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The Queen's College Record 2020

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Reports and <strong>College</strong> Activities<br />

Daniel Walden (Music)<br />

This was my first year as a Junior Research Fellow<br />

in Music at Queen’s. After receiving my PhD in Music<br />

<strong>The</strong>ory from Harvard University this past November,<br />

I began work on my book manuscript, focused on<br />

the political entanglements of European and Asian<br />

theories of musical tuning and temperament. I spent<br />

February in India, scouring archives for primary sources<br />

on Hindustani tuning theory and interviewing singers<br />

and harmonium players on the post-colonial politics of Indian musical research.<br />

I am scheduled to present my findings at the <strong>2020</strong> annual meetings of the Royal<br />

Musicological Association, Society for Music <strong>The</strong>ory, and the Group for Analytical<br />

Approaches to World Music.<br />

My Fellowship has also provided me with the opportunity to pursue other projects in<br />

research and performance. My chapter ‘Pitch vs. Timbre’ was published last October<br />

in the Oxford Handbook to Timbre, and my review of new publications on François-<br />

Joseph Fétis and the global music theories of nineteenth-century France will be<br />

published in the next edition of Journal of Music <strong>The</strong>ory. I also gave a lecture-recital on<br />

the music of Frédéric Chopin and Johanna Kinkel at the Cobbe Collection in Surrey on<br />

Chopin’s own Pleyel, and the world premiere of Clara Iannotta’s ‘Eclipse Plumage’ for<br />

harpsichord and electronics at Gaudeamus Festival.<br />

I greatly enjoyed the opportunity before lockdown began to meet the talented<br />

musicians at Queen’s and Oxford while giving tutorials and collaborating in recitals. I<br />

look forward to our return to campus and to making chamber music together again.<br />

28 <strong>The</strong> Queen’s <strong>College</strong> | <strong>College</strong> <strong>Record</strong> <strong>2020</strong>

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