NoMATERIA 2020 | Balance
NoMATERIA 2020 | Balance
Diseño Industrial de Venezuela. Industrial Design in Venezuela.
Una muestra online del trabajo de los diseñadores venezolanos. 28 objetos que hablan de la escala en el diseño, de los materiales, de los procesos de producción y de las prácticas.
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An online exhibition of the work of Venezuelan designers. 28 objects that speak of scale in design, materials, production processes and practices.
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Curada por / Curated by Ignacio Urbina Polo
www.ignaciourbina.com
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Producido por / Produced by
www.di-conexiones.com
©2020 di-conexiones
NoMATERIA 2020 | Balance
Diseño Industrial de Venezuela. Industrial Design in Venezuela.
Una muestra online del trabajo de los diseñadores venezolanos. 28 objetos que hablan de la escala en el diseño, de los materiales, de los procesos de producción y de las prácticas.
-
An online exhibition of the work of Venezuelan designers. 28 objects that speak of scale in design, materials, production processes and practices.
-
Curada por / Curated by Ignacio Urbina Polo
www.ignaciourbina.com
-
Producido por / Produced by
www.di-conexiones.com
©2020 di-conexiones
Melina, 2019Mayra BriceñoIdentidad Diseñowww.identidaddiseno.com | @identidaddisenoMérida, Venezuela«Melina fue diseñado por capricho. La mielera es una pieza que estéticamente me gustamucho y la iniciativa fue hacer una versión Identidad Diseño de ella, aprovechando elparque tecnológico con el que contamos.Para diseñarla, investigamos los usos de las mieleras. Tomamos en cuenta que fuera losuficientemente larga para usarla en frascos con comodidad, que su parte contenedorafuera grande y sus hendiduras anchas y profundas para que pueda contener la miel y algirarla no se vierta sobre las superficies sino al momento de ponerla estática. No sólosirve para miel, también se puede usar con jarabes y aderezos. El set de Melina con sucuenco se diseñó para poner en la mesa, como un elemento para servir.Fue muy interesante conocer un poco más de la cultura de miel venezolana de buenacalidad y pureza y, de alguna manera, poder ayudar a promoverla. Además fue muyestimulante saber que los productores de miel promueven la protección de las abejasy su ecosistema».Madera de fresno.Torneado, grabado en láser y acabados hechos a mano.Cuenco: madera sellada y recubrimiento epoxi grado alimenticio color blanco.Mielera: sellada con aceite de ajonjolí y coco.
“Melina was designed on a whim. The honey bowl is a piece that aesthetically I like alot and the initiative was to make a Identidad Diseño version of it, taking advantage ofthe technology park we have.To design it, we investigated the uses of honeysuckle. We took into account that it waslong enough to be used in jars comfortably, that its container part was large and its slitswide and deep so that it could contain the honey and when turning it, it is not pouredon the surfaces but at the time of putting it static. Not only does it work for honey, it canalso be used with syrups and dressings. Melina’s bowl set was designed to be put onthe table, as a serving item.It was very interesting to know a little more about the culture of Venezuelan honey ofgood quality and purity and, in some way, to be able to help promote it. It was also veryencouraging to know that honey producers promote the protection of bees and theirecosystem.”Ash wood.Turning, laser engraving and hand finished finishes.Bowl: sealed wood and white food grade epoxy coating.Honey tray: sealed with sesameand coconut oil.
- Page 1 and 2: NoMATERIA 2020 | BalanceDiseño Ind
- Page 3: NoMATERIA 2020 | BalanceDiseño Ind
- Page 7: Las 28Esta selección de 28 piezas
- Page 11: La muestra / The sampleIgnacio Urbi
- Page 14 and 15: campo que se ocupa de dar textura t
- Page 17 and 18: NoMATERIA 2020 - BalanceIndustrial
- Page 19 and 20: When it comes to design’s relatio
- Page 21 and 22: Productos / ProductsMelina, 2019Nou
- Page 23 and 24: “Surge protectors have been aroun
- Page 28: Melina, 2019
- Page 31 and 32: “Nourish is a collection of plate
- Page 34 and 35: Blomma, 2019Jesús Rodríguez Romer
- Page 36: Blomma, 2019
- Page 39 and 40: “The use of color, geometry and p
- Page 42 and 43: Zeit, 2019Natalie Floreswww.luxanet
- Page 44: Zeit, 2019
- Page 47 and 48: “The Apurruños were created rece
- Page 50 and 51: Arekuna, 2019María Teresa Aristegu
- Page 52: Arekuna, 2019
- Page 55 and 56: “Light that grows and expands lik
- Page 58 and 59: ara collection, 2019Rodolfo Agrella
- Page 60: ara collection, 2019
- Page 63 and 64: “The line moves like a loose line
- Page 66 and 67: Lluvia, 2019Anabella Georgiwww.anab
- Page 68: Lluvia, 2019
- Page 71 and 72: (in homage to Martín John Gornés)
- Page 74 and 75: Silla Wood + Wrap, 2020Franklin Oso
“Melina was designed on a whim. The honey bowl is a piece that aesthetically I like a
lot and the initiative was to make a Identidad Diseño version of it, taking advantage of
the technology park we have.
To design it, we investigated the uses of honeysuckle. We took into account that it was
long enough to be used in jars comfortably, that its container part was large and its slits
wide and deep so that it could contain the honey and when turning it, it is not poured
on the surfaces but at the time of putting it static. Not only does it work for honey, it can
also be used with syrups and dressings. Melina’s bowl set was designed to be put on
the table, as a serving item.
It was very interesting to know a little more about the culture of Venezuelan honey of
good quality and purity and, in some way, to be able to help promote it. It was also very
encouraging to know that honey producers promote the protection of bees and their
ecosystem.”
Ash wood.
Turning, laser engraving and hand finished finishes.
Bowl: sealed wood and white food grade epoxy coating.Honey tray: sealed with sesame
and coconut oil.
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