Taifas Literary Magazine No. 6, December, 2020

40
Taifas Literary Magazine No. 6, 2020, December
However, the American poet Scott Thomas
Outlar feels the echoes of the primordial
explosion reminiscent of childhood games, but
the sound reality obsessively shows him
where he is going, as a repression of the vital
energy in uncertainty.
Next, we will stop, with the permission of
the readers, on a text if not of a Baudelarian
invoice through its coloristics, at least of a
strange psyche that we find in the writing of
E.A. Poe. The secret of an autumn night, a story
about obsession and hidden fears that ends
with the mysterious death of a woman,
masterfully builds the psychological
framework in which the
inner conflict culminates
in falling into inertia.
Disasters in World War II
take the path of
nightmare and become
reality again through the
chain of mania, vice and
sequelae. The end of the
story confers, by
detachment and hiding in
anonymity of the hero
Stanislas, the cynical role
that the world plays in relation to death as an
immediate reality and taken to banality. The
author's power of suggestion lies in the very
stimulation of obsessions until they become a
concrete fact again, and the enigma
perpetuates the cynicism of not
understanding what is not to be remembered.
Although I would not place the text in the
editorial species, it is perfectly integrated in
the beginning of this issue.
Perhaps the largest and most complex part
of this issue is the poetry section, as it provides
an opportunity for readers to be abducted in a
macroscopic area of ideas and feelings that
converge in human spirituality. Sajid Hussain
declines his soul on the line of cosmic time in
ISSN 2458-0198 - ISSN-L 2458-0198
an eternal Now, while Bozena Helena Mazur-
Nowak tends to lift the human being out of the
routine by retelling eternity as an Unusual
everyday. For Gabriela Mimi Boroianu, the
reason for all things lies in love; within her
poetry, love is an opportunity to rediscover
the self by evoking a diaphanous past, it is a
manifesto of the living presence (Love is my
path!), but also a reason to retreat into a self
assailed by anxiety. The Poetry Letter of the
poet Marija Najthefer Popov is a hymn
dedicated to the eternal couple, a tribute to the
anxieties that lovers live in a perpetual
uncertainty of life, a praise to those who love
supreme. In Jigme
Jamtsho's poetry resides
the atavistic urge to find
inner harmony by
invoking the Forest as the
mediator of this
assiduous enterprise,
which Sameer Goel
proposes by balancing
hatred with love.
The essay section
begins with a broad
introspection into
turmoil, an ambiguous journey in which
contrasts are defined by mutual reporting,
each with the need to point the finger at the
other. Lidia Stoia is not shy to resort to
suggestibility, she herself a skilled handler of
the word, approaching the wide range of
narrative specifics. Of course, the Auntie
Sophie anecdote, in which Anna Maria
Sprzeczka-Stepien improves the humor of the
situation through the rhetoric specific to the
dramaturgy, should not be avoided.
Well, the Confabulation column begins with
a set of not at all rhetorical but existential
questions, which Destiny M O Chijioke
snatches from himself to propagate to all
mankind. Remaining in the spectrum of
TAIFAS LITERARY MAGAZINE