The Queen's College Record 2020
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Reports and <strong>College</strong> Activities<br />
Daniel Walden (Music)<br />
This was my first year as a Junior Research Fellow<br />
in Music at Queen’s. After receiving my PhD in Music<br />
<strong>The</strong>ory from Harvard University this past November,<br />
I began work on my book manuscript, focused on<br />
the political entanglements of European and Asian<br />
theories of musical tuning and temperament. I spent<br />
February in India, scouring archives for primary sources<br />
on Hindustani tuning theory and interviewing singers<br />
and harmonium players on the post-colonial politics of Indian musical research.<br />
I am scheduled to present my findings at the <strong>2020</strong> annual meetings of the Royal<br />
Musicological Association, Society for Music <strong>The</strong>ory, and the Group for Analytical<br />
Approaches to World Music.<br />
My Fellowship has also provided me with the opportunity to pursue other projects in<br />
research and performance. My chapter ‘Pitch vs. Timbre’ was published last October<br />
in the Oxford Handbook to Timbre, and my review of new publications on François-<br />
Joseph Fétis and the global music theories of nineteenth-century France will be<br />
published in the next edition of Journal of Music <strong>The</strong>ory. I also gave a lecture-recital on<br />
the music of Frédéric Chopin and Johanna Kinkel at the Cobbe Collection in Surrey on<br />
Chopin’s own Pleyel, and the world premiere of Clara Iannotta’s ‘Eclipse Plumage’ for<br />
harpsichord and electronics at Gaudeamus Festival.<br />
I greatly enjoyed the opportunity before lockdown began to meet the talented<br />
musicians at Queen’s and Oxford while giving tutorials and collaborating in recitals. I<br />
look forward to our return to campus and to making chamber music together again.<br />
28 <strong>The</strong> Queen’s <strong>College</strong> | <strong>College</strong> <strong>Record</strong> <strong>2020</strong>