Park Books International New Titles Spring 2021

INTERNATIONAL
NEW TITLES
SPRING 2021

CONTENT
4/5
Kieran Long, Johan Örn (eds.)
Sigurd Lewerentz
Architect of Death and Life
6/7
Karin Björkquist, Sébastien Corbari,
Tomas Lauri (eds.)
Sigurd Lewerentz—Pure
Aesthetics
St. Mark’s Church 1960
8/9
Hubertus Adam (ed.)
Atelier Deshaus
Architecture 2001–2020
10/11
Ludovic Balland, Nele Dechmann (eds.)
Duplex Architects
Housing
Park Books
Niederdorfstrasse 54
8001 Zürich, Switzeland
Tel. +41 442621662
www.park-books.com
Publisher
Thomas Kramer
Tel. +41 442536454
publisher@park-books.com
Sales
Patrick Schneebeli
Tel. +41 442536453
sales@park-books.com
Publicity
Domenica Schulz
Tel. +41 442536452
publicity@park-books.com
12/13
Paul Andersen, Jayne Kelley, Paul
Preissner (eds.)
American Framing
The Same Something for Everyone

14/15
Dingle Price, Alex Gore (eds.)
Pricegore & Yinka Ilori
Dulwich Pavilion
16/17
Reto Geiser (ed.)
Archetypes
David K. Ross
18/19
Daniela Keiser
London—Being in the Library
20/21
Bernina Glaciers (ed.)
Bernina transversal
Guido Baselgia—Bearth &
Deplazes
Architecture and Photography
Intervention and Reaction
22/23
Carmen Rist-Stadelmann, Machiel
Spaan, Urs Meister (eds.)
Crafting Wood
Structure and Expression
24
Carmen Rist-Stadelmann, Urs Meister
(eds.)
Model Workshop
Building as a Common Process
25
Harry Gugger, Sarah Barth, Augustin
Clément, Alexandros Fotakis, Amy
Perkins (eds.)
Manor Lessons
Commons Revisited. Teaching and Research
in Architecture
26–27
Recent Key Titles
1 2/3
4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28

Sigurd Lewerentz (1885–1975) is one of the most highly revered—as
well as one of the most heavily mythologized—protagonists
of modern European architecture. Arguably Sweden’s
most distinguished modernist, he is more influential for architects
around the world today than he was during his lifetime.
Countless architecture lovers from around the world visit his
still existent buildings. Stockholm’s woodland cemetery Skogskyrkogården,
his most significant contribution to landscape
design, is a UNESCO World Heritage site.
The entire work of Sigurd Lewerentz:
- built and unrealized building designs
- retail spaces
- churches
- cemeteries and landscape designs
- exhibition architecture
- graphic and product design
- furniture and interiors
This authoritative new monograph on Sigurd Lewerentz is
based on extensive research undertaken at ArkDes, Sweden’s
national center for architecture and design, where his archive
and personal library are kept. It features a wealth of drawings
and sketches, designs for furniture and interiors, model photographs,
and more from his estate, most of which are published
here for the first time, alongside new photographs of his realized
buildings. Essays by leading experts explore Lewerentz’s
life and work, his legacy, and lasting significance from a contemporary
perspective.
This substantial, beautifully designed book offers the most comprehensive
survey to date of Lewerentz’s achievements in all
fields of his manifaceted work.
Kieran Long has been director of ArkDes,
Sweden’s national center for architecture and
design in Stockholm, since 2017. Prior to that
he established the new Department of Design,
Architecture and Digital at Victoria & Albert
Museum in London.
Johan Örn is curator of collections at ArkDes in
Stockholm, where he is in charge of the Sigurd
Lewerentz estate.
ISBN 978-3-03860-232-3
9 783038 602323

The definitive monograph on Swedish
modernist architect Sigurd Lewerentz
Offers the most comprehensive survey to date
of Lewerentz’s manifaceted oeuvre
Highlights the lasting significance of
Lewerentz’s achievements in all fields of work
Features a wealth of previously unpublished
material from Lewerentz’s archive now kept
at ArkDes, Sweden’s national center for
architecture and design
Exhibition: Sigurd Lewerentz—Architect of Death
and Life at ArkDes, Stockholm (April 30, 2021–
February 6, 2022)
Kieran Long, Johan Örn (eds.)
Sigurd Lewerentz
Architect of Death and Life
Contributions by Mikael Andersson, Kieran
Long, and Johan Örn. Photographs by Johan
Dehlin
Book design by Stefania Malmsten and Ulrika
Hellberg
In cooperation with ArkDes, Stockholm
Hardback
approx. 720 pages, 800 color and 100 b/w
illustrations
23 × 30 cm
978-3-03860-232-3 English
sFr. 140.00 | € 120.00 | £ 100.00 | $ 150.00
May 2021 (Europe) | August 2021 (US)
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St. Mark’s Church in Björkhagen, a southern district of Stockholm,
is one of Sigurd Lewerentz’s (1885–1975) key designs. But
unlike Lewerentz’s other famous church, St Peter’s in Klippan,
no book has been published to date that constitutes a fitting tribute
to this masterpiece of brick brutalism.
This opulent new building monograph now fills this gap. Some
300 new color photographs and specially drawn explanatory
plans, alongside essays by distinguished authorities on Lewerentz’s
architecture, turn this book into a visual feast. It demonstrates
the exquisitely atmospheric St Mark’s Church both as a
standalone object and in the context of its surrounding urban
landscape. Moreover, it picks out many details, such as the floor
coverings, furnishings, lamps, banisters, the altar, and other
liturgical features. The essays explore aspects of materiality
and topics such as the church’s special acoustics and atmosphere
in an attempt to reveal the secret of Sigurd Lewerentz’s
church designs.
An atmospheric masterpiece of
modern religious architecture:
Sigurd Lewerentz’s Markuskyrkan
(St. Mark’s Church) in Stockholm’s
Björkhagen district
Also available:
Sigurd Lewerentz,
Architect
1885–1975
978-3-906027-48-7
English
sFr. 64.00 | € 64.00
£ 50.00 | $ 75.00
ISBN 978-3-906027-48-7
Karin Björkquist is a Stockholm-based photographer.
Her work focuses mainly on interior
architecture and portraits. Her photographs
have been printed in books and magazines
around the world.
Sébastien Corbari is an architect with AIX
Arkitekter in Stockholm. He is a specialist in
Scandinavian architecture and also works as a
photographer.
Tomas Lauri is an architect in Malmö. He is also
an editor (and former editor-in-chief) of Swedish
magazine Arkitektur.
9 783906 027487
ISBN 978-3-03860-243-9
9 783038 602439

First substantial building monograph on Sigurd
Lewerentz’s masterpiece of modern religious
architecture
Exquisitely bound and lavishly illustrated with
new photographs and newly drawn plans
With essays by distinguished experts of
Lewerentz’s architecture
Karin Björkquist, Sébastien Corbari,
Tomas Lauri (eds.)
Sigurd Lewerentz—Pure
Aesthetics
St. Mark’s Church 1960
Contributions by Stephen Bates, Hansjörg
Göritz, Matthew Hall, Beate Hølmebakk, and
Lars Ridderstedt. Photographs by Karin
Björkquist and Sébastien Corbari
Book design by Henrik Nygren
In cooperation with Arvinius + Orfeus
Publishing AB
Hardback
approx. 352 pages, 300 color illustrations and
40 plans
20.5 × 27 cm
978-3-03860-243-9 English
sFr. 69.00 | € 65.00 | £ 60.00 | $ 75.00
May 2021 (Europe) | August 2021 (US)
1 2 3 4 5 6/7
8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28

Shanghai-based Atelier Deshaus, founded in 2001 as one of the
first private architectural firms in China, ranks among the country’s
most important and innovative design studios. The architects
made a name for themselves worldwide in 2014 with the
much-acclaimed West Bund site for Shanghai’s Long Museum,
which they followed up with a series of further museum and
other art-related projects. Cultural and community buildings of
various scale are the main focus of Atelier Deshaus, who deliberately
eschew the usual commercial construction tasks to be
found in China. After decades of a tabula rasa policy in the city’s
urban development, the firm’s formally strong buildings are developed
from a careful reading of each site with special attention
given to the preservation of Shanghai’s industrial heritage.
Shanghai-based Atelier Deshaus stays
away from China’s commerce-driven
mainstream architectural culture to
focus on utterly independent designs
that receive widespread international
recognition
At the core of this first monograph are Atelier Deshaus’ twenty
most important designs from two decades. They are documented
in rich detail through plans and images as well as concise explanatory
texts by the architects. In a wide-ranging conversation
with Hubertus Adam, the firm’s principals Liu Yichun and Chen
Yifeng offer insight into their way of thinking, their understanding
of Chinese tradition, their relation to art, and the challenges
of working as a non-governmental office in China. Additional essays
situate Atelier Deshaus within the context of contemporary
international architecture and discuss its key projects with regard
to questions of constructive quality and atmosphere.
Hubertus Adam, born 1965, is an architecture
critic and publicist with a focus on 20th-century
architectural history and contemporary architecture.
He was director of Schweizerisches
Architekturmuseum S AM in Basel from 2013
to 2015.
ISBN 978-3-03860-223-1
9 783038 602231

First full monograph on Shanghai-based
Atelier Deshaus, one of China’s first privately
run design firms
Atelier Deshaus have won numerous international
awards, such as AIA Shanghai Design
Award (Architecture) 2019, Wrold Architects China
Architecture Award 2018, or the German Design
Council’s Iconic Award Best of Best 2015
Features twenty exemplary designs, lavishly
illustrated with images, visualizations, and
plans, including rich previously unpublished
material
Offers deep insight into China’s contemporary
architecture scene and the challenges of
working as a non-governmental enterprise
in the country
Hubertus Adam (ed.)
Atelier Deshaus
Architecture 2001–2020
Contributions by Stanislaus Fung, Li Shiqiao,
Liu Yichun, Chen Yifeng, and a foreword by Yung
Ho Chang
Book design by Klaus Stille
Hardback
approx. 256 pages, 200 color and 100 b/w
illustrations
20.5 × 28.5 cm
978-3-03860-223-1 English
sFr. 45.00 | € 38.00 | £ 35.00 | $ 50.00
June 2021 (Europe) | September 2021 (US)
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10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28

Duplex Architects were founded in 2007 in Zurich and now also
run offices in Düsseldorf, Hamburg, and, most recently, in Paris.
They have gained an excellent reputation internationally for their
designs of various scales and across a vast range of typologies.
This first monograph on Duplex Architects’ work in Germany
and Switzerland offers a close look at their approach to housing
design. Five projects in Switzerland are documented extensively
through a wealth of images, plans, and visualizations, exemplifying
the firm’s position on urban planning, typology research,
and materiality and demonstrating their utterly independent
way of working. Urban scale, search for new forms of communal
living, the importance of community, and a collaborative design
process are at the core of Duplex Architects’ explorations into
residential architecture.
Nele Dechmann’s text and Ludovic Balland’s photo essay serve
to illuminate Duplex Architects’ work each in their own way. Further
texts are contributed by the firm’s founding partners Anne
Kaestle and Dan Schürch, as well as by other expert authors,
who cast their own personal glance at the five projects featured
in this book.
Duplex Architects exemplify
innovative housing design
in Switzerland and what
it can contribute to urban
development
Ludovic Balland lives and works in Basel as a
graphic designer specializing in entire editorial
concepts. He is the editor and photographer of
American Readers at Home (2018) and its sequel,
American Readers at Home—New Cut (2020),
both published by Scheidegger & Spiess.
Nele Dechmann is a Zurich-based freelance
architect. Her focus as practicing architect and
theorist is on new forms of housing. Her book
Costa Smeralda about the legendary holiday
resort on Sardinia was published by Park Books
in 2018.
EN
ISBN 978-3-03860-230-9
GE
ISBN 978-3-03860-229-3
9 783038 602309
9 783038 602293

First monograph on Swiss firm Duplex
Architects to date
Documents in great detail five housing designs
that exemplify Duplex Architects’ position,
concepts, and methods
Outstanding book design by Ludovic Balland
Typography Cabinet
Housing continues to be a topic of acute
interest internationally
Ludovic Balland, Nele Dechmann (eds.)
Duplex Architects
Housing
Contributions by Hubertus Adam, Marc Angélil,
Nele Dechmann, Anne Kaestle, Andreas Ruby,
Caspar Schärer, Dan Schürch, Philip Ursprung,
and Günther Vogt. Photographs by Mathilde
Agius, Ludovic Balland, Lars-Ole Bastar,
Roxana Rios, Alexander Rosenkranz, and Mihai
Sovaiala
Book design by Ludovic Balland Typography
Cabinet
Hardback
approx. 320 pages, 520 color illustrations and
plans
23 × 30 cm
978-3-03860-230-9 English
978-3-03860-229-3 German
sFr. 65.00 | € 58.00 | £ 50.00 | $ 70.00
April 2021 (Europe) | August 2021 (US)
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12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28

Originating in 1832 in Chicago with a balloon-framed warehouse
designed by George Washington Snow, timber framing—
also known at the time as “Chicago construction”—introduced
softwood construction to the world. The easy availability of the
principal material, its simplicity of construction, along with an
ability to be erected by low-skilled or unskilled workers, and the
growing economies and populations of the American Midwest
proliferated an architecture that has since dominated America’s
built landscape and erased typological and class distinctions of
architectural production. Both rich and poor live in houses that
are built the same way: all framing is the same and all framing
is good.
American Framing: The Same Something for Everyone is both a
visual and written exploration of the conditions and effects of
these ubiquitous structures. Archival drawings and historical
images along with newly commissioned photographs by Linda
Robbennolt, Daniel Shea, and Chris Strong, as well as plans and
drawings, show this quintessentially American type of construction
that has paved the way for an all-American architecture.
Timber framing: this quintessentially
American construction type
dominates the USA’s built landscape
today and has erased typological and
social distinctions in a socially and
economically deeply divided country
Paul Andersen is the director of Independent
Architecture, a Denver-based office with
projects that speculate on the roles that form,
repetition, and pop culture play in architecture.
Jayne Kelley is an editor and writer based in
Chicago and currently a visiting assistant professor
at the University of Illinois at Chicago’s
School of Architecture.
Paul Preissner is the principal of Paul Preissner
Architects in Oak Park, IL, and an Associate
Professor of Architecture at the University of
Illinois at Chicago.
ISBN 978-3-03860-195-1
9 783038 601951

A visual and written exploration of the
evolution, conditions, and consequences of
softwood timber-framed construction in
American architecture since 1832
Highlights how this quintessentially American
construction type dominates the built landscape
in the USA
Demonstrates how timber-framed construction
erased typological and social distinctions
in a socially and economically deeply divided
country
Features newly commissioned images by
American photographers Linda Robbennolt,
Daniel Shea, and Chris Strong
Exhibition: American Framing, the United States
Pavilion at the 17th International Architecture
Exhibition of the Venice Biennale 2021
Paul Andersen, Jayne Kelley, Paul
Preissner (eds.)
American Framing
The Same Something for Everyone
Contributions by Paul Andersen, Penelope
Dean, Dan Handel, Paul Preissner, Jack Self,
and David Salomon. Photographs by Linda
Robbennolt, Daniel Shea, and Chris Strong
Book design by Joe Gilmore
Paperback
approx. 136 pages, 100 color and 30 b/w
illustrations
21 × 30 cm
978-3-03860-195-1 English
sFr. 39.00 | € 38.00 | £ 32.00 | $ 40.00
July 2021 (Europe) | September 2021 (US)
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14 15 16 17 18 19 20 21 22 23 24 25 26 27 28

The Dulwich Picture Gallery in the south of London was the
world’s first purpose-built public art gallery. Founded in 1811,
when Sir Francis Bourgeois RA bequeathed his collection of old
masters “for the inspection of the public,” it opened its famous
building designed by John Soane in 1817. To mark the museum’s
bicentenary in 2017, Dulwich Picture Gallery commissioned the
first temporary summer pavilion on its grounds.
For the second edition of the Dulwich Pavilion in 2019, the commission
was awarded to London-based architects Dingle Price
and Alex Gore in collaboration with British artist Yinka Ilori. The
elegant large-format book documents this piece of built poetry
in a series of striking atmospheric photographs by Sophie Roycroft.
Concise essays by Job Floris and Sumayya Vally situate
the project within its social, political, and cultural context and
are complemented by technical details and selected plans and
drawings on and inside the book’s cover.
Built poetry: the 2019 Dulwich
Pavilion in London
Dingle Price and Alex Gore established their
firm Pricegore in 2013 with offices in London
and Bath. They also work as design advisors
for London’s Borough of Harrow and lecture at
Kingston School of Art.
ISBN 978-3-03860-233-0
9 783038 602330

Documents the 2019 Dulwich Pavilion designed
by London-based architects Dingle Price and
Alex Gore in collaboration with British artist
Yinka Ilori
The historic Dulwich Picture Gallery in south
London is the world’s oldest purpose-built
public museum building
Dingle Price, Alex Gore (eds.)
Pricegore & Yinka Ilori
Dulwich Pavilion
Contributions by Job Floris and Sumayya Vally.
Photographs by Sophie Roycroft
Book design by Regular Practice
Paperback (Swiss lay-flat binding)
approx. 40 pages, 14 color illustrations, 4 b/w
plans and drawings
23 × 34 cm
978-3-03860-233-0 English
sFr. 35.00 | € 29.00 | £ 25.00 | $ 35.00
February 2021 (Europe) | July 2021 (US)
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16 17 18 19 20 21 22 23 24 25 26 27 28

Archetypes features a recent series by Canadian artist David K.
Ross, who works at the interface of photography, film, and installation.
His images of architectural mock-ups—staged at night
with dramatic lighting that isolates the structures from their
surroundings—demonstrate how these objects have become a
kind of proto-architecture. They also change how we view the
practice of architecture by documenting and framing unseen
aspects of its emergence. Built at full scale, these architectural
fragments—to be removed from construction sites as buildings
near completion—ensure that a project can be executed exactly
to design, and they provide clients with a simulation of a building
that leaves little space for speculation. The task of mock-up
documentation is usually left to architects and contractors, who
take quick snapshots as a reference tool during site visits.
Full-scale architectural mock-ups:
a significant yet ephemeral aspect of
contemporary construction, as seen
by Canadian artist David K. Ross
Archetypes is the first-ever photographic compilation of this type.
Reaching beyond a mere artistic record of building technologies
and typologies, the book instead offers an effective platform for
discussion about what it means to pre-construct fragments of
buildings in all their complexity. Published alongside Ross’s images
are four essays focusing on the historical, technological,
and political significance of the mock-up. Archetypes offers an
intellectual and aesthetic reference for a wide range of audiences
from architecture professionals to anyone interested in or
fascinated by arcane aspects of photography and art.
Reto Geiser is a designer and scholar of modern
architecture, and an associate professor at Rice
University’s School of Architecture in Houston,
Texas.
David K. Ross is a Canadian artist who uses
film and installation to research and document
fragmentary and ephemeral aspects of civil and
cultural infrastructures.
ISBN 978-3-03860-221-7
9 783038 602217

An artistic exploration of architectural
mock-ups
First publication of Canadian artist David K.
Ross’s Archetypes series
Features mock-ups for building designs by
leading international firms, such as Caruso St
John Architects, Christ & Gantenbein, Foster +
Partners, Annette Gigon / Mike Guyer, Herzog
& de Meuron, SOM, Steven Holl Architects,
Valerio Olgiati
Essays discuss the importance of mock-ups
and contribute to the discourse on contemporary
architecture and its design processes
Reto Geiser (ed.)
Archetypes
David K. Ross
Contributions by Reto Geiser, Sky Goodden, Ted
Kesik, and Peter Sealy. Photographs by David
K. Ross
Book design by MG&Co., Noëmi Mollet and Reto
Geiser
A publication by Standpunkte, Basel
Hardback
approx. 112 pages, 40 color illustrations
21 × 28 cm
978-3-03860-221-7 English
sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00
April 2021 (Europe) | July 2021 (US)
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16/17
18 19 20 21 22 23 24 25 26 27 28

Daniela Keiser ranks among the most-renowned contemporary
artists in Switzerland. In 2017 she was awarded the Prix
Meret Oppenheim as well as a studio grant from Landis & Gyr
Stiftung that enabled her to embark on an extended stay in London’s
East End. There she discovered the Idea Store, the public
library on Whitechapel Road built by British architect David Adjaye
in 2001–05. Upon its opening to the public, this institution
quickly became a meeting place for a broad spectrum of society
including for socially disadvantaged people. The goal of the
Idea Stores—eight of them have so far opened in various London
boroughs—is to enhance formerly neglected neighborhoods and
offer a low-threshold source of education and information.
From inside that initial Idea Store on Whitechapel Road, Daniela
Keiser began to take pictures of the goings-on in the street outside.
Her Library—Idea Store series reveals a calm, repetitive
but insistent image of the city and offers insight into the small
everyday variations of the surrounding world. Her photographic
reflection is accompanied by a conversation between David
Adjaye and art and architecture historian Philip Ursprung. They
talk about Keiser’s perception of the site and—without actually
showing the building—the impact on urban design and the
architect’s intentions.
The impact of David Adjaye’s
architecture reflected by
Daniela Keiser
Daniela Keiser lives and works as an artist in
Zurich and teaches at Bern University of the
Arts (HKB). Her work has been awarded numerous
prizes, including Switzerland’s national art
award Prix Meret Oppenheim in 2017.
Sir David Adjaye RA is one of today’s most significant
contemporary architects. His building
designs in numerous countries and his contributions
to the architectural discourse draw
great attention worldwide.
Philip Ursprung is a professor of art and architectural
history at ETH Zurich’s Institute for the
History and Theory of Architecture (gta). He has
been awarded the 2017 Prix Meret Oppenheim
in mediation.
ISBN 978-3-03860-234-7
9 783038 602347

An artistic reflection on the impact of David
Adjaye’s architecture for the Idea Stores in
London
Features a conversation with David Adjaye
highlighting the architect’s intentions for
London’s new public neighborhood libraries
Daniela Keiser
London—Being in the Library
Photographs by Daniela Keiser
Conversation with David Adjaye by Philip
Ursprung
Book design by Bonbon
Paperback
approx. 300 pages, 153 color illustrations
14 × 19 cm
978-3-03860-234-7 English
sFr. 35.00 | € 29.00 | £ 25.00 | $ 35.00
March 2021 (Europe) | June 2021 (US)
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18/19
20 21 22 23 24 25 26 27 28

The unique convergence of architecture and landscape found on
the Bernina Pass inspired Swiss photographer Guido Baselgia
to create a visual epic. The result is a one-of-a-kind presentation
of the new road maintenance base near Bernina Pass, designed
by renowned Swiss firm Bearth & Deplazes Architekten,
in a seemingly arctic winter landscape. Baselgia explored the
territory along the road and railway line with his analogue camera.
His images also draw a connection between the existing infrastructures
for traffic and energy production—built over the
course of the landscape’s industrialization and continued development
since the late 19th century—to the architecture of the
new maintenance base.
A concavely curved shield wall topped by a round tower is all that
is visible of this vast, purely functional, and largely underground
space. The shield wall cuts a segment from the existing topography
and thereby encloses a courtyard along with an area of
the surrounding landscape. The tower’s meaning is elusive, until
one enters the camera obscura at its very top, which connects
photography, architecture, and landscape, and which reveals
that this place is about insights and not outlooks.
The book features a selection of Guido Baselgia’s striking photographs
and reproductions of camera obscura images from
the tower in outstanding duotone reproduction and documents
Bearth & Deplazes’ architecture through concise texts, images,
and selected plans.
A visual epic on the spectacular Alpine
landscape of the Bernina Pass—
marked by the flows of tourism,
energy production, and transit—and
its infrastructure buildings
Guido Baselgia is a freelance photographer
based in Malans. He undertakes projects in
Switzerland, Europe, and Latin America,
some of which involve extensive and complex
expeditions.
Valentin Bearth is a professor of design at USI’s
Academia di architettura in Mendrisio. Andrea
Deplazes is a professor of architecture and
construction at ETH Zurich. Since 1988, they run
their own firm Bearth & Deplazes in Chur.
ISBN 978-3-03860-237-8
9 783038 602378

Features Guido Baselgia’s striking photographs
of the landscape and infrastructure buildings
in the winter landscape on Bernina Pass in
outstanding duotone reproduction
Documents the architecture of the new road
maintenance base designed by renowned Swiss
firm Bearth & Deplazes Architekten
The maintenance base’s tower contains a
camera obscura at the top that is open to
the public
Rhaetian Railway’s Bernina line is a UNESCO
World Heritage site and its Bernina Express
trains are a major international tourist
attraction
Bernina Glaciers (ed.)
Bernina transversal
Guido Baselgia—Bearth &
Deplazes
Architecture and Photography
Intervention and Reaction
Contributions by Reto Hänny and Philip
Ursprung. Photographs by Guido Baselgia
Book design by Bonbon
Hardback
approx. 144 pages, 70 duotone illustrations and
8 plans
30 × 30 cm
978-3-03860-237-8 German / English / Italian
sFr. 69.00 | € 68.00 | £ 65.00 | $ 75.00
June 2021 (Europe) | August 2021 (US)
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20/21
22 23 24 25 26 27 28

Wood has a centuries-long tradition as well as huge potential for
future use as a highly versatile building material. Crafting Wood:
Structure and Expression presents newly gained knowledge on
timber construction and on timber joints in particular.
This book—lavishly illustrated with plans, sketches, and photographs—emerged
from an international educational cooperation
of the University of Liechtenstein in Vaduz, the Norwegian
University of Science and Technology NTNU in Trondheim,
and the Academy of Architecture in Amsterdam. The program
looked at a vast range of timber joints from different theoretical
and practical perspectives. Students conceived and made
by hand new joints that were then applied in prototypes for entire
structures, also designed as part of the course, at a scale of
1:5. By analyzing this learning process, the book provides a new
overview of the topic of timber joints in architecture through text
and images.
New findings on timber joints:
presenting results from a practicebased
educational cooperation of
European universities
Also available:
Carmen Rist-Stadelmann is a lecturer and
directs the master’s program at the Institute
of Architecture and Planning, University of
Liechtenstein in Vaduz.
Crafting the Façade
Stone, Brick, Wood
978-3-03860-101-2
English
sFr. 39.00 | € 38.00
£ 35.00 | $ 45.00–
ISBN 978-3-03860-101-2
Machiel Spaan teaches at the Academy of
Architecture in Amsterdam, where he is also a
founding partner with architectural firm M3H.
Urs Meister is a professor of design and construction
at the Institute of Architecture and
Planning, University of Liechtenstein in Vaduz,
and a founding partner of Zurich-based
Käferstein & Meister Architects.
9 783038 601012
ISBN 978-3-03860-235-4
9 783038 602354

Wood as a renewable and extremely versatile
building material is experiencing ever-broader
use around the world
The book presents new findings on timber
joints and offers inspiration for architects
and other professionals in the field of timber
construction
Lavishly illustrated with images, plans, and
drawings
Documents a practice-based educational
cooperation of several European universities
Carmen Rist-Stadelmann, Machiel
Spaan, Urs Meister (eds.)
Crafting Wood
Structure and Expression
Contributions by Bjørn Otto Braaten, Arnstein
Gilberg, Niels Groeneveld, Haakon Haanes,
Annemariken Hilberink, Tibor Joanelly, Cathrine
Johansen Haanes, Urs Meister, Mario Rinke,
Carmen Rist-Stadelmann, August Schmidt, Jan
Siem, Machiel Spaan, Harm Tilman, and Klaus
Zwerger
Book design by Studio Joost Grootens
Paperback
approx. 160 pages, 150 color and 50 b/w
illustrations
20 × 30 cm
978-3-03860-235-4 English
sFr. 39.00 | € 38.00 | £ 35.00 | $ 45.00
June 2021 (Europe) | August 2021 (US)
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22/23
24 25 26 27 28

Architecture pedagogy and didactics are
current and frequently discussed topics among
both teachers and students of architecture
The book documents an integrative,
practice-based program at the University of
Liechtenstein that brings together students and
trades businesses
Demonstrates how concrete design and
realization processes form an integral part of
architectural training
Building with students and
trades firms as an integrated
didactic method in
architectural training
The Institute of Architecture and Planning at University of Liechtenstein in Vaduz pursues
highly innovative approaches in architectural education. A focus on practice and
bringing students together with craftsmen and their businesses are a key part of this.
Model Workshop documents one of these programs at the institute. Students are confronted
with different aspects of construction at a scale of 1:1, ranging from experimental
wood structures through assembly techniques to questions of manufacturing.
Complementing theoretical groundwork, the students’ design ideas are produced by
timber construction firms as prototypes at a scale of 1:1, tested for functionality, and
further developed.
The book introduces this design work and direct transition into practice and analyzes
the learning process of building at full scale. It also offers guidance through texts and
images for an in-depth engagement with these didactic methods in close cooperation
with local trades businesses.
Carmen Rist-Stadelmann is a lecturer and
directs the master’s program at the Institute
of Architecture and Planning, University of
Liechtenstein in Vaduz.
Urs Meister is a professor of design and construction
at the Institute of Architecture and
Planning, University of Liechtenstein in Vaduz,
and a founding partner of Zurich-based
Käferstein & Meister Architects.
Carmen Rist-Stadelmann, Urs Meister
(eds.)
Model Workshop
Building as a Common Process
Contributions by Christoph Frommelt, Urs
Meister, Carmen Rist-Stadelmann, and Machiel
Spaan. Photographs by Bruno Klomfar and
Darko Todorovic
Book design by Studio Joost Grootens
Paperback
approx. 96 pages, 60 color and 40 b/w
illustrations
21.2 × 15.6 cm
978-3-03860-236-1 English / German
sFr. 39.00 | € 38.00 | £ 25.00 | $ 35.00
June 2021 (Europe) | August 2021 (US)
ISBN 978-3-03860-236-1
9 783038 602361

Investigates England’s historic Manorialism
in search for lessons about communal land
ownership in a globalized capitalist age
Highlights the conflicts arising from the
protection of vast privately owned stretches
of land vs. the needs of a densely populated
country in regard to ecological and economic
development
Visualizes recent research findings by EPFL’s
Laboratory Basel (laba) in striking informative
graphics, maps, and photographs
Features proposals for architectural
interventions by laba’s students
England’s West Country and its local traces
of the manorial system are the subject of
the concluding volume of the successful
Teaching and Research in Architecture series
produced by EPFL’s Laboratory Basel (laba)
Our contemporary condition, governed by the abstract capitalist market, demands a
critical reading of the distribution, ownership, and use of common resources such as
land. This is especially true in Britain with its long history of privatization stemming
from land enclosure. The latest research campaign of Laboratory Basel (laba), a satellite
studio of the EPFL in Lausanne, investigated the English manor house and how it
can serve as a testing ground to reassess Britain’s complex and ongoing relationship
with the countryside.
Southwest England is the most rural region of one of the more densely populated
countries in Europe. It reflects all the absurdities of a globalized country under pressure
to develop economically, physically, and environmentally. Highly protected landscapes,
both natural and composed, form the backdrop to historic seats of political
power and wealth, while sites of intense modern productivity are neatly concealed behind
natural veils.
Manor Lessons, the concluding volume of laba’s successful Teaching and Research in
Architecture series, explores the lessons that can be learned from the history of the
manorial system, whose forgotten feudalistic origins were once rooted in the idea of
land not as private property, but as common ground.
Harry Gugger is professor emeritus of architecture
and former director of Laboratory Basel
(laba), EPFL School of Architecture’s Baselbased
satellite studio 2011–20. Sarah Barth
and Amy Perkins have been working at laba
as research assistants, Augustin Clément and
Alexandros Fotakis as teaching assistants.
Harry Gugger, Sarah Barth, Augustin
Clément, Alexandros Fotakis, Amy
Perkins (eds.)
Manor Lessons
Commons Revisited. Teaching and Research
in Architecture
Book design by Helen Ebert
Paperback
200 pages, 249 color and 107 b/w illustrations
21 × 31 cm
978-3-03860-196-8 English
sFr. 49.00 | € 48.00 | £ 45.00 | $ 49.00
February 2021 (Europe) | April 2021 (US)
ISBN 978-3-03860-196-8
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24/25
26 27 28
9 783038 601968

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of Paris from today’s
perspective
9 783038 602194
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TXL airport: the definitive
monograph on this
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9 783038 602026
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28

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Cover images
Duplex Architects, Housing for students,
Erlenmatt Ost Basel. Front © Alexander
Rosenkranz, back © Damian Poffet. From
the book Duplex Architects: Housing (see
pages 10/11)
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