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Boxoffice Pro - Winter 2020

Boxoffice Pro is the official publication of the National Association of Theatre Owners

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Hispanic Heritage Month should play<br />

an integral part in our communities, our<br />

country, and, frankly, in our industry.<br />

What’s exciting to see is the dialogue<br />

starting to take place in our country<br />

relating to diversity and inclusion and the<br />

impact that it has, not only economically,<br />

but what it means for our country. We<br />

represent almost 60 million people in the<br />

United States. We are 18 percent of the<br />

population and growing rapidly; there’s a<br />

general feeling that we could be as much<br />

as 30 percent of the population within<br />

the next 10 years. That’s a significant<br />

number of the workforce, leadership,<br />

and consumerism of our future. In our<br />

industry, we’ve been able to recognize<br />

that already, knowing one out of four<br />

customers that comes through our door<br />

happens to be Hispanic or Latino. This<br />

month is a great way for our country to<br />

learn about the culture, the background,<br />

and also the potential economic impact<br />

that we represent today and will continue<br />

to represent in the future.<br />

In terms of frequent moviegoers—<br />

those that go to the movies most often<br />

throughout the year—Latin American<br />

moviegoers are over-indexed in terms<br />

of their share of the general population.<br />

Right now, we represent around 18<br />

percent of the general U.S. population,<br />

and Latin American audiences represent<br />

26 percent of frequent moviegoers. That’s<br />

more than any other ethnic group, by<br />

quite some distance.<br />

When I think about diversity and<br />

inclusion, there’s been an incredibly<br />

positive movement that’s taking place<br />

in our industry relating to women being<br />

recognized, behind the camera and<br />

in front of the camera. It’s also great<br />

that we’re now starting to see much<br />

more representation from the African<br />

American and Black communities,<br />

which is a tremendous and necessary<br />

improvement. They are also a huge part<br />

of the moviegoing population. But we still<br />

lack improvements that are necessary to<br />

see more Hispanic actors, directors, and<br />

producers. We over-index because we play<br />

a product that’s family-oriented, which<br />

relates to the consumer base. As you relate<br />

to consumers, I think it’s important that<br />

we also see ourselves, that our kids are<br />

able to see themselves on the screen. And<br />

by the way, that also applies to leadership<br />

positions within the film studios, and,<br />

frankly, within exhibition itself.<br />

“If you take a broader look<br />

and say, how many Hispanics<br />

sit on boards of directors<br />

at public companies in the<br />

United States, that number<br />

gets really small. It’s less<br />

than 2 percent.”<br />

I think that was the beauty of a movie<br />

like Black Panther. Kids could sit there<br />

and say, “That hero looks like me.” It’s a<br />

great way to not only create inspiration but<br />

also drive aspiration in our communities<br />

to chase leadership positions, acting<br />

positions, political positions, board of<br />

directors’ positions. These are areas that,<br />

unfortunately, diverse communities<br />

continue to lag in. The state of California is<br />

taking some interesting steps to correct that,<br />

but it shouldn’t be government driven. It<br />

should be done because it’s the right thing<br />

to do, to recognize the consumer base, and<br />

recognize where consumer growth is going.<br />

In exhibition, we’ve seen more<br />

representation because of the growth<br />

of Latin American circuits in the U.S.,<br />

which has introduced Latin American<br />

executives through that expansion.<br />

We have Hispanic executives among<br />

some of the leading vendors that<br />

service the exhibition industry. At the<br />

studio level, however, it is alarming<br />

that we don’t have that same<br />

presence. What is there left to do so<br />

we can see more of that diversity in<br />

other sectors of the industry—namely<br />

in production and distribution—<br />

that can hopefully influence more<br />

programming for Latin American<br />

audiences?<br />

I would start by saying that even in<br />

exhibition, as you noted, we have been<br />

very fortunate to have some very effective<br />

leaders and companies that are owned by<br />

Hispanics. But most of them started outside<br />

the United States. Even within exhibition,<br />

an industry that generated over $11 billion<br />

in 2019 in the U.S., a country with nearly<br />

60 million Hispanics, there’s more left to<br />

do. I’m very fortunate and grateful that I<br />

happen to be a Hispanic CEO, representing<br />

the fourth-largest circuit in the United<br />

States. But aside from that, if you take a<br />

survey, even within the top 20 circuits, you<br />

will not find many others.<br />

If we represent one in every four<br />

people that walk through the door in this<br />

industry, then it goes beyond just looking<br />

at the CEO level. How many Hispanic<br />

CMOs, COOs, or CIOs are there? It’s about<br />

leadership. If you take a broader look and<br />

say, how many Hispanics sit on boards<br />

of directors at public companies in the<br />

United States, that number gets really<br />

small. It’s less than 2 percent.<br />

<strong>Winter</strong> <strong>2020</strong><br />

21

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