.org for<br />

details on these upcoming programs.<br />

We’re happy to announce that, at its December 3 meeting, <strong>MMoCA</strong>’s Permanent Collection Committee voted to accept the<br />

works in A Final Meditation on Art into <strong>MMoCA</strong>’s permanent collection.<br />

Major Sponsorship for James Cagle: A Final Meditation on Art has been provided by the Rona B. Malofsky Trust.<br />

Additional support has been provided by Dane County Arts with additional funds from the Endres Mfg. Company<br />

Foundation, the Evjue Foundation, Inc., charitable arm of the Capital Times, the W. Jerome Frautschi Foundation,<br />

and the Pleasant T. Rowland Foundation; Jan Marshall Fox; Bill White; and a grant from the Wisconsin Arts Board<br />

with funds from the State of Wisconsin and the National Endowment for the Arts.<br />

5


GET INVOLVED<br />

IF ART MOVES YOU,<br />

WILL YOU MOVE FOR ART?<br />

Run, Walk, or Roll for <strong>MMoCA</strong> this winter<br />

JAN 15–31, <strong>2021</strong><br />

Join in the fun and help support the Museum this<br />

winter by participating in the <strong>MMoCA</strong> Mosaic 5K,<br />

a brand new socially distanced event. Funds raised<br />

will be critical in keeping the Museum admission-free,<br />

and allow us to continue fulfilling our mission to offer<br />

vibrant contemporary art exhibitions and educational<br />

programming.<br />

JAN 15-31, <strong>2021</strong><br />

Run, walk, or roll the 5K at any pace, anywhere—inside<br />

or out—from January 15 through 31, <strong>2021</strong>. <strong>MMoCA</strong><br />

welcomes businesses to sponsor the event.<br />

Photos submitted by 5K participants will become part<br />

of a vibrant photo mosaic, viewable online and in<br />

<strong>MMoCA</strong>’s lobby Tuesday, February 23-Sunday, March<br />

14, <strong>2021</strong>. Also, registrants will receive a one-of-a-kind<br />

<strong>MMoCA</strong> Mosaic 5K scarf featuring the artwork of<br />

Madison-based artist Terrence Adeyanju.<br />

THREE WAYS TO GET INVOLVED:<br />

Register for the 5K<br />

mmoca.org/activities/mm5k#Register<br />

Donate in support of <strong>MMoCA</strong><br />

mmoca.org/activities/mm5k#Donate<br />

Create your own fundraising page<br />

justgiving.com/campaign/mm5k<br />

LEAD SPONSORSHIP PROVIDED BY<br />

NEWCOMB CONSTRUCTION AND SUMMIT CREDIT UNION.<br />

As of printing date, partner sponsorship has been provided by<br />

BDO USA; First Business Bank; Hellenbrand Glass; Hooper Corporation; JF Ahern Co; J.H. Findorff and Sons, Inc;<br />

Lycon Inc; M3 Insurance; Oak Bank; Oakbrook Corporation; John and Irene Ronzia; Selinger and Brunette, LLC;<br />

Sketchworks Architecture, Inc; and Darcy Kind and Marc Vitale. With additional support from Ace Electric;<br />

Air Temperature Services; and Stark Company Realtors.<br />

6


EDUCATION PROGRAMS<br />

Photo courtesy of <strong>MMoCA</strong><br />

<strong>MMoCA</strong> LAUNCHES TEEN FORUM<br />

The Madison Museum of Contemporary Art is excited to announce the formation of a new teen-led group, the <strong>MMoCA</strong><br />

Teen Forum. Members of the Teen Forum will meet virtually and bi-monthly throughout the winter and spring of<br />

2020-21 to create materials for an upcoming Teen Art Exhibition in the <strong>MMoCA</strong> lobby.<br />

This academic year, the Teen Forum includes the following members: Oscar Jimenez, Keomali Johnston, Thavida<br />

Johnston, Josie Kunkle-Schoen, Sophie Kunstman, Ransom Stalker-Herron, and Z Winchester.<br />

The program participants will receive mentorship from <strong>MMoCA</strong> Educational and Curatorial staff in order to execute<br />

all aspects of the Teen Art Exhibition, as well as being connected with contemporary art and artists in meaningful ways.<br />

Staff mentorship will help guide the Teen Forum members as they create the Teen Art Exhibition, including developing<br />

an exhibition concept; setting up an application and submission method; curating works; considering layout, implementation,<br />

and installation of the exhibition; and creating an accompanying educational programming event. The<br />

resulting exhibition will be dynamic and multi-disciplinary. In addition, Teen Forum members will meet with members<br />

of <strong>MMoCA</strong> staff to learn more about careers in the arts, and the everyday functions and operations of the Museum.<br />

The Teen Forum will have the autonomy to create significant and relevant arts programming at the museum and will be<br />

exposed to a diverse array of professional roles within the arts. The inaugural <strong>MMoCA</strong> Teen Forum will be an invaluable<br />

group to transform the ways area teens experience and interact with <strong>MMoCA</strong>. The program will be sustained and<br />

develop in future years, with the goal that each consecutive year of the<br />

program the Teen Forum will be increasingly teen-led and directed.<br />

<strong>MMoCA</strong>’s upcoming Teen Art Exhibition will be on display in the<br />

Museum lobby from April 3 through June 6, <strong>2021</strong>.<br />

ARTWORK IMAGES<br />

PAGE 4: Joel Shapiro, Untitled, (1982-1985). Bronze, 3D size 53 1/4 x 58 x 42 in. Gift of the Joel Shapiro Foundation, in<br />

honor of Stephen Fleischman. Gladys Nilsson, Questionable Place, 2001. Watercolor and gouache on paper, 24 1/2 x 29<br />

2/3 in. The Bill McClain Collection of Chicago Imagism. PAGE 5: Jojin Van Winkle, The Destruction Project —Derby Dashes<br />

1— Summer/Lodi, WI, 2017. Archival inkjet print mounted on acrylic in lightbox. James Cagle, Domestic Image (Diamond),<br />

2015. Archival pigment print. 12 x 18 in. Collection of the Madison Museum of Contemporary Art. Gift of the artist.<br />

7


ARTIST SPOTLIGHT<br />

AN INTERVIEW WITH<br />

THE CREATORS OF MASK<br />

At the core of their work, say Argentina natives Rosario Marquardt and Roberto Behar, is the<br />

enhancement of public life. The Miami-based artists weave together visual arts, architecture, and<br />

design in their work. Their vibrant piece Mask (2008) currently on view in the <strong>MMoCA</strong> lobby, was<br />

first installed at the Museum in 2008 as part of a three-part exhibition. The artists explain how Mask<br />

came about, and how their collaboration with <strong>MMoCA</strong> helped shape their vision for the show.<br />

<strong>MMoCA</strong>: You’ve been working together since you were in architecture school. What’s your secret for a successful work<br />

and life relationship for all these years?<br />

Roberto: Perhaps the most important for us is that we have a common interest in public life and this has been our<br />

most important interest since we were in school. This may have assumed different forms, but the enhancement of<br />

public life is at the very center of everything that we do. So, how can we make life just a little bit better, and beautiful,<br />

for everyone, with the work that we do?<br />

<strong>MMoCA</strong>: Can you talk about the meaning behind Mask?<br />

Rosario: What’s important about Mask is that we’re providing a temporary identity to the building. It’s like, when<br />

you use a mask you want to become somebody else. With Mask, the building becomes something completely different.<br />

Roberto: And our idea was about more than the building. It was about the Museum itself. We’re very much interested,<br />

as new Americans, in the common script in American culture, where people come from very, very different places,<br />

very different geographies and experiences. The mask, for instance, is an element that belongs to Venetian culture<br />

during Carnival, and that belongs to Latin American culture during Brazilian Carnival, and Mexican culture, and to<br />

African culture.<br />

<strong>MMoCA</strong>: What can Mask represent to viewers in 2020?<br />

Rosario: What’s great about Mask is that it is within the Museum walls, but it is open to the city. You can see it from<br />

the outside, with a feeling of celebration, or curiosity, because even though it is a mask, you are able see through the<br />

mask. And that is very metaphoric, in a way.<br />

Roberto: It’s a piece that belongs to the city. It asks the audience to ask themselves, ‘what is this piece of art? What<br />

is it asking me to think about?’<br />

8<br />

Mask, which is part of Full Circle: Exhibitions and Acquisition, will be on view through March 21, <strong>2021</strong>.


WELLNESS PROGRAMS<br />

YOGA IN THE GALLERIES<br />

With Skye Moss<br />

LIVE VIA ZOOM • JAN 17, <strong>2021</strong><br />

Museum visits have long been considered portals to viewing inspiring works of art, but they’re also credited as places for<br />

visitors to relax, find time for introspection, and to center oneself amid the hustle of daily life. Research has even shown<br />

that there are long-term and life-changing positive impacts from visiting museums, including one 2019 British study that<br />

found that people actually live longer if they visit museums or other arts venues, even as little as once or twice a year.<br />

To build on <strong>MMoCA</strong>’s role in the community, the Museum will begin offering a series of wellness programs this year<br />

that unify art, exercise, dance performances, and more in hopes of boosting participants’ health and well-being in<br />

many ways. The first event on January 17 features local yoga instructor Skye Moss, who will lead a series of Kripalu<br />

yoga sessions, suitable for all experience levels, from the Museum.<br />

For Moss, yoga is an artform in itself and that’s why a partnership with <strong>MMoCA</strong> appealed to her. “It sounded like just<br />

a really cool opportunity to give the community access to yoga. And, at the same time, playing with what the body can<br />

do and the art that can happen through these flows in the breath and the movement.”<br />

The Madison native has taught practitioners of all ages while at UW-Milwaukee,<br />

through MSCR, at the Lussier Community Center, and virtually through a Green<br />

Bay studio. She says, “My biggest goal is to provide yoga to people who wouldn’t<br />

otherwise have access to it.” Her sessions at <strong>MMoCA</strong> will be free of charge.<br />

Through the <strong>MMoCA</strong> sessions, Moss hopes to continue working to make yoga more<br />

inclusive for people of color and others who may be put off by fancy (and expensive)<br />

studios. “I would at least hope to touch one person. You know, someone who’s never<br />

been introduced to yoga, and let them know that yoga is for everybody and every<br />

body type, no matter your background.”<br />

Stay tuned to <strong>MMoCA</strong>’s social media channels and website for links to this and<br />

other <strong>2021</strong> wellness sessions. Be well!<br />

Photo courtesy Skye Moss<br />

ARTWORK IMAGES<br />

PAGE 8: Roberto Behar and Rosario Marquardt, Mask, 2008. Colored vinyl ribbons, 3D size: variable. Collection of<br />

the Madison Museum of Contemporary Art. Anonymous gift. PAGE 9: Truman Lowe, Feather Blanket, 1997. Pastel.<br />

30 x 42 in. Collection of the Madison Museum of Contemporary Art.<br />

9


MUSEUM EVENTS<br />

<strong>MMoCA</strong> offers a variety of ways for you to stay connected, creative, and inspired this winter through livestreamed<br />

gallery tours, artist talks, Q&As, and more. Tune in to Facebook Live for our Virtual Visit series offered throughout<br />

the season in tandem with exhibitions on view. Videos of each program will be published to our website following the<br />

initial livestream date.<br />

VIRTUAL VISITS<br />

<strong>MMoCA</strong> invites you to join us for a free virtual photo<br />

workshop and critique, based on the photographic techniques<br />

of artist James Cagle, whose exhibition A Final<br />

Meditation on Art is on display at <strong>MMoCA</strong> though January<br />

31. To prepare for the workshop, participants may view<br />

the Virtual Gallery Talk by <strong>MMoCA</strong> Curator Emeritus Rick<br />

Axsom, who addresses Cagle’s photographic techniques and<br />

subjects. Visit mmoca.org/activities/talks-performances<br />

to view Axsom’s talk. Led by <strong>MMoCA</strong> Assistant Curator<br />

Elizabeth Shoshany Anderson, the Workshop will be a group<br />

discussion of participants’ work that may be similar to or<br />

inspired by Cagle’s approach. For details on viewing the<br />

Axsom talk and to register for the workshop, visit facebook.<br />

com/<strong>MMoCA</strong>Madison/events.<br />

Be sure to keep an eye out on our social media and on<br />

mmoca.org for virtual programming in <strong>2021</strong>, including dance<br />

performances, guided meditation, and more. Gallery talks<br />

at <strong>MMoCA</strong> are generously sponsored by Bell Laboratories.<br />

ARTS MEMORY CAFÉ<br />

People living with memory loss are connecting virtually with<br />

the power of visual art. With the need to remain socially<br />

distanced, <strong>MMoCA</strong>’s partnership with the Alzheimer’s & Dementia Alliance of Wisconsin (ADAW) moved online in<br />

June, 2020. Monthly gatherings offer docent-led discussions of art on view at <strong>MMoCA</strong>, musical performances, and<br />

art-making experiences to registered participants. The program has expanded to include collaboration with Arts for<br />

ALL Wisconsin and the Aging and Disability Resource Center of Dodge County.<br />

GOOD GIFT<br />

GIVING IS<br />

AN ART<br />

Inspire Others to<br />

Live More Artfully<br />

Membership to the Madison Museum of<br />

Contemporary Art makes a great gift for<br />

any occasion. Membership is also a gift<br />

that keeps on giving—a year of inspiring<br />

experiences and exclusive benefits all<br />

wrapped up into one special package.<br />

When you give the gift of <strong>MMoCA</strong><br />

membership, you provide the recipient<br />

with year-round benefits while also<br />

supporting Madison’s vibrant arts scene.<br />

To learn more about the benefits of<br />

membership, and to keep your<br />

membership current, visit mmoca.org.<br />

10


FREE FAMILY RESOURCES<br />

Explore the museum’s current exhibitions and permanent collection from home with 3D tours, printable activities,<br />

instructions for artmaking, interactive websites, and more! Stay tuned as <strong>MMoCA</strong> continues to expand its virtual<br />

offerings for youth, teens, and adults.<br />

To find the latest activities, visit mmoca.org/learn/for-kids. <strong>MMoCA</strong>’s free family resources are generously funded by<br />

the Nimick Forbesway Foundation.<br />

ART ON TOUR<br />

WEBSITE<br />

Art on Tour, a partnership between <strong>MMoCA</strong> and six schools<br />

in Dane County, has gone virtual this year! Take advantage of<br />

this unique opportunity for interactive online learning related<br />

to three works of art from the museum’s permanent collection.<br />

Intended to be a self-guiding resource for elementary school<br />

students, a web page was created with information, images, and<br />

questions to engage youth as they explore works of contemporary<br />

art.<br />

Visit mmocaeducation.org/aot-y2-home to see more.<br />

TEACHING PAGES<br />

Designed as a teaching tool for deeper understanding of works<br />

from the permanent collection, teaching pages may also be<br />

used by families looking to expand educational resources for<br />

at-home learning. <strong>MMoCA</strong> will continue to update these online<br />

materials as we further develop virtual solutions for teachers<br />

and families alike.<br />

Visit mmoca.org/learn/for-teachers/teaching-page-collection<br />

to browse the collection.<br />

KIDS’ ART<br />

ADVENTURES:<br />

FREE ARTKITS!<br />

<strong>MMoCA</strong> invites families to pick up a free Kids’<br />

Art Adventures ArtKit complete with supplies and<br />

instructions for at-home artmaking inspired by<br />

exhibitions at the museum. A different project is<br />

offered each month focused on a specific artist’s<br />

work on view in <strong>MMoCA</strong>’s galleries.<br />

To pick up an ArtKit, stop by <strong>MMoCA</strong>’s<br />

lobby during the times listed below. ArtKits<br />

are limited and available first-come,<br />

first-served with a maximum of two kits<br />

per family; activities are easily duplicated for<br />

larger family groups.<br />

SUNDAY, FEB 14 • 1–2 PM<br />

SUNDAY, MAR 14 • 1–2 PM<br />

SUNDAY, APR 11 • 1–2 PM<br />

ARTWORK IMAGES<br />

PAGE 10: Jacob Lawrence, Dining Out, 1937. Gouache. 11 1/2 x 9 in. Gift of the Estate of Janet Ela. PAGE 11: David Bigelow,<br />

The Spy, 1981. Etching, 17 5/8 x 22 7/8 in. Gift of the Madison Print Club.<br />

11


MEMBERSHIP & GIVING<br />

DONORS<br />

Business, foundation, & government donors<br />

<strong>MMoCA</strong> gratefully recognizes the businesses, foundations, and government agencies making contributions to museum<br />

exhibitions, educational programs, events, and general operations. Thanks to this support, <strong>MMoCA</strong> can offer<br />

compelling and thought-provoking programming, which makes this community and region more vibrant. Through<br />

their gifts, the organizations below have established themselves as engaged, generous community leaders. <strong>MMoCA</strong><br />

thanks the following for their support.<br />

BENEFACTOR<br />

BMO Wealth Management<br />

The David and Paula Kraemer Fund<br />

The DeAtley Family Foundation<br />

Eugenie Mayer Bolz Family Foundation<br />

Future Foam<br />

Great Dane Pub & Brewing Company<br />

J.H. Findorff & Sons Inc<br />

John J. Frautschi Family Foundation<br />

Hiebing<br />

Madison Community Foundation<br />

Madison Magazine<br />

Madison Print Club<br />

maiahaus<br />

<strong>MMoCA</strong> Volunteers<br />

Nimick Forbesway Foundation<br />

Pleasant T. Rowland Foundation<br />

Steinhauer Charitable Trust<br />

Theda and Tamblin Clark Smith<br />

Family Foundation<br />

W. Jerome Frautschi Foundation<br />

Wisconsin Arts Board<br />

Wisconsin Public Radio<br />

SPONSOR<br />

Bell Laboratories, Inc.<br />

Dane Arts<br />

Hooper Corporation / General Heating<br />

and Air Conditioning, Inc.<br />

Isthmus Publishing Company, Inc.<br />

MG&E Foundation<br />

Midwest Family Broadcasting<br />

Newcomb Construction Company Inc.<br />

SMS Foundation<br />

Summit Credit Union<br />

SupraNet Communications Inc.<br />

Venture Investors<br />

LEADER<br />

Access Information Management<br />

Associated Bank<br />

Big Dreamers United<br />

Capital Newspapers<br />

The Capital Times Kids Fund<br />

SPECIAL PROJECT<br />

UNDERWRITERS<br />

Brand strategy and design support is<br />

contributed by Hiebing, including the<br />

development of <strong>MMoCA</strong>’s brandmark<br />

and website.<br />

Internet service is provided by<br />

SupraNet Communications. Technical<br />

guidance for <strong>MMoCA</strong>’s website is<br />

given by Dirigible Studio.<br />

The Cummings Christensen<br />

Family Foundation<br />

Custer Financial Services<br />

Dirigible Studio<br />

DoubleTree by Hilton Madison<br />

Food Fight Restaurant Group<br />

Greater Madison Chamber of Commerce<br />

Milwaukee Valve Company<br />

Perkins Coie<br />

RSM<br />

The Sow’s Ear<br />

Staff Electric Co.<br />

TDS Telecom<br />

PARTNER<br />

Artist & Craftsman Supply<br />

BDO USA, LLP<br />

Casimir Jones, S.C.<br />

Colony Brands, Inc.<br />

Delve<br />

Destination Madison<br />

Exact Sciences<br />

First Business Bank of Madison<br />

Flad Architects<br />

Foley & Lardner<br />

Hausmann-Johnson Insurance<br />

Hellenbrand Glass, LLC<br />

Hoffman Manufacturing Corp<br />

J.F. Ahern Co.<br />

Lycon Inc.<br />

M3 Insurance<br />

Madison Arts Commission<br />

Oak Bank<br />

Oakbrook Corporation<br />

Quarles & Brady LLP<br />

RBC Wealth Management<br />

Selinger & Brunette<br />

Sketchworks Architecture<br />

The Terry Family Foundation<br />

U.S. Bank Private Wealth Management<br />

Veridian Homes Foundation<br />

Widen Enterprises<br />

Wisconsin Chamber Orchestra<br />

DONOR<br />

Ace Electric<br />

Air Temperature Services<br />

The Burish Group of UBS<br />

Echelon Structures<br />

Madison Veterinary Specialists<br />

RHD Plumbing, Inc.<br />

Sitka Salmon Shares<br />

Stark Company Realtors<br />

Step Inside Media<br />

Yahara Bay Distillers<br />

IS YOUR BUSINESS<br />

AN <strong>MMoCA</strong> MEMBER?<br />

SUPPORTER<br />

Ameriprise Financial Services | Eventus<br />

Wealth Advisors<br />

Atmosphere Commercial Interiors<br />

The Bruce Company of Wisconsin<br />

UW Madison Art Department<br />

In addition to receiving special benefits at the museum,<br />

business members gain visibility in the community as<br />

economic and cultural leaders, while supporting free<br />

access to modern and contemporary art.<br />

Membership benefits include:<br />

• Free admission to <strong>MMoCA</strong> Openings, Spotlight<br />

Cinema, and Rooftop Cinema for employees.<br />

• 10% off purchase at all Food Fight restaurants.<br />

• Recognition in printed materials and on mmoca.org.<br />

• Discounted rental rates for private events.<br />

• Even more benefits!<br />

For more information on business membership,<br />

contact Kaitlin Kropp at kaitlin@mmoca.org or<br />

608.257.0158 x249<br />

12


TRIBUTE GIFTS<br />

Kathy Engbretsen in honor of Sheri Castelnuovo<br />

NEW LANGER SOCIETY MEMBERS, JUL 16–DEC 15<br />

Christina Brungardt<br />

Autumn Clark and Eric Sawyers<br />

Trevor Easton and Maureen Easton Frida Tesfagiorgis<br />

Gottlob Armbrust Family Fund<br />

NEW REGULAR MEMBERS, JUL 16–DEC 15<br />

Teresa Audet<br />

Sophie Loubere<br />

Shiva Bidar<br />

Petra Lovrec<br />

Jessica Brooks<br />

Christine Mahimainathan<br />

Mariana Cameli<br />

Praveen Maripelly<br />

Tabitha Dahl<br />

Caylin McGlynn<br />

Kagen Dunn<br />

Maryam Mohammad<br />

Elena Duran<br />

Lisa Olson<br />

Tony Duval<br />

Valerie Reed Hickman<br />

Jorge Escobar<br />

Emma Senft<br />

Madeleine Freitag<br />

Larryn Smerling<br />

Nicole Golownia<br />

Jill Stangel<br />

David Hill<br />

Annmarie Suglio<br />

Kathryn Hodgkins<br />

Gayatri Visvanathan<br />

Cullen Houser<br />

Austin Wallenfang<br />

Debra Jurmu<br />

Brittany Weekley<br />

Julie Karp<br />

Megan White<br />

Natalie Lambert<br />

Karen Wyns<br />

Xinchen Li<br />

Kalene Yong<br />

Monty Little<br />

Emily Yslas<br />

<strong>MMoCA</strong> BOARD<br />

OF TRUSTEES<br />

OFFICERS<br />

Marc Vitale, President<br />

Vikki Enright, Vice-President<br />

Oscar Mireles, Vice-President<br />

Bret Newcomb, Vice-President<br />

Dynee Sheafor, Treasurer<br />

Jennifer Ridley-Hanson, Secretary<br />

TRUSTEES<br />

Shiva Bidar<br />

Marian Bolz,<br />

Life Trustee<br />

Benjamin<br />

Brunette<br />

Bryan Chan<br />

Jim Escalante<br />

Dave Franchino<br />

Larry Frank<br />

Colin Good<br />

John Hitchcock<br />

Cedric Johnson<br />

Valerie Kazamias,<br />

Chair, The<br />

Langer Society<br />

Nathan Kirley<br />

Amy Paulios<br />

Rick Phelps<br />

Eric Plautz<br />

John Ronzia<br />

QuHarrison Terry<br />

Najjah Thompson<br />

MICHAEL J. PAGGIE FILM FUND<br />

Michael J. Paggie was an integral part of <strong>MMoCA</strong> for fifty years. From his time serving as director of the museum’s<br />

film program to his decades working as <strong>MMoCA</strong>’s Business Manager, the impact that Michael had on the organization<br />

is immeasurable.<br />

Michael was an award-winning filmmaker and held a BA in Radio-TV-Film from the University of Wisconsin-Madison.<br />

In the summer of 2018, <strong>MMoCA</strong> exhibited some of his works in The House of Sparkling Glasses: A Celluloid Experience<br />

by M.J. Paggie. At its December 3, 2020 meeting, the <strong>MMoCA</strong> Permanent Collection Committee voted to accept three<br />

films by Michael Paggie, Quietus (1969, 17 minutes), The Trip (1970, 3 minutes), and Cigarette (c. 1970, 2:30 minutes.)<br />

<strong>MMoCA</strong> is pleased to be able to establish the Michael J. Paggie Film Fund in his memory. Contributions to the fund<br />

will support and promote <strong>MMoCA</strong> programming related to Mike’s passion for film. To date, gifts in support of this<br />

fund have come from:<br />

Bud and Judi Arnold<br />

Barbara Banks<br />

Keith and Juli Baumgartner<br />

Michael Bernhard and Nancy Doll<br />

Anne Bolz<br />

John and Marian Bolz<br />

Thomas Buresh<br />

Gina and Michael Carter<br />

John Fritsch and John Cannon<br />

Sheri and Richard Castelnuovo<br />

Carol Chapin<br />

Tami Dodge<br />

Annik Dupaty<br />

Tim and Victoria Enright<br />

Dan Erdman<br />

W. Jerome Frautschi<br />

Fresco LLC<br />

Deirdre Garton<br />

Thomas Garver<br />

Leslie Genszler<br />

Amy Griffin<br />

Terry Haller<br />

Dean and Lynn Hanson<br />

Jennifer Ridley-Hanson and<br />

Randall Hanson<br />

Robert and DeAnn Hase<br />

Jerilyn Howe<br />

Jesse and Nancy Ishikawa<br />

Stephen Fleischman and<br />

Barbara Katz<br />

Andreas and Valerie Kazamias<br />

Marc Vitale and Darcy Kind<br />

Gerald and Valentina Kirch<br />

Mary and Scott Kolar<br />

David and Paula Kraemer<br />

Doug and Janet Laube<br />

Jan Marshall Fox<br />

Marni McEntee<br />

Betty Merten<br />

Oscar Mireles<br />

Nancy Mohs<br />

Duncan Moss<br />

Lori and Donald Murphy<br />

A. Jeanne Myers<br />

Cynthia Paggie<br />

Cynthia Patzner<br />

Pleasant T. Rowland Foundation<br />

Michael and Monica Rehberg<br />

M. Ruth McNichols and<br />

Joel Robbin<br />

Don and Barbara Sanford<br />

Judy Schwickerath<br />

Barney and Dynee Sheafor<br />

John and Kimberly Siebert<br />

Cindy and Michael Smits<br />

Cheryl Spencer<br />

Trey and Shelly Sprinkman<br />

Laurie Stacy<br />

Troy and Juli Stinson<br />

Bob Sylvester and JP Nichols<br />

Tom Terry<br />

Elizabeth and Ward Tucker<br />

Carole Vincent<br />

William White<br />

Mary Alice Wimmer<br />

Jim and Jessica Yehle<br />

Theodora Zehner<br />

James Zimmerman and<br />

Nelson Graham<br />

13


ABOUT <strong>MMoCA</strong><br />

STAY IN TOUCH<br />

sign up for weekly emails at<br />

mmoca.org/mmoca-notes<br />

ABOUT THE MUSEUM The Madison Museum of Contemporary Art is<br />

an independent, nonprofit organization presenting exhibitions by local,<br />

regional, national, and international artists. A permanent collection<br />

of more than 5,500 works of art is maintained and enlarged through<br />

gifts and purchases. The museum’s education department presents<br />

programs to increase public understanding and appreciation of modern<br />

and contemporary art.<br />

HOURS In order to support the community and prevent the spread<br />

of COVID-19, <strong>MMoCA</strong> is following local and federal health guidelines<br />

regarding museum capacity limits and other safeguards. Please check our<br />

social media accounts and mmoca.org/visit-info for updates on Museum<br />

opening hours, closures, and visitor information.<br />

ACCESSIBILITY <strong>MMoCA</strong> strives to make exhibitions, lectures, tours,<br />

and special events accessible to all visitors. Please contact the museum at<br />

608.257.0158 regarding accommodations for persons with limited mobility,<br />

sight, or hearing. Relay Service is available by dialing AT&T @ 711.<br />

MEMBERSHIP <strong>MMoCA</strong> members enjoy many privileges, including free<br />

admission to <strong>MMoCA</strong> Openings and films; invitations to special member<br />

events and previews; opportunities to meet artists; a subscription to<br />

<strong>MMoCA</strong>’s newsletter; and tax deductions for contributions.<br />

VOLUNTEERING Enthusiastic volunteers are vital to <strong>MMoCA</strong>’s success.<br />

Visit mmoca.org/volunteer for current volunteer opportunities.<br />

CHANGE OF ADDRESS Please notify us about address changes<br />

so that your mailings are not interrupted. Contact Kelly McBride at<br />

kelly@mmoca.org or 608.257.0158 x230.<br />

JOIN OUR EMAIL LIST <strong>MMoCA</strong> Notes, the museum’s email newsletter,<br />

keeps you informed about upcoming events, exhibitions, and museum<br />

store specials. Sign up online at mmoca.org.<br />

CONTACT THE MUSEUM 608.257.0158 • info@mmoca.org • mmoca.org<br />

© Madison Museum of Contemporary Art. Artworks © the artist unless otherwise<br />

noted. Artworks may not be reproduced without permission of the copyright holder.<br />

Photo by Katherine Schmidt<br />

CELEBRATE SAFELY AT <strong>MMoCA</strong><br />

<strong>MMoCA</strong> is looking forward to welcoming you back to the Museum<br />

to celebrate in-person this summer. Take advantage of our spacious,<br />

outdoor Sculpture Garden and reach out today to learn more about<br />

renting space at <strong>MMoCA</strong> for an upcoming wedding, business luncheon,<br />

networking reception, or other celebration.<br />

<strong>MMoCA</strong> and Fresco event staff are following all recommendations and<br />

guidelines from Public Health of Madison and Dane County, and staying<br />

up-to-date with policies and preventative tactics to help keep our guests,<br />

staff, and event-goers safe and healthy.<br />

Dates are filling up fast for summer <strong>2021</strong> and we’re now booking for<br />

summer 2022.<br />

Find out more about hosting a wedding, corporate event, or private party<br />

at <strong>MMoCA</strong> by emailing Bob Sylvester, Director of Public Operations, at<br />

bob@mmoca.org.<br />

Photo courtesy Menique Koos<br />

14


INSPIRING PUBLIC ART<br />

JENNY HOLZER: YOUVOTE SERIES 2020<br />

In October 2020, <strong>MMoCA</strong> was one of dozens of fixed and mobile sites nationwide to host a series of election-year<br />

themed artworks envisioned by New York-based artist Jenny Holzer. <strong>MMoCA</strong> collaborated with the Madison Arts<br />

Commission, the University of Wiscon sin–Madison Art Department, Office of Multicultural Arts Initiatives—First Wave<br />

Scholars and the campus chapter of the American Institute of Graphic Arts (AIGA) on the project. The resulting mural<br />

at <strong>MMoCA</strong>, along with other public artworks, were meant to champion broad political engagement, issue awareness,<br />

and voter empowerment. The project illustrates the Museum’s important role in helping artists spark dialogue about<br />

important contemporary issues impacting our community.<br />

ARTWORK IMAGES<br />

YOUVOTE 2020, Paint on plywood boards. Text: Sojourner Truth. © Jenny Holzer, member Artists Rights Society (ARS), NY.<br />

Photo courtesy of Shalicia Johnson, ArrowStar Photography. TOP LEFT: UW student Kaylene Yong. Photo by Shalicia<br />

Johnson, ArrowStar Photography. TOP RIGHT: Photo courtesy Heather Schatz. BOTTOM: Photo courtesy Jim Escalante.<br />

15


16<br />

227 State Street • Madison, WI 53703

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