GA021 | The Spring Auction Series

The Spring 

Auction 

Series 

Melbourne, Sunday 29 November 2020

Jennifer Gibson 

CEO & Head of Valuations 

Jennifer.Gibson@gibsonsauctions.com.au 

Elliott Hughes 

Auctions Manager & Specialist 

Elliott.Hughes@gibsonsauctions.com.au 

Deanna Baxter 

Business Manager 

Deanna.Baxter@gibsonsauctions.com.au 

Simon Gibson 

CFO 

Simon.Gibson@gibsonsauctions.com.au 

Marilla O’Sullivan 

Auction Assistant 

Marilla.Osullivan@gibsonsauctions.com.au 

Juliet Hughes 

Account Administrator 

Juliet.Hughes@gibsonsauctions.com.au 

Ann Roberts 

Consultant Specialist 

Asian Art 

Jon Dwyer 


Australian & International Art 

Phil Gore 


Clocks, Watches & Barometers 

ORRONG RD 

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 

OSMENT ST 

03 9500 2607 

gibsonsauctions.com.au 

Auction, Viewing and 

Payment & Collections 

Level 1, 885-889 High St 

Armadale, Victoria 3143 

HIGH ST 

SUTHERLAND RD 

KOOYONG RD 

LE ST 

HAMPDEN RD ASHLEIGH RD 

MT PLEASANT GROVE 

NEW ST 

AUBURN GROVE 

DENBIGH RD 

NORTHCOTE RD 

CHEEL ST

FRONT COVER: 

Lot 89 (Detail) 

BACK COVER: 

Lot 104 

The Spring 

Auction Series 

Auction 

Sunday 29 November 2020, 12 Noon 

Level 1, 885-889 High Street 

Armadale, Victoria 3143 

Viewing 

Thursday 26 November 

Friday 27 November 

Saturday 28 November 

10.00am – 5.00pm 

10.00am – 5.00pm 

10.00am – 5.00pm 

Auction Code: GA021 

GST 

† Lots with this symbol are subject 

to GST on the hammer price and the 

buyer’s premium. 

Buyer’s Premium 

Buyer’s Premium is charged at 22% 

of the hammer price plus GST. GST is 

applicable to the buyer’s premium only, 

unless otherwise indicated by the † 

symbol. 

Registration 

To register to bid at Gibson's 

Auctioneers & Valuers an accredited 

form of photo identification is required. 

This applies to bidding in person at 

the auction, Telephone, Absentee and 

Online bidding. 

Resale Royalty Scheme 

Lots subject to payment of the Artist's 

Resale Royalty Scheme will be denoted 

by the symbol §. The Australian Resale 

Royalty is a flat rate of 5% on the 

hammer price (including GST) and is 

payable by the seller. 

Restricted or Organic Material 

♦ Lots with this symbol have been 

identified at the time of cataloguing 

as containing organic material which 

may be subject to export or import 

restrictions. The absence of this 

symbol is not a guarantee that export 

or import restrictions will not apply. See 

www.cites.org for further information. 

Payments & Collections 

By appointment: 

gibsonsauctions.com.au/bookings 

or 03 9500 2607 

Payments & Collections can be made 

from: Level 1, 885-889 High Street, 

Armadale, Vic 3143 

Monday 30 November 

Tuesday 1 December 

Wednesday 2 December 

10am–5pm 

10am–5pm 

10am–5pm 

All goods must be collected and paid in 

full by 5pm on Wednesday 2 December 

(unless by prior arrangement) to avoid 

removal and storage charges. 

All payments are to be made in 

Australian Dollars (AU$). Please refer to 

the methods of payment in the HOW 

TO BUY section on the following pages. 

Credit card surcharges apply – 1.2% 

(incl GST) for Visa and Mastercard and 

2% (incl GST) for American Express.

2 

How to Buy 

All you need to know about the bidding process at auction 

Viewing 

Catalogues 

Online catalogues can be viewed at 

www.gibsonsauctions.com.au approximately three weeks 

prior to the auction date. 

Complimentary printed catalogues are available at Gibson’s 

Auctioneers & Valuers. 

Symbols 

Occasionally, a symbol is printed next to a lot number, 

indicating a special clause associated with the sale of the 

item/s. Further information on symbols within our catalogues 

can be found on Page 1. 

Viewing 

Auction viewings are open to the public and usually take place 

three or four days prior to the auction date, at the location/s 

listed in the auction catalogue and on the website. 

Lot Descriptions 

Lot Descriptions provide basic catalogue information such 

as dimensions, date or age, medium, attribution, provenance 

and quantity. 

All lots are guaranteed for fourteen (14) days from the 

auction date. 

Estimates 

Estimates are printed in the catalogue beside every lot and 

take into account rarity, condition, quality and provenance. 

The reserve is the amount at which the item is available for 

purchase. The reserve is an undisclosed confidential amount 

which is set at, or below the low estimate. 

The reserve will never exceed the low estimate at Gibson’s 

Auctioneers & Valuers. Many lots are sold without reserve. 

Talk to our Specialists 

Gibson’s Auctioneers & Valuers are an experienced team of 

specialists who are available to discuss items in further detail, 

and to offer advice and assistance. 

Contact details for relevant specialists can be found on the 

inside front cover our auction catalogues and on our website. 

Condition Reports 

Condition Reports are available on request. Condition Reports 

supplement the lot description and provide information on the 

condition of an item. 

We strongly advise obtaining a condition report if you are 

unable to view an item in person prior to the auction. 

To request a condition report please email 

condition.reports@gibsonsauctions.com.au with the auction 

title and lot number/s. 

Bidding 

Gibson’s Auctioneers & Valuers offer four bidding options: 

1. Auction Room Bidding 

To bid in person we suggest you arrive early so that you 

have sufficient time to register for a bidding number prior 

to the auction. If this is your first time bidding with Gibson’s 

Auctioneers & Valuers please bring photo identification, such 

as a driver’s licence or passport with you. 

2. Telephone Bidding 

Gibson’s Auctioneers & Valuers offer telephone bidding on all 

lots, at all auctions. 

Telephone Bidding is a convenient solution if you are unable to 

attend an auction in person. A Gibson’s Auctioneers & Valuers 

staff member will call you approximately 5 lots in advance and 

with your instruction, bid on your behalf at the auction. 

Please note: Telephone Bids must be organised at least 24 

hours prior to the auction and that occasionally, the number 

of telephone bidders available may be restricted when the 

auction is offsite. 

To organise a Telephone Bid please follow the link 

to the Telephone Bidding form on our website: 

www.gibsonsauctions.com.au. 

Please fill in & return via email to mail@gibsonsauctions.com.au 

If this is your first time bidding with Gibson’s Auctioneers & 

Valuers, an email address is to be supplied when you submit 

your Telephone Bid, along with clear Photo ID verifying 

your address.

3 

3. Absentee Bids 

Absentee Bidding is another convenient solution if you 

are unable to attend an auction in person, to speak on the 

telephone or if you simply have a strict budget. 

An Absentee Bid should be set at the maximum amount 

you wish to bid on the lot/s you are interested in purchasing. 

Should the lot/s be knocked down at an amount lower than 

the bid recorded on your form, the lot will be sold to you for 

the lesser hammer price. 

Please note Absentee Bids must be received at least 24 hours 

prior to the auction to allow time for processing. 

To organise an Absentee Bid please follow the link to 

the Absentee Bidding form available on our website: 


Please fill in & return via email to mail@gibsonsauctions.com.au 

If this is your first time bidding with Gibson’s Auctioneers 

& Valuers, an email address is to be supplied when you 

submit your Absentee Bid, along with clear Photo ID verifying 

your address. 

4. Online Bidding 

Online bidding allows you to bid via the internet in real 

time with a live broadcast of the auction. To bid online visit 

our website and follow the ‘Live Bidding’ link under the 

‘Auctions’ tab. 

Please register for this service at least 24 hours prior to the 

auction to ensure you do not miss your lot. 

Please note online bidding is powered by Invaluable.com and 

so will incur a 5% fee on successful lots. 

If you have not bid with Gibson’s Auctioneers & Valuers 

previously, a photo ID verifying your address will be 

required before you can be approved to bid. Please email to 

mail@gibsonsauctions.com.au as soon as practical. 

International Bidding 

If you are bidding from overseas for the first time, you will be 

asked to provide a clear Photo ID verifying your address and 

a deposit (set at Gibson’s Auctioneers & Valuers’ discretion) 

prior to the auction. The deposit is refundable within 48 

hours should you not be successful. If you are successful 

the deposit will be deducted from your invoice total. The 

remaining balance must be paid preferably by direct deposit. 

Bank details are provided in the Payment & Collection section 

of this guide. 

Payment & Collection 

Payments 

If you are successful an invoice (AU$) will be emailed or 

posted to you immediately after the auction. 

You will pay the hammer price, plus the buyer’s premium 

(22% plus GST) on each Lot, together with any additional 

applicable charges such as GST on hammer. 

Payments must be made in full by the final day of Collections 

as printed in the catalogue. 

Bank Transfer/Direct Deposit is our preferred method 

of payment: 

Account Name: Gibsons Auctions 

Bank: 

Bank of Melbourne (A division of St George) 

BSB: 193879 

Account No: 441701443 

Swift Code: SGBLAU2S 

Routing Code: 021000021 

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144 

• Personal, Company and Bank Cheques are not accepted 

without prior approval. 

• Eftpos (no charge). 

• Credit cards: Visa and Mastercard (1.2% inc GST merchant 

fee) and American Express (2% inc GST merchant fee). 

• Please note that credit card transactions over $5,000 

will not be accepted over the telephone unless by prior 

arrangement. 

• Cash payments up to AU$10,000 can be accepted. For any 

amount over this, cash is to be deposited directly into our 

account at a Bank of Melbourne/St George branch. 

Collections 

Gibson’s Auctioneers & Valuers are happy to assist and 

provide you with recommended transport companies whether 

it be a local, interstate or international delivery. 

Storage 

All items must be paid for and collected within the collection 

times advertised for each individual auction. If items are not 

collected within this time-frame, Gibson’s Auctioneers & 

Valuers reserve the right to charge removal and storage fees.

4 

Chinese and Asian Ceramics and Works of Art. 

Property from a private collection, Melbourne. 

1 

A green-glazed pottery ‘hill’ jar and cover 

Han dynasty 

of cylindrical form supported on three 

bear-form feet, the straight sides 

moulded with a frieze of various mythical 

animals in a continuous landscape 

setting, the domed cover with further 

animals and immortals climbing among 

the cresting mountain peaks, all beneath 

the dark green glaze, the interior and 

base covered in a chestnut glaze, 

fitted box 

19.5cm diameter 

Compare with a similar hill jar sold 

Sotheby’s, New York, 15 September 

2018, lot 1388 

$3,000–4,000 

1 

2 

A Tang-style painted pottery figure 

of a horse 

standing four-square on a rectangular 

base, with head lowered and mouth 

open, the arched neck with a long 

mane falling over one side, a saddle 

and saddle cloth on its back, traces of 

coloured pigments 

46cm long, 45cm high 

$900–1,200 

2

5 

3 

4 

3 

A russet-splashed black-glazed bowl 

Song dynasty 

with deeply rounded sides incurved 

towards the rim, applied overall with 

a lustrous black glaze decorated with 

four russet splashes on the interior, 

the dark glaze falling short of the base 

on the exterior revealing the buff body, 

fitted box 


$3,000–4,000 

4 

A Jian ‘hare’s fur’ bowl 

Song dynasty 

with deeply rounded sides rising from a 

short foot, covered overall in a lustrous 

black glaze streaked with russet, the 

glaze falling short of the foot revealing 

the dark body beneath, box 


$1,500–2,500 

5 

A carved qingbai bowl 

Song dynasty 

with widely rounded sides springing 

from a short foot, the interior carved 

with a lotus spray beneath the pale 

bluish glaze, gilt metal rim; together with 

a small shallow qingbai dish, carved 

with scrolls, fitted boxes 

18.5cm and 9.7cm diameter 

$700–900

6 

6 

7 

6 

A streaked russet-glazed bowl 

Song dynasty 

of wide conical form standing on a 

short foot, the interior and exterior with 

a trickled russet glaze falling from below 

a cream-glazed band around the rim, 

and stopping short of the foot on the 

exterior revealing the pale ware beneath 


$1,800–2,200 

7 

A Yaozhou celadon bowl 

Song dynasty 

the deeply flared sides divided on the 

interior with six vertical ribs, covered 

overall apart from the footring with an 

olive-green glaze, fitted box 

15cm diameter 

$2,000–3,000 

8 

A moulded Yaozhou-style celadon 

‘chrysanthemum’ bowl 

with deeply rounded sides, moulded on 

the interior with chrysanthemum scrolls, 

the exterior carved with radiating lines 

beneath the overall olive-green glaze, 

fitted box 


$500–700

7 

9 

10 

9 

A Ming-style ivory figure of Guanyin 

Qing dynasty 

seated in Royal Ease on a rockwork 

base, holding a small boy clasping a 

lotus flower on her lap, wearing loosely 

draped robes and beaded necklace, her 

face with lowered gaze and hair drawn 

into a high coil, box 

15cm high 

$1,500–2,500 

10 

A carved bamboo figure of Guanyin 

Qing dynasty 

standing with head slightly lowered, 

her hands held in front, one holding a 

rosary, wearing a wide-sleeved robe 

and shawl draped over her head, box 

14cm high 

$1,200–1,800 

11 

A rock crystal figure of Buddha 

Qing dynasty, 19th century 

seated in dhyanasana on a lotus base 

backed by a flame-edged mandorla, the 

face with serene expression, stand and 

fitted box 

12cm high 

$1,500–2,500

8 

12 

12 

A set of silver belt fittings 

Qing dynasty 

comprising a two part buckle, a pair 

of oval plaques with pendant dragon 

loops and a single oval plaque, the 

domed centre of each repousse with a 

dragon amongst cloud scrolls within a 

band of radiating petals, the reverse of 

each with raised straps for attachment, 

fitted box 

the largest piece 11.5cm long 

$800–1,200 

13 

An unusual gilt metal set of hair 

ornaments 

Qing dynasty or earlier 

comprising a tiara of hinged sections 

set with birds and florettes, and two 

pairs of hairpins each with a flower head 

terminal, fitted box 

the tiara 19cm wide 

the hairpins 12cm and 10cm long 

$800–1,200 

14 

An unusual enamelled silver hairpin 

Qing dynasty 

the two long prongs with a fan-shaped 

terminal decorated in filigree with 

figures in a pavilion garden below a 

border of birds among floral branches, 

the filigree highlighted in turquoise and 

purple enamel, the sides and reverse 

with strings of pendants, fitted box 

23cm long 

$2,000–3,000 

14

9 

Other Properties 

15 

A xingyue bodhi seed court necklace 

comprising 108 beads interspersed 

with three large amber beads, 

terminating in an ivory and large 

amber coloured bead pendant, and 

suspending two strings of metal beads 

with two strings of silver fish, amber 

and hardstones 

50cm diameter 

$2,000–3,000 

16 

A gilt bronze vajra 

the central boss inscribed with 

an apocryphal six-character mark 

of Yongle 

17cm long 

$1,500–1,800 

17 

An ivory figure of a maiden 

early 20th century 

standing with hands clasped in front, 

wearing loose robes and a trailing scarf, 

her hair in an elaborate coiled coiffure, 

wood stand 

31cm high 

$600–800 

15 

16

10 

18 

A carved wood figure of Liu Hai 


his features well defined standing with 

left arm raised clasping an inscribed 

cash, gazing down to his three-legged 

toad climbing up his leg, wearing 

flowing robes and a wide-brimmed 

straw hat tied over his back, a bat to 

one side and the Three Abundancies 

tied to his belt 

44cm high 

$700–900 

19 

A pierced and carved gilt wood panel 

of rectangular form, depicting warriors 

on foot and on horseback 

41 x 30cm wide 

$400–600 

20 

Three bronze handwarmers 

19th/20th century 

comprising two of squat vertically 

lobed circular form, each set with a 

swing handle, and another of lobed oval 

form with straight sides, the covers 

pierced with different decorative motifs, 

the base of each with an impressed 

four-character mark 

11.5cm and 9cm diameter 

and 8.2cm long 

$600–800 

21 

A Chinese bronze censer 

probably 18th/19th century 

of circular form with loop handles 

on a tripod base 


$1,200–1,500 

22 

An unusual red lacquered rootwood 

figure of Shou Lao 


standing holding a peach in his right 

hand, wearing long flowing robes 

and a small cloth cap tied with a long 

sash, the dark red lacquer with traces 

of gilding, wood stand 

57cm high 

$600–800 

18

11 

23 

An unusual inkstone 

Qing dynasty, late 19th century 

of irregular oval form with recessed 

center, the darker inclusions in the 

brownish textured surface carved with 

groups of old Chinese holed coins and 

small objects bearing inscriptions, fitted 

wood box with a two line inscription 

reading Fang Cheng Ni Qian Wen Yan, 

Pu Yan Zhai Cang 

15cm long 

$1,500–1,800 

24 

A carved hardwood document box 

of rectangular form, the sides and cover 

carved with overall cloud scrolls, set 

with chased metal lock plate and hinges 

and two metal loop handles 

15cm high, 27cm wide, 20.5cm deep 

$700–900 

23 

25 

A carved bamboo ‘scholar’s’ brushpot 


of cylindrical form carved in high 

relief with a continuous scene of 

scholars and attendants variously 

occupied among willow and pine trees 

with towering rocky cliffs above, a 

two-character mark reading Wang Qi 

to one side 

15.8cm high 

$1,800–2,200 

26 

A carved wood ‘prunus’ libation cup 

the deep bowl carved on the exterior 

in high and pierced relief with flowering 

prunus branches 

8.5cm high 

$300–400 

25

12 

27 

27 

Two white jade snuff bottles 

each of flattened circular form, 

carved on either side in low relief 

with figures fishing in a lakeside 

setting with overhanging pine trees, 

stoppers, boxes 

each 5cm wide 

$1,500–2,000 

28 

A celadon jade snuff bottle 

of upright form, the sides carved in 

low relief with a dragon among clouds 

encircling the sides, and a phoenix 

in high relief to one side, the stone of 

pale tone with slight areas of russet 

suffusions, stopper, box 

6.7cm high 

$800–1,200 

30 

A white jade ‘piglet’ snuff bottle 

20th century 

carved as a recumbent pig with open 

mouth forming the aperture to the 

hollowed body, the white stone with 

a small russet suffusion on the top of 

its head, an iron-red mark on the left 

haunch, stopper, box 

6cm long 

$400–600 

29 

A white jade snuff bottle 

of irregular upright form, partly 

retaining the shape of the original 

pebble, the white stone with areas of 

the russet skin, fitted box 

7.7cm high 

$600–800 

28 29

13 

31 

DONG ZUOBING 

calligraphy in oracle bone script 

ink on paper, hanging scroll 

inscribed and with three seals 

66.5 x 26.5cm 

$1,500–2,500 

32 

ATTRIBUTED TO 

WU CHANGSHUO 

calligraphy couplet 

ink on paper, hanging scrolls 

inscribed and with two seals 

84 x 20cm 

$600–800 

33 

A pair of large silk paintings 

of courtiers and courtesans 

circa 1930 

119 x 228cm 

$1,200–1,500 

34 

A pair of carved wood pole stands 

each in the form of a crouching 

Buddhist lion, decorated in red and 

gilding, an aperture in the back to 

support a pole; together with a pair of 

lacquered wood seated Buddhist lions 

each highlighted in red and gilding 

each stand 30cm long, 

each lion 16cm high 

$300–500 

35 

A collection of fifteen international 

auction catalogues of Asian works of 

art and paintings 

$150–200 

36 

A collection of twelve books and 

brochures on Chinese, Japanese and 

Tibetan ceramics and works of art 

$80–160 

31

14 

37 

A famille rose ‘boys’ vase 

20th century 

the ovoid body painted with a 

continuous scene of boys at play 

beside a pine tree and bamboo growing 

in a garden setting, with cloud collar 

borders on the shoulders and base, 

the tall slender neck with floral scrolls 

reserved on a lime-green ground, 

the base inscribed in iron-red with an 

apocryphal seal mark of Jiaqing 

33cm high 

$1,000–1,500 

37

15 

38 

38 

A pair of ‘fishing scene’ vases 

20th century 

each of shouldered upright form 

surmounted by a slender neck with 

turnover mouth rim, the sides painted 

with an old man and young boy 

fishing from a small boat beneath an 

overhanging willow tree growing on the 

bank, the reverse with an inscription in 

black bearing the signature of Wang Qi 

with two iron red seals, the base with a 

seal of Wang Qi in iron-red 

26.8cm high 

$600–800 

39 

A set of four porcelain plaques 

20th century 

each painted with a lakeside scene with 

dwellings on the rocky shore among 

trees and shrubs with mountains in the 

distance, an inscription in black with an 

iron-red seal to one side, wood frames 

36 x 18cm, 41 x 22.5cm overall 

$800–1,200 

40 

An unusual famille-rose wall vase 

Qing dynasty 

of cornucopia form, the ribbed sides 

painted with flowering sprays below 

floral scrolls around the shaped and 

flared mouth, a small landscape 

vignette at the narrow base 

20cm long 

$600–800

16 

41 

42

17 

41 

A famille rose vase 

20th century 

the ovoid body finely painted with an 

insect on a pumpkin beside a radish, 

chillies and mushroom, the reverse 

with a long inscription in black and with 

an oval and a rectangular gilt ground 

seal to either side, the base with an 

apocryphal four-character mark of 

Qianlong in blue enamel 

20.7cm high 

$800–1,000 

42 


20th century 

the pear-shaped body well painted with 

an insect eating the leaf of a cabbage 

among other vegetables and plants, an 

inscription in black on the reverse with 

an oval and a rectangular gilt ground 

seal to either side, the base with an 

apocryphal four-character mark of 

Qianlong in blue enamel 

17cm high 

$600–800 

43 

A famille verte rouleau vase 


the sides painted in bright enamels 

with a continuous scene of farm 

workers in a rural setting, below a diaper 

ground border on the shoulders and a 

lakeside scene around the neck with 

galleried mouth 

46.5cm high 

$1,000–1,500 

43

18 

44 

44 

A pair of famille rose ‘butterfly’ dishes 


each painted with a central butterfly 

medallion within a frieze of further 

butterflies interspersed with flowering 

sprays around the ogee-shaped sides, 

scalloped gilt-edged rim, the base 

inscribed in iron-red with an apocryphal 

seal mark of Daoguang, fitted box 


$800–1,200 

45 

A large famille rose hexagonal vase 


the sides painted with legendary figures 

in a continuous garden setting, below 

further figures supported on cloud 

scrolls around the waisted neck set with 

double lion handles 

58.5cm high 

$1,000–1,500 

45 

46 

A famille rose rectangular 

porcelain plaque 

20th century 

painted with a figural scene 

and long inscription 

40 x 20cm 

$600–800

19 

47 

47 

A pair of famille rose cups 


each of deeply flared form, the exterior 

delicately painted with a maiden seated 

holding a lingzhi fungus stem beside 

a recumbent deer, and with further 

fungus growing from rockwork to one 

side, the reverse with two bats in flight, 

the base inscribed with an apocryphal 

six-character mark of Tongzhi 


$800–1,000 

48 


20th century 

the ovoid body surmounted by a 

slender waisted neck and galleried 

mouth, painted with pairs of stylised 

chilong centred on a bat encircled with 

scrolling flower sprays, all between 

lappet and ruyi head borders, the 

interior and base glazed in turquoise, 

the base inscribed in iron-red with an 

apocryphal seal mark of Guangxu 

33cm high 

$500–800 

49 

A Korean olive green celadon 

bottle vase 

Choson dynasty, 17th/18th century 

the tapering body with slender neck 

and cup-shaped mouth; together with 

a later punch’ong vase, painted with 

brown foliate sprays over the white slip 

27.2cm and 18.2cm high 

PROVENANCE 

The estate of an Australian diplomat 

stationed in Korea in the 1960/70s 

$300–500 

50 

Two Korean bowls 

one 18th/19th century 

covered with a celadon glaze; 

the other a punch’ong bowl, 

15th/16th century, covered with a white 

slip over a green glaze on the exterior, 

both with spur marks to the interior 


PROVENANCE 

The estate of an Australian diplomat 

stationed in Korea in the 1960/70s 

$300–500 

51 

A Longquan celadon bowl 

Song dynasty or later 

of conical form, the flared sides 

springing from a small foot, covered 

overall with a widely crackled pale 

green glaze apart from the footring; 

together with a larger celadon-glazed 

bowl carved with upright petals on the 

exterior of the rounded sides 


$800–1,000 

52 

A celadon-glazed dish 


with shallow flared sides, carved on the 

interior with peony scrolls beneath the 

overall pale glaze of bluish green tone 

34cm diameter 

$300–500

20 

53 

Two blue and white Swatow dishes 

late Ming dynasty 

each of saucer shape painted with a 

central phoenix medallion within floral 

vignettes on a diaper ground border 

27.5cm and 27.7cm diameter 

PROVENANCE 

The Binh Thuan Shipwreck, 

Christie’s, Melbourne, 1 March 2004 

Private Collection, Melbourne 

$400–600 

54 

Two blue and white Swatow dishes 





27cm and 26.5cm diameter 

PROVENANCE 




$400–600 

55 

Six blue and white Swatow dishes 





26cm to 27.2cm diameter 

PROVENANCE 




$600–800 

56 

Four blue and white Swatow dishes 





26cm to 28cm diameter 

PROVENANCE 




$400–600 

57 

Ten blue and white small bowls 


each with deep rounded sides 

painted with floral scrolls 

10.5cm to 11.5cm diameter 

PROVENANCE 


Christie’s, Melbourne, 1 March 2004, 

lot 538 


$400–600 

58 

Six white glazed bowls 


each with deeply rounded sides 

19 to 21cm diameter 

PROVENANCE 


Christie’s, Melbourne, 1 March 2004, 

lot 209 (part lot) 


$400–600 

59 

Three blue and white Swatow dishes 




vignettes on a diaper ground border, 

26.5, 26.8 and 27cm diameter 

PROVENANCE 




$500–700 

60 






27.5cm, 27.3cm, 27.5cm and 

26cm diameter 

PROVENANCE 




$500–800 

61 






26.3cm, 25.7cm, 26.5cm 

and 26cm diameter 

PROVENANCE 




$700–900

21 

53 

54

22 

62 

62 

A blue and white Binh Thuan 

shipwreck basin 

circa 1600 

the deep bowl painted with quatrefoil 

panels of flowers and tasselled objects 

reserved on a diaper ground, and with 

further flowering plants around the 

broad everted rim, the reverse with 

small cartouches and scrolls 


Compare with a similar basin sold, 

The Binh Thuan Shipwreck, Christie’s, 

Melbourne, 1 March 2004, lot 13 

$1,500–2,000 

63 






26.5cm, 26.5cm, 25.5cm 

and 27.5cm diameter 

PROVENANCE 

The Binh Thuan Shipwreck, Christie’s, 

Melbourne, 1 March 2004 


$400–600

23 

64 

64 

A pair of blue and white dishes 

Qing dynasty, Kangxi period 

each freely painted in bright toned 

cobalt blue with a pair of birds on 

rocks, amongst flowering peonies and 

magnolia within vignette borders 


$500–800 

65 

A blue and white vase 

Qing dynasty 

of chatou form, the rounded sides 

painted with The Flowers of the Four 

Seasons below the widely flared mouth 


$300–500 

66 

A pair of blue and white dishes 

Qing dynasty, Kangxi period 

each brightly painted with a central 

medallion of a pair of pheasants on 

rocks among flowering peony and 

magnolia 


$500–800 

67 

A set of four blue and white deep dishes 


each painted with flowering sprays 

within formal borders 


$500–800 

68 

A pair of blue and white bowls 


each with a central scene of a lakeside 

pavilion within fruiting and flowering 

sprays 


$400–600

24 

69 

A set of five jade zodiac plaques 

20th century 

each circular disc carved in high relief 

on one side with a different animal 

of the zodiac below ruyi-shaped 

cloud scrolls to the top edge for 

suspension, the reverse with a central 

four-character medallion in low relief, 

the stones of creamish tones, red cord 

attachments, boxes 

5.3cm long 

$600–800 

70 

A celadon jade bird-form waterpot 

the figure standing facing forward, 

the wings and tail plumes with 

archaistic detailing, the hollowed body 

with a circular aperture in its back, the 

pale stone with some opaque mottling 

and faint russet striations 

10cm long 

$1,500–1,800 

71 

A jadeite medallion necklace 

and two pendants 

the necklace with circular medallion 

carved in high relief on one side with 

Guanyin seated holding a ruyi sceptre 

above a writhing dragon, pendent from 

a series of jadeite rings and scrolls 

attached with coloured cords; the two 

small pendants carved from white and 

bright green stones 

the medallion 5.5cm diameter, 

the pendants 4.5cm and 3.7cm long 

$400–600 

70

25 

72 

72 

A green jade figure of a bixie 


the animal recumbent with head turned 

to the side, the eyes staring from below 

thick brows, and the long tufted tail 

coiled up over its hind quarters, carved 

from a green stone with some brown 

inclusions and creamish mottling 

20cm long 

$4,000–5,000 

73 

A white jade carving of a mythical beast 

20th century 

the recumbent animal with head 

slightly turned to one side resting on 

its forepaws and looking up with alert 

expression, the features well defined, 

a small red seal on its haunches to one 

side reading ‘Wen Tong’, cord attached 

8.5cm long 

$3,000–4,000 

73

26 

74 

74 

A carved soapstone figure of a Luohan 


carved from a caramel coloured 

stone, the jovial figure seated holding 

a Buddhist lion in his hands, wearing 

a long flowing robe with incised 

decoration, his face with mouth open 

in laughing expression, a two character 

inscription reading Yuxuan to one side, 

wood stand 

9.4cm high 

$600–800 

75 

An archaistic jade ‘dragon’ pendant 

carved from a pale stone 

with areas of grey suffusions, fitted 

wood box with inscription reading 

Zhan Guo He Ban Yu Long Shou Pei; 

together with a pair of pierced pale 

celadon jade phoenix plaques, each 

bird with outstretched wings and long 

tail plumes 

the dragon 9cm long 

the plaques 6.7cm long 

$600–800 

76 

A boxed set of five archaistic 

jade carvings 

comprising a stylised dragon, a cicada, 

a crouching rhinoceros, a bi-disc and a 

plaque carved and pierced with a bird 

among flowering plants, each labelled in 

a fitted black lacquer box painted with a 

court scene on the cover, 

the base with a five-character 

inscription reading Yongzheng Ba 

Nian Zhi 

the dragon 12.5cm long 

the box 28 x 16cm 

$1,200–1,800

27 

75 

76

28 

77 

A jadeite carving of a qilin 

20th century 

of flattened irregular form, one side 

depicting the animal encircled with bats 

and clouds, the reverse with lingzhi and 

cash, carved from a pale stone with 

bright green suffusions and areas of 

rich caramel tones 

9cm long 

$600–800 

77 

78 

A white jade rectangular plaque 

one side carved in high relief with 

Guanyin seated in lalitasana with 

hands held together, holding a ruyi 

sceptre, a lotus pod and flower rising 

to either side, the reverse with a central 

panel of eight low relief characters, 

cord attachment 

7.2cm long 

$800–1,200 

78

29 

79 

79 

A collection of eighteen jade 

and stone carvings 

20th century 

comprising a variety of figures, 

animals and birds, box 

4.5cm to 9cm 

$2,000–3,000 

80 

A carved soapstone figure of a Luohan 

20th century 

the figure recumbent, wearing loosely 

draped robes, his right arm extended 

to the Buddhist lion crouched in front, 

the pale stone with areas of russet 

suffusions 

11.5cm long 

$400–600

30 

81 

A pair of coromandel lacquer double cabinets 

20th century 

each of rectangular form set with two pairs of double doors, 

opening to reveal a single shelf on the interior, the exterior 

decorated with scenes of maidens at leisure in pavilion 

gardens, one maiden dancing to music played by others 

whilst their companions sit and listen, the sides with a bird on 

a flowering peony branch and the top with cranes beside the 

Three Friends, pine, prunus and bamboo, metal lock plates, 

locks, hinges and pulls 

each cabinet 87cm high, 153cm wide, 46cm deep 

$3,000–5,000 

81

31 

82 

A pair of Chinese mother of pearl inlaid 

demilune lacquer side tables 

83cm high, 92cm wide, 48cm deep 

$1,500–2,500 

83 

A large Chinese opium bed 

19th century 


$1,000–1,500 

84 

A pair of mother of pearl inlaid 

hardwood side chairs 

20th century 

each with vase-shaped back splat 

inlaid with a hanging basket of flowers 

below animals, plants and bamboo, 

the recessed seat framed with further 

inlaid decoration 

each 96cm high, 43cm wide, 

47cm deep 

$400–600 

85 

A large Japanese pine tansu 

168.5cm high, 186cm wide, 53cm deep 

$1,200–1,500 

86 

A pair of marble inset hardwood 

side chairs 

20th century 

each with a square back with slightly 

arched double moulded border joined 

to the shaped rectangular seat by 

entwined coiled struts to either side, 

and inset with an inscribed circular 

marble plaque 

each 94cm high, 54.5cm wide, 

43cm deep 

$600–800

32 

87 

An unusual four-panel stone applied lacquer screen 

20th century 

decorated in high relief with the Eight Horses of Mu Wang in a 

continuous landscape of rocks and trees, the horses depicted 

in various lively postures, all above panels of different 

flowering plants, the decoration predominantly in red, white 

and tones of grey and green on the black lacquer ground, 

within a mother of pearl inlaid and gilt painted border 

each panel 183cm high, 40.5cm wide 

$2,500–3,500 

87

33 

88 

A huanghuali square waistless table 

Fangzhuo, 20th century 

the flush panelled top within a broad mitred frame with a 

double cushion-moulded rounded edge, above an apron of 

vertical braces dividing each side into three panels, each 

centred with a beaded oval opening, supported on corner 

legs of circular section 


For a discussion of square tables see Wang Shixiang, 

Connoisseurship of Chinese Furniture Vol.1, pp 57-58; and 

a drawing of a similar table illustrated by Wang Shixiang, 

Connoisseurship of Chinese Furniture, Vol II, p.81, B46. 

See also a table of this design illustrated by Gustav Ecke, 

Chinese Domestic Furniture, p. 63, pl. 47 

$9,000–12,000 

89 

A set of four embellished black lacquer panels 

Qing dynasty, late 19th century 

each rectangular panel inlaid in polychrome ivory and various 

hardstones including jade, lapis-lazuli, malachite, carnelian 

and rose and amethystine quartz, with vases of flowers and 

jardinières of flowering plants, amongst precious objects and 

scholar’s attributes, wood frames 

each panel 154 x 74.5cm overall 

$7,000–9,000 

ILLUSTRATED ON FOLLOWING SPREAD 

88

34

35 

89

36 

90 

A hardwood corner leg side table 

Tiaozhuo 

20th century 

the rectangular floating panel top 

set in the standard mitred frame 

above a short recessed waist and 

beaded apron extending to the corner 

square-sectioned legs, joined below 

the apron by a freize of openwork 

angular scrolls 

93.5cm high, 174.5cm wide, 

48cm deep 

$1,500–2,500 

91 

A painted red lacquer cabinet 

20th century 

of rectangular form, the top with 

upswept ends above a pair of drawers 

over a pair of doors, the exterior 

decorated with shaped panels of birds 

and flowering plants reserved on the 

overall diaper ground, the sides painted 

with flowering peony and hibiscus, 

metal lock plates, hinges and pulls 


$300–400 

92 

A painted black lacquer cabinet 

20th century 

of upright rectangular form, the pair of 

doors opening to reveal a single shelf 

above a pair of drawers, the exterior 

painted with shaped panels of precious 

objects, vases and jardinières of 

flowering plants on gilt diaper grounds 

within floral and diaper borders, the 

sides with further flowering plants and 

the top with precious objects, metal 

lock plates, locks, hinges and pulls 

130cm high, 88.5cm wide, 51cm deep 

$300–500 

90

37 

93 

A recessed leg side table 

20th century 

the flush panel rectangular top 

within a mitred frame, extending into 

down-swept ends with carved ruyi 

terminals and inset panels of scrolling 

foliage, the galleried apron with a central 

disc joined to ruyi scrolls at either end, 

supported on shaped legs joined by side 

stretchers enclosing open panels 

86.5cm high, 117.5cm wide, 42cm deep 

Compare with a similar huanghuali 

table sold Bonham’s, Edinburgh, 

12 July 2017, lot 348 

$1,000–1,500 

94 

An Imari bowl 


decorated with iron-red panels of 

dragons and phoenix on an underglaze 

blue ground, apocryphal six-character 

mark of Chenghua; together with a 

Chinese blue and white vase, apocryphal 

four-character mark of Kangxi 

18.7cm diameter, 14cm high 

$150–250 

95 

A pair of Imari vases 

late 19th century 

each of ovoid form decorated with 

panels of garden scenes and jardinières 

of flowers interspersed with bird 

medallions, all between formal borders 

around the short waisted neck and base 

24.5cm high 

$500–800 

96 

A garniture of five Japanese Imari vases 

19th century 

comprising three ovoid vases and 

covers and two beaker vases, each 

decorated with alternating panels of 

garden pavilions and flowering plants 

between formal borders 

the covered vases 39cm high, 

the vases 27cm high 

$800–1,200 

97 

A pair of Japanese bronze elephants 

Meiji period, 19th century 

one with rearing trunk, 

both with bone tusks 

impressed seal marks 

20cm long 

$500–800 

93

38 

98 

98 

A large Wemyss bull dog, Scotland, 

circa 1900 

decorated throughout with leafy fruiting 

blackberry, green painted and stamped 

mark Wemyss to the base 

28cm high, 40cm nose to tail 

$600–800 

99 

A Wemyss roses jug and basin wash 

set, Scotland, circa 1900 

both pieces profusely decorated with 

leafy roses, painted mark Wemyss and 

stamped ‘T Goode & Co., South Audley 

St., London W’ 

the jug 25cm high, the bowl 

39cm diameter 

$300–500 

100 

An Wemyss tea pot with hand painted 

grey and white sparrows, circa 1930s 

together with Two Wemyss ware 

tankards, Scotland, 19th century 

one adorned with apples and the other 

with ducks 

the tankards 17.5cm high 

$300–500 

101 

A Wemyss ware vase painted with 

cherries, Scotland, circa 1900 

together with a small cylindrical 

Wemyss ware plum vase, Scotland 

circa 1900 

and a slightly larger vase of the same 

form adorned with peaches, 

the tallest vase 12cm high 

$200–300 

102 

An early large Wemyss cockerel vase, 

Scotland, circa 1900 

molded in relief with large cockerel 

and a fly 

with applied rosette bosses 

mark to base: painted burgundy 

underglaze Wemyss 

39.5cm x 32.5cm 

$600–800 

103 

Three Wemyss ware pink rose 

decorated plates, Scotland, circa 1920 

together with a collection of Wemyss 

ware, Scotland, circa 1900 

comprising of pink rose decorated 

inkstand with complete ink pots, 

two partial inkwells and a porcelain 

candlestick 

the largest 22cm diameter, 

the candlestick 18cm high 

$200–300

39 

104 

A large Wemyss purple thistle pig, 


decorated throughout with leafy thistle, 

green painted mark Wemyss Exon 

2115, B. Adams and impressed mark 

Wemyss, Exon to the base 


$1,000–1,500 

105 

A Wemyss tabby cat modelled in a 

seated upright position with smiling 

face applied green glass eyes, 

impressed mark ‘Wemyss Ware 

R.H. & S.’, puce printed retailers mark 

33cm high 

PROVENANCE: 

Private Collection Melbourne 

Lyon & Turnbull, Glasgow, Decorative 

Arts, 20th April 2006, Lot 64 

$5,000–8,000 

106 

Two small Wemyss pigs, Scotland, 

circa 1900 

one burgundy and one green 

mark to base: impressed Wemyss 

ware R.H & S and Wemyss 

9cm high (each) 

$500–800 

107 

A Wemyss ware jug and tankard, 


the jug decorated with hand painted 

purple flowers, mark to base: incised 

Wemyss and tankard decorated 

with cherries 

the jug 19cm high 

$200–300 

108 

A Wemyss porcelain candlestick, 

Scottish, circa 1900 

decorated with the three wise monkeys 

and their maxim 

inscribed ‘I see no evil, I hear no evil, 

I speak no evil’, T. Goode & Co and 

Wemyss factory mark to base 

30cm high 

$200–400 

109 

A large Wemyss pig, early 20th century 

decorated with pink clover 

stamped to the underside ‘WEMYSS 

Made in England’ 

27cm high 

$1,000–1,500 

104

40 

114 

A Plichta porcelain polar bear 

hand painted with blue dots, 

black factory stamp to the base 

16cm high 

$100–200 

115 

A rare Plichta porcelain cat 

with green glass eyes painted with 

blue cornflowers a white ground with 

traditional green glass eyes, green 

underglaze mark to the base 

‘PLICHTA LONDON ENGLAND, 

inscribed ‘Nekola Pinxt’ 

26cm high 

110 

NOTE 

The Bovey Tracey Period relates to 

pieces made at the Bovey Pottery- 

Tracey factory, the cat in this lot is 

marked ‘Nekola pinxt’ for Joseph 

Nekola the son of the famous Wemyss 

ware painter Karel Nekola. 

$200–300 

110 

A rare Plichta Hippopotamus, 

circa 1930 

stamped Plichta, London England 

to underside 


$600–800 

113 

A Plichta porcelain cockerel, 

first half 20th century 

painted with the pink clover pattern, 

stamped Plichta London, England 

23.5cm high 

$100–200 

111 

A Plichta green shamrock pig, 

circa 1930 

painted throughout with a three leaf 

shamrock motif, stamped Plichta, 

London England 


$300–500 

112 

Three Plichta pink clover decorated 

figures 

one a recumbent deer, a koala bear 

and a rabbit mark to base: stamp 

Plichta London England together with 

a Plichta pelican form figurine, London 

circa 1950s 

handpainted with clovers and a matte 

black with white daisy rabbit 

the largest 23cm high 

$250–350 

111

41 

116 

Two Georgian bell bowl, hollow stem 

spirit glasses, circa 1780 

10cm and 11.5cm high 

$120–200 

117 

A Bohemian glass decanter, 

19th century 

etched with initials S.R.S, intricately 

decorated with deer and hounds 

among scrolling borders 

27cm high 

$120–200 

118 

Two George III mallet shaped cut glass 

decanters, circa 1800 


$120–200 

119 

A Victorian sterling silver mounted milk 

glass butter dish by Martin Hall & Co. 

Sheffield, 1859 

in the form of a pail with an engraved 

stand and cover surmounted by a 

falcon finial 

13cm high 

$300–500 

120 

A collection of glass vessels, 

mostly 19th century 

including two cranberry bowled 

wine glasses, an oil decanter, green 

pulegoso bowl and an etched wine 

tumbler 

the oil decanter 18cm high 

$100–200 

121 

Two plain rummers, 19th century 

English, one glass in ovoid form 

the tallest 13.5cm 

$150–250 

122 

A George III glass rummer, circa 1800 

plain with large bowl 

15 x 10cm 

$300–500 

123 

A George III Monteith or bonnet glass, 

circa 1760 

with cut swags and vertical flutes to 

bowl, square moulded base 

possibly Irish Rex Ebbott sticker to base 

12.5cm high 

$100–200 

124 

A large George III wine glass, circa 1820 

with facet cut bowl and etched with vine 

and leaves 

20cm high 

$200–400 

125 

A George III cut crystal decanter 

of faceted mallet form 

28cm high 

$100–200 

126 

Three cut crystal decanters, 

19th century and later 

the tallest 30.5cm high 

$150–250 

116 

117

42 

127 

A French Empire ormolu-mounted mantel 

clock, late 18th / early 19th century 

signed Th. Gay, Hger du Roi, a Turin, the 

eight day silk suspension movement 

striking on a bell, the three inch enamel 

dial with Arabic hours and quarters set 

into a variegated grey marble casket 

on lions paw feet and a stepped base 

surmounted by the figure of a sleeping 

child in front of a pillar supporting an oval 

tablet with letters cut out in copper: ‘Qui 

que tu soit reconnois un raitre. Il est Le Fu 

Ou Il doit l’etre’, 

40cm high 

PROVENANCE 

W.F.Bradshaw, 1985 

The Owston Collection, Bonhams, 

Sydney, 25-26 June 2010, Lot 1173 

$3,200–4,800 

128 

A pair Royal Worcester cabinet plates, 

signed H. H. Price 

each painted with a central cartouche 

of roses and spring flowers, within gilt 

embellished cobalt borders, black factory 

marks to the base 

27cm diameter 

$800–1,200 

127 

128

43 

129 

A flame mahogany bombe bureau, 

French, 19th century 


$800–1,200 

130 

An Amphora figure of a girl 

the standing figure with applied rose 

decorations and basket, pink triangle 

lozenge to base 

41cm high 

PROVENANCE 

The Burdon Craddock Collection 

$600–800 

131 

An Amphora oval figural float vase 

decorated with a girl and her dog, with 

lily form handles 

with stamped mark to the base 

20.5cm high 

PROVENANCE 


$400–600 

132 

A French provincial style fruitwood 

cabinet 


$200–300 

133 

A large Limoges porcelain fish platter 

of oval form decorated with floral 

sprays and basket weave molding 

to the border, red factory stamp to 

the base 

61cm long 

PROVENANCE 


$200–300 

134 

A Queen Ann style fall front bureau 


$400–600 

129

44 

135 

A pietra dura marble top 

specimen table 

of circular form finely decorated 

with foliate coloured marble inlay 

95cm high, 110cm diameter 

$600–800 

136 

DIANA M ARMFIELD 

(BORN 1920) 

Stormy Sky Near Vicenza 

watercolour 

initialled lower left: DMA and titled 

verso: STORMY SKY NEAR VICENZA 

12.5 x 17cm 

$1,000–1,500 

137 

FRANK MALERBA (BORN 1950) 

Thought 2009 

charcoal and wash 

signed and dated lower centre: 

F Malerba 09 

95 x 70.5 

$400–600 

138 

A French Provincial style fruitwood 

sideboard 


PROVENANCE 


$400–600 

139 

A set of ten tapestry upholstered 

dining chairs, 20th century 

comprising eight dining chairs 

and two carvers 

length of back 102cm 

PROVENANCE 


$1,000–1,500 

135 

140 

A George III style leather top drum table 


PROVENANCE 


$140–260

45 

141 

141 

AFTER TAMARA DE LEMPICKA 

Women in Blue 

oil on canvas 

59.5 x 49.5cm 

$400–600 

142 


Four Women 

oil on canvas 

59.5 x 49.5cm 

$400–600 

143 


Two Models 

oil on canvas 

90 x 60cm 

$500–800 

144 


The Black Coat 

oil on canvas 

90 x 60cm 

$500–800 

145 


The Model 

oil on canvas 

90 x 60cm 

$500–800 

146 


Two Models 

oil on canvas 

59.5 x 49.5cm 

$400–600

46 

147 

147 

An Elizabeth II sterling silver cutlery 

suite, by W. Drummond & Co. London 

circa 1974 

a setting for twelve in the Georgian 

style 

total weight of silver, not including the 

knives 3385gms 

$4,000–6,000 

148 

Two George V sterling silver sugar 

casters, Birmingham 1915 

each of typical form with a pierced 

removable cover 

total weight of silver 380gms 


$300–500 

149 

Three English sterling silver casters, 

1899 and later 

each of typical form with a pierced 

removable cover 

total weight of silver 375gms, 


$300–500 

150 

A Continental silver tea tray, late 

19th century 

of oval form chased and decorated 

throughout with classical motifs, 

impressed 800 to the base 

total weight of silver 1425grms 

57cm across the handles 

$300–500

47 

151 

151 

A set of three George V sterling 

silver taper sticks, Garrard & Co. Ltd, 

London 1934 

with the silver jubilee mark, in the 

18th century style, each with a shell 

decorated foot and knopped stem 

total weight of silver 505gms, 

13cm high 

$500–800 

152 

A pair of George III sterling silver candle 

sticks, London, 1771 

each modelled as a classical tapering 

Corinthian column, with weighted 

bases, maker’s marks rubbed 

32cm high 

$800–1,200 

152

48 

153 

153 

A carved gilt wood salon mirror, French, 

circa 1820 

with an ornate scrolling acanthus 

decorated surround 

142 x 110cm 

$3,000–5,000 

154 

A collection of thirty Royal Doulton 

Shakespeare series ware plates 

23cm diameter 

$600–1,000 

155 

A Delft panel decorated with a river 

scene, 19th century 

39cm long, 32cm wide 

$100–200 

156 

A collection of English and continental 

pewter, 18th century and later 

the largest jug 19cm high 

$200–300 

157 

A bronze medallion commemorating 

the Exposition Universelle, Paris 1878 

Artist: Eugene-Andre OUDINE 

(1810-1887), medalist: 

Alphee Dubois (1831-1905) 

The 1878 Exposition Universelle was 

the 3rd Exposition Universelle held in 

Paris and showcased the industrial 

revolution. The Reverse of the medal 

depicts the Palais Du Trocadero in Paris 

where the exposition was held 

5cm diameter 

$300–400

49 

158 

A gothic oak sideboard, 

in the style of Pugin 


$3,000–5,000 

159 

An Art Deco black leather club lounge 

comprising a couch and two club chairs 

the couch 190cm wide 

$2,000–3,000 

160 

A George III glass washer 


$100–200 

161 

A pair of French gilt bronze mounted 

marble table lamps 

of baluster form with classical swan 

neck loop handle mounts 

76cm high 

$1,000–1,500 

162 

A William IV mahogany pedestal 

sideboard 

with bow front drawers and gadroon 

decoration to each pedestal 


$400–600 

163 

An Edwardian English oak sideboard 


$200–300 

158

50 

164 

A pair of Royal Dux figures of the 

water carriers 

each modelled in rustic dress with a 

ewer, pink triangle lozenge to the base 

43cm high 

PROVENANCE 


$500–700 

165 

A carved south German hardwood 

pedestal, late 19th century 


$500–800 

166 

A large Rococo style carved 

giltwood frame 

exterior 188 x 134cm, 

interior 150 x 100cm 

$800–1,200 

164 

167 

A Royal Dux figural centrepiece 

modelled as a nymph on a shell chariot 

with pair of seahorses 

mounted to shell form base 


PROVENANCE 


$600–800 

168 

A French porcelain figure group of the 

flower sellers, 19th century 

raised on a circular gilded base, 

underglaze blue mark 

remnant gold BADA seal 

24cm high 

$300–400 

167

51 

169 

A Royal Dux figure of a nymph 

modelled with shell form float bowls 

to each side, pink triangle lozenge 

to the base 

33cm high 

PROVENANCE 


$700–900 

170 

A Royal Doulton Repton pattern 

dinner set 

a setting for six with serving platters 

and tureens 

the largest platter 39cm long 

PROVENANCE 


$200–300 

171 

An Austrian cold painted bronze figure 

of an Arab and camel 

12.5cm high 

$400–600 

169 

172 

A Royal Dux figural centrepiece 

modelled as two nymphs supporting 

lily pad float bowls, pink triangle lozenge 

to the base 

36cm high 

PROVENANCE 


$1,000–1,200 

172

52 

173 

A Victorian burr walnut sewing table 

with a green brocade work 

compartment 


PROVENANCE 


$300–500 

174 

A Royal Worcester landscape plate by 

Harry Davis, circa 1937 

finely painted with a scene Almwick 

Castleprinted factory marks and 

inscribed Almwick Castle to the base 

27cm diameter 

$200–300 

175 

A Royal Worcester gilded cabinet plate 

circa 1924 

painted with a village scene of Welford 

on Avon 

signed R. Rushton 

factory stamp and titled ‘Welford on 

Avon’ to base 


$150–250 

176 

A pair of Worcester handpainted and 

gilded cabinet plates, circa 1895 

each decorated with a English blue 

bird amidst sprays of foliage within gilt 

borders on a burgundy ground 

23cm diameter 

$300–500 

177 

A pair of of hand painted and gilded 

cabinet plates, English, 20th century 

painted with apples and peaches, 

signed G. Delaney, factory stamped 

to base 

27cm diameter 

$100–200 

178 

A Louis XV style beech pedestal desk 


$400–600 

179 

A Chinese red and black lacquer 

cabinet, 20th century 

with an arrangement of pierced and 

carved doors and drawers 


$300–500 

180 

A Louis V style gilt bronze mounted 

marquetry inlaid marble top commode 


$1,000–1,500 

181 

A First Period Worcester porcelain slop 

bowl, circa 1770 

decorated with the Fence pattern 

inscribed to base: hatched crescent 

mark in underglaze blue 

10cm diameter 

$100–200 

182 

A broad rimmed and incised reeded 

pewter charger, circa 1690 

partial touch mark to base and four 

ownership marks ‘IH’ within a heart 

stamped to rim 

42cm diameter 

$200–300 

173

53 

183 

A stoneware double sided face jug by 

Robert Wallace Martin for Martin Bros., 

circa 1910 

incised to the base: ‘R.W. Martin bros., 

London & Southall 26.X.98’ 

23cm high 

$3,000–5,000 

184 

An Indonesian bronze cannon (Lantaka), 


the barrel cast and chased in low relief 

with foliage, the fore-sight in the form 

of sea-horse, and original peg-mount, 

raised on a later wooden carriage 

the barrell 98cm long, mounted on the 

carriage 156cm long 

$2,000–4,000 

183 

185 

Two Georgian cut crystal dishes, 

19th century 

a covered bon bon dish and a 

sweetmeat dish 

17 x 17cm covered dish 

$300–500 

186 

A stencil work table, English, 

19th century 

on bobbin turned tripod stand 


$200–300 

187 

Two needlepoint tapestries, 

19th century 

57.5 x 49.5cm each 

$200–400 

183

54 

188 

An English/Irish pine corner cupboard, 

circa 1850 


$500–800 

189 

A pair of soapstone pin trays 


$160–240 

190 

A Louis XV style gilt bronze mounted 

leather top kingwood bureau plat 


$600–800 

191 

A set of four French brass wall sconces 

57cm high, 38cm wide 

$320–480 

192 

A set of four French brass wall sconces 


$320–480 

193 

A collection of antique locks and keys 

the largest key 21cm long 

$100–200 

194 

AFTER SAMUEL SHELLEY 

(1754 -1808) 

Love Healed 

print 

depicting Cupid and Psyche flying 

above a classical landscape 

printed lower left S. Shelley, titled 

middle Love Healed, printer named 

Robert Cooper lower right 

date of publication and printer, ‘London 

March 14th 1798 published by Inc. 

Young No 58 Upper Charlotte Street, 

Fitzroy Square’ 

24 x 19cm 

$100–200 

188

55 

195 

A pair of French bronze bird figures 

decorated with trees and flowers on 

finely moulded base 

PROVENANCE 


$800–1,200 

196 

A fruitwood buffet/cupboard, English, 

circa 1790 


$600–800 

197 

An Art Deco maple dining suite 

comprising a sideboard, dining 

table and a set of six black leather 

upholstered dining chairs 

the table 78cm high, 182cm wide, 

93cm deep 

$2,500–3,500 

195 

196

56 

198 

A large silvered metal low table in the 

Oriental style 


$800–1,200 

199 

A Chinese export gilded porcelain 

teapot 

painted and gilt throughout with 

butterflies and a woven ribbon form 

handle 

14cm high 

$400–600 

200 

A Chinese blue glass bottle vase 

the silver foil speckled vase with a 

globular base rising to a square form 

neck, seal mark to the base25.5cm high 

$500–800 

201 

A Chinese hexagonal glass vase 

the mottled turquoise opaque glass 

form 

with a seal mark to the base 

36cm high 

$600–800 

202 

A Chinese hexagonal yellow glass vase 

the yellow glass form with a stepped 

square form foot rising to a flared rim 

25cm high 

$500–800 

203 

A pair of Chinese faceted yellow glass 

vases 

each bottle form vase with a long 

tapering neck 

24cm high 

$500–800 

204 

A Japanese cloisonné vase, 


decorated with a large leafy 

chrysanthemum on a cream ground 

27.5cm high 

$400–600 

205 

A Japanese enamel panel of two 

cranes 

with a red character mark lower left 

17 x 11cm 

$200–300 

206 

A Japanese Imari porcelain vase 

26cm high 

$300–500 

207 

A Japanese Imari porcelain vase 

25cm high 

$300–500 

208 

A set of four 17th century-style 

Japanese woodblock prints, 

19th century 

individually framed 

176 x 51cm 

$1,000–1,500 

209 

A Korean elm cabinet 


$300–500 

210 

A Korean elm chest with iron lock plates 


$300–500 

198

57 

211 

211 

A Moroccan bone inlaid mirror 

108 x 70cm 

$400–600 

212 

A large Moroccan engraved brass tray, 

20th century 

81cm diameter 

$120–150 

213 

A Chinese Imari porcelain vase, 

20th century 

47cm high 

$400–600 

214 

A Chinese rosewood low table 


$100–200

58 

215 

A pair of gold speckled Murano glass 

wall lights, Italian, 20th century 

in the form of tall plumes 


$2,000–3,000 

216 

A louis XV fruitwood side cabinet, 

18th century 

with elegant scroll panelled doors 

and a shaped apron 


$800–1,200 

217 

A French provincial style fruitwood 

dining table 


$800–1,200 

215 

216

59 

218 

218 

Two framed Chinese paintings 

of fan leaves 

150 x 80cm 

$1,500–2,500 

219 

A French Louis XV style tortoiseshell 

clock garniture 

eight day bell strike movement 

signed to face: Bozzo Augers 

the clock 40cm high 

$1,000–1,200 

220 

An art glass vase by Robert Wynns, 

2004 

of compressed ovoid form with a 

lustred blue ground and red enamel 

trailing decoration 

20cm high 

$200–400 

221 

A limited edition ‘Little Clarice’ porcelain 

figure by Kevin Francis 

numbered 583/2500 and Kevin Francis 

ceramics factory mark to the base 

16.5cm high 

$80–120

60 

222 



decorated with a band of floriate motifs 

on a green ground, two character 

signature mark to the base 

30cm high 

$500–800 

223 

Two Japanese cloisonné vases, 


each decorated with a band of floriate 

motifs on a green ground 

24.5cm high 

$500–800 

224 

A pair of Japanese cloisonné vases, 


each decorated with a spray of orchids 

on a on a pale green ground 

19cm high 

$200–300 

222 

225 



decorated with a spray of orchids on a 

on a pale blue ground 

25cm high 

$400–600 

226 



decorated with leafy yellow flowers on a 

on a pale grey/blue ground 

22cm high 

$200–300 

227 

A Japanese cloisonné box, 


decorated with delicate cherry blossom 

on a green ground 


$150–250 

225

61 

228 

CHINESE SCHOOL, 

18TH CENTURY 

ink on silk 

164 x 74cm 

PROVENANCE 

Kazari, Melbourne 

$2,000–3,000 

229 

A painted and lacquered Tibetan chest, 

20th century 


$400–640 

230 

A pair of Chinese export glazed pottery 

figures of storks, 19th century 

each in tones of green, yellow, white 

and brown 

28cm high 

$1,500–2,500 

231 

A Japanese bronze vase, Meiji Period 

with a slender fluted neck and applied 

grasshopper, engraved signature to 

the base 

25cm high 

$200–300 

232 

A Chinese red and white porcelain vase, 

20th century 

decorated throughout with panels of 

flowers within scrolling borders 

37cm high 

$300–500 

233 

A large Chinese export style blue and 

white bowl 

decorated with a continuous scene 

of a port with ships at anchor 


$500–800 

228

62 

234 

A George II style dower chest on stand, 

Dutch East Indies, circa 1850 


$600–800 

235 

AUSTRALIAN SCHOOL 

Coastal View 1986 

oil on canvas 

signed with initials and dated lower 

right: L R 86 

70.5 x 81cm 

$500–800 

236 

A William IV flame mahogany sideboard 


$600–1,000 

237 

A large fruitwood wall mirror, 

20th century 

117 x 97cm 

PROVENANCE 


$120–180 

238 

A large French plaster wall panel 

relief decorated with a Bacchanalian 

scene 

48 x 166cm 

$320–480 

239 

A set of four balloon back mahogany 

dining chairs, English, 19th century 

$200–300 

240 

An Irish linen upholstered love seat, 

19th century 

length of back 126cm 

$400–600 

241 

A mahogany breakfast table, English, 

19th century 


$320–480 

242 

A Chinoiserie brass mounted lacquer 

two tier side table 

decorated throughout with flowering 

chrysanthemum and horse head 

supports to the corners 


$400–600 

234

63 

243 

A brass inlaid mahogany mantel clock, 

circa 1880 

made for the Indian market with a 

French time only movement 

52cm high 

$600–800 

244 

A pair of French Empire gilt bronze urns 

on marble stand 

22cm high 

$1,500–2,500 

245 

A pair of simulated bamboo caned 

armchairs 

each with linen cushions 

$400–600 

246 

An art deco marble and bronze figured 

card tray, by Max Valentin (1875–1931) 

of circular form with an applied bronze 

sculpture of two female nymphs, 

signed M Valentin to the base 

29cm high 

$200–300 

247 

A late Victorian rosewood nursing 

chair with pale pink velvet 

upholstery 

243 

PROVENANCE 

The Burdon Craddock 

Collection 

$120–180 

248 

A pair of tan linen upholstered sofas, 

20th century 

PROVENANCE 


$500–800 

249 

A large Syrinx conch, Philippines origin 

57cm long 

$300–400 

244

64 

250 

An ornate vintage hall lamp 

70cm long 

$1,200–1,500 

251 

A velvet upholstered ottoman of 

rectangular form with a buttoned top 

and chestnut fringe 


$200–300 

252 

A museum quality collection of world 

wide seashells 

the largest 14cm long 

$200–300 

253 

A large French provincial style 

fruitwood extension dining table 


$1,000–1,500 

254 



with later painting depicting a 

bacchanalian feast 



$800–1,200 

250 

255 

An Edwardian marquetry inlaid walnut 

bijouterie table 

of rectangular form with bevelled glass 

panels and a crimson velvet interior 


$500–800 

256 

A large Rococo style carved giltwood 

frame 

with a later painting after the work by 

Frederic Remington ‘Charge of the 

Rough Riders at San Juan Hill’ 

exterior 115 x 180cm, interior 88 x 

150cm 

$800–1,200 

255

65 

257 

A large English overmantel mirror, 

circa 1820 

with floral swags and shell cresting 

168 x 103cm 

$1,500–2,500 

258 

A French gilt metal mounted marble urn 


$300–400 

259 



with later painting depicting 

a battle scene 



$800–1,200 

260 





$800–1,200 

261 

A collection of novels and reference 

books 

$100–200 

262 

The Art Union, Volume VIII, circa 1840 

one volume of the monthly journal of 

Fine Arts, published from 1839 - 1848, 

published by Hodgson & Graves, edited 

by Samuel Carter Hall, edited by William 

Henry Fox Talbot 

NOTE 

The Art-Union, fore-runner of the 

Art Journal, was the most important 

British 19th century art magazine. 

It was founded in 1839 by the print 

publishers Hodgson & Graves. The 

first issue was published on February 

15th 1839 in an edition of 750 copies. 

Samuel Carter Hall was the first editor 

and soon acquired an important stake 

in the magazine. In 1848 the magazine 

was bought by George Virtue and in 

1849 the name was changed to The 

Art Journal. 

$100 - 200 

263 

A hand coloured engraved map of 

Persia by Gall & Inglis of Edinburgh, 

circa 1835 

titled upper right ‘Map of Persia’ 

inscribed lower middle ‘published 

by Gall & Inglis, 38 North Bridge 

EDINGBURGH’ 

49 x 59cm 

$500–800 

264 

A hand coloured engraved map of 

Worcestershire and Gloucestershire by 

Edward Weller, London 

titled lower right ‘Worcestershire and 

Gloucestershire’ inscribed lower right 

‘by Edwd. Weller F.R.G.S’ 

65 x 48cm 

$500–800 

257

66 

265 

265 

A taxidermied shoulder mounted 

Taurotragus Oryx (Livingstone Eland) 

130cm high 

$800–1,000 

266 

A Collection of International Decorative 

Arts Auction catalogues 

including Christie’s & Sotheby’s 

$100–200 

267 

A bronzed metal bust of a man with a 

parrot perched on his shoulder 

signed illegibly to verso E.E. raised on a 

shaped square form black marble plinth 

34.5cm high 

$300–500 

268 

A large Chinoiserie decorated glass 

top desk 


$800–1,200 

269 

A George III mahogany corner 

cupboard, English, circa 1780 


$300–500 

270 

A three branch brass hanging lamp with 

frosted glass shades, possibly English 

circa 1880 

107cm long 

$1,000–1,500

67 

271 

A taxidermied shoulder mounted Oryx 

Gazella (South African gemsbok) 

160cm high 

$800–1,000 

272 

A handpainted Miller hanging oil lamp, 

American, circa 1880 

51cm long 

$100–200 

273 

ARTIST UNKNOWN 

A View from Victoria, Hong Kong 

circa 1850 

colour reproduction photo lithograph 

inscribed with printed text on margin: A 

View from Victoria, Hong Kong, about 

1850 by an unknown artist, From the 

City Hall Gallery, Hong Kong 

22 x 36.5cm 

$150–250 

274 

The Readers Handbook by 

E. Cobham Brewer 

$120–180 

275 

An Art Deco walnut coffee table 


$200–300 

276 

A mahogany leather inset pedestal 

desk, late 19th century 


$800–1,200 

277 

A green leather upholstered desk chair 

$120–150 

278 

A Querandi cameo glass vase, 

Argentinian, 20th century 

of baluster form, etched with green 

flowers and leafage on a yellow ground, 

cameo mark 

Querandi 23cm high 

$300–500 

271

68 

279 

An Edwardian simulated bamboo 

and pollard oak mirror 

106 x 75cm 

$400–600 

280 

A New Hebridese stone club 

29.5cm 

$100–200 

281 

A needlepoint bag the jadeite handle 

attached to a hardstone inlaid gilt metal 

surround, together with a turquoise 

and coral inset enamelled silver filigree 

finger extension conversion brooch 

$300–500 

282 

A pair of Royal Worcester figures of 

Liberty and Captivity, circa 1880 

modelled as classical maidens, each 

holding birds aloft in shot enamel 

decorated robes 

printed puce factory marks and model 

numbers 2/116 to base 


$500–900 

283 

A Doulton Lambeth glazed stoneware 

three-piece cruet set, 1882 

decorated with beaded leafage on a 

silver plate mount and stand, 

inscribed initials for Georgina burr, 

Alice Longhurst and Emma Shute, 

impressed factory mark and date 

12cm high 

$200–400 

279 

284 

A collection of Doulton Harvest and 

Hunting pattern stoneware pottery, 

1880/1920 

comprising three mugs, a beaker, a 

vesta vase, a silver mounted vase, 

a miniature loving cup and a floral 

enameled vase, each with factory 

mark and edition to base except the 

vesta vase 


$120–200

69 

285 

A George III fruit wood tilt top wine 

table with a pie crust edge and turned 

standard 

73.5cm high, 76cm diameter 

$800–1,200 

286 

A pair of French provincial style stone 

mounted wrought iron consoles, 

20th century 


$3,000–5,000 

291 

Three pieces of decorative glass, 


comprising a Victorian amethyst ribbed 

round bowl, a large green goblet vase 

and a Loetz iridescent vase 

the goblet 33cm high 

$200–400 

292 

An art glass vase by Norman Stuart 

Clarke (b.1944) 

the hand blown green glass vase 

decorated with trailing silver tendrils 

19cm high 

$150–250 

287 

A cased ‘His Masters Voice’ leatherette 

portable gramophone, circa 1920 

with a leatherette box of 78rpm 

vintage records 

the record box 34cm high 

$120–200 

288 

CAROLE VERNET 

(FRENCH, 1758 -1836) 

Le Marchand de Saucisses 

(The Merchant of Sausages) 

lithograph 

signed in the plate 

36 x 25cm 

$80–120 

289 

A Wedgwood gilded creamware dinner 

set for twelve 

comprising ninety three pieces, with 

gilded edges and embossed scrolling 

floriate border, stamped ‘Wedgwood of 

Etruria and Barlaston’ and editioned to 

the base 

the largest platter 46.5cm diameter 

$200–300 

290 

A collection of Doulton ‘Harvest and 

Hunting’ pattern stoneware pottery, 

1880/1920 

comprising a coffee pot, two tea pots, 

three sugar bowls, four milk jugs and a 

lidded jar 

the coffee pot 27cm high 

$150–300 

285

70 

293 

293 

A Persian Heriz carpet 

wool pile and natural dyes 

338 x 239cm 

$3,000–5,000 

294 

A Persian Kashan rug, Northern Iran 

inscribed ‘Kashan Omidi Atelier’ 

418 x 302cm 

$3,000–3,500 

295 

A Persian Luri Behbahan rug, 

Southern Iran, circa 1960’s 

with a central red geometric 

design on red and green borders 

304 x 157cm 

$1,500–2,000 

296 

A Persian Hosseinabad tribal rug 

dark red and brown herati pattern 

315 x 160cm 

$1,500–2,000 

297 

A Persian Bakhtiari tribe rug, 

circa 1960, South Western Iran 

with a decorative garden design 

on a pink ground 

natural dyes, pure woollen pile 

310 x 155cm 

$1,500–2,000 

298 

A Persian Mahi Ardabil rug, Iran 

herati pattern on a pale pink ground 

300 x 195cm 

$2,000–3,000 

299 

A Persian Songor Kolyaie hall runner 

with a pale pink geometric design 

on a black ground 

pure wool pile with natural dyes 

292 x 105cm 

$800–1,000 

300 

A Persian Taroom tribal rug, Iran, 

circa 1950s 

golden ground with navy patterning 

240 x 138cm 

$1,000–1,500

71 

301 

301 

A red Persian Kashan rug, Iran 

with natural dyes on a rich red ground 

351 x 246cm 

$2,500–3,500 

302 

A Ecbatana Shahrbeft Persian rug, 

Western Iran 

floral design on an indigo blue ground 

370 x 272cm 

$3,000–5,000 

303 

A Persian Najafabad Isafahan 

Minakari design rug, Iran 

blue floriate borders on a red 

and cream ground 

300 x 190cm 

$2,000–2,500 

304 

A Persian Malayer hall runner 

with a red Herati pattern on a black 

ground with ornate cream borders 

woollen pile 

298 x 105cm 

$800–1,000 

305 

A Chinese rug fragment, reputedly from 

the Imperial Palace, Beijing 

woven with roundels enclosing qilin on 

a yellow ground with flaming pearls and 

a lotus decorated border 

162 x 78cm 

$500–800 

306 

A Bautou rug, Mongolia circa 1920 

168 x 188cm 

$700–900 

307 

A Royal Worcester fruit plate, by Harry 

Ayrton, dated 1935 

painted with a central cartouche of 

peaches and grapes, within gilt borders, 

signed H. Ayrton, puce factory marks 

and retailers mark for Elkington & Co. 

Ltd., London 


$120–150 

308 

Three books on British porcelain and a 

book on Auguste Rodin 

$100–200

72 

309 

An ornate Rococo style oval gilt wood 

mirror, 19th century 

82 x 72cm 

$300–500 

310 

A pair of Royal Worcester handpainted 

and gilded cabinet plates by James 

Stinton, circa 1929 

painted with a central landscape 

cartouche, reserved on a rich green 

ground with scrolling floriate and foliage 

decoration, signed Jas Stinton, gilded 

factory mark to base 

26.5cm 

$600–800 

311 

A Victorian mahogany cheval mirror 


$300–500 

312 

A George III mahogany bow front chest 

of drawers 

108.5cm high, 104.5cm wide, 

55cm deep 

$500–800 

309 

310

73 

313 

A George IV mahogany glass top wine 

table, English, circa 1830 


$500–800 

314 

A provincial elm and oak spindle back 

rocking chair, 19th century 

$150–250 

315 

A George III carved mahogany red 

velvet upholstered elbow chair, 

circa 1790 

$100–200 

316 

An Adam style carved mahogany side 

cabinet, late 19th century 

97.5cm high, 83.5cm wide, 45cm deep 

$500–800 

321 

An English oak provincial side table, 



$300–500 

322 

A flame mahogany step front glazed 

bookcase, English 19th century 


$500–800 

323 

A French Provincial style fruitwood 

coffee table 


PROVENANCE 


$120–200 

324 

A carved mahogany side cabinet, 


with mirror back and gallery on scrolled 

supports 


$300-500 

325 

A French simulated bamboo mirror, 

circa 1920 

97 x 72cm 

$200–300 

End of Sale 

317 

A George III mahogany chest 

of drawers 

105cm high, 115cm wide, 

57cm deep 

$500–800 

318 

Two carved gilt wood shelves 

the largest 40cm long 

$150–250 

319 

A George III style mahogany carver, 

19th century 

$200–300 

320 

A George III bow front chest of drawers 

with carved pilasters 


$500–800 

313

74 

Terms & Conditions of Sale 

The terms and conditions of sale listed here contain 

the policies of Gibson’s Auctioneers & Valuers 

Pty Ltd. They are the terms on which Gibson’s 

Auctioneers & Valuers Pty Ltd and the Seller contract 

with the Buyer. They may be amended by printed 

Saleroom Notices or oral announcements made 

before and during the sale. By bidding at auction you 

agree to be bound by these terms. 

1. Background to the Terms used in 

these Conditions 

The conditions that are listed below contain terms 

that are used regularly and may need explanation. 

They are as follows: 

“the Buyer” means the person with the highest bid 

accepted by the Auctioneer 

“the Lot” means any item depicted within the sale for 

auction and in particular the item or items described 

against any lot number in the catalogue. 

“the Hammer price” means the amount of the highest 

bid accepted by the auctioneer in relation to a lot 

“the Buyers Premium” means the charge payable by 

the Buyer to the auction house as a percentage of 

the hammer price. 

“the Reserve” means the lowest amount at which 

Gibson’s Auctioneers & Valuers has agreed with the 

Seller that the lot can be sold. 

“Forgery” means an item constituting an imitation 

originally conceived and executed as a whole, with 

a fraudulent intention to deceive as to authorship, 

origin, age, period, culture or source, where the 

correct description as to such matters is not 

reflected by the description in the catalogue. 

Accordingly no lot shall be capable of being a forgery 

by reason of any damage or restoration work of any 

kind (Including re-painting). 

“the insured value” means the amount that Gibson’s 

Auctioneers & Valuers in its absolute discretion 

from time to time shall consider the value for which 

a lot should be covered for insurance (whether or 

not insurance is arranged by Gibson’s Auctioneers 

& Valuers.) 

All values expressed in Gibson’s Auctioneers & 

Valuers Pty Ltd catalogues (in any format) are in 

Australian Dollars (AU$). All bids, “hammer price”, 

“reserves”, “Buyers Premium” and other expressions 

of value are understood by all parties to be in 

Australian Dollars (AU$) unless otherwise specified. 

2. Gibson’s Auctioneers & Valuers 

Auctions as Agent 

Except as otherwise stated Gibson’s Auctioneers & 

Valuers Pty Ltd acts as agent for the Seller. 

The contract for the sale of the property is therefore 

made between the Seller and the Buyer. 

3. Before the Sale 

A) EXAMINATION OF PROPERTY 

Prospective Buyers are strongly advised to examine 

in person any property in which they are interested 

before the Auction takes place. Neither Gibson’s 

Auctioneers & Valuers nor the Seller provides any 

guarantee in relation to the nature of the property 

apart from the Limited warranty in the paragraph 

below. 

The property is otherwise sold “AS IS” 

B) CATALOGUE AND OTHER DESCRIPTIONS 

All statements by Gibson’s Auctioneers & Valuers 

in the catalogue entry for the property or in the 

condition report, or made orally or in writing 

elsewhere, are statements of opinion and are not 

to be relied upon as statements of fact. Such 

statements do not constitute a representation, 

warranty or assumption of liability by Gibson’s 

Auctioneers & Valuers of any kind. References in the 

catalogue entry to the condition report to damage 

or restoration are for guidance only and should be 

evaluated by personal inspection by the bidder or 

a knowledgeable representative. The absence of 

such a reference does not imply that an item is free 

from defects or restoration, nor does a reference to 

particular defects imply the absence of any others. 

Estimates of the selling price should not be relied 

on as a statement that this is the price at which 

the item will sell or it’s value for any other purpose. 

Neither Gibson’s Auctioneers & Valuers nor The 

Seller is responsible for any errors or omissions in the 

catalogue or any supplemental material. 

Images are measured height by width (sight size). 

Illustrations are provided only as a guide and should 

not be relied upon as a true representation of colour 

or condition. Images are not shown at a standard 

scale. Mention is rarely made of frames (which may be 

provided as supplementary images on the website) 

which do not form part of the lot as described in the 

printed catalogue. 

Foreign buyers should note that all transactions 

are in Australian dollars (AU$)so there may be a 

small exchange rate risk. The costs associated 

with acquiring a good certificate will be carried by 

the purchaser. If the item turns out to be forged or 

otherwise incorrectly described, all reasonable costs 

will be borne by the vendor. 

C) BUYERS RESPONSIBILITY 

All property is sold “as is” without representation 

or warranty of any kind by Gibson’s Auctioneers 

& Valuers or the Seller. Buyers are responsible for 

satisfying themselves concerning the condition 

of the property and the matters referred to in the 

catalogue by requesting a condition report 

4. At the Sale 

A) REFUSAL OF ADMISSION 

Gibson’s Auctioneers & Valuers reserves the right at 

our complete discretion to refuse admission to the 

auction premises or participation in any auction and 

to reject any bid. 

B) REGISTRATION BEFORE BIDDING 

Any prospective new buyer must complete and sign 

a registration form and provide photo-identification 

before bidding. Gibson’s Auctioneers & Valuers may 

request bank, trade or other financial references to 

substantiate this registration. 

C) BIDDING AS A PRINCIPAL 

When making a bid, a bidder is accepting personal 

liability to pay the purchase price including the 

buyers premium and all applicable taxes, plus all 

other applicable charges, unless it has been explicitly 

agreed in writing with Gibson’s Auctioneers & Valuers 

before the commencement of the sale that the 

bidder is acting as agent on behalf of an identified 

third party acceptable to Gibson’s Auctioneers & 

Valuers and that Gibson’s Auctioneers & Valuers will 

only look to the principal for payment. 

D) INTERNATIONAL REGISTRATIONS 

All International clients not known to Gibson’s 

Auctioneers & Valuers will be required to scan or fax 

through an accredited form of photo identification 

and pay a deposit at our discretion in cleared funds 

into Gibson’s Auctioneers & Valuers’ account at least 

48 hours before the commencement of the auction. 

Bids will not be accepted without this deposit. 

Gibson’s Auctioneers & Valuers also reserves the 

right to request any additional forms of identification 

prior to registering an overseas bid. 

This deposit can be made using a credit card, 

however the balance of any purchase price in excess 

of $5,000 can not be charged to this card without 

prior arrangement. This deposit is redeemable 

against any auction purchase. 

E) ABSENTEE BIDS 

Gibson’s Auctioneers & Valuers will use reasonable 

efforts to execute written bids delivered to us AT 

LEAST 24 Hours before the sale for the convenience 

of those clients who are unable to attend the auction 

in person. If we receive identical written bids on a 

particular lot, and at the auction these are the highest 

bids on that lot, then the lot will be sold to the person 

whose written bid was received and accepted first. 

Execution of written bids is a free service undertaken 

subject to other commitments at the time of the sale 

and we do not accept liability for failing to execute 

a written bid or for errors or omissions which may 

arise. It is the bidder’s responsibility to check with 

Gibson’s Auctioneers & Valuers after the auction if 

they were successful. Unlimited or “Buy” bids will not 

be accepted. Please refer to our indicative bidding 

increments below for appropriate absentee bid 

amounts (Section K). 

F) TELEPHONE BIDS 

Priority will be given to overseas and interstate 

bidders. Arrangements for this service must be 

confirmed AT LEAST 24 HOURS PRIOR to the auction 

commencing. Gibson’s Auctioneers & Valuers 

accepts no responsibility whatsoever for any errors 

or failure to execute bids. In telephone bidding the 

buyer agrees to be bound by all terms and conditions 

listed here and accepts that Gibson’s Auctioneers 

& Valuers cannot be held responsible for any 

mis-communications in the process. The success 

of telephone bidding cannot be guaranteed due to 

circumstances that are unforeseen. Buyers should 

be aware of the risk and accept the consequences 

should contact be unsuccessful at the time of 

Auction. You must advise Gibson’s Auctioneers & 

Valuers of the lots in question and recommend a 

‘Cover Bid’ amount should there be any issues with 

technology or communication via the telephone 

number provided. Gibson’s Auctioneers & Valuers 

will advise Telephone Bidders who have registered 

at least 24 hours before the auction of any relevant 

changes to descriptions, withdrawals or any other 

sale room notices. 

G) ONLINE BIDDING 

Gibson’s Auctioneers & Valuers accepts no 

responsibility for any errors, failure to execute bids or 

any other miscommunications regarding this process. 

It is the online bidder’s responsibility to ensure the 

accuracy of the relevant information regarding bids, 

lot numbers and contact details. 

H) RESERVES 

Unless otherwise indicated, all lots are offered subject 

to a reserve, which is the confidential minimum price 

below which the Lot will not be sold. The reserve will 

not exceed the low estimate printed in the catalogue. 

The auctioneer may open the bidding on any Lot 

below the reserve by placing a bid on behalf of the 

Seller. The auctioneer may continue to bid on behalf 

of seller up to the amount of the reserve, either 

by placing consecutive bids or by placing bids in 

response to other bidders. 

I) AUCTIONEERS DISCRETION 

The Auctioneer has the right at his absolute and sole 

discretion to refuse any bid, to advance the bidding 

in such a manner as he may decide, to withdraw or 

divide any lot, to combine any two or more lots and, 

in the case or error or dispute and whether during or

75 

after the sale, to determine the successful bidder, to 

continue the bidding, to cancel the sale or to reoffer 

and resell the item in dispute. If any dispute arises 

after the sale, then Gibson’s Auctioneers & Valuers’s 

sale record is conclusive. 

J) SUCCESSFUL BID AND PASSING OF RISK 

Subject to the auctioneer’s discretion, the highest 

bidder accepted by the auctioneer will be the buyer 

and the striking of his hammer marks the acceptance 

of the highest bid and the conclusion of a contract 

for sale between the Seller and the Buyer. Risk and 

responsibility for the lot (including frames or glass 

where relevant) passes immediately to the Buyer. 

K) INDICATIVE BIDDING STEPS, ETC. 

Gibson’s Auctioneers & Valuers reserves the right to 

refuse any bid, withdraw any lot from sale, to place 

a reserve on any lot and to advance the bidding 

according to the following: 

Increment Amount 

Dollar Range 

$20 $0–$500 

$50 $500–$1,000 

$100 $1,000–$2,000 

$200 $2,000–$5,000 

$500 $5,000–$10,000 

$1,000 $10,000–$20,000 

$2,000 $20,000–$50,000 

$5,000 $50,000–$100,000 

$10,000 $100,000–$200,000 

$20,000 $200,000–$500,000 

$50,000 $500,000–$1,000,000 

Absentee bids must follow these increments and any 

bids that don’t follow the steps will be rounded up to 

the nearest acceptable bid. 

5. After the Sale 

A) BUYERS PREMIUM 

In addition to the hammer price, the buyer agrees to 

pay to Gibson’s Auctioneers & Valuers the buyers 

premium. The buyer’s premium is 22% of the 

hammer price plus GST. (Goods and Services Tax) 

where applicable. 

B) PAYMENT AND PASSING OF TITLE 

The buyer must pay the full amount due (comprising 

the hammer price, buyers premium and any 

applicable taxes and GST) not later than three (3) 

days after the auction date. 

The buyer will not acquire title for the lot until 

Gibson’s Auctioneers & Valuers receives full 

payment in cleared funds, and no goods under any 

circumstances will be released without confirmation 

of cleared funds received. This applies even if the 

buyer wishes to send items interstate or overseas. 

Payment can be made by the following means: 

• Bank Transfer/Direct Deposit is our preferred 

method of payment 

Account Name: Gibsons Auctions 

Bank: 

Bank of Melbourne 

(A division of St George) 

BSB: 193879 

Account No: 441701443 

Swift Code: SGBLAU2S 

Routing Code: 021000021 

Bank Address: 197-201 Glenferrie Road, 

Malvern, Vic, 3144 

The buyer is responsible for any bank fees and 

charges applicable for the transfer of funds into 

Gibson’s Auctioneers & Valuers’s account 

• Personal, Company and Bank Cheques are not 

accepted without prior approval. 

• Eftpos (no charge) 

• Credit cards: Visa and Mastercard (1.2% incl GST 

merchant fee) and American Express (2% incl 

GST merchant fee) 

Please note that credit card transactions over 

$5,000 will not be accepted over the telephone 

unless by prior arrangement. 

• Cash up to AU$10,000 can accepted in 

cash. For any amount over this, cash is to be 

deposited directly into our account at a Bank of 

Melbourne/St George branch 

C) COLLECTION OF PURCHASES & INSURANCE 

Gibson’s Auctioneers & Valuers is entitled to retain 

items sold until all amounts due to us have been 

received in full in good cleared funds. Subject to this, 

the Buyer shall collect purchased lots within three 

(3) days from the date of the sale unless otherwise 

agreed in writing between Gibson’s Auctioneers & 

Valuers and the Buyer. 

At the fall of the hammer, insurance is the 

responsibility of the purchaser. 

D) PACKING, HANDLING AND SHIPPING 

At the request of the buyer, Gibson’s Auctioneers & 

Valuers may assist with packing of goods but takes 

no responsibility for loss, damage or breakage that 

may occur. 

Gibson’s Auctioneers & Valuers at the request of the 

buyer may arrange for a carrier, packer or shipper to 

have the property packed, insured and shipped at 

the buyer’s expense. All packing, shipping, insurance, 

postage & associated charges will be borne by the 

purchaser. 

Gibson’s Auctioneers & Valuers can assist with 

removal companies that the buyer can use but takes 

no responsibility whatsoever for the actions of any 

recommended third party. 

E) CULTURAL HERITAGE EXPORT LICENCES 

Unless otherwise agreed by us in writing, the fact 

that the buyer wishes to apply for an export licence 

does not affect his or her obligation to make full 

payment immediately, nor our right to charge 

interest or storage charges on late payment. It 

is the Buyer’s responsibility to check Australia’s 

Protection of Moveable Cultural Heritage Act 1986 

before purchase. If the Buyer requests Gibson’s 

Auctioneers & Valuers to apply for an export licence 

then we shall be entitled to charge a fee for this 

service. We shall not be obliged to rescind a sale nor 

to refund any interest or other expenses incurred 

by the Buyer where payment is made by the Buyer 

in circumstances where an export licence is not 

granted. 

F) REMEDIES FOR NON-PAYMENT 

If the Buyer fails to make full payment immediately, 

Gibson’s Auctioneers & Valuers is entitled to exercise 

one or more of the following rights or remedies (in 

addition to asserting any other rights or remedies 

available under the law) 

i) to charge interest at the ANZ visa credit card 

rate as published weekly in the Australian 

Financial Review 

ii) 

iii) 

iv) 

to hold the defaulting Buyer liable for the 

total amount due and to commence legal 

proceedings for it’s recovery along with interest, 

legal fees and costs to the fullest extent 

permitted under applicable law 

to cancel the sale 

to resell the property publicly or privately on 

such terms as we see fit 

v) to pay the Seller an amount up to the net 

proceeds payable in respect of the amount bid 

by the defaulting Buyer. In these circumstances 

the defaulting Buyer can have no claim upon 

Gibson’s Auctioneers & Valuers in the event that 

the item(s) are sold for an amount greater than 

the original invoiced amount. 

vi) 

vii) 

to set off against any amounts which Gibson’s 

Auctioneers & Valuers may owe the Buyer in 

any other transactions, the outstanding amount 

remaining unpaid by the Buyer. 

where several amounts are owed by the Buyer to 

us, in respect of different transactions, to apply 

any amount paid to discharge any amount owed 

in respect of any particular transaction, whether 

or not the Buyer so directs. 

viii) to reject at any future auction any bids made by 

or on behalf of the Buyer or to obtain a deposit 

from the Buyer prior to accepting any bids. 

ix) 

to exercise all the rights and remedies of a 

person holding security over any property in 

our possession owned by the Buyer whether by 

way of pledge, security interest or in any other 

way, to the fullest extent permitted by the law of 

the place where such property is located. The 

Buyer will be deemed to have been granted such 

security to us and we may retain such property 

as collateral security for such Buyer’s obligations 

to us. 

x) to take such other action as Gibson’s 

Auctioneers & Valuers deem necessary or 

appropriate 

If we do sell the property under paragraph 

(iv), then the defaulting Buyer shall be liable 

for payment of any deficiency between the 

total amount originally due to us and the 

price obtained upon reselling as well as for 

all costs, expenses, damages, legal fees and 

commissions and premiums of whatever kinds 

associated with both sales or otherwise arising 

from the default. 

If we pay any amount to the Seller under 

paragraph (v) the Buyer acknowledges that 

Gibson’s Auctioneers & Valuers shall have all 

of the rights of the Seller, however arising, to 

pursue the Buyer for such amount. 

G) FAILURE TO COLLECT PURCHASES 

Where purchases are not collected within three (3) 

days from the sale date, whether or not payment 

has been made, we shall be permitted to remove the 

property to a warehouse at the buyer’s expense, and 

only release the items after payment in full has been 

made of removal, storage handling, insurance and 

any other costs incurred, together with payment of all 

other amounts due to us. 

6. Extent of Gibson’s Auctioneers & 

Valuers Liability 

Gibson’s Auctioneers & Valuers agrees to refund 

the purchase price in the circumstances of the 

Limited Warranty set out in paragraph 7 below. 

Apart from that, neither the Seller nor we, nor any 

of our employees or agents are responsible for 

the correctness of any statement of whatever kind 

concerning any lot, whether written or oral, nor 

for any other errors or omissions in description 

or for any faults or defects in any lots. Except as 

stated in paragraph 7 below, neither the Seller 

ourselves, our officers, agents or employees give any 

representation warranty or guarantee or assume any 

liability of any kind in respect of any lot with regard 

to merchantability, fitness for a particular purpose, 

description, size, quality, condition, attribution, 

authenticity, rarity, importance, medium, provenance, 

exhibition history, literature or historical relevance. 

Except as required by local law any warranty of any 

kind is excluded by this paragraph. 

7. Limited Warranty 

Subject to the terms and conditions of this 

paragraph, the Seller warrants for the period of 

fourteen (14) days from the date of the sale that 

any property described in this catalogue (noting 

such description may be amended by any saleroom 

notice or announcement) which is stated without 

qualification to be the work of a named author or

76 

authorship is authentic and not a forgery. The term 

“Author” or “authorship” refers to the creator of the 

property or to the period, culture, source, or origin 

as the case may be, with which the creation of such 

property is identified in the catalogue. 

The warranty is subject to the following: 

i) it does not apply where a) the catalogue 

description or saleroom notice corresponded 

to the generally accepted opinion of scholars 

and experts at the date of the sale or fairly 

indicated that there was a conflict of opinions, 

or b) correct identification of a lot can be 

demonstrated only by means of a scientific 

process not generally accepted for use until 

after publication of the catalogue or a process 

which at the date of the publication of the 

catalogue was unreasonably expensive or 

impractical or likely to have caused damage to 

the property. 

ii) 

iii) 

iv) 

the benefits of the warranty are not assignable 

and shall apply only to the original buyer of the 

lot as shown on the invoice originally issued by 

Gibson’s Auctioneers & Valuers when the lot was 

sold at Auction. 

the Original Buyer must have remained the 

owner of the lot without disposing of any interest 

in it to any third party 

The Buyer’s sole and exclusive remedy against 

the Seller in place of any other remedy which 

might be available, is the cancellation of the sale 

and the refund of the original purchase price 

paid for the lot less the buyers premium which is 

non refundable. Neither the Seller nor Gibson’s 

Auctioneers & Valuers will be liable for any 

special, incidental nor consequential damages 

including, without limitation, loss of profits not for 

interest. 

v) The Buyer must give written notice of claim 

to us within fourteen (14) days of the date of 

the Auction. The Seller shall have the right, 

to require the Buyer to obtain two written 

opinions by recognised experts in the field, 

mutually acceptable to the Buyer and Gibson’s 

Auctioneers & Valuers to decide whether or not 

to cancel the sale under warranty. 

vi) 

the Buyer must return the lot to Seller in the 

same condition that it was purchased. 

8. Severability 

If any part of these Conditions of Sale is found by any 

court to be invalid, illegal or unenforceable, that part 

shall be discounted and the rest of the Conditions 

shall continue to be valid to the fullest extent 

permitted by law. 

9. Copyright 

The copyright of all images, illustrations and written 

material produced by Gibson’s Auctioneers & 

Valuers relating to a lot including the contents of this 

catalogue, is and shall remain the property at all times 

of Gibson’s Auctioneers & Valuers and shall not be 

used by the Buyer, nor by anyone else without our 

prior written consent. Gibson’s Auctioneers & Valuers 

and the Seller make no representation or warranty 

that the Buyer of a property will acquire any copyright 

or other reproduction rights in it. 

10. Law and Jurisdiction 

These terms and conditions and any matters 

concerned with the foregoing fall within the exclusive 

jurisdiction of the courts of the state in which the 

auction is held. 

11. Pre-Sale Estimates 

Gibson’s Auctioneers & Valuers publishes with each 

catalogue our opinion as to the estimated price range 

for each lot. These estimates are approximate prices 

only and are not intended to be definitive. They are 

prepared well in advance of the sale and may be 

subject to revision. Interested parties should contact 

Gibson’s Auctioneers & Valuers prior to auction for 

updated pre-sale estimates and starting prices. 

12. Sale results 

Gibson’s Auctioneers & Valuers will provide auction 

results, which will be available as soon as possible 

after the sale. Results will include buyer’s premium 

(22% plus GST). These results will be posted at 


13. Goods and Service Tax 

In accordance with A New Tax System (Goods 

and Services Tax) Act 1999 Gibson’s Auctioneers 

& Valuers Auctions will collect on behalf of the 

Australian tax office (ATO) a Goods and Service Tax 

(GST) of 10% on all applicable transactions. 

ABN: 26 440 767 899 

GST is applicable on the hammer price in the case 

where the seller is selling property that is owned by 

an entity registered for GST. GST is also applicable 

on the hammer price in the case where the seller is 

not an Australian resident. These lots are denoted by 

a dagger symbol † placed next to the estimate. 

GST is also applicable on the buyer’s premium. 

Overseas buyers and buyers non-resident in Australia 

will not be charged GST on both hammer price and 

premiums under the following conditions: 

1. The items are exported through a Gibson’s 

Auctioneers & Valuers approved freight 

company including Australia Post 

2. The items are exported within 60 days of the 

date of the sale 

The invoice supplied by Gibson’s Auctioneers & 

Valuers for purchases will be regarded as a Tax 

invoice for GST purposes. 

14. Resale Royalty Scheme 

Under the legal obligations of the Resale Royalty 

Scheme for Visual Artists Act 2009, sellers must 

provide the following information to comply with 

the act: 

• was the artwork acquired after 8 June 2010? 

• is the sale/reserve price (including GST) $1,000 

or more? 

• is the artist from Australia or a country listed in 

the Regulations to the Act? 

• is the artist alive, or deceased less than 70 

years? 

The seller: 

i) acknowledges that he or she understands his or 

her legal obligations under the Resale Royalty for 

Visual Artists Act 2009 (the Act); 

ii) 

iii) 

iv) 

undertakes to comply with all requirements of 

the Act, including by providing its agent, the 

company, with accurate information sufficient for 

compliance with sections 28 and 29 of the Act; 

undertakes to indemnify the company for any 

loss incurred by the company as a result of 

the vendor’s failure to comply with any of the 

vendor’s legal obligations under the Act; and 

acknowledges that if he or she fails to comply 

with any of his or her legal obligations under 

the Act, the company may provide the vendor’s 

name and contact details to Copyright Agency 

Limited (CAL). 

Lots subject to payment of the Resale Royalty 

Scheme will be denoted by the §. The Australian 

Resale Royalty is a flat rate of 5% on the hammer 

price (including GST). The Australian Resale Royalty 

is payable by the seller in addition to the buyers 

premium plus any applicable GST. 

15. Jewels & Watches 

GEMSTONES 

Gemstones have historically been subjected to a 

variety of treatments to enhance their appearance. 

Sapphire and rubies are routinely heat treated to 

improve their colour and clarity, similarly emeralds 

are frequently treated with oils or resin for the same 

purpose. Other treatments such as staining or dyeing, 

irradiation, filling or coating may have been used 

on other precious and semi-precious gemstones 

and organic material. These treatments may be 

permanent, whilst others may need special care to 

preserve their appearance. Buyers should assume 

that each lot has been subject to some form of 

treatment and that the estimates reflect this. 

A number of laboratories issue certificates that 

give detailed descriptions of gemstones, and in 

the event that Gibson’s Auctioneers & Valuers has 

been supplied with or obtained certificates for any 

lot, this shall be noted in the catalogue. However, 

as there may not be consensus between different 

laboratories on the degree, or types of treatment 

of the gemstones, Gibson’s Auctioneers & Valuers 

supplies these without warranty. 

Buyers should assume that all gemstones sold by 

Gibson’s Auctioneers & Valuers may have been 

subjected to such treatments, and that the catalogue 

estimates reflect this. 

PEARLS 

Pearls, like gemstones, are also subject to various 

treatments. Buyers should assume that any pearls 

sold by Gibson’s Auctioneers & Valuers may have 

been subjected to such treatments, and that the 

catalogue estimates reflect this. 

WATCHES 

Please note: All watches sold by Gibson’s 

Auctioneers & Valuers are sold on an “as is” 

basis. Gibson’s Auctioneers & Valuers makes no 

representation or warranty that any watch is in 

working order. Many watches have been repaired 

over their lifetime and may contain non-original parts. 

The absence of any reference to the condition of a 

watch does not imply that the lot is in good condition 

and without defects, repairs or restorations. Buyers 

should be aware that a general service, change of 

battery or further repair work, for which the Buyer is 

solely responsible for, may be necessary. 

ESTIMATED WEIGHTS 

If a stone has a known weight, it has been weighed 

out of the mount. If a stone has an estimated weight, 

it is an approximate weight only and has been 

measured by us in the mount and is a statement of 

opinion only. The information is given as a guide only 

and Buyers should satisfy themselves with regard to 

this information as to its accuracy.

Lot 141

GA021 | The Spring Auction Series

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