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Boxoffice Pro - Winter 2020

Boxoffice Pro is the official publication of the National Association of Theatre Owners

Boxoffice Pro is the official publication of the National Association of Theatre Owners

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CONTENTS<br />

INDUSTRY THEATER ON SCREEN<br />

12<br />

17<br />

18<br />

20<br />

NATO<br />

NATO Members Discuss Path<br />

Forward for Exhibition Industry<br />

During Annual Meetings<br />

NATO: In Memoriam<br />

Lene Løken (1947–<strong>2020</strong>)<br />

Charity Spotlight<br />

A Recap of Industry-Wide Charity<br />

Initiatives<br />

Bridging the Gap<br />

A Conversation About Diverse<br />

Representation in Cinema with<br />

Rolando Rodriguez<br />

40<br />

46<br />

50<br />

58<br />

Holding Down the Fort<br />

Shelli Taylor Joins Alamo<br />

Drafthouse as New CEO<br />

Food & Beverage<br />

Concessions Will Play a Crucial<br />

Role in Cinemas’ Recovery. It Also<br />

Introduces New Challenges.<br />

The Perfect Pairing<br />

Could Wine Emerge as One of<br />

Cinema's Post-Pandemic F&B Trends?<br />

International Excellence<br />

Celebrating This Year’s ICTA EMEA<br />

Award Winners<br />

80<br />

84<br />

90<br />

97<br />

<strong>Pro</strong>mising Young Women<br />

Emerald Fennell Directs Carey<br />

Mulligan in Focus Features’<br />

Candy-Colored Thriller,<br />

<strong>Pro</strong>mising Young Woman<br />

On the Road Again<br />

Chloé Zhao Takes to the Great<br />

Outdoors with Nomadland<br />

Coming Attractions<br />

A selection of upcoming releases<br />

through the beginning of 2021<br />

Booking Guide<br />

24<br />

28<br />

Industry Insiders<br />

Daniel Borschke Says Goodbye<br />

to the National Association of<br />

Concessionaires<br />

A Century in Exhibition<br />

The 1980s: Megabucks, MTV,<br />

and Megaplexes<br />

67<br />

A Century of Innovation<br />

An Abridged Timeline of the Last<br />

100 Years of Cinema Presentation<br />

Presented by Dolby<br />

“[The three theaters] in<br />

different ways illustrate how<br />

innovation and continued<br />

diversification of the big<br />

screen experience help<br />

attract audiences.” p. 58<br />

06 <strong>Winter</strong> <strong>2020</strong>

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